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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41C7B3 it is the complementary color #BE384C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41C7B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41C7B3 shade: #46C7AE, #57D9C1, #68EBD4, #79FDE7 and #8AFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41C7B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41C7B3 shade: #41C7B3, #30B5A0, #1FA38D, #0E917A and #007F67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41C7B3 shade: #42C6B2, #42C68F, #42C66B, #42C648 and #60C642

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41C7B3 shade: #42C6B2, #42B6C6, #4293C6, #426FC6 and #424BC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41C7B3 shade matches the following richer shades: #42C6B2, #2EDAC0 and #1AEECE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41C7B3 shade: #42C6B2, #56B2A5, #6A9F97, #7D8B89 and #91777B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41C7B3 shade: #42C66C, #42C68F, #42C6B2, #42B7C6 and #4294C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41C7B3 shade: #2A8C7D, #33AC9A, #42C6B2, #62D0BF and #82D9CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41C7B3 shade: #41C7B3, #4942C6 and #C67D42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41C7B3 shade: #41C7B3, #B242C6 and #C6B242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41C7B3 shade: #41C7B3, #4942C6, #C64256 and #C0C642

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41C7B3 shade: #41C7B3, #7042C6, #C64256 and #98C642

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 10 / 22

HEX #41C7B3

RGB 65 199 179

HSL 171.04, 0.54%, 0.52%

LAB 73.04, -40.58, -0.53

 

Complementary color

CMYK 0 / 71 / 60 / 25

HEX #BE384C

RGB 190 56 76

HSL 351.04, 0.54%, 0.48%

LAB 44.66, 54.38, 19.66

 

CMYK 65 / 0 / 13 / 22

HEX #46C7AE

RGB 70 199 174

HSL 168.37, 0.54%, 0.53%

LAB 73.03, -41.09, 2.18

 

CMYK 60 / 0 / 11 / 15

HEX #57D9C1

RGB 87 217 193

HSL 168.92, 0.63%, 0.6%

LAB 79.33, -41.37, 1.18

 

CMYK 56 / 0 / 10 / 8

HEX #68EBD4

RGB 104 235 212

HSL 169.47, 0.77%, 0.66%

LAB 85.56, -41.53, 0.26

 

CMYK 52 / 0 / 9 / 1

HEX #79FDE7

RGB 121 253 231

HSL 170, 0.97%, 0.73%

LAB 91.72, -41.61, -0.59

 

CMYK 46 / 0 / 2 / 0

HEX #8AFFFA

RGB 138 255 250

HSL 177.44, 1%, 0.77%

LAB 93.37, -34.35, -7.93

 

CMYK 67 / 0 / 10 / 22

HEX #41C7B3

RGB 65 199 179

HSL 171.04, 0.54%, 0.52%

LAB 73.04, -40.58, -0.53

 

CMYK 73 / 0 / 12 / 29

HEX #30B5A0

RGB 48 181 160

HSL 170.53, 0.58%, 0.45%

LAB 66.68, -39.98, 0.55

 

CMYK 81 / 0 / 13 / 36

HEX #1FA38D

RGB 31 163 141

HSL 170, 0.68%, 0.38%

LAB 60.26, -39.08, 1.76

 

CMYK 90 / 0 / 16 / 43

HEX #0E917A

RGB 14 145 122

HSL 169.47, 0.82%, 0.31%

LAB 53.76, -37.77, 3.13

 

CMYK 100 / 0 / 19 / 50

HEX #007F67

RGB 0 127 103

HSL 168.66, 1%, 0.25%

LAB 47.18, -35.99, 4.68

 

CMYK 67 / 0 / 10 / 22

HEX #42C6B2

RGB 66 198 178

HSL 170.91, 0.54%, 0.52%

LAB 72.73, -40.25, -0.43

 

CMYK 67 / 0 / 28 / 22

HEX #42C68F

RGB 66 198 143

HSL 155, 0.54%, 0.52%

LAB 71.91, -48.64, 17.31

 

