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Color name
HEX #41CF2F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41CF2F it is the complementary color #BE30D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41CF2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41CF2F shade: #46CF2A, #57E13D, #68F350, #79FF63 and #8AFF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41CF2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41CF2F shade: #41CF2F, #30BD1C, #1FAB09, #0E9900 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41CF2F shade: #41CF2F, #6CCF2F, #97CF2F, #C3CF2F and #CFB12F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41CF2F shade: #41CF2F, #2FCF48, #2FCF73, #2FCF9F and #2FCFCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41CF2F shade matches the following richer shades: #41CF2F, #31E41A and #21F905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41CF2F shade: #41CF2F, #51BB43, #61A658, #71916D and #817D81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41CF2F shade: #97CF2F, #6CCF2F, #41CF2F, #2FCF47 and #2FCF72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41CF2F shade: #2C8C1F, #36AE27, #41CF2F, #5FD750 and #7EDF72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41CF2F shade: #41CF2F, #2FC2CF and #CF2F82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41CF2F shade: #41CF2F, #2F41CF and #CF2F41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41CF2F shade: #41CF2F, #2FC2CF, #BD2FCF and #CF3C2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41CF2F shade: #41CF2F, #2F92CF, #BD2FCF and #CF6C2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

Complementary color

CMYK 9 / 77 / 0 / 18

HEX #BE30D0

RGB 190 48 208

HSL 293.25, 0.63%, 0.5%

LAB 49.03, 73.53, -53.03

 

CMYK 66 / 0 / 80 / 19

HEX #46CF2A

RGB 70 207 42

HSL 109.82, 0.66%, 0.49%

LAB 73.61, -64.79, 65

 

CMYK 61 / 0 / 73 / 12

HEX #57E13D

RGB 87 225 61

HSL 110.49, 0.73%, 0.56%

LAB 79.74, -65.91, 65.1

 

CMYK 57 / 0 / 67 / 5

HEX #68F350

RGB 104 243 80

HSL 111.17, 0.87%, 0.63%

LAB 85.82, -66.67, 64.62

 

CMYK 53 / 0 / 61 / 0

HEX #79FF63

RGB 121 255 99

HSL 111.54, 1%, 0.69%

LAB 90.08, -64.99, 61.84

 

CMYK 46 / 0 / 54 / 0

HEX #8AFF76

RGB 138 255 118

HSL 111.24, 1%, 0.73%

LAB 90.89, -58.4, 54.68

 

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

CMYK 75 / 0 / 85 / 26

HEX #30BD1C

RGB 48 189 28

HSL 112.55, 0.74%, 0.43%

LAB 67.36, -63.77, 62.74

 

CMYK 82 / 0 / 95 / 33

HEX #1FAB09

RGB 31 171 9

HSL 111.85, 0.9%, 0.35%

LAB 61.17, -61.35, 60.76

 

CMYK 91 / 0 / 100 / 40

HEX #0E9900

RGB 14 153 0

HSL 114.51, 1%, 0.3%

LAB 54.94, -57.98, 56.93

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

CMYK 48 / 0 / 77 / 19

HEX #6CCF2F

RGB 108 207 47

HSL 97.13, 0.63%, 0.5%

LAB 74.84, -54.89, 65.11

 

CMYK 27 / 0 / 77 / 19

HEX #97CF2F

RGB 151 207 47

HSL 81, 0.63%, 0.5%

LAB 76.93, -40.17, 67.82

 

CMYK 6 / 0 / 77 / 19

HEX #C3CF2F

RGB 195 207 47

HSL 64.5, 0.63%, 0.5%

LAB 79.86, -22.54, 71.59

 

CMYK 0 / 14 / 77 / 19

HEX #CFB12F

RGB 207 177 47

HSL 48.75, 0.63%, 0.5%

LAB 72.84, -2.17, 65.57

 

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

CMYK 77 / 0 / 65 / 19

HEX #2FCF48

RGB 47 207 72

HSL 129.38, 0.63%, 0.5%

LAB 73.35, -66.25, 53.95

 

CMYK 77 / 0 / 44 / 19

HEX #2FCF73

RGB 47 207 115

HSL 145.5, 0.63%, 0.5%

LAB 73.85, -60.31, 34.45

 

CMYK 77 / 0 / 23 / 19

HEX #2FCF9F

RGB 47 207 159

HSL 162, 0.63%, 0.5%

LAB 74.66, -51.3, 12.53

 

CMYK 77 / 0 / 2 / 19

HEX #2FCFCA

RGB 47 207 202

HSL 178.13, 0.63%, 0.5%

LAB 75.76, -40.07, -9.01

 

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

CMYK 79 / 0 / 89 / 11

HEX #31E41A

RGB 49 228 26

HSL 113.17, 0.8%, 0.5%

LAB 79.74, -75.29, 73.97

 

