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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41F25B it is the complementary color #BE0DA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41F25B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41F25B shade: #46F256, #57FF69, #68FF7C, #79FF8F and #8AFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41F25B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41F25B shade: #41F25B, #30E048, #1FCE35, #0EBC22 and #00AA0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41F25B shade: #40F15A, #56F140, #85F140, #B5F140 and #E5F140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41F25B shade: #40F15A, #40F18A, #40F1BA, #40F1E9 and #40C9F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41F25B shade matches the following richer shades: #40F15A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41F25B shade: #40F15A, #50E165, #61D071, #71C07D and #82AF88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41F25B shade: #87F140, #57F140, #40F157, #40F187 and #40F1B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41F25B shade: #0ED02B, #19EF39, #40F15A, #66F47B and #8DF79C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41F25B shade: #41F25B, #40B6F1 and #F1406F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41F25B shade: #41F25B, #5740F1 and #F15740

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41F25B shade: #41F25B, #40B6F1, #F140DA and #F17B40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41F25B shade: #41F25B, #4081F1, #F140DA and #F1B040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 62 / 5

HEX #41F25B

RGB 65 242 91

HSL 128.81, 0.87%, 0.6%

LAB 84.68, -72.81, 58.72

 

Complementary color

CMYK 0 / 93 / 14 / 25

HEX #BE0DA4

RGB 190 13 164

HSL 308.81, 0.87%, 0.4%

LAB 44.11, 73.91, -35.07

 

CMYK 71 / 0 / 64 / 5

HEX #46F256

RGB 70 242 86

HSL 125.58, 0.87%, 0.61%

LAB 84.73, -72.56, 60.85

 

CMYK 66 / 0 / 59 / 0

HEX #57FF69

RGB 87 255 105

HSL 126.43, 1%, 0.67%

LAB 89.19, -71.84, 58.03

 

CMYK 59 / 0 / 51 / 0

HEX #68FF7C

RGB 104 255 124

HSL 127.95, 1%, 0.7%

LAB 89.82, -66.12, 50.39

 

CMYK 53 / 0 / 44 / 0

HEX #79FF8F

RGB 121 255 143

HSL 129.85, 1%, 0.74%

LAB 90.58, -59.57, 42.46

 

CMYK 46 / 0 / 36 / 0

HEX #8AFFA2

RGB 138 255 162

HSL 132.31, 1%, 0.77%

LAB 91.47, -52.32, 34.42

 

CMYK 73 / 0 / 62 / 5

HEX #41F25B

RGB 65 242 91

HSL 128.81, 0.87%, 0.6%

LAB 84.68, -72.81, 58.72

 

CMYK 79 / 0 / 68 / 12

HEX #30E048

RGB 48 224 72

HSL 128.18, 0.74%, 0.53%

LAB 78.7, -71.41, 59.75

 

CMYK 85 / 0 / 74 / 19

HEX #1FCE35

RGB 31 206 53

HSL 127.54, 0.74%, 0.46%

LAB 72.69, -69.44, 60.42

 

CMYK 93 / 0 / 82 / 26

HEX #0EBC22

RGB 14 188 34

HSL 126.9, 0.86%, 0.4%

LAB 66.65, -66.74, 60.44

 

CMYK 100 / 0 / 91 / 33

HEX #00AA0F

RGB 0 170 15

HSL 125.29, 1%, 0.33%

LAB 60.59, -63.21, 59.28

 

CMYK 73 / 0 / 63 / 5

HEX #40F15A

RGB 64 241 90

HSL 128.81, 0.86%, 0.6%

LAB 84.35, -72.74, 58.76

 

CMYK 64 / 0 / 73 / 5

HEX #56F140

RGB 86 241 64

HSL 112.54, 0.86%, 0.6%

LAB 84.62, -71.2, 68.96

 

CMYK 45 / 0 / 73 / 5

HEX #85F140

RGB 133 241 64

HSL 96.61, 0.86%, 0.6%

LAB 86.14, -59.26, 70.98

 

CMYK 25 / 0 / 73 / 5

HEX #B5F140

RGB 181 241 64

HSL 80.34, 0.86%, 0.6%

LAB 88.5, -42.96, 74.08

 

CMYK 5 / 0 / 73 / 5

HEX #E5F140

RGB 229 241 64

HSL 64.07, 0.86%, 0.6%

LAB 91.66, -24.22, 78.2

 

CMYK 73 / 0 / 63 / 5

HEX #40F15A

RGB 64 241 90

HSL 128.81, 0.86%, 0.6%

LAB 84.35, -72.74, 58.76

 

CMYK 73 / 0 / 43 / 5

HEX #40F18A

RGB 64 241 138

HSL 145.08, 0.86%, 0.6%

LAB 84.91, -66.12, 37.32

 

CMYK 73 / 0 / 23 / 5

HEX #40F1BA

RGB 64 241 186

HSL 161.36, 0.86%, 0.6%

LAB 85.78, -56.56, 14.05

 

CMYK 73 / 0 / 3 / 5

HEX #40F1E9

RGB 64 241 233

HSL 177.29, 0.86%, 0.6%

LAB 86.94, -44.77, -8.84

 

CMYK 73 / 17 / 0 / 5

HEX #40C9F1

RGB 64 201 241

HSL 193.56, 0.86%, 0.6%

LAB 75.58, -23.6, -30.26

 

CMYK 73 / 0 / 63 / 5

HEX #40F15A

RGB 64 241 90

HSL 128.81, 0.86%, 0.6%

LAB 84.35, -72.74, 58.76

 

CMYK 73 / 0 / 63 / 5

HEX #40F15A

RGB 64 241 90

HSL 128.81, 0.86%, 0.6%

LAB 84.35, -72.74, 58.76

 

