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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #422B4E it is the complementary color #BDD4B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #422B4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #422B4E shade: #472B49, #583D5C, #694F6F, #7A6182 and #8B7395

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #422B4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #422B4E shade: #422B4E, #31193B, #200728, #0F0015 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #422B4E shade: #422B4E, #4C2B4E, #4E2B47, #4E2B3E and #4E2B34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #422B4E shade: #422B4E, #392B4E, #2F2B4E and #2B2B4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #422B4E shade matches the following richer shades: #422B4E, #452158, #491762, #4C0D6C and #4F0376

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #422B4E shade: #422B4E, #3F3545, #3C3F3B, #394931 and #365327

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #422B4E shade: #2F2B4E, #392B4E, #422B4E, #4B2B4E and #4E2B48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #422B4E shade: #150E19, #2C1C34, #422B4E, #593A69 and #6F4884

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #422B4E shade: #422B4E, #4E2B30 and #2B4E34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #422B4E shade: #422B4E, #4E422B and #2B4E42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #422B4E shade: #422B4E, #4E2B30, #374E2B and #2B4E49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #422B4E shade: #422B4E, #4E302B, #374E2B and #2B494E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

Complementary color

CMYK 11 / 0 / 17 / 17

HEX #BDD4B1

RGB 189 212 177

HSL 99.43, 0.29%, 0.76%

LAB 82.42, -14.08, 14.76

 

CMYK 3 / 41 / 0 / 71

HEX #472B49

RGB 71 43 73

HSL 296, 0.26%, 0.23%

LAB 22.12, 18.76, -13.4

 

CMYK 4 / 34 / 0 / 64

HEX #583D5C

RGB 88 61 92

HSL 292.26, 0.2%, 0.3%

LAB 29.87, 17.91, -13.82

 

CMYK 5 / 29 / 0 / 56

HEX #694F6F

RGB 105 79 111

HSL 288.75, 0.17%, 0.37%

LAB 37.38, 17.16, -14.2

 

CMYK 6 / 25 / 0 / 49

HEX #7A6182

RGB 122 97 130

HSL 285.45, 0.15%, 0.45%

LAB 44.66, 16.5, -14.56

 

CMYK 7 / 23 / 0 / 42

HEX #8B7395

RGB 139 115 149

HSL 282.35, 0.14%, 0.52%

LAB 51.75, 15.92, -14.92

 

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

CMYK 17 / 58 / 0 / 77

HEX #31193B

RGB 49 25 59

HSL 282.35, 0.4%, 0.16%

LAB 13.61, 19.11, -17.22

 

CMYK 20 / 83 / 0 / 84

HEX #200728

RGB 32 7 40

HSL 285.45, 0.7%, 0.09%

LAB 5.53, 18.72, -16.26

 

CMYK 29 / 100 / 0 / 92

HEX #0F0015

RGB 15 0 21

HSL 282.86, 1%, 0.04%

LAB 1.41, 7.55, -7.9

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

CMYK 3 / 45 / 0 / 69

HEX #4C2B4E

RGB 76 43 78

HSL 296.57, 0.29%, 0.24%

LAB 23.05, 21.74, -15.27

 

CMYK 0 / 45 / 9 / 69

HEX #4E2B47

RGB 78 43 71

HSL 312, 0.29%, 0.24%

LAB 23.01, 20.98, -10.61

 

CMYK 0 / 45 / 21 / 69

HEX #4E2B3E

RGB 78 43 62

HSL 327.43, 0.29%, 0.24%

LAB 22.64, 19.24, -5.07

 

CMYK 0 / 45 / 33 / 69

HEX #4E2B34

RGB 78 43 52

HSL 344.57, 0.29%, 0.24%

LAB 22.29, 17.52, 1.24

 

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

CMYK 27 / 45 / 0 / 69

HEX #392B4E

RGB 57 43 78

HSL 264, 0.29%, 0.24%

LAB 20.63, 14.97, -19.23

 

CMYK 40 / 45 / 0 / 69

HEX #2F2B4E

RGB 47 43 78

HSL 246.86, 0.29%, 0.24%

LAB 19.57, 11.63, -20.97

 

CMYK 45 / 45 / 0 / 69

HEX #2B2B4E

RGB 43 43 78

HSL 240, 0.29%, 0.24%

LAB 19.19, 10.37, -21.59

 

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

CMYK 22 / 63 / 0 / 65

HEX #452158

RGB 69 33 88

HSL 279.27, 0.45%, 0.24%

LAB 20.27, 27.95, -26.39

 

CMYK 26 / 77 / 0 / 62

HEX #491762

RGB 73 23 98

HSL 280, 0.62%, 0.24%

LAB 19.68, 36.71, -33.94

 

CMYK 30 / 88 / 0 / 58

HEX #4C0D6C

RGB 76 13 108

HSL 279.79, 0.79%, 0.24%

LAB 19.67, 43.46, -40.5

 

