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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41E646 it is the complementary color #BE19B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41E646. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41E646 shade: #46E641, #57F854, #68FF67, #79FF7A and #8AFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41E646. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41E646 shade: #41E646, #30D433, #1FC220, #0EB00D and #009E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41E646 shade: #41E646, #68E641, #95E641, #C1E641 and #E6DE41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41E646 shade: #41E646, #41E672, #41E69F, #41E6CB and #41D4E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41E646 shade matches the following richer shades: #41E646 and #30F736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41E646 shade: #41E646, #52D556, #64C366, #75B277 and #86A187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41E646 shade: #96E641, #6AE641, #41E644, #41E670 and #41E69C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41E646 shade: #18BC1D, #1DE123, #41E646, #65EB69 and #8AEF8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41E646 shade: #41E646, #41C2E6 and #E64180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41E646 shade: #41E646, #4441E6 and #E64441

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41E646 shade: #41E646, #41C2E6, #E641E3 and #E66541

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41E646 shade: #41E646, #4191E6, #E641E3 and #E69641

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

Complementary color

CMYK 0 / 87 / 3 / 25

HEX #BE19B9

RGB 190 25 185

HSL 301.82, 0.77%, 0.42%

LAB 45.83, 75.19, -44.78

 

CMYK 70 / 0 / 72 / 10

HEX #46E641

RGB 70 230 65

HSL 118.18, 0.77%, 0.58%

LAB 80.89, -70.62, 64.75

 

CMYK 65 / 0 / 66 / 3

HEX #57F854

RGB 87 248 84

HSL 118.9, 0.92%, 0.65%

LAB 86.9, -71.67, 64.1

 

CMYK 59 / 0 / 60 / 0

HEX #68FF67

RGB 104 255 103

HSL 119.61, 1%, 0.7%

LAB 89.6, -68.62, 59.47

 

CMYK 53 / 0 / 52 / 0

HEX #79FF7A

RGB 121 255 122

HSL 120.45, 1%, 0.74%

LAB 90.32, -62.43, 52.03

 

CMYK 46 / 0 / 45 / 0

HEX #8AFF8D

RGB 138 255 141

HSL 121.54, 1%, 0.77%

LAB 91.16, -55.49, 44.29

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 77 / 0 / 76 / 17

HEX #30D433

RGB 48 212 51

HSL 121.1, 0.66%, 0.51%

LAB 74.8, -69.47, 63.25

 

CMYK 84 / 0 / 84 / 24

HEX #1FC220

RGB 31 194 32

HSL 120.37, 0.72%, 0.44%

LAB 68.74, -67.27, 62.93

 

CMYK 92 / 0 / 93 / 31

HEX #0EB00D

RGB 14 176 13

HSL 119.63, 0.86%, 0.37%

LAB 62.65, -64.22, 61.38

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 55 / 0 / 72 / 10

HEX #68E641

RGB 104 230 65

HSL 105.82, 0.77%, 0.58%

LAB 81.79, -63.28, 65.95

 

CMYK 35 / 0 / 72 / 10

HEX #95E641

RGB 149 230 65

HSL 89.45, 0.77%, 0.58%

LAB 83.63, -49.69, 68.4

 

CMYK 16 / 0 / 72 / 10

HEX #C1E641

RGB 193 230 65

HSL 73.45, 0.77%, 0.58%

LAB 86.16, -33.41, 71.75

 

CMYK 0 / 3 / 72 / 10

HEX #E6DE41

RGB 230 222 65

HSL 57.09, 0.77%, 0.58%

LAB 86.73, -14.56, 73.23

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 72 / 0 / 50 / 10

HEX #41E672

RGB 65 230 114

HSL 137.82, 0.77%, 0.58%

LAB 81.25, -65.96, 44.36

 

CMYK 72 / 0 / 31 / 10

HEX #41E69F

RGB 65 230 159

HSL 154.18, 0.77%, 0.58%

LAB 81.96, -58.02, 22.74

 

CMYK 72 / 0 / 12 / 10

HEX #41E6CB

RGB 65 230 203

HSL 170.18, 0.77%, 0.58%

LAB 82.93, -47.84, 1.05

 

CMYK 72 / 8 / 0 / 10

HEX #41D4E6

RGB 65 212 230

HSL 186.55, 0.77%, 0.58%

LAB 78.42, -32.26, -20.03

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 81 / 0 / 78 / 3

HEX #30F736

RGB 48 247 54

HSL 121.81, 0.93%, 0.58%

LAB 85.71, -79.54, 72.88

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 62 / 0 / 60 / 16

HEX #52D556

RGB 82 213 86

HSL 121.83, 0.61%, 0.58%

LAB 76.1, -60.57, 51.23

 

