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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #424560 it is the complementary color #BDBA9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #424560. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #424560 shade: #47455B, #58576E, #696981, #7A7B94 and #8B8DA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #424560. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #424560 shade: #424560, #31334D, #20213A, #0F0F27 and #000014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #424560 shade: #424561, #474261, #4F4261, #584261 and #604261

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #424560 shade: #424561 and #424261

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #424560 shade matches the following richer shades: #424561, #343A6E, #27307B, #1A2588 and #0D1A95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #424560 shade: #424561, #4F4F53, #5C5A46, #696439 and #766F2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #424560 shade: #425561, #424D61, #424561, #474261 and #4F4261

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #424560 shade: #202230, #313348, #424561, #525679 and #636892

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #424560 shade: #424560, #61425E and #516142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #424560 shade: #424560, #614245 and #456142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #424560 shade: #424560, #61425E, #615E42 and #426145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #424560 shade: #424560, #614254, #615E42 and #42614E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 28 / 0 / 62

HEX #424560

RGB 66 69 96

HSL 234, 0.19%, 0.32%

LAB 30.06, 5.8, -16.3

 

Complementary color

CMYK 0 / 2 / 16 / 26

HEX #BDBA9F

RGB 189 186 159

HSL 54, 0.19%, 0.68%

LAB 75.1, -3.55, 14.08

 

CMYK 22 / 24 / 0 / 64

HEX #47455B

RGB 71 69 91

HSL 245.45, 0.14%, 0.31%

LAB 30.28, 6.18, -12.71

 

CMYK 20 / 21 / 0 / 57

HEX #58576E

RGB 88 87 110

HSL 242.61, 0.12%, 0.39%

LAB 37.87, 5.76, -12.97

 

CMYK 19 / 19 / 0 / 49

HEX #696981

RGB 105 105 129

HSL 240, 0.1%, 0.46%

LAB 45.21, 5.41, -13.27

 

CMYK 18 / 17 / 0 / 42

HEX #7A7B94

RGB 122 123 148

HSL 237.69, 0.11%, 0.53%

LAB 52.33, 5.09, -13.59

 

CMYK 17 / 16 / 0 / 35

HEX #8B8DA7

RGB 139 141 167

HSL 235.71, 0.14%, 0.6%

LAB 59.28, 4.81, -13.93

 

CMYK 31 / 28 / 0 / 62

HEX #424560

RGB 66 69 96

HSL 234, 0.19%, 0.32%

LAB 30.06, 5.8, -16.3

 

CMYK 36 / 34 / 0 / 70

HEX #31334D

RGB 49 51 77

HSL 235.71, 0.22%, 0.25%

LAB 22.15, 6.39, -16.24

 

CMYK 45 / 43 / 0 / 77

HEX #20213A

RGB 32 33 58

HSL 237.69, 0.29%, 0.18%

LAB 13.83, 7.2, -16.31

 

CMYK 62 / 62 / 0 / 85

HEX #0F0F27

RGB 15 15 39

HSL 240, 0.44%, 0.11%

LAB 5.33, 7.11, -15.95

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 32 / 29 / 0 / 62

HEX #424561

RGB 66 69 97

HSL 234.19, 0.19%, 0.32%

LAB 30.1, 6.09, -16.87

 

CMYK 27 / 32 / 0 / 62

HEX #474261

RGB 71 66 97

HSL 249.68, 0.19%, 0.32%

LAB 29.66, 9.78, -17.52

 

CMYK 19 / 32 / 0 / 62

HEX #4F4261

RGB 79 66 97

HSL 265.16, 0.19%, 0.32%

LAB 30.45, 12.6, -16.23

 

CMYK 9 / 32 / 0 / 62

HEX #584261

RGB 88 66 97

HSL 282.58, 0.19%, 0.32%

LAB 31.43, 15.88, -14.65

 

CMYK 1 / 32 / 0 / 62

HEX #604261

RGB 96 66 97

HSL 298.06, 0.19%, 0.32%

LAB 32.36, 18.85, -13.14

 

CMYK 32 / 29 / 0 / 62

HEX #424561

RGB 66 69 97

HSL 234.19, 0.19%, 0.32%

LAB 30.1, 6.09, -16.87

 

CMYK 32 / 32 / 0 / 62

HEX #424261

RGB 66 66 97

HSL 240, 0.19%, 0.32%

LAB 29.2, 8.07, -18.26

 

CMYK 32 / 29 / 0 / 62

HEX #424561

RGB 66 69 97

HSL 234.19, 0.19%, 0.32%

LAB 30.1, 6.09, -16.87

 

CMYK 53 / 47 / 0 / 57

HEX #343A6E

RGB 52 58 110

HSL 233.79, 0.36%, 0.32%

LAB 26.4, 13.47, -31.09

 

CMYK 68 / 61 / 0 / 52

HEX #27307B

RGB 39 48 123

HSL 233.57, 0.52%, 0.32%

LAB 23.59, 22.38, -43.93

 

CMYK 81 / 73 / 0 / 47

HEX #1A2588

RGB 26 37 136

HSL 234, 0.68%, 0.32%

LAB 21.28, 33.06, -55.93

 

CMYK 91 / 83 / 0 / 42

HEX #0D1A95

RGB 13 26 149

HSL 234.26, 0.84%, 0.32%

LAB 20.02, 43.38, -66.13

 

