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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #422355 it is the complementary color #BDDCAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #422355. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #422355 shade: #472350, #583563, #694776, #7A5989 and #8B6B9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #422355. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #422355 shade: #422355, #311142, #20002F, #0F001C and #000009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #422355 shade: #432356, #512356, #56234E, #562340 and #562332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #422355 shade: #432356, #352356, #272356 and #232356

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #422355 shade matches the following richer shades: #432356, #451960, #480F6A and #4A0574

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #422355 shade: #432356, #402D4D, #3E3743, #3C4139 and #394B2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #422355 shade: #272356, #352356, #432356, #502356 and #56234F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #422355 shade: #150B1C, #2C1739, #432356, #5A2F74 and #703B91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #422355 shade: #422355, #56232C and #23562E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #422355 shade: #422355, #564323 and #235643

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #422355 shade: #422355, #56232C, #375623 and #23564D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #422355 shade: #422355, #562923, #375623 and #235056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 59 / 0 / 67

HEX #422355

RGB 66 35 85

HSL 277.2, 0.42%, 0.24%

LAB 20.11, 25.07, -24.67

 

Complementary color

CMYK 14 / 0 / 23 / 14

HEX #BDDCAA

RGB 189 220 170

HSL 97.2, 0.42%, 0.76%

LAB 84.44, -19.22, 21.25

 

CMYK 11 / 56 / 0 / 69

HEX #472350

RGB 71 35 80

HSL 288, 0.39%, 0.23%

LAB 20.52, 25.42, -20.61

 

CMYK 11 / 46 / 0 / 61

HEX #583563

RGB 88 53 99

HSL 285.65, 0.3%, 0.3%

LAB 28.17, 24.53, -20.97

 

CMYK 11 / 40 / 0 / 54

HEX #694776

RGB 105 71 118

HSL 283.4, 0.25%, 0.37%

LAB 35.63, 23.66, -21.24

 

CMYK 11 / 35 / 0 / 46

HEX #7A5989

RGB 122 89 137

HSL 281.25, 0.21%, 0.44%

LAB 42.9, 22.87, -21.48

 

CMYK 11 / 31 / 0 / 39

HEX #8B6B9C

RGB 139 107 156

HSL 279.18, 0.2%, 0.52%

LAB 49.98, 22.15, -21.72

 

CMYK 22 / 59 / 0 / 67

HEX #422355

RGB 66 35 85

HSL 277.2, 0.42%, 0.24%

LAB 20.11, 25.07, -24.67

 

CMYK 26 / 74 / 0 / 74

HEX #311142

RGB 49 17 66

HSL 279.18, 0.59%, 0.16%

LAB 12.27, 25.86, -24.31

 

CMYK 32 / 100 / 0 / 82

HEX #20002F

RGB 32 0 47

HSL 280.85, 1%, 0.09%

LAB 4.63, 24.48, -22.97

 

CMYK 46 / 100 / 0 / 89

HEX #0F001C

RGB 15 0 28

HSL 272.14, 1%, 0.05%

LAB 1.67, 9.44, -12.93

 

CMYK 100 / 100 / 0 / 96

HEX #000009

RGB 0 0 9

HSL 240, 1%, 0.02%

LAB 0.18, 1.25, -3.41

 

CMYK 22 / 59 / 0 / 66

HEX #432356

RGB 67 35 86

HSL 277.65, 0.42%, 0.24%

LAB 20.31, 25.64, -25.01

 

CMYK 6 / 59 / 0 / 66

HEX #512356

RGB 81 35 86

HSL 294.12, 0.42%, 0.24%

LAB 22.38, 29.96, -21.6

 

CMYK 0 / 59 / 9 / 66

HEX #56234E

RGB 86 35 78

HSL 309.41, 0.42%, 0.24%

LAB 22.76, 29.94, -15.6

 

CMYK 0 / 59 / 26 / 66

HEX #562340

RGB 86 35 64

HSL 325.88, 0.42%, 0.24%

LAB 22.13, 27.45, -7.07

 

CMYK 0 / 59 / 42 / 66

HEX #562332

RGB 86 35 50

HSL 342.35, 0.42%, 0.24%

LAB 21.62, 25.38, 1.81

 

CMYK 22 / 59 / 0 / 66

HEX #432356

RGB 67 35 86

HSL 277.65, 0.42%, 0.24%

LAB 20.31, 25.64, -25.01

 

CMYK 38 / 59 / 0 / 66

HEX #352356

RGB 53 35 86

HSL 261.18, 0.42%, 0.24%

LAB 18.5, 21.49, -28.01

 

CMYK 55 / 59 / 0 / 66

HEX #272356

RGB 39 35 86

HSL 244.71, 0.42%, 0.24%

LAB 17.01, 17.75, -30.47

 

CMYK 59 / 59 / 0 / 66

HEX #232356

RGB 35 35 86

HSL 240, 0.42%, 0.24%

LAB 16.66, 16.79, -31.07

 

CMYK 22 / 59 / 0 / 66

HEX #432356

RGB 67 35 86

HSL 277.65, 0.42%, 0.24%

LAB 20.31, 25.64, -25.01

 

CMYK 28 / 74 / 0 / 62

HEX #451960

RGB 69 25 96

HSL 277.18, 0.59%, 0.24%

LAB 19.25, 34.34, -33.35

 

CMYK 32 / 86 / 0 / 58

HEX #480F6A

RGB 72 15 106

HSL 277.58, 0.75%, 0.24%

LAB 19.06, 41.64, -40.22

 

CMYK 36 / 96 / 0 / 55

HEX #4A0574

RGB 74 5 116

HSL 277.3, 0.92%, 0.24%

LAB 19.33, 47.14, -46.25

 

