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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #421E51 it is the complementary color #BDE1AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #421E51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #421E51 shade: #471E4C, #58305F, #694272, #7A5485 and #8B6698

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #421E51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #421E51 shade: #421E51, #310C3E, #20002B, #0F0018 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #421E51 shade: #421E51, #501E51, #511E45, #511E37 and #511E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #421E51 shade: #421E51, #341E51, #261E51 and #1E1E51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #421E51 shade matches the following richer shades: #421E51, #46155A, #4A0C64 and #4D036D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #421E51 shade: #421E51, #3E2748, #3B303F, #373936 and #33422D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #421E51 shade: #261E51, #341E51, #421E51, #501E51 and #511E45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #421E51 shade: #110815, #2A1333, #421E51, #5B2970 and #73348E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #421E51 shade: #421E51, #511E23 and #1E512D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #421E51 shade: #421E51, #51421E and #1E5142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #421E51 shade: #421E51, #511E23, #2D511E and #1E514C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #421E51 shade: #421E51, #51281E, #2D511E and #1E4751

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

Complementary color

CMYK 16 / 0 / 23 / 12

HEX #BDE1AE

RGB 189 225 174

HSL 102.35, 0.46%, 0.78%

LAB 85.87, -21.05, 21.14

 

CMYK 7 / 61 / 0 / 70

HEX #471E4C

RGB 71 30 76

HSL 293.48, 0.43%, 0.21%

LAB 19.18, 27.44, -20.01

 

CMYK 7 / 49 / 0 / 63

HEX #58305F

RGB 88 48 95

HSL 291.06, 0.33%, 0.28%

LAB 26.78, 26.66, -20.56

 

CMYK 8 / 42 / 0 / 55

HEX #694272

RGB 105 66 114

HSL 288.75, 0.27%, 0.35%

LAB 34.22, 25.79, -20.93

 

CMYK 8 / 37 / 0 / 48

HEX #7A5485

RGB 122 84 133

HSL 286.53, 0.23%, 0.43%

LAB 41.49, 24.97, -21.24

 

CMYK 9 / 33 / 0 / 40

HEX #8B6698

RGB 139 102 152

HSL 284.4, 0.2%, 0.5%

LAB 48.58, 24.21, -21.52

 

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

CMYK 21 / 81 / 0 / 76

HEX #310C3E

RGB 49 12 62

HSL 284.4, 0.68%, 0.15%

LAB 11.02, 27.48, -23.48

 

CMYK 26 / 100 / 0 / 83

HEX #20002B

RGB 32 0 43

HSL 284.65, 1%, 0.08%

LAB 4.35, 22.99, -20.39

 

CMYK 38 / 100 / 0 / 91

HEX #0F0018

RGB 15 0 24

HSL 277.5, 1%, 0.05%

LAB 1.51, 8.3, -9.94

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

CMYK 1 / 63 / 0 / 68

HEX #501E51

RGB 80 30 81

HSL 298.82, 0.46%, 0.22%

LAB 20.94, 31.31, -20.54

 

CMYK 0 / 63 / 15 / 68

HEX #511E45

RGB 81 30 69

HSL 314.12, 0.46%, 0.22%

LAB 20.47, 29.29, -13.1

 

CMYK 0 / 63 / 32 / 68

HEX #511E37

RGB 81 30 55

HSL 330.59, 0.46%, 0.22%

LAB 19.86, 26.95, -4.36

 

CMYK 0 / 63 / 49 / 68

HEX #511E29

RGB 81 30 41

HSL 347.06, 0.46%, 0.22%

LAB 19.38, 25.06, 4.76

 

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

CMYK 36 / 63 / 0 / 68

HEX #341E51

RGB 52 30 81

HSL 265.88, 0.46%, 0.22%

LAB 16.76, 22.98, -27.43

 

CMYK 53 / 63 / 0 / 68

HEX #261E51

RGB 38 30 81

HSL 249.41, 0.46%, 0.22%

LAB 15.14, 19.25, -30.12

 

CMYK 63 / 63 / 0 / 68

HEX #1E1E51

RGB 30 30 81

HSL 240, 0.46%, 0.22%

LAB 14.39, 17.39, -31.37

 

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

CMYK 22 / 77 / 0 / 65

HEX #46155A

RGB 70 21 90

HSL 282.61, 0.62%, 0.22%

LAB 18.26, 35.05, -30.94

 

CMYK 26 / 88 / 0 / 61

HEX #4A0C64

RGB 74 12 100

HSL 282.27, 0.79%, 0.22%

LAB 18.54, 41.63, -37.11

 

CMYK 29 / 97 / 0 / 57

HEX #4D036D

RGB 77 3 109

HSL 281.89, 0.95%, 0.22%

LAB 19, 46.59, -42.23

 

