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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41C370 it is the complementary color #BE3C8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41C370. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41C370 shade: #46C36B, #57D57E, #68E791, #79F9A4 and #8AFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41C370. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41C370 shade: #41C370, #30B15D, #1F9F4A, #0E8D37 and #007B24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41C370 shade: #41C370, #41C34D, #58C341, #7BC341 and #9EC341

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41C370 shade: #41C370, #41C393, #41C3B6, #41ACC3 and #4189C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41C370 shade matches the following richer shades: #41C370, #2CD76A and #18EB64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41C370 shade: #41C370, #55AE75, #699A7B, #7D8680 and #917286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41C370 shade: #58C341, #41C34B, #41C36E, #41C391 and #41C3B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41C370 shade: #2A864C, #34A65D, #41C370, #60CC87 and #7FD69F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41C370 shade: #41C370, #417BC3 and #C34147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41C370 shade: #41C370, #6E41C3 and #C36E41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41C370 shade: #41C370, #417BC3, #C34195 and #C38841

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41C370 shade: #41C370, #4154C3, #C34195 and #C3AF41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

Complementary color

CMYK 0 / 68 / 25 / 25

HEX #BE3C8F

RGB 190 60 143

HSL 321.69, 0.52%, 0.49%

LAB 47.19, 59.58, -17.69

 

CMYK 64 / 0 / 45 / 24

HEX #46C36B

RGB 70 195 107

HSL 137.76, 0.51%, 0.52%

LAB 70.45, -53.58, 34.24

 

CMYK 59 / 0 / 41 / 16

HEX #57D57E

RGB 87 213 126

HSL 138.57, 0.6%, 0.59%

LAB 76.75, -53.81, 32.82

 

CMYK 55 / 0 / 37 / 9

HEX #68E791

RGB 104 231 145

HSL 139.37, 0.73%, 0.66%

LAB 82.99, -53.87, 31.47

 

CMYK 51 / 0 / 34 / 2

HEX #79F9A4

RGB 121 249 164

HSL 140.16, 0.91%, 0.73%

LAB 89.16, -53.82, 30.21

 

CMYK 46 / 0 / 28 / 0

HEX #8AFFB7

RGB 138 255 183

HSL 143.08, 1%, 0.77%

LAB 91.84, -48.7, 24.34

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 73 / 0 / 47 / 31

HEX #30B15D

RGB 48 177 93

HSL 140.93, 0.57%, 0.44%

LAB 64.05, -53.12, 33.14

 

CMYK 81 / 0 / 53 / 38

HEX #1F9F4A

RGB 31 159 74

HSL 140.16, 0.67%, 0.37%

LAB 57.64, -52.1, 34.76

 

CMYK 90 / 0 / 61 / 45

HEX #0E8D37

RGB 14 141 55

HSL 139.37, 0.82%, 0.3%

LAB 51.17, -50.43, 36.41

 

CMYK 100 / 0 / 71 / 52

HEX #007B24

RGB 0 123 36

HSL 137.56, 1%, 0.24%

LAB 44.65, -47.91, 37.88

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 67 / 0 / 61 / 24

HEX #41C34D

RGB 65 195 77

HSL 125.54, 0.52%, 0.51%

LAB 69.96, -58.77, 48.08

 

CMYK 55 / 0 / 67 / 24

HEX #58C341

RGB 88 195 65

HSL 109.38, 0.52%, 0.51%

LAB 70.52, -54.73, 54.03

 

CMYK 37 / 0 / 67 / 24

HEX #7BC341

RGB 123 195 65

HSL 93.23, 0.52%, 0.51%

LAB 71.98, -44.01, 56.03

 

CMYK 19 / 0 / 67 / 24

HEX #9EC341

RGB 158 195 65

HSL 77.08, 0.52%, 0.51%

LAB 73.99, -30.96, 58.76

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 67 / 0 / 25 / 24

HEX #41C393

RGB 65 195 147

HSL 157.85, 0.52%, 0.51%

LAB 71.05, -46.69, 13.95

 

CMYK 67 / 0 / 7 / 24

HEX #41C3B6

RGB 65 195 182

HSL 174, 0.52%, 0.51%

LAB 71.91, -37.98, -3.82

 

CMYK 67 / 12 / 0 / 24

HEX #41ACC3

RGB 65 172 195

HSL 190.62, 0.52%, 0.51%

LAB 65.41, -23.11, -20.72

 

CMYK 67 / 30 / 0 / 24

HEX #4189C3

RGB 65 137 195

HSL 206.77, 0.52%, 0.51%

LAB 55.03, -3.99, -36.78

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 80 / 0 / 51 / 16

HEX #2CD76A

RGB 44 215 106

HSL 141.75, 0.68%, 0.51%

LAB 76.18, -64.86, 41.84

 