CMYK 67 / 0 / 46 / 22

HEX #42C66B

RGB 66 198 107

HSL 138.64, 0.54%, 0.52%

LAB 71.29, -55.48, 35.29

 

CMYK 67 / 0 / 64 / 22

HEX #42C648

RGB 66 198 72

HSL 122.73, 0.54%, 0.52%

LAB 70.88, -60.18, 51.32

 

CMYK 52 / 0 / 67 / 22

HEX #60C642

RGB 96 198 66

HSL 106.36, 0.54%, 0.52%

LAB 71.74, -53.59, 55.02

 

CMYK 67 / 0 / 10 / 22

HEX #42C6B2

RGB 66 198 178

HSL 170.91, 0.54%, 0.52%

LAB 72.73, -40.25, -0.43

 

CMYK 67 / 8 / 0 / 22

HEX #42B6C6

RGB 66 182 198

HSL 187.27, 0.54%, 0.52%

LAB 68.53, -27.09, -17.64

 

CMYK 67 / 26 / 0 / 22

HEX #4293C6

RGB 66 147 198

HSL 203.18, 0.54%, 0.52%

LAB 58.13, -8.54, -33.61

 

CMYK 67 / 44 / 0 / 22

HEX #426FC6

RGB 66 111 198

HSL 219.55, 0.54%, 0.52%

LAB 47.76, 12.97, -50

 

CMYK 67 / 62 / 0 / 22

HEX #424BC6

RGB 66 75 198

HSL 235.91, 0.54%, 0.52%

LAB 38.32, 35.8, -65.26

 

CMYK 67 / 0 / 10 / 22

HEX #42C6B2

RGB 66 198 178

HSL 170.91, 0.54%, 0.52%

LAB 72.73, -40.25, -0.43

 

CMYK 79 / 0 / 12 / 15

HEX #2EDAC0

RGB 46 218 192

HSL 170.93, 0.7%, 0.52%

LAB 78.77, -47.69, 0.79

 

CMYK 89 / 0 / 13 / 7

HEX #1AEECE

RGB 26 238 206

HSL 170.94, 0.86%, 0.52%

LAB 84.91, -53.68, 2.29

 

CMYK 67 / 0 / 10 / 22

HEX #42C6B2

RGB 66 198 178

HSL 170.91, 0.54%, 0.52%

LAB 72.73, -40.25, -0.43

 

CMYK 52 / 0 / 7 / 30

HEX #56B2A5

RGB 86 178 165

HSL 171.52, 0.37%, 0.52%

LAB 66.93, -30.6, -1.74

 

CMYK 33 / 0 / 5 / 38

HEX #6A9F97

RGB 106 159 151

HSL 170.94, 0.22%, 0.52%

LAB 61.74, -19.36, -1.43

 

CMYK 10 / 0 / 1 / 45

HEX #7D8B89

RGB 125 139 137

HSL 171.43, 0.06%, 0.52%

LAB 56.71, -5.48, -0.67

 

CMYK 0 / 18 / 15 / 43

HEX #91777B

RGB 145 119 123

HSL 350.77, 0.11%, 0.52%

LAB 52.56, 10.79, 1.61

 

CMYK 67 / 0 / 45 / 22

HEX #42C66C

RGB 66 198 108

HSL 139.09, 0.54%, 0.52%

LAB 71.3, -55.32, 34.8

 

CMYK 67 / 0 / 28 / 22

HEX #42C68F

RGB 66 198 143

HSL 155, 0.54%, 0.52%

LAB 71.91, -48.64, 17.31

 

CMYK 67 / 0 / 10 / 22

HEX #42C6B2

RGB 66 198 178

HSL 170.91, 0.54%, 0.52%

LAB 72.73, -40.25, -0.43

 

CMYK 67 / 8 / 0 / 22

HEX #42B7C6

RGB 66 183 198

HSL 186.82, 0.54%, 0.52%

LAB 68.83, -27.58, -17.19

 