CMYK 33 / 97 / 0 / 54

HEX #4F0376

RGB 79 3 118

HSL 279.65, 0.95%, 0.24%

LAB 20.19, 48.78, -46.11

 

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

CMYK 9 / 23 / 0 / 73

HEX #3F3545

RGB 63 53 69

HSL 277.5, 0.13%, 0.24%

LAB 23.78, 8.03, -8.26

 

CMYK 5 / 0 / 6 / 75

HEX #3C3F3B

RGB 60 63 59

HSL 105, 0.03%, 0.24%

LAB 26.25, -2.16, 2.01

 

CMYK 22 / 0 / 33 / 71

HEX #394931

RGB 57 73 49

HSL 100, 0.2%, 0.24%

LAB 29.05, -11.64, 12.35

 

CMYK 35 / 0 / 53 / 67

HEX #365327

RGB 54 83 39

HSL 99.55, 0.36%, 0.24%

LAB 32.07, -20.1, 22.27

 

CMYK 40 / 45 / 0 / 69

HEX #2F2B4E

RGB 47 43 78

HSL 246.86, 0.29%, 0.24%

LAB 19.57, 11.63, -20.97

 

CMYK 27 / 45 / 0 / 69

HEX #392B4E

RGB 57 43 78

HSL 264, 0.29%, 0.24%

LAB 20.63, 14.97, -19.23

 

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

CMYK 4 / 45 / 0 / 69

HEX #4B2B4E

RGB 75 43 78

HSL 294.86, 0.29%, 0.24%

LAB 22.91, 21.38, -15.5

 

CMYK 0 / 45 / 8 / 69

HEX #4E2B48

RGB 78 43 72

HSL 310.29, 0.29%, 0.24%

LAB 23.05, 21.19, -11.21

 

CMYK 16 / 44 / 0 / 90

HEX #150E19

RGB 21 14 25

HSL 278.18, 0.28%, 0.08%

LAB 4.91, 5.12, -5.7

 

CMYK 15 / 46 / 0 / 80

HEX #2C1C34

RGB 44 28 52

HSL 280, 0.3%, 0.16%

LAB 13.31, 13.36, -12.75

 

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

CMYK 15 / 45 / 0 / 59

HEX #593A69

RGB 89 58 105

HSL 279.57, 0.29%, 0.32%

LAB 29.84, 23.2, -22.21

 

CMYK 16 / 45 / 0 / 48

HEX #6F4884

RGB 111 72 132

HSL 279, 0.29%, 0.4%

LAB 37.26, 28.29, -27.3

 

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

CMYK 0 / 45 / 38 / 69

HEX #4E2B30

RGB 78 43 48

HSL 351.43, 0.29%, 0.24%

LAB 22.16, 16.91, 3.79

 

CMYK 45 / 0 / 33 / 69

HEX #2B4E34

RGB 43 78 52

HSL 135.43, 0.29%, 0.24%

LAB 29.94, -19.29, 11.53

 

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

CMYK 0 / 15 / 45 / 69

HEX #4E422B

RGB 78 66 43

HSL 39.43, 0.29%, 0.24%

LAB 28.62, 1.38, 15.91

 

CMYK 45 / 0 / 15 / 69

HEX #2B4E42

RGB 43 78 66

HSL 159.43, 0.29%, 0.24%

LAB 30.29, -15.96, 3.15

 

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

CMYK 0 / 45 / 38 / 69

HEX #4E2B30

RGB 78 43 48

HSL 351.43, 0.29%, 0.24%

LAB 22.16, 16.91, 3.79

 

CMYK 29 / 0 / 45 / 69

HEX #374E2B

RGB 55 78 43

HSL 99.43, 0.29%, 0.24%

LAB 30.49, -16.38, 17.93

 

CMYK 45 / 0 / 6 / 69

HEX #2B4E49

RGB 43 78 73

HSL 171.43, 0.29%, 0.24%

LAB 30.5, -14.07, -1.02

 

CMYK 15 / 45 / 0 / 69

HEX #422B4E

RGB 66 43 78

HSL 279.43, 0.29%, 0.24%

LAB 21.71, 18.14, -17.45

 

CMYK 0 / 38 / 45 / 69

HEX #4E302B

RGB 78 48 43

HSL 8.57, 0.29%, 0.24%

LAB 23.37, 12.99, 8.87

 

CMYK 29 / 0 / 45 / 69

HEX #374E2B

RGB 55 78 43

HSL 99.43, 0.29%, 0.24%

LAB 30.49, -16.38, 17.93

 

CMYK 45 / 6 / 0 / 69

HEX #2B494E

RGB 43 73 78

HSL 188.57, 0.29%, 0.24%

LAB 28.98, -9.64, -6.51

 

Description

Color code: HEX #422B4E | qconv.com Color code: HEX #422B4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 43 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 43 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 45 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 45% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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