CMYK 90 / 0 / 57 / 8

HEX #18EB64

RGB 24 235 100

HSL 141.61, 0.84%, 0.51%

LAB 82.13, -73.73, 51.76

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 51 / 0 / 33 / 32

HEX #55AE75

RGB 85 174 117

HSL 141.57, 0.35%, 0.51%

LAB 64.55, -39.79, 21.3

 

CMYK 32 / 0 / 20 / 40

HEX #699A7B

RGB 105 154 123

HSL 142.04, 0.2%, 0.51%

LAB 59.47, -23.26, 11.1

 

CMYK 7 / 0 / 4 / 47

HEX #7D8680

RGB 125 134 128

HSL 140, 0.04%, 0.51%

LAB 55.04, -4.52, 2.08

 

CMYK 0 / 21 / 8 / 43

HEX #917286

RGB 145 114 134

HSL 321.29, 0.12%, 0.51%

LAB 51.58, 15.68, -6.29

 

CMYK 55 / 0 / 67 / 24

HEX #58C341

RGB 88 195 65

HSL 109.38, 0.52%, 0.51%

LAB 70.52, -54.73, 54.03

 

CMYK 67 / 0 / 62 / 24

HEX #41C34B

RGB 65 195 75

HSL 124.62, 0.52%, 0.51%

LAB 69.94, -59, 48.95

 

CMYK 67 / 0 / 44 / 24

HEX #41C36E

RGB 65 195 110

HSL 140.77, 0.52%, 0.51%

LAB 70.37, -54.04, 32.58

 

CMYK 67 / 0 / 26 / 24

HEX #41C391

RGB 65 195 145

HSL 156.92, 0.52%, 0.51%

LAB 71.01, -47.14, 14.97

 

CMYK 67 / 0 / 8 / 24

HEX #41C3B3

RGB 65 195 179

HSL 172.62, 0.52%, 0.51%

LAB 71.83, -38.79, -2.3

 

CMYK 69 / 0 / 43 / 47

HEX #2A864C

RGB 42 134 76

HSL 142.17, 0.52%, 0.35%

LAB 49.57, -40.59, 23.56

 

CMYK 69 / 0 / 44 / 35

HEX #34A65D

RGB 52 166 93

HSL 141.58, 0.52%, 0.43%

LAB 60.6, -48.3, 28.74

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 53 / 0 / 34 / 20

HEX #60CC87

RGB 96 204 135

HSL 141.67, 0.51%, 0.59%

LAB 74.46, -46.51, 25.17

 

CMYK 41 / 0 / 26 / 16

HEX #7FD69F

RGB 127 214 159

HSL 142.07, 0.51%, 0.67%

LAB 79.1, -38.2, 19.1

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 67 / 37 / 0 / 24

HEX #417BC3

RGB 65 123 195

HSL 213.23, 0.52%, 0.51%

LAB 50.96, 4.33, -43.2

 

CMYK 0 / 67 / 64 / 24

HEX #C34147

RGB 195 65 71

HSL 357.23, 0.52%, 0.51%

LAB 46.76, 52.1, 25.6

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 44 / 67 / 0 / 24

HEX #6E41C3

RGB 110 65 195

HSL 260.77, 0.52%, 0.51%

LAB 39.64, 48.21, -61.2

 

CMYK 0 / 44 / 67 / 24

HEX #C36E41

RGB 195 110 65

HSL 20.77, 0.52%, 0.51%

LAB 55.21, 29.8, 39.23

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 67 / 37 / 0 / 24

HEX #417BC3

RGB 65 123 195

HSL 213.23, 0.52%, 0.51%

LAB 50.96, 4.33, -43.2

 

CMYK 0 / 67 / 24 / 24

HEX #C34195

RGB 195 65 149

HSL 321.23, 0.52%, 0.51%

LAB 48.95, 59.8, -18.52

 

CMYK 0 / 30 / 67 / 24

HEX #C38841

RGB 195 136 65

HSL 32.77, 0.52%, 0.51%

LAB 61.3, 15.6, 46.12

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 67 / 57 / 0 / 24

HEX #4154C3

RGB 65 84 195

HSL 231.23, 0.52%, 0.51%

LAB 40.25, 28.93, -60.37

 

CMYK 0 / 67 / 24 / 24

HEX #C34195

RGB 195 65 149

HSL 321.23, 0.52%, 0.51%

LAB 48.95, 59.8, -18.52

 

CMYK 0 / 10 / 67 / 24

HEX #C3AF41

RGB 195 175 65

HSL 50.77, 0.52%, 0.51%

LAB 71.31, -5.47, 56.86

 

Description

Color code: HEX #41C370 | qconv.com Color code: HEX #41C370 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 195 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 195 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 43 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 43% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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