CMYK 22 / 59 / 0 / 66

HEX #432356

RGB 67 35 86

HSL 277.65, 0.42%, 0.24%

LAB 20.31, 25.64, -25.01

 

CMYK 17 / 42 / 0 / 70

HEX #402D4D

RGB 64 45 77

HSL 275.63, 0.26%, 0.24%

LAB 21.95, 15.83, -16.42

 

CMYK 7 / 18 / 0 / 74

HEX #3E3743

RGB 62 55 67

HSL 275, 0.1%, 0.24%

LAB 24.2, 5.79, -6.3

 

CMYK 8 / 0 / 12 / 75

HEX #3C4139

RGB 60 65 57

HSL 97.5, 0.07%, 0.24%

LAB 26.84, -3.87, 4.17

 

CMYK 24 / 0 / 37 / 71

HEX #394B2F

RGB 57 75 47

HSL 98.57, 0.23%, 0.24%

LAB 29.68, -13.17, 14.45

 

CMYK 55 / 59 / 0 / 66

HEX #272356

RGB 39 35 86

HSL 244.71, 0.42%, 0.24%

LAB 17.01, 17.75, -30.47

 

CMYK 38 / 59 / 0 / 66

HEX #352356

RGB 53 35 86

HSL 261.18, 0.42%, 0.24%

LAB 18.5, 21.49, -28.01

 

CMYK 22 / 59 / 0 / 66

HEX #432356

RGB 67 35 86

HSL 277.65, 0.42%, 0.24%

LAB 20.31, 25.64, -25.01

 

CMYK 7 / 59 / 0 / 66

HEX #502356

RGB 80 35 86

HSL 292.94, 0.42%, 0.24%

LAB 22.23, 29.65, -21.85

 

CMYK 0 / 59 / 8 / 66

HEX #56234F

RGB 86 35 79

HSL 308.24, 0.42%, 0.24%

LAB 22.81, 30.13, -16.19

 

CMYK 25 / 61 / 0 / 89

HEX #150B1C

RGB 21 11 28

HSL 275.29, 0.44%, 0.08%

LAB 4.36, 7.37, -8.88

 

CMYK 23 / 60 / 0 / 78

HEX #2C1739

RGB 44 23 57

HSL 277.06, 0.43%, 0.16%

LAB 12.25, 18.19, -18.01

 

CMYK 22 / 59 / 0 / 66

HEX #432356

RGB 67 35 86

HSL 277.65, 0.42%, 0.24%

LAB 20.31, 25.64, -25.01

 

CMYK 22 / 59 / 0 / 55

HEX #5A2F74

RGB 90 47 116

HSL 277.39, 0.42%, 0.32%

LAB 28.03, 32.81, -32.07

 

CMYK 23 / 59 / 0 / 43

HEX #703B91

RGB 112 59 145

HSL 276.98, 0.42%, 0.4%

LAB 35.24, 39.11, -38.46

 

CMYK 22 / 59 / 0 / 67

HEX #422355

RGB 66 35 85

HSL 277.2, 0.42%, 0.24%

LAB 20.11, 25.07, -24.67

 

CMYK 0 / 59 / 49 / 66

HEX #56232C

RGB 86 35 44

HSL 349.41, 0.42%, 0.24%

LAB 21.44, 24.63, 5.7

 

CMYK 59 / 0 / 47 / 66

HEX #23562E

RGB 35 86 46

HSL 132.94, 0.42%, 0.24%

LAB 32.28, -27.04, 18.24

 

CMYK 22 / 59 / 0 / 67

HEX #422355

RGB 66 35 85

HSL 277.2, 0.42%, 0.24%

LAB 20.11, 25.07, -24.67

 

CMYK 0 / 22 / 59 / 66

HEX #564323

RGB 86 67 35

HSL 37.65, 0.42%, 0.24%

LAB 29.7, 3.74, 22.36

 

CMYK 59 / 0 / 22 / 66

HEX #235643

RGB 35 86 67

HSL 157.65, 0.42%, 0.24%

LAB 32.74, -22.32, 5.96

 

CMYK 22 / 59 / 0 / 67

HEX #422355

RGB 66 35 85

HSL 277.2, 0.42%, 0.24%

LAB 20.11, 25.07, -24.67

 

CMYK 0 / 59 / 49 / 66

HEX #56232C

RGB 86 35 44

HSL 349.41, 0.42%, 0.24%

LAB 21.44, 24.63, 5.7

 

CMYK 36 / 0 / 59 / 66

HEX #375623

RGB 55 86 35

HSL 96.47, 0.42%, 0.24%

LAB 33.11, -21.8, 25.78

 

CMYK 59 / 0 / 10 / 66

HEX #23564D

RGB 35 86 77

HSL 169.41, 0.42%, 0.24%

LAB 33.02, -19.57, 0.08

 

CMYK 22 / 59 / 0 / 67

HEX #422355

RGB 66 35 85

HSL 277.2, 0.42%, 0.24%

LAB 20.11, 25.07, -24.67

 

CMYK 0 / 52 / 59 / 66

HEX #562923

RGB 86 41 35

HSL 7.06, 0.42%, 0.24%

LAB 22.6, 20.12, 13.43

 

CMYK 36 / 0 / 59 / 66

HEX #375623

RGB 55 86 35

HSL 96.47, 0.42%, 0.24%

LAB 33.11, -21.8, 25.78

 

CMYK 59 / 7 / 0 / 66

HEX #235056

RGB 35 80 86

HSL 187.06, 0.42%, 0.24%

LAB 31.27, -13.43, -8.23

 

Description

Color code: HEX #422355 | qconv.com Color code: HEX #422355 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 35 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 35 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 59 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 59% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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