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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41E178 it is the complementary color #BE1E87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41E178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41E178 shade: #46E173, #57F386, #68FF99, #79FFAC and #8AFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41E178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41E178 shade: #41E178, #30CF65, #1FBD52, #0EAB3F and #00992C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41E178 shade: #41E178, #41E14D, #60E141, #8BE141 and #B6E141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41E178 shade: #41E178, #41E1A3, #41E1CE, #41C8E1 and #419DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41E178 shade matches the following richer shades: #41E178 and #2FF372

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41E178 shade: #41E178, #53CF7D, #64BD83, #76AC88 and #889A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41E178 shade: #61E141, #41E14B, #41E176, #41E1A1 and #41E1CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41E178 shade: #1CB450, #21D760, #41E178, #64E691 and #88ECAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41E178 shade: #41E178, #418CE1 and #E1414B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41E178 shade: #41E178, #7641E1 and #E17641

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41E178 shade: #41E178, #418CE1, #E141AC and #E19641

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41E178 shade: #41E178, #415BE1, #E141AC and #E1C641

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

Complementary color

CMYK 0 / 84 / 29 / 25

HEX #BE1E87

RGB 190 30 135

HSL 320.63, 0.73%, 0.43%

LAB 43.69, 67.59, -18.2

 

CMYK 69 / 0 / 49 / 12

HEX #46E173

RGB 70 225 115

HSL 137.42, 0.72%, 0.58%

LAB 79.84, -63.28, 42.13

 

CMYK 64 / 0 / 45 / 5

HEX #57F386

RGB 87 243 134

HSL 138.08, 0.87%, 0.65%

LAB 85.93, -63.78, 40.69

 

CMYK 59 / 0 / 40 / 0

HEX #68FF99

RGB 104 255 153

HSL 139.47, 1%, 0.7%

LAB 90.21, -61.81, 37

 

CMYK 53 / 0 / 33 / 0

HEX #79FFAC

RGB 121 255 172

HSL 142.84, 1%, 0.74%

LAB 91.04, -54.82, 28.72

 

CMYK 46 / 0 / 25 / 0

HEX #8AFFBF

RGB 138 255 191

HSL 147.18, 1%, 0.77%

LAB 91.99, -47.2, 20.48

 

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

CMYK 77 / 0 / 51 / 19

HEX #30CF65

RGB 48 207 101

HSL 140, 0.62%, 0.5%

LAB 73.67, -62.44, 41.17

 

CMYK 84 / 0 / 57 / 26

HEX #1FBD52

RGB 31 189 82

HSL 139.37, 0.72%, 0.43%

LAB 67.5, -61.1, 42.75

 

CMYK 92 / 0 / 63 / 33

HEX #0EAB3F

RGB 14 171 63

HSL 138.73, 0.85%, 0.36%

LAB 61.29, -59.14, 44.28

 

CMYK 100 / 0 / 71 / 40

HEX #00992C

RGB 0 153 44

HSL 137.25, 1%, 0.3%

LAB 55.04, -56.43, 45.57

 

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

CMYK 71 / 0 / 66 / 12

HEX #41E14D

RGB 65 225 77

HSL 124.5, 0.73%, 0.57%

LAB 79.33, -68.82, 58.54

 

CMYK 57 / 0 / 71 / 12

HEX #60E141

RGB 96 225 65

HSL 108.38, 0.73%, 0.57%

LAB 80.02, -63.52, 64.07

 

CMYK 38 / 0 / 71 / 12

HEX #8BE141

RGB 139 225 65

HSL 92.25, 0.73%, 0.57%

LAB 81.69, -51.03, 66.3

 

CMYK 19 / 0 / 71 / 12

HEX #B6E141

RGB 182 225 65

HSL 76.13, 0.73%, 0.57%

LAB 84.06, -35.42, 69.44

 

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

CMYK 71 / 0 / 28 / 12

HEX #41E1A3

RGB 65 225 163

HSL 156.75, 0.73%, 0.57%

LAB 80.53, -55.25, 18.69

 

CMYK 71 / 0 / 8 / 12

HEX #41E1CE

RGB 65 225 206

HSL 172.88, 0.73%, 0.57%

LAB 81.53, -44.92, -2.59

 

CMYK 71 / 11 / 0 / 12

HEX #41C8E1

RGB 65 200 225

HSL 189.38, 0.73%, 0.57%

LAB 74.74, -27.95, -22.92

 

CMYK 71 / 30 / 0 / 12

HEX #419DE1

RGB 65 157 225

HSL 205.5, 0.73%, 0.57%

LAB 62.23, -5.2, -42.29

 

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

CMYK 81 / 0 / 53 / 5

HEX #2FF372

RGB 47 243 114

HSL 140.51, 0.89%, 0.57%

LAB 84.96, -72.52, 48.83

 

