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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41EB44 it is the complementary color #BE14BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41EB44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41EB44 shade: #46EB3F, #57FD52, #68FF65, #79FF78 and #8AFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41EB44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41EB44 shade: #41EB44, #30D931, #1FC71E, #0EB50B and #00A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41EB44 shade: #41EB44, #6CEB41, #9AEB41, #C7EB41 and #EBE041

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41EB44 shade: #41EB44, #41EB72, #41EBA0, #41EBCD and #41DAEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41EB44 shade matches the following richer shades: #41EB44 and #30FC34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41EB44 shade: #41EB44, #52DA55, #63C965, #74B875 and #85A786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41EB44 shade: #99EB41, #6CEB41, #41EB44, #41EB71 and #41EB9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41EB44 shade: #14C517, #1CE720, #41EB44, #67EF69 and #8CF28E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41EB44 shade: #41EB44, #41C6EB and #EB4182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41EB44 shade: #41EB44, #4441EB and #EB4441

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41EB44 shade: #41EB44, #41C6EB, #EB41E8 and #EB6641

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41EB44 shade: #41EB44, #4193EB, #EB41E8 and #EB9941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

Complementary color

CMYK 0 / 89 / 2 / 25

HEX #BE14BB

RGB 190 20 187

HSL 301.06, 0.81%, 0.41%

LAB 45.68, 76.27, -46.19

 

CMYK 70 / 0 / 73 / 8

HEX #46EB3F

RGB 70 235 63

HSL 117.56, 0.81%, 0.58%

LAB 82.42, -72.34, 66.98

 

CMYK 66 / 0 / 68 / 1

HEX #57FD52

RGB 87 253 82

HSL 118.25, 0.98%, 0.66%

LAB 88.39, -73.48, 66.47

 

CMYK 59 / 0 / 60 / 0

HEX #68FF65

RGB 104 255 101

HSL 118.83, 1%, 0.7%

LAB 89.58, -68.84, 60.3

 

CMYK 53 / 0 / 53 / 0

HEX #79FF78

RGB 121 255 120

HSL 119.56, 1%, 0.74%

LAB 90.29, -62.68, 52.92

 

CMYK 46 / 0 / 45 / 0

HEX #8AFF8B

RGB 138 255 139

HSL 120.51, 1%, 0.77%

LAB 91.14, -55.76, 45.22

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 78 / 0 / 77 / 15

HEX #30D931

RGB 48 217 49

HSL 120.36, 0.69%, 0.52%

LAB 76.36, -71.11, 65.4

 

CMYK 84 / 0 / 85 / 22

HEX #1FC71E

RGB 31 199 30

HSL 119.64, 0.74%, 0.45%

LAB 70.34, -68.81, 64.85

 

CMYK 92 / 0 / 94 / 29

HEX #0EB50B

RGB 14 181 11

HSL 118.94, 0.89%, 0.38%

LAB 64.29, -65.69, 63.04

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 54 / 0 / 72 / 8

HEX #6CEB41

RGB 108 235 65

HSL 104.82, 0.81%, 0.59%

LAB 83.44, -64.02, 67.65

 

CMYK 34 / 0 / 72 / 8

HEX #9AEB41

RGB 154 235 65

HSL 88.59, 0.81%, 0.59%

LAB 85.34, -50.04, 70.17

 

CMYK 15 / 0 / 72 / 8

HEX #C7EB41

RGB 199 235 65

HSL 72.71, 0.81%, 0.59%

LAB 87.94, -33.35, 73.6

 

CMYK 0 / 5 / 72 / 8

HEX #EBE041

RGB 235 224 65

HSL 56.12, 0.81%, 0.59%

LAB 87.66, -13.47, 74.26

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 72 / 0 / 51 / 8

HEX #41EB72

RGB 65 235 114

HSL 137.29, 0.81%, 0.59%

LAB 82.78, -67.66, 46.24

 

CMYK 72 / 0 / 32 / 8

HEX #41EBA0

RGB 65 235 160

HSL 153.53, 0.81%, 0.59%

LAB 83.48, -59.71, 24.32

 

CMYK 72 / 0 / 13 / 8

HEX #41EBCD

RGB 65 235 205

HSL 169.41, 0.81%, 0.59%

LAB 84.46, -49.44, 2.22

 

CMYK 72 / 7 / 0 / 8

HEX #41DAEB

RGB 65 218 235

HSL 186, 0.81%, 0.59%

LAB 80.33, -33.63, -19.81

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 81 / 0 / 79 / 1

HEX #30FC34

RGB 48 252 52

HSL 121.18, 0.97%, 0.59%

LAB 87.24, -81.08, 74.88

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 62 / 0 / 61 / 15

HEX #52DA55

RGB 82 218 85

HSL 121.32, 0.65%, 0.59%

LAB 77.63, -62.44, 53.42

 

