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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42206F it is the complementary color #BDDF90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42206F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42206F shade: #47206A, #58327D, #694490, #7A56A3 and #8B68B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42206F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42206F shade: #42206F, #310E5C, #200049, #0F0036 and #000023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42206F shade: #41206E, #57206E, #6C206E, #6E205B and #6E2046

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42206F shade: #41206E, #2C206E and #20206E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42206F shade matches the following richer shades: #41206E, #40147A and #3E0985

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42206F shade: #41206E, #432B63, #453757, #46424C and #484E40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42206F shade: #20296E, #2B206E, #40206E, #55206E and #6A206E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42206F shade: #1B0D2E, #2E164E, #41206E, #54298E and #6832AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42206F shade: #42206F, #6E203E and #206E21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42206F shade: #42206F, #6E4020 and #206E40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42206F shade: #42206F, #6E203E, #4D6E20 and #206E50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42206F shade: #42206F, #6E2026, #4D6E20 and #206E68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 71 / 0 / 56

HEX #42206F

RGB 66 32 111

HSL 265.82, 0.55%, 0.28%

LAB 21.35, 33.93, -39.77

 

Complementary color

CMYK 15 / 0 / 35 / 13

HEX #BDDF90

RGB 189 223 144

HSL 85.82, 0.55%, 0.72%

LAB 84.8, -24.46, 35.12

 

CMYK 33 / 70 / 0 / 58

HEX #47206A

RGB 71 32 106

HSL 271.62, 0.54%, 0.27%

LAB 21.63, 33.71, -36.05

 

CMYK 30 / 60 / 0 / 51

HEX #58327D

RGB 88 50 125

HSL 270.4, 0.43%, 0.34%

LAB 29, 32.82, -36.23

 

CMYK 27 / 53 / 0 / 44

HEX #694490

RGB 105 68 144

HSL 269.21, 0.36%, 0.42%

LAB 36.27, 31.81, -36.25

 

CMYK 25 / 47 / 0 / 36

HEX #7A56A3

RGB 122 86 163

HSL 268.05, 0.31%, 0.49%

LAB 43.42, 30.84, -36.24

 

CMYK 24 / 43 / 0 / 29

HEX #8B68B6

RGB 139 104 182

HSL 266.92, 0.35%, 0.56%

LAB 50.41, 29.95, -36.23

 

CMYK 41 / 71 / 0 / 56

HEX #42206F

RGB 66 32 111

HSL 265.82, 0.55%, 0.28%

LAB 21.35, 33.93, -39.77

 

CMYK 47 / 85 / 0 / 64

HEX #310E5C

RGB 49 14 92

HSL 266.92, 0.74%, 0.21%

LAB 14.06, 34.47, -39.26

 

CMYK 56 / 100 / 0 / 71

HEX #200049

RGB 32 0 73

HSL 266.3, 1%, 0.14%

LAB 7.12, 33.58, -37.74

 

CMYK 72 / 100 / 0 / 79

HEX #0F0036

RGB 15 0 54

HSL 256.67, 1%, 0.11%

LAB 3.32, 21.01, -30.37

 

CMYK 100 / 100 / 0 / 86

HEX #000023

RGB 0 0 35

HSL 240, 1%, 0.07%

LAB 1.1, 7.7, -19.49

 

CMYK 41 / 71 / 0 / 57

HEX #41206E

RGB 65 32 110

HSL 265.38, 0.55%, 0.28%

LAB 21.14, 33.43, -39.47

 

CMYK 21 / 71 / 0 / 57

HEX #57206E

RGB 87 32 110

HSL 282.31, 0.55%, 0.28%

LAB 24.27, 38.57, -34.26

 

CMYK 2 / 71 / 0 / 57

HEX #6C206E

RGB 108 32 110

HSL 298.46, 0.55%, 0.28%

LAB 27.7, 43.8, -28.59

 

CMYK 0 / 71 / 17 / 57

HEX #6E205B

RGB 110 32 91

HSL 314.62, 0.55%, 0.28%

LAB 27.03, 41.04, -17.29

 

CMYK 0 / 71 / 36 / 57

HEX #6E2046

RGB 110 32 70

HSL 330.77, 0.55%, 0.28%

LAB 26.13, 38.01, -4.7

 

CMYK 41 / 71 / 0 / 57

HEX #41206E

RGB 65 32 110

HSL 265.38, 0.55%, 0.28%

LAB 21.14, 33.43, -39.47

 

CMYK 60 / 71 / 0 / 57

HEX #2C206E

RGB 44 32 110

HSL 249.23, 0.55%, 0.28%

LAB 18.78, 29.22, -43.43

 

CMYK 71 / 71 / 0 / 57

HEX #20206E

RGB 32 32 110

HSL 240, 0.55%, 0.28%

LAB 17.76, 27.32, -45.13

 

CMYK 41 / 71 / 0 / 57

HEX #41206E

RGB 65 32 110

HSL 265.38, 0.55%, 0.28%

LAB 21.14, 33.43, -39.47

 

CMYK 48 / 84 / 0 / 52

HEX #40147A

RGB 64 20 122

HSL 265.88, 0.72%, 0.28%

LAB 20.03, 42.44, -49.02

 

CMYK 53 / 93 / 0 / 48

HEX #3E0985

RGB 62 9 133

HSL 265.65, 0.87%, 0.28%

LAB 19.69, 48.7, -56.56

 

CMYK 41 / 71 / 0 / 57

HEX #41206E

RGB 65 32 110

HSL 265.38, 0.55%, 0.28%

LAB 21.14, 33.43, -39.47

 