CMYK 87 / 0 / 98 / 2

HEX #21F905

RGB 33 249 5

HSL 113.11, 0.96%, 0.5%

LAB 86.05, -83.1, 81.5

 

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

CMYK 57 / 0 / 64 / 27

HEX #51BB43

RGB 81 187 67

HSL 113, 0.47%, 0.5%

LAB 67.8, -53.37, 50.16

 

CMYK 42 / 0 / 47 / 35

HEX #61A658

RGB 97 166 88

HSL 113.08, 0.31%, 0.5%

LAB 62.1, -37.62, 33.58

 

CMYK 22 / 0 / 25 / 43

HEX #71916D

RGB 113 145 109

HSL 113.33, 0.14%, 0.5%

LAB 56.94, -18.54, 15.54

 

CMYK 0 / 3 / 0 / 49

HEX #817D81

RGB 129 125 129

HSL 300, 0.02%, 0.5%

LAB 52.86, 2.3, -1.64

 

CMYK 27 / 0 / 77 / 19

HEX #97CF2F

RGB 151 207 47

HSL 81, 0.63%, 0.5%

LAB 76.93, -40.17, 67.82

 

CMYK 48 / 0 / 77 / 19

HEX #6CCF2F

RGB 108 207 47

HSL 97.13, 0.63%, 0.5%

LAB 74.84, -54.89, 65.11

 

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

CMYK 77 / 0 / 66 / 19

HEX #2FCF47

RGB 47 207 71

HSL 129, 0.63%, 0.5%

LAB 73.34, -66.35, 54.35

 

CMYK 77 / 0 / 45 / 19

HEX #2FCF72

RGB 47 207 114

HSL 145.13, 0.63%, 0.5%

LAB 73.83, -60.48, 34.94

 

CMYK 69 / 0 / 78 / 45

HEX #2C8C1F

RGB 44 140 31

HSL 112.84, 0.64%, 0.34%

LAB 51.14, -48.24, 46.73

 

CMYK 69 / 0 / 78 / 32

HEX #36AE27

RGB 54 174 39

HSL 113.33, 0.63%, 0.42%

LAB 62.68, -57.29, 55.36

 

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

CMYK 56 / 0 / 63 / 16

HEX #5FD750

RGB 95 215 80

HSL 113.33, 0.63%, 0.58%

LAB 77.05, -58.88, 55.01

 

CMYK 43 / 0 / 49 / 13

HEX #7EDF72

RGB 126 223 114

HSL 113.39, 0.63%, 0.66%

LAB 80.97, -49.56, 44.42

 

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

CMYK 77 / 6 / 0 / 19

HEX #2FC2CF

RGB 47 194 207

HSL 184.88, 0.63%, 0.5%

LAB 72.02, -32.57, -17.32

 

CMYK 0 / 77 / 37 / 19

HEX #CF2F82

RGB 207 47 130

HSL 328.88, 0.63%, 0.5%

LAB 48.15, 66.86, -8.1

 

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

CMYK 77 / 69 / 0 / 19

HEX #2F41CF

RGB 47 65 207

HSL 233.25, 0.63%, 0.5%

LAB 35.77, 42.93, -74.7

 

CMYK 0 / 77 / 69 / 19

HEX #CF2F41

RGB 207 47 65

HSL 353.25, 0.63%, 0.5%

LAB 46.55, 61.89, 29.41

 

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

CMYK 77 / 6 / 0 / 19

HEX #2FC2CF

RGB 47 194 207

HSL 184.88, 0.63%, 0.5%

LAB 72.02, -32.57, -17.32

 

CMYK 9 / 77 / 0 / 19

HEX #BD2FCF

RGB 189 47 207

HSL 293.25, 0.63%, 0.5%

LAB 48.71, 73.45, -52.98

 

CMYK 0 / 71 / 77 / 19

HEX #CF3C2F

RGB 207 60 47

HSL 4.88, 0.63%, 0.5%

LAB 47.88, 56.78, 41.28

 

CMYK 69 / 0 / 77 / 19

HEX #41CF2F

RGB 65 207 47

HSL 113.25, 0.63%, 0.5%

LAB 73.52, -65.46, 63.38

 

CMYK 77 / 29 / 0 / 19

HEX #2F92CF

RGB 47 146 207

HSL 202.88, 0.63%, 0.5%

LAB 57.72, -7.48, -39.37

 

CMYK 9 / 77 / 0 / 19

HEX #BD2FCF

RGB 189 47 207

HSL 293.25, 0.63%, 0.5%

LAB 48.71, 73.45, -52.98

 

CMYK 0 / 48 / 77 / 19

HEX #CF6C2F

RGB 207 108 47

HSL 22.88, 0.63%, 0.5%

LAB 56.28, 34.84, 49.84

 

Description

Color code: HEX #41CF2F | qconv.com Color code: HEX #41CF2F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 207 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 207 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 77 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 77% 19% C M Y K

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Provide designers and agencies with accurate color values.

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