CMYK 64 / 0 / 55 / 12

HEX #50E165

RGB 80 225 101

HSL 128.69, 0.71%, 0.6%

LAB 79.89, -63.41, 48.87

 

CMYK 53 / 0 / 46 / 18

HEX #61D071

RGB 97 208 113

HSL 128.65, 0.54%, 0.6%

LAB 75.36, -51.58, 37.63

 

CMYK 41 / 0 / 35 / 25

HEX #71C07D

RGB 113 192 125

HSL 129.11, 0.39%, 0.6%

LAB 71.34, -38.49, 26.36

 

CMYK 26 / 0 / 22 / 31

HEX #82AF88

RGB 130 175 136

HSL 128, 0.22%, 0.6%

LAB 67.41, -23.02, 15.22

 

CMYK 44 / 0 / 73 / 5

HEX #87F140

RGB 135 241 64

HSL 95.93, 0.86%, 0.6%

LAB 86.22, -58.65, 71.09

 

CMYK 64 / 0 / 73 / 5

HEX #57F140

RGB 87 241 64

HSL 112.2, 0.86%, 0.6%

LAB 84.64, -71, 69

 

CMYK 73 / 0 / 64 / 5

HEX #40F157

RGB 64 241 87

HSL 127.8, 0.86%, 0.6%

LAB 84.32, -73.06, 59.96

 

CMYK 73 / 0 / 44 / 5

HEX #40F187

RGB 64 241 135

HSL 144.07, 0.86%, 0.6%

LAB 84.87, -66.62, 38.74

 

CMYK 73 / 0 / 24 / 5

HEX #40F1B6

RGB 64 241 182

HSL 160, 0.86%, 0.6%

LAB 85.69, -57.46, 16.01

 

CMYK 93 / 0 / 79 / 18

HEX #0ED02B

RGB 14 208 43

HSL 128.97, 0.87%, 0.44%

LAB 73.14, -71.87, 63.99

 

CMYK 90 / 0 / 76 / 6

HEX #19EF39

RGB 25 239 57

HSL 128.97, 0.87%, 0.52%

LAB 83.04, -79.03, 69.34

 

CMYK 73 / 0 / 63 / 5

HEX #40F15A

RGB 64 241 90

HSL 128.81, 0.86%, 0.6%

LAB 84.35, -72.74, 58.76

 

CMYK 58 / 0 / 50 / 4

HEX #66F47B

RGB 102 244 123

HSL 128.87, 0.87%, 0.68%

LAB 86.48, -62.7, 46.75

 

CMYK 43 / 0 / 37 / 3

HEX #8DF79C

RGB 141 247 156

HSL 128.49, 0.87%, 0.76%

LAB 89.2, -49.15, 34.41

 

CMYK 73 / 0 / 62 / 5

HEX #41F25B

RGB 65 242 91

HSL 128.81, 0.87%, 0.6%

LAB 84.68, -72.81, 58.72

 

CMYK 73 / 24 / 0 / 5

HEX #40B6F1

RGB 64 182 241

HSL 200, 0.86%, 0.6%

LAB 70.1, -13.71, -38.74

 

CMYK 0 / 73 / 54 / 5

HEX #F1406F

RGB 241 64 111

HSL 344.07, 0.86%, 0.6%

LAB 55.6, 69.11, 14.88

 

CMYK 73 / 0 / 62 / 5

HEX #41F25B

RGB 65 242 91

HSL 128.81, 0.87%, 0.6%

LAB 84.68, -72.81, 58.72

 

CMYK 64 / 73 / 0 / 5

HEX #5740F1

RGB 87 64 241

HSL 247.8, 0.86%, 0.6%

LAB 41.29, 58.39, -84.95

 

CMYK 0 / 64 / 73 / 5

HEX #F15740

RGB 241 87 64

HSL 7.8, 0.86%, 0.6%

LAB 57.93, 57.92, 44.73

 

CMYK 73 / 0 / 62 / 5

HEX #41F25B

RGB 65 242 91

HSL 128.81, 0.87%, 0.6%

LAB 84.68, -72.81, 58.72

 

CMYK 73 / 24 / 0 / 5

HEX #40B6F1

RGB 64 182 241

HSL 200, 0.86%, 0.6%

LAB 70.1, -13.71, -38.74

 

CMYK 0 / 73 / 10 / 5

HEX #F140DA

RGB 241 64 218

HSL 307.8, 0.86%, 0.6%

LAB 59.37, 80.8, -41.8

 

CMYK 0 / 49 / 73 / 5

HEX #F17B40

RGB 241 123 64

HSL 20, 0.86%, 0.6%

LAB 64.35, 41.27, 51.64

 

CMYK 73 / 0 / 62 / 5

HEX #41F25B

RGB 65 242 91

HSL 128.81, 0.87%, 0.6%

LAB 84.68, -72.81, 58.72

 

CMYK 73 / 46 / 0 / 5

HEX #4081F1

RGB 64 129 241

HSL 217.97, 0.86%, 0.6%

LAB 55.22, 16.94, -62.32

 

CMYK 0 / 73 / 10 / 5

HEX #F140DA

RGB 241 64 218

HSL 307.8, 0.86%, 0.6%

LAB 59.37, 80.8, -41.8

 

CMYK 0 / 27 / 73 / 5

HEX #F1B040

RGB 241 176 64

HSL 37.97, 0.86%, 0.6%

LAB 76.14, 13.66, 63.66

 

Description

Color code: HEX #41F25B | qconv.com Color code: HEX #41F25B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 242 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 242 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 62 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 62% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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