CMYK 67 / 25 / 0 / 22

HEX #4294C6

RGB 66 148 198

HSL 202.73, 0.54%, 0.52%

LAB 58.43, -9.1, -33.16

 

CMYK 70 / 0 / 11 / 45

HEX #2A8C7D

RGB 42 140 125

HSL 170.82, 0.54%, 0.36%

LAB 52.65, -31.64, -0.16

 

CMYK 70 / 0 / 10 / 33

HEX #33AC9A

RGB 51 172 154

HSL 171.07, 0.54%, 0.44%

LAB 63.79, -37.15, -0.34

 

CMYK 67 / 0 / 10 / 22

HEX #42C6B2

RGB 66 198 178

HSL 170.91, 0.54%, 0.52%

LAB 72.73, -40.25, -0.43

 

CMYK 53 / 0 / 8 / 18

HEX #62D0BF

RGB 98 208 191

HSL 170.73, 0.54%, 0.6%

LAB 76.96, -35.63, -1.17

 

CMYK 40 / 0 / 6 / 15

HEX #82D9CC

RGB 130 217 204

HSL 171.03, 0.53%, 0.68%

LAB 81.14, -29.26, -1.85

 

CMYK 67 / 0 / 10 / 22

HEX #41C7B3

RGB 65 199 179

HSL 171.04, 0.54%, 0.52%

LAB 73.04, -40.58, -0.53

 

CMYK 63 / 67 / 0 / 22

HEX #4942C6

RGB 73 66 198

HSL 243.18, 0.54%, 0.52%

LAB 36.72, 42.27, -67.85

 

CMYK 0 / 37 / 67 / 22

HEX #C67D42

RGB 198 125 66

HSL 26.82, 0.54%, 0.52%

LAB 59.04, 22.97, 43.19

 

CMYK 67 / 0 / 10 / 22

HEX #41C7B3

RGB 65 199 179

HSL 171.04, 0.54%, 0.52%

LAB 73.04, -40.58, -0.53

 

CMYK 10 / 67 / 0 / 22

HEX #B242C6

RGB 178 66 198

HSL 290.91, 0.54%, 0.52%

LAB 48.81, 62.97, -47.72

 

CMYK 0 / 10 / 67 / 22

HEX #C6B242

RGB 198 178 66

HSL 50.91, 0.54%, 0.52%

LAB 72.39, -5.69, 57.65

 

CMYK 67 / 0 / 10 / 22

HEX #41C7B3

RGB 65 199 179

HSL 171.04, 0.54%, 0.52%

LAB 73.04, -40.58, -0.53

 

CMYK 63 / 67 / 0 / 22

HEX #4942C6

RGB 73 66 198

HSL 243.18, 0.54%, 0.52%

LAB 36.72, 42.27, -67.85

 

CMYK 0 / 67 / 57 / 22

HEX #C64256

RGB 198 66 86

HSL 350.91, 0.54%, 0.52%

LAB 47.72, 53.7, 17.9

 

CMYK 3 / 0 / 67 / 22

HEX #C0C642

RGB 192 198 66

HSL 62.73, 0.54%, 0.52%

LAB 77.27, -18.46, 62.52

 

CMYK 67 / 0 / 10 / 22

HEX #41C7B3

RGB 65 199 179

HSL 171.04, 0.54%, 0.52%

LAB 73.04, -40.58, -0.53

 

CMYK 43 / 67 / 0 / 22

HEX #7042C6

RGB 112 66 198

HSL 260.91, 0.54%, 0.52%

LAB 40.28, 48.87, -61.9

 

CMYK 0 / 67 / 57 / 22

HEX #C64256

RGB 198 66 86

HSL 350.91, 0.54%, 0.52%

LAB 47.72, 53.7, 17.9

 

CMYK 23 / 0 / 67 / 22

HEX #98C642

RGB 152 198 66

HSL 80.91, 0.54%, 0.52%

LAB 74.48, -34.63, 58.76

 

Description

Color code: HEX #41C7B3 | qconv.com Color code: HEX #41C7B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 199 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 199 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 10 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 10% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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