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

CMYK 60 / 0 / 40 / 19

HEX #53CF7D

RGB 83 207 125

HSL 140.32, 0.56%, 0.57%

LAB 74.79, -52.49, 30.73

 

CMYK 47 / 0 / 31 / 26

HEX #64BD83

RGB 100 189 131

HSL 140.9, 0.4%, 0.57%

LAB 70, -39.77, 21.26

 

CMYK 31 / 0 / 21 / 33

HEX #76AC88

RGB 118 172 136

HSL 140, 0.25%, 0.57%

LAB 65.85, -25.48, 12.94

 

CMYK 12 / 0 / 8 / 40

HEX #889A8E

RGB 136 154 142

HSL 140, 0.08%, 0.57%

LAB 61.91, -8.81, 4.13

 

CMYK 57 / 0 / 71 / 12

HEX #61E141

RGB 97 225 65

HSL 108, 0.73%, 0.57%

LAB 80.05, -63.27, 64.11

 

CMYK 71 / 0 / 67 / 12

HEX #41E14B

RGB 65 225 75

HSL 123.75, 0.73%, 0.57%

LAB 79.32, -69.01, 59.32

 

CMYK 71 / 0 / 48 / 12

HEX #41E176

RGB 65 225 118

HSL 139.88, 0.73%, 0.57%

LAB 79.77, -63.63, 40.58

 

CMYK 71 / 0 / 28 / 12

HEX #41E1A1

RGB 65 225 161

HSL 156, 0.73%, 0.57%

LAB 80.49, -55.68, 19.67

 

CMYK 71 / 0 / 9 / 12

HEX #41E1CC

RGB 65 225 204

HSL 172.13, 0.73%, 0.57%

LAB 81.47, -45.44, -1.6

 

CMYK 84 / 0 / 56 / 29

HEX #1CB450

RGB 28 180 80

HSL 140.53, 0.73%, 0.41%

LAB 64.54, -58.7, 40.16

 

CMYK 85 / 0 / 55 / 16

HEX #21D760

RGB 33 215 96

HSL 140.77, 0.73%, 0.49%

LAB 75.93, -67.4, 46.25

 

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

CMYK 57 / 0 / 37 / 10

HEX #64E691

RGB 100 230 145

HSL 140.77, 0.72%, 0.65%

LAB 82.57, -54.38, 30.89

 

CMYK 42 / 0 / 28 / 7

HEX #88ECAB

RGB 136 236 171

HSL 141, 0.72%, 0.73%

LAB 86.09, -43.26, 22.56

 

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

CMYK 71 / 38 / 0 / 12

HEX #418CE1

RGB 65 140 225

HSL 211.88, 0.73%, 0.57%

LAB 57.38, 4.69, -49.95

 

CMYK 0 / 71 / 67 / 12

HEX #E1414B

RGB 225 65 75

HSL 356.25, 0.73%, 0.57%

LAB 52.17, 61.83, 31.16

 

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

CMYK 48 / 71 / 0 / 12

HEX #7641E1

RGB 118 65 225

HSL 259.88, 0.73%, 0.57%

LAB 42.87, 57.63, -73.19

 

CMYK 0 / 48 / 71 / 12

HEX #E17641

RGB 225 118 65

HSL 19.88, 0.73%, 0.57%

LAB 61.09, 37.63, 46.97

 

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

CMYK 71 / 38 / 0 / 12

HEX #418CE1

RGB 65 140 225

HSL 211.88, 0.73%, 0.57%

LAB 57.38, 4.69, -49.95

 

CMYK 0 / 71 / 24 / 12

HEX #E141AC

RGB 225 65 172

HSL 319.88, 0.73%, 0.57%

LAB 54.83, 70.6, -22.65

 

CMYK 0 / 33 / 71 / 12

HEX #E19641

RGB 225 150 65

HSL 31.88, 0.73%, 0.57%

LAB 68.17, 20.78, 54.55

 

CMYK 71 / 0 / 47 / 12

HEX #41E178

RGB 65 225 120

HSL 140.63, 0.73%, 0.57%

LAB 79.8, -63.32, 39.63

 

CMYK 71 / 60 / 0 / 12

HEX #415BE1

RGB 65 91 225

HSL 230.25, 0.73%, 0.57%

LAB 44.29, 35.07, -71.02

 

CMYK 0 / 71 / 24 / 12

HEX #E141AC

RGB 225 65 172

HSL 319.88, 0.73%, 0.57%

LAB 54.83, 70.6, -22.65

 

CMYK 0 / 12 / 71 / 12

HEX #E1C641

RGB 225 198 65

HSL 49.88, 0.73%, 0.57%

LAB 80.05, -4.57, 66.6

 

Description

Color code: HEX #41E178 | qconv.com Color code: HEX #41E178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 225 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 225 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 47 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 47% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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