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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42149D it is the complementary color #BDEB62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42149D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42149D shade: #471498, #5826AB, #6938BE, #7A4AD1 and #8B5CE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42149D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42149D shade: #42149D, #31028A, #200077, #0F0064 and #000051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42149D shade: #42149D, #67149D, #8C149D, #9D148A and #9D1465

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42149D shade: #42149D, #1D149D and #14149D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42149D shade matches the following richer shades: #42149D and #3D06AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42149D shade: #42149D, #47228F, #4C3181, #503F72 and #554E64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42149D shade: #14309D, #1D149D, #42149D, #66149D and #8B149D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42149D shade: #230B54, #330F79, #42149D, #5219C2 and #6322E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42149D shade: #42149D, #9D1454 and #1D9D14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42149D shade: #42149D, #9D4214 and #149D42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42149D shade: #42149D, #9D1454, #709D14 and #149D5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42149D shade: #42149D, #9D142B, #709D14 and #149D87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

Complementary color

CMYK 20 / 0 / 58 / 8

HEX #BDEB62

RGB 189 235 98

HSL 80.15, 0.77%, 0.65%

LAB 87.54, -35.02, 60.29

 

CMYK 53 / 87 / 0 / 40

HEX #471498

RGB 71 20 152

HSL 263.18, 0.77%, 0.34%

LAB 24.02, 51.23, -61.21

 

CMYK 49 / 78 / 0 / 33

HEX #5826AB

RGB 88 38 171

HSL 262.56, 0.64%, 0.41%

LAB 30.4, 51.3, -62.19

 

CMYK 45 / 71 / 0 / 25

HEX #6938BE

RGB 105 56 190

HSL 261.94, 0.54%, 0.48%

LAB 37.02, 50.58, -62.56

 

CMYK 42 / 65 / 0 / 18

HEX #7A4AD1

RGB 122 74 209

HSL 261.33, 0.59%, 0.55%

LAB 43.71, 49.55, -62.64

 

CMYK 39 / 60 / 0 / 11

HEX #8B5CE4

RGB 139 92 228

HSL 260.74, 0.72%, 0.63%

LAB 50.39, 48.42, -62.57

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 64 / 99 / 0 / 46

HEX #31028A

RGB 49 2 138

HSL 260.74, 0.97%, 0.27%

LAB 18.06, 50.89, -62.46

 

CMYK 73 / 100 / 0 / 53

HEX #200077

RGB 32 0 119

HSL 256.13, 1%, 0.23%

LAB 13.47, 45.82, -58.07

 

CMYK 85 / 100 / 0 / 61

HEX #0F0064

RGB 15 0 100

HSL 249, 1%, 0.2%

LAB 9.17, 40.15, -52.82

 

CMYK 100 / 100 / 0 / 68

HEX #000051

RGB 0 0 81

HSL 240, 1%, 0.16%

LAB 5.37, 32.91, -46.3

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 34 / 87 / 0 / 38

HEX #67149D

RGB 103 20 157

HSL 276.35, 0.77%, 0.35%

LAB 28.95, 56.59, -56.02

 

CMYK 11 / 87 / 0 / 38

HEX #8C149D

RGB 140 20 157

HSL 292.55, 0.77%, 0.35%

LAB 35.02, 62.62, -45.88

 

CMYK 0 / 87 / 12 / 38

HEX #9D148A

RGB 157 20 138

HSL 308.32, 0.77%, 0.35%

LAB 36.94, 62.85, -31.02

 

CMYK 0 / 87 / 36 / 38

HEX #9D1465

RGB 157 20 101

HSL 324.53, 0.77%, 0.35%

LAB 35.22, 58.18, -10.44

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 82 / 87 / 0 / 38

HEX #1D149D

RGB 29 20 157

HSL 243.94, 0.77%, 0.35%

LAB 20.81, 49.33, -69.72

 

CMYK 87 / 87 / 0 / 38

HEX #14149D

RGB 20 20 157

HSL 240, 0.77%, 0.35%

LAB 20.37, 48.98, -70.46

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 65 / 97 / 0 / 33

HEX #3D06AC

RGB 61 6 172

HSL 259.88, 0.93%, 0.35%

LAB 24, 59.1, -73.46

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 50 / 76 / 0 / 44

HEX #47228F

RGB 71 34 143

HSL 260.37, 0.62%, 0.35%

LAB 25.16, 42.88, -53.78

 