CMYK 32 / 57 / 0 / 61

HEX #432B63

RGB 67 43 99

HSL 265.71, 0.39%, 0.28%

LAB 23.07, 24.16, -29.2

 

CMYK 21 / 37 / 0 / 66

HEX #453757

RGB 69 55 87

HSL 266.25, 0.23%, 0.28%

LAB 25.82, 13.61, -17

 

CMYK 8 / 13 / 0 / 70

HEX #46424C

RGB 70 66 76

HSL 264, 0.07%, 0.28%

LAB 28.7, 3.95, -5.42

 

CMYK 8 / 0 / 18 / 69

HEX #484E40

RGB 72 78 64

HSL 85.71, 0.1%, 0.28%

LAB 32.25, -5.39, 7.48

 

CMYK 71 / 63 / 0 / 57

HEX #20296E

RGB 32 41 110

HSL 233.08, 0.55%, 0.28%

LAB 20.12, 21.13, -41.28

 

CMYK 61 / 71 / 0 / 57

HEX #2B206E

RGB 43 32 110

HSL 248.46, 0.55%, 0.28%

LAB 18.68, 29.05, -43.59

 

CMYK 42 / 71 / 0 / 57

HEX #40206E

RGB 64 32 110

HSL 264.62, 0.55%, 0.28%

LAB 21.01, 33.21, -39.69

 

CMYK 23 / 71 / 0 / 57

HEX #55206E

RGB 85 32 110

HSL 280.77, 0.55%, 0.28%

LAB 23.97, 38.08, -34.77

 

CMYK 4 / 71 / 0 / 57

HEX #6A206E

RGB 106 32 110

HSL 296.92, 0.55%, 0.28%

LAB 27.36, 43.29, -29.15

 

CMYK 41 / 72 / 0 / 82

HEX #1B0D2E

RGB 27 13 46

HSL 265.45, 0.56%, 0.12%

LAB 6.49, 15.8, -19.31

 

CMYK 41 / 72 / 0 / 69

HEX #2E164E

RGB 46 22 78

HSL 265.71, 0.56%, 0.2%

LAB 13.85, 25.53, -30.11

 

CMYK 41 / 71 / 0 / 57

HEX #41206E

RGB 65 32 110

HSL 265.38, 0.55%, 0.28%

LAB 21.14, 33.43, -39.47

 

CMYK 41 / 71 / 0 / 44

HEX #54298E

RGB 84 41 142

HSL 265.54, 0.55%, 0.36%

LAB 27.91, 41.4, -48.61

 

CMYK 40 / 71 / 0 / 32

HEX #6832AE

RGB 104 50 174

HSL 266.13, 0.55%, 0.44%

LAB 34.56, 49.17, -57.11

 

CMYK 41 / 71 / 0 / 56

HEX #42206F

RGB 66 32 111

HSL 265.82, 0.55%, 0.28%

LAB 21.35, 33.93, -39.77

 

CMYK 0 / 71 / 44 / 57

HEX #6E203E

RGB 110 32 62

HSL 336.92, 0.55%, 0.28%

LAB 25.85, 37.05, 0.29

 

CMYK 71 / 0 / 70 / 57

HEX #206E21

RGB 32 110 33

HSL 120.77, 0.55%, 0.28%

LAB 40.52, -39.73, 34.89

 

CMYK 41 / 71 / 0 / 56

HEX #42206F

RGB 66 32 111

HSL 265.82, 0.55%, 0.28%

LAB 21.35, 33.93, -39.77

 

CMYK 0 / 42 / 71 / 57

HEX #6E4020

RGB 110 64 32

HSL 24.62, 0.55%, 0.28%

LAB 32, 16.91, 27.6

 

CMYK 71 / 0 / 42 / 57

HEX #206E40

RGB 32 110 64

HSL 144.62, 0.55%, 0.28%

LAB 40.94, -34.9, 18.99

 

CMYK 41 / 71 / 0 / 56

HEX #42206F

RGB 66 32 111

HSL 265.82, 0.55%, 0.28%

LAB 21.35, 33.93, -39.77

 

CMYK 0 / 71 / 44 / 57

HEX #6E203E

RGB 110 32 62

HSL 336.92, 0.55%, 0.28%

LAB 25.85, 37.05, 0.29

 

CMYK 30 / 0 / 71 / 57

HEX #4D6E20

RGB 77 110 32

HSL 85.38, 0.55%, 0.28%

LAB 42.51, -25.18, 38.06

 

CMYK 71 / 0 / 27 / 57

HEX #206E50

RGB 32 110 80

HSL 156.92, 0.55%, 0.28%

LAB 41.28, -31.29, 10.01

 

CMYK 41 / 71 / 0 / 56

HEX #42206F

RGB 66 32 111

HSL 265.82, 0.55%, 0.28%

LAB 21.35, 33.93, -39.77

 

CMYK 0 / 71 / 65 / 57

HEX #6E2026

RGB 110 32 38

HSL 355.38, 0.55%, 0.28%

LAB 25.22, 34.82, 15.66

 

CMYK 30 / 0 / 71 / 57

HEX #4D6E20

RGB 77 110 32

HSL 85.38, 0.55%, 0.28%

LAB 42.51, -25.18, 38.06

 

CMYK 71 / 0 / 5 / 57

HEX #206E68

RGB 32 110 104

HSL 175.38, 0.55%, 0.28%

LAB 41.94, -24.64, -3.51

 

Description

Color code: HEX #42206F | qconv.com Color code: HEX #42206F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 32 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 32 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 71 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 71% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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