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

CMYK 14 / 46 / 0 / 72

HEX #3E2748

RGB 62 39 72

HSL 281.82, 0.3%, 0.22%

LAB 19.81, 17.82, -16.39

 

CMYK 6 / 24 / 0 / 75

HEX #3B303F

RGB 59 48 63

HSL 284, 0.14%, 0.22%

LAB 21.59, 8.31, -7.57

 

CMYK 4 / 0 / 5 / 78

HEX #373936

RGB 55 57 54

HSL 100, 0.03%, 0.22%

LAB 23.69, -1.54, 1.57

 

CMYK 23 / 0 / 32 / 74

HEX #33422D

RGB 51 66 45

HSL 102.86, 0.19%, 0.22%

LAB 26.13, -10.81, 10.86

 

CMYK 53 / 63 / 0 / 68

HEX #261E51

RGB 38 30 81

HSL 249.41, 0.46%, 0.22%

LAB 15.14, 19.25, -30.12

 

CMYK 36 / 63 / 0 / 68

HEX #341E51

RGB 52 30 81

HSL 265.88, 0.46%, 0.22%

LAB 16.76, 22.98, -27.43

 

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

CMYK 1 / 63 / 0 / 68

HEX #501E51

RGB 80 30 81

HSL 298.82, 0.46%, 0.22%

LAB 20.94, 31.31, -20.54

 

CMYK 0 / 63 / 15 / 68

HEX #511E45

RGB 81 30 69

HSL 314.12, 0.46%, 0.22%

LAB 20.47, 29.29, -13.1

 

CMYK 19 / 62 / 0 / 92

HEX #110815

RGB 17 8 21

HSL 281.54, 0.45%, 0.06%

LAB 3.13, 5.06, -5.36

 

CMYK 18 / 63 / 0 / 80

HEX #2A1333

RGB 42 19 51

HSL 283.13, 0.46%, 0.14%

LAB 10.54, 18.53, -16.41

 

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

CMYK 19 / 63 / 0 / 56

HEX #5B2970

RGB 91 41 112

HSL 282.25, 0.46%, 0.3%

LAB 26.68, 35.46, -31.67

 

CMYK 19 / 63 / 0 / 44

HEX #73348E

RGB 115 52 142

HSL 282, 0.46%, 0.38%

LAB 34.09, 42.88, -38.42

 

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

CMYK 0 / 63 / 57 / 68

HEX #511E23

RGB 81 30 35

HSL 354.12, 0.46%, 0.22%

LAB 19.22, 24.4, 8.75

 

CMYK 63 / 0 / 44 / 68

HEX #1E512D

RGB 30 81 45

HSL 137.65, 0.46%, 0.22%

LAB 30.28, -26.27, 16.2

 

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

CMYK 0 / 19 / 63 / 68

HEX #51421E

RGB 81 66 30

HSL 42.35, 0.46%, 0.22%

LAB 28.75, 1.41, 24.01

 

CMYK 63 / 0 / 19 / 68

HEX #1E5142

RGB 30 81 66

HSL 162.35, 0.46%, 0.22%

LAB 30.77, -21.23, 3.76

 

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

CMYK 0 / 63 / 57 / 68

HEX #511E23

RGB 81 30 35

HSL 354.12, 0.46%, 0.22%

LAB 19.22, 24.4, 8.75

 

CMYK 44 / 0 / 63 / 68

HEX #2D511E

RGB 45 81 30

HSL 102.35, 0.46%, 0.22%

LAB 30.73, -23.82, 25.56

 

CMYK 63 / 0 / 6 / 68

HEX #1E514C

RGB 30 81 76

HSL 174.12, 0.46%, 0.22%

LAB 31.07, -18.31, -2.17

 

CMYK 19 / 63 / 0 / 68

HEX #421E51

RGB 66 30 81

HSL 282.35, 0.46%, 0.22%

LAB 18.72, 27.07, -24.19

 

CMYK 0 / 51 / 63 / 68

HEX #51281E

RGB 81 40 30

HSL 11.76, 0.46%, 0.22%

LAB 21.43, 17.99, 15.09

 

CMYK 44 / 0 / 63 / 68

HEX #2D511E

RGB 45 81 30

HSL 102.35, 0.46%, 0.22%

LAB 30.73, -23.82, 25.56

 

CMYK 63 / 12 / 0 / 68

HEX #1E4751

RGB 30 71 81

HSL 191.76, 0.46%, 0.22%

LAB 27.78, -10.91, -10.32

 

Description

Color code: HEX #421E51 | qconv.com Color code: HEX #421E51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 30 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 30 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 63 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 63% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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