CMYK 49 / 0 / 48 / 24

HEX #64C366

RGB 100 195 102

HSL 121.26, 0.44%, 0.58%

LAB 71.35, -47.14, 38.1

 

CMYK 34 / 0 / 33 / 30

HEX #75B277

RGB 117 178 119

HSL 121.97, 0.28%, 0.58%

LAB 67.24, -31.81, 24.09

 

CMYK 17 / 0 / 16 / 37

HEX #86A187

RGB 134 161 135

HSL 122.22, 0.13%, 0.58%

LAB 63.6, -14.61, 10.45

 

CMYK 35 / 0 / 72 / 10

HEX #96E641

RGB 150 230 65

HSL 89.09, 0.77%, 0.58%

LAB 83.68, -49.35, 68.47

 

CMYK 54 / 0 / 72 / 10

HEX #6AE641

RGB 106 230 65

HSL 105.09, 0.77%, 0.58%

LAB 81.86, -62.76, 66.04

 

CMYK 72 / 0 / 70 / 10

HEX #41E644

RGB 65 230 68

HSL 121.09, 0.77%, 0.58%

LAB 80.81, -71.21, 63.56

 

CMYK 72 / 0 / 51 / 10

HEX #41E670

RGB 65 230 112

HSL 137.09, 0.77%, 0.58%

LAB 81.23, -66.25, 45.27

 

CMYK 72 / 0 / 32 / 10

HEX #41E69C

RGB 65 230 156

HSL 153.09, 0.77%, 0.58%

LAB 81.9, -58.64, 24.22

 

CMYK 87 / 0 / 85 / 26

HEX #18BC1D

RGB 24 188 29

HSL 121.83, 0.77%, 0.42%

LAB 66.71, -66.32, 61.8

 

CMYK 87 / 0 / 84 / 12

HEX #1DE123

RGB 29 225 35

HSL 121.84, 0.77%, 0.5%

LAB 78.6, -76.11, 71.1

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 57 / 0 / 55 / 8

HEX #65EB69

RGB 101 235 105

HSL 121.79, 0.77%, 0.66%

LAB 83.55, -61.96, 51.53

 

CMYK 42 / 0 / 41 / 6

HEX #8AEF8D

RGB 138 239 141

HSL 121.78, 0.76%, 0.74%

LAB 86.53, -48.95, 38.36

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 72 / 16 / 0 / 10

HEX #41C2E6

RGB 65 194 230

HSL 193.09, 0.77%, 0.58%

LAB 73.17, -23.4, -28.04

 

CMYK 0 / 72 / 44 / 10

HEX #E64180

RGB 230 65 128

HSL 337.09, 0.77%, 0.58%

LAB 54.2, 67.11, 2.48

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 70 / 72 / 0 / 10

HEX #4441E6

RGB 68 65 230

HSL 241.09, 0.77%, 0.58%

LAB 39.11, 52.52, -82.36

 

CMYK 0 / 70 / 72 / 10

HEX #E64441

RGB 230 68 65

HSL 1.09, 0.77%, 0.58%

LAB 53.32, 61.82, 38.49

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 72 / 16 / 0 / 10

HEX #41C2E6

RGB 65 194 230

HSL 193.09, 0.77%, 0.58%

LAB 73.17, -23.4, -28.04

 

CMYK 0 / 72 / 1 / 10

HEX #E641E3

RGB 230 65 227

HSL 301.09, 0.77%, 0.58%

LAB 58.18, 79.51, -48.87

 

CMYK 0 / 56 / 72 / 10

HEX #E66541

RGB 230 101 65

HSL 13.09, 0.77%, 0.58%

LAB 58.52, 47.91, 44.36

 

CMYK 72 / 0 / 70 / 10

HEX #41E646

RGB 65 230 70

HSL 121.82, 0.77%, 0.58%

LAB 80.83, -71.04, 62.84

 

CMYK 72 / 37 / 0 / 10

HEX #4191E6

RGB 65 145 230

HSL 210.91, 0.77%, 0.58%

LAB 59.06, 3.49, -50.07

 

CMYK 0 / 72 / 1 / 10

HEX #E641E3

RGB 230 65 227

HSL 301.09, 0.77%, 0.58%

LAB 58.18, 79.51, -48.87

 

CMYK 0 / 35 / 72 / 10

HEX #E69641

RGB 230 150 65

HSL 30.91, 0.77%, 0.58%

LAB 68.76, 22.87, 55.35

 

Description

Color code: HEX #41E646 | qconv.com Color code: HEX #41E646 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 230 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 230 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 70 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 70% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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