CMYK 51 / 0 / 50 / 21

HEX #63C965

RGB 99 201 101

HSL 121.18, 0.49%, 0.59%

LAB 73.13, -49.99, 40.8

 

CMYK 37 / 0 / 36 / 28

HEX #74B875

RGB 116 184 117

HSL 120.88, 0.32%, 0.59%

LAB 68.95, -35.26, 27.43

 

CMYK 20 / 0 / 20 / 35

HEX #85A786

RGB 133 167 134

HSL 121.76, 0.16%, 0.59%

LAB 65.24, -18.28, 13.31

 

CMYK 35 / 0 / 72 / 8

HEX #99EB41

RGB 153 235 65

HSL 88.94, 0.81%, 0.59%

LAB 85.29, -50.38, 70.11

 

CMYK 54 / 0 / 72 / 8

HEX #6CEB41

RGB 108 235 65

HSL 104.82, 0.81%, 0.59%

LAB 83.44, -64.02, 67.65

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 72 / 0 / 52 / 8

HEX #41EB71

RGB 65 235 113

HSL 136.94, 0.81%, 0.59%

LAB 82.77, -67.8, 46.69

 

CMYK 72 / 0 / 33 / 8

HEX #41EB9E

RGB 65 235 158

HSL 152.82, 0.81%, 0.59%

LAB 83.45, -60.12, 25.29

 

CMYK 90 / 0 / 88 / 23

HEX #14C517

RGB 20 197 23

HSL 121.02, 0.82%, 0.43%

LAB 69.57, -69.43, 65.61

 

CMYK 88 / 0 / 86 / 9

HEX #1CE720

RGB 28 231 32

HSL 121.18, 0.81%, 0.51%

LAB 80.46, -77.96, 73.39

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 57 / 0 / 56 / 6

HEX #67EF69

RGB 103 239 105

HSL 120.88, 0.81%, 0.67%

LAB 84.81, -62.95, 53.04

 

CMYK 42 / 0 / 41 / 5

HEX #8CF28E

RGB 140 242 142

HSL 121.18, 0.8%, 0.75%

LAB 87.5, -49.48, 39.14

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 72 / 16 / 0 / 8

HEX #41C6EB

RGB 65 198 235

HSL 193.06, 0.81%, 0.59%

LAB 74.51, -23.86, -28.67

 

CMYK 0 / 72 / 45 / 8

HEX #EB4182

RGB 235 65 130

HSL 337.06, 0.81%, 0.59%

LAB 55.13, 68.67, 2.75

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 71 / 72 / 0 / 8

HEX #4441EB

RGB 68 65 235

HSL 241.06, 0.81%, 0.59%

LAB 39.59, 54.1, -84.4

 

CMYK 0 / 71 / 72 / 8

HEX #EB4441

RGB 235 68 65

HSL 1.06, 0.81%, 0.59%

LAB 54.22, 63.36, 39.75

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 72 / 16 / 0 / 8

HEX #41C6EB

RGB 65 198 235

HSL 193.06, 0.81%, 0.59%

LAB 74.51, -23.86, -28.67

 

CMYK 0 / 72 / 1 / 8

HEX #EB41E8

RGB 235 65 232

HSL 301.06, 0.81%, 0.59%

LAB 59.22, 81.31, -49.97

 

CMYK 0 / 57 / 72 / 8

HEX #EB6641

RGB 235 102 65

HSL 13.06, 0.81%, 0.59%

LAB 59.48, 49.26, 45.63

 

CMYK 72 / 0 / 71 / 8

HEX #41EB44

RGB 65 235 68

HSL 121.06, 0.81%, 0.59%

LAB 82.36, -72.77, 65.15

 

CMYK 72 / 37 / 0 / 8

HEX #4193EB

RGB 65 147 235

HSL 211.06, 0.81%, 0.59%

LAB 59.88, 4.07, -51.54

 

CMYK 0 / 72 / 1 / 8

HEX #EB41E8

RGB 235 65 232

HSL 301.06, 0.81%, 0.59%

LAB 59.22, 81.31, -49.97

 

CMYK 0 / 35 / 72 / 8

HEX #EB9941

RGB 235 153 65

HSL 31.06, 0.81%, 0.59%

LAB 70.05, 23.36, 56.87

 

Description

Color code: HEX #41EB44 | qconv.com Color code: HEX #41EB44 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 235 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 235 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 71 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 71% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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