CMYK 41 / 62 / 0 / 49

HEX #4C3181

RGB 76 49 129

HSL 260.25, 0.45%, 0.35%

LAB 27.62, 31.47, -41.02

 

CMYK 30 / 45 / 0 / 55

HEX #503F72

RGB 80 63 114

HSL 260, 0.29%, 0.35%

LAB 30.58, 19.46, -26.83

 

CMYK 15 / 22 / 0 / 61

HEX #554E64

RGB 85 78 100

HSL 259.09, 0.12%, 0.35%

LAB 34.6, 7.84, -11.73

 

CMYK 87 / 69 / 0 / 38

HEX #14309D

RGB 20 48 157

HSL 227.74, 0.77%, 0.35%

LAB 25.85, 33.4, -61.38

 

CMYK 82 / 87 / 0 / 38

HEX #1D149D

RGB 29 20 157

HSL 243.94, 0.77%, 0.35%

LAB 20.81, 49.33, -69.72

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 35 / 87 / 0 / 38

HEX #66149D

RGB 102 20 157

HSL 275.91, 0.77%, 0.35%

LAB 28.8, 56.45, -56.27

 

CMYK 11 / 87 / 0 / 38

HEX #8B149D

RGB 139 20 157

HSL 292.12, 0.77%, 0.35%

LAB 34.85, 62.44, -46.17

 

CMYK 58 / 87 / 0 / 67

HEX #230B54

RGB 35 11 84

HSL 259.73, 0.77%, 0.19%

LAB 10.83, 31.32, -39.22

 

CMYK 58 / 88 / 0 / 53

HEX #330F79

RGB 51 15 121

HSL 260.38, 0.78%, 0.27%

LAB 17.58, 42.45, -52.46

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 58 / 87 / 0 / 24

HEX #5219C2

RGB 82 25 194

HSL 260.24, 0.77%, 0.43%

LAB 30.36, 61.46, -75.95

 

CMYK 56 / 85 / 0 / 11

HEX #6322E2

RGB 99 34 226

HSL 260.31, 0.77%, 0.51%

LAB 36.53, 68.19, -84.25

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 0 / 87 / 46 / 38

HEX #9D1454

RGB 157 20 84

HSL 331.97, 0.77%, 0.35%

LAB 34.62, 56.48, -0.37

 

CMYK 82 / 0 / 87 / 38

HEX #1D9D14

RGB 29 157 20

HSL 116.06, 0.77%, 0.35%

LAB 56.51, -57, 54.82

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 0 / 58 / 87 / 38

HEX #9D4214

RGB 157 66 20

HSL 20.15, 0.77%, 0.35%

LAB 39.77, 35.55, 43.7

 

CMYK 87 / 0 / 58 / 38

HEX #149D42

RGB 20 157 66

HSL 140.15, 0.77%, 0.35%

LAB 56.74, -53.76, 37.62

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 0 / 87 / 46 / 38

HEX #9D1454

RGB 157 20 84

HSL 331.97, 0.77%, 0.35%

LAB 34.62, 56.48, -0.37

 

CMYK 29 / 0 / 87 / 38

HEX #709D14

RGB 112 157 20

HSL 79.71, 0.77%, 0.35%

LAB 59.53, -33.92, 58.63

 

CMYK 87 / 0 / 41 / 38

HEX #149D5D

RGB 20 157 93

HSL 151.97, 0.77%, 0.35%

LAB 57.13, -49.14, 24.1

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 0 / 87 / 73 / 38

HEX #9D142B

RGB 157 20 43

HSL 349.93, 0.77%, 0.35%

LAB 33.65, 53.7, 25

 

CMYK 29 / 0 / 87 / 38

HEX #709D14

RGB 112 157 20

HSL 79.71, 0.77%, 0.35%

LAB 59.53, -33.92, 58.63

 

CMYK 87 / 0 / 14 / 38

HEX #149D87

RGB 20 157 135

HSL 170.36, 0.77%, 0.35%

LAB 58.05, -39.02, 1.92

 

Description

Color code: HEX #42149D | qconv.com Color code: HEX #42149D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 20 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 20 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 87 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 87% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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