CMYK 32 / 29 / 0 / 62

HEX #424561

RGB 66 69 97

HSL 234.19, 0.19%, 0.32%

LAB 30.1, 6.09, -16.87

 

CMYK 5 / 5 / 0 / 67

HEX #4F4F53

RGB 79 79 83

HSL 240, 0.02%, 0.32%

LAB 33.73, 0.89, -2.35

 

CMYK 0 / 2 / 24 / 64

HEX #5C5A46

RGB 92 90 70

HSL 54.55, 0.14%, 0.32%

LAB 37.9, -2.94, 11.87

 

CMYK 0 / 5 / 46 / 59

HEX #696439

RGB 105 100 57

HSL 53.75, 0.3%, 0.32%

LAB 41.87, -4.86, 25.03

 

CMYK 0 / 6 / 63 / 54

HEX #766F2C

RGB 118 111 44

HSL 54.32, 0.46%, 0.32%

LAB 46.18, -6.43, 37.36

 

CMYK 32 / 12 / 0 / 62

HEX #425561

RGB 66 85 97

HSL 203.23, 0.19%, 0.32%

LAB 35.04, -4.09, -9.33

 

CMYK 32 / 21 / 0 / 62

HEX #424D61

RGB 66 77 97

HSL 218.71, 0.19%, 0.32%

LAB 32.54, 0.92, -13.12

 

CMYK 32 / 29 / 0 / 62

HEX #424561

RGB 66 69 97

HSL 234.19, 0.19%, 0.32%

LAB 30.1, 6.09, -16.87

 

CMYK 27 / 32 / 0 / 62

HEX #474261

RGB 71 66 97

HSL 249.68, 0.19%, 0.32%

LAB 29.66, 9.78, -17.52

 

CMYK 19 / 32 / 0 / 62

HEX #4F4261

RGB 79 66 97

HSL 265.16, 0.19%, 0.32%

LAB 30.45, 12.6, -16.23

 

CMYK 33 / 29 / 0 / 81

HEX #202230

RGB 32 34 48

HSL 232.5, 0.2%, 0.16%

LAB 13.62, 3.13, -9.53

 

CMYK 32 / 29 / 0 / 72

HEX #313348

RGB 49 51 72

HSL 234.78, 0.19%, 0.24%

LAB 21.9, 4.85, -13.27

 

CMYK 32 / 29 / 0 / 62

HEX #424561

RGB 66 69 97

HSL 234.19, 0.19%, 0.32%

LAB 30.1, 6.09, -16.87

 

CMYK 32 / 29 / 0 / 53

HEX #525679

RGB 82 86 121

HSL 233.85, 0.19%, 0.4%

LAB 37.54, 7.3, -20.33

 

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

CMYK 31 / 28 / 0 / 62

HEX #424560

RGB 66 69 96

HSL 234, 0.19%, 0.32%

LAB 30.06, 5.8, -16.3

 

CMYK 0 / 32 / 3 / 62

HEX #61425E

RGB 97 66 94

HSL 305.81, 0.19%, 0.32%

LAB 32.36, 18.59, -11.21

 

CMYK 16 / 0 / 32 / 62

HEX #516142

RGB 81 97 66

HSL 90.97, 0.19%, 0.32%

LAB 39.06, -12.4, 15.72

 

CMYK 31 / 28 / 0 / 62

HEX #424560

RGB 66 69 96

HSL 234, 0.19%, 0.32%

LAB 30.06, 5.8, -16.3

 

CMYK 0 / 32 / 29 / 62

HEX #614245

RGB 97 66 69

HSL 354.19, 0.19%, 0.32%

LAB 31.5, 13.93, 3.59

 

CMYK 29 / 0 / 32 / 62

HEX #456142

RGB 69 97 66

HSL 114.19, 0.19%, 0.32%

LAB 38.21, -17.21, 14.44

 

CMYK 31 / 28 / 0 / 62

HEX #424560

RGB 66 69 96

HSL 234, 0.19%, 0.32%

LAB 30.06, 5.8, -16.3

 

CMYK 0 / 32 / 3 / 62

HEX #61425E

RGB 97 66 94

HSL 305.81, 0.19%, 0.32%

LAB 32.36, 18.59, -11.21

 

CMYK 0 / 3 / 32 / 62

HEX #615E42

RGB 97 94 66

HSL 54.19, 0.19%, 0.32%

LAB 39.48, -3.76, 16.53

 

CMYK 32 / 0 / 29 / 62

HEX #426145

RGB 66 97 69

HSL 125.81, 0.19%, 0.32%

LAB 38.09, -17.77, 12.43

 

CMYK 31 / 28 / 0 / 62

HEX #424560

RGB 66 69 96

HSL 234, 0.19%, 0.32%

LAB 30.06, 5.8, -16.3

 

CMYK 0 / 32 / 13 / 62

HEX #614254

RGB 97 66 84

HSL 325.16, 0.19%, 0.32%

LAB 31.98, 16.58, -5.37

 

CMYK 0 / 3 / 32 / 62

HEX #615E42

RGB 97 94 66

HSL 54.19, 0.19%, 0.32%

LAB 39.48, -3.76, 16.53

 

CMYK 32 / 0 / 20 / 62

HEX #42614E

RGB 66 97 78

HSL 143.23, 0.19%, 0.32%

LAB 38.3, -15.88, 7.24

 

Description

Color code: HEX #424560 | qconv.com Color code: HEX #424560 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 69 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 69 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 28 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 28% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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