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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #424019 it is the complementary color #BDBFE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #424019. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #424019 shade: #474014, #585227, #69643A, #7A764D and #8B8860

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #424019. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #424019 shade: #424019, #312E06, #201C00 and #0F0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #424019 shade: #424019, #423519, #422A19, #421F19 and #421919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #424019 shade: #424019, #394219, #2E4219, #234219 and #19421A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #424019 shade matches the following richer shades: #424019, #494711, #514D0A and #585402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #424019 shade: #424019, #3B3920, #333328, #2C2C2F and #242536

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #424019 shade: #422A19, #423519, #424019, #394219 and #2E4219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #424019 shade: #060602, #24230D, #424019, #605D24 and #7E7A2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #424019 shade: #424019, #19421F and #2F1942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #424019 shade: #424019, #194240 and #401942

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #424019 shade: #424019, #19421F, #191B42 and #42193C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #424019 shade: #424019, #19422B, #191B42 and #42192F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

Complementary color

CMYK 18 / 17 / 0 / 10

HEX #BDBFE6

RGB 189 191 230

HSL 237.07, 0.45%, 0.82%

LAB 78.34, 7.22, -19.6

 

CMYK 0 / 10 / 72 / 72

HEX #474014

RGB 71 64 20

HSL 51.76, 0.56%, 0.18%

LAB 26.9, -3.24, 27.13

 

CMYK 0 / 7 / 56 / 65

HEX #585227

RGB 88 82 39

HSL 52.65, 0.39%, 0.25%

LAB 34.51, -4.14, 25.87

 

CMYK 0 / 5 / 45 / 59

HEX #69643A

RGB 105 100 58

HSL 53.62, 0.29%, 0.32%

LAB 41.88, -4.75, 24.48

 

CMYK 0 / 3 / 37 / 52

HEX #7A764D

RGB 122 118 77

HSL 54.67, 0.23%, 0.39%

LAB 49.04, -5.19, 23.16

 

CMYK 0 / 2 / 31 / 45

HEX #8B8860

RGB 139 136 96

HSL 55.81, 0.18%, 0.46%

LAB 56.03, -5.52, 21.94

 

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

CMYK 0 / 6 / 88 / 81

HEX #312E06

RGB 49 46 6

HSL 55.81, 0.78%, 0.11%

LAB 18.45, -4.38, 23.83

 

CMYK 0 / 13 / 100 / 87

HEX #201C00

RGB 32 28 0

HSL 52.5, 1%, 0.06%

LAB 10.09, -2.49, 15.02

 

CMYK 0 / 33 / 100 / 94

HEX #0F0A00

RGB 15 10 0

HSL 40, 1%, 0.03%

LAB 2.88, 0.11, 4.31

 

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

CMYK 0 / 20 / 62 / 74

HEX #423519

RGB 66 53 25

HSL 40.98, 0.45%, 0.18%

LAB 22.91, 1.66, 19.65

 

CMYK 0 / 36 / 62 / 74

HEX #422A19

RGB 66 42 25

HSL 24.88, 0.45%, 0.18%

LAB 19.57, 8.95, 15.56

 

CMYK 0 / 53 / 62 / 74

HEX #421F19

RGB 66 31 25

HSL 8.78, 0.45%, 0.18%

LAB 16.55, 16.18, 11.7

 

CMYK 0 / 62 / 62 / 74

HEX #421919

RGB 66 25 25

HSL 0, 0.45%, 0.18%

LAB 15.08, 19.89, 9.77

 

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

CMYK 14 / 0 / 62 / 74

HEX #394219

RGB 57 66 25

HSL 73.17, 0.45%, 0.18%

LAB 26.26, -11.04, 23.35

 

CMYK 30 / 0 / 62 / 74

HEX #2E4219

RGB 46 66 25

HSL 89.27, 0.45%, 0.18%

LAB 25.4, -16.17, 22.13

 

CMYK 47 / 0 / 62 / 74

HEX #234219

RGB 35 66 25

HSL 105.37, 0.45%, 0.18%

LAB 24.71, -20.76, 21.15

 

CMYK 62 / 0 / 61 / 74

HEX #19421A

RGB 25 66 26

HSL 121.46, 0.45%, 0.18%

LAB 24.25, -24.09, 19.9

 

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

CMYK 0 / 3 / 77 / 71

HEX #494711

RGB 73 71 17

HSL 57.86, 0.62%, 0.18%

LAB 29.32, -6.73, 31.14

 

CMYK 0 / 5 / 88 / 68

HEX #514D0A

RGB 81 77 10

HSL 56.62, 0.78%, 0.18%

LAB 31.99, -6.63, 36.65

 

CMYK 0 / 5 / 98 / 65

HEX #585402

RGB 88 84 2

HSL 57.21, 0.96%, 0.18%

LAB 34.84, -7.53, 41.91

 

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

CMYK 0 / 3 / 46 / 77

HEX #3B3920

RGB 59 57 32

HSL 55.56, 0.3%, 0.18%

LAB 23.54, -3.65, 15.89

 

CMYK 0 / 0 / 22 / 80

HEX #333328

RGB 51 51 40

HSL 60, 0.12%, 0.18%

LAB 20.92, -2.33, 7

 

CMYK 6 / 6 / 0 / 82

HEX #2C2C2F

RGB 44 44 47

HSL 240, 0.03%, 0.18%

LAB 18.11, 0.73, -1.94

 

CMYK 33 / 31 / 0 / 79

HEX #242536

RGB 36 37 54

HSL 236.67, 0.2%, 0.18%

LAB 15.3, 4.38, -11.17

 

CMYK 0 / 36 / 62 / 74

HEX #422A19

RGB 66 42 25

HSL 24.88, 0.45%, 0.18%

LAB 19.57, 8.95, 15.56

 

CMYK 0 / 20 / 62 / 74

HEX #423519

RGB 66 53 25

HSL 40.98, 0.45%, 0.18%

LAB 22.91, 1.66, 19.65

 

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

CMYK 14 / 0 / 62 / 74

HEX #394219

RGB 57 66 25

HSL 73.17, 0.45%, 0.18%

LAB 26.26, -11.04, 23.35

 

CMYK 30 / 0 / 62 / 74

HEX #2E4219

RGB 46 66 25

HSL 89.27, 0.45%, 0.18%

LAB 25.4, -16.17, 22.13

 

CMYK 0 / 0 / 67 / 98

HEX #060602

RGB 6 6 2

HSL 60, 0.5%, 0.02%

LAB 1.57, -0.56, 1.51

 

CMYK 0 / 3 / 64 / 86

HEX #24230D

RGB 36 35 13

HSL 57.39, 0.47%, 0.1%

LAB 13.27, -3.55, 14.05

 

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

CMYK 0 / 3 / 63 / 62

HEX #605D24

RGB 96 93 36

HSL 57, 0.45%, 0.26%

LAB 38.63, -7.08, 32.41

 

CMYK 0 / 3 / 63 / 51

HEX #7E7A2F

RGB 126 122 47

HSL 56.96, 0.46%, 0.34%

LAB 50.17, -8.69, 40.49

 

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

CMYK 62 / 0 / 53 / 74

HEX #19421F

RGB 25 66 31

HSL 128.78, 0.45%, 0.18%

LAB 24.33, -23.24, 17.02

 

CMYK 29 / 62 / 0 / 74

HEX #2F1942

RGB 47 25 66

HSL 272.2, 0.45%, 0.18%

LAB 13.79, 20.38, -21.89

 

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

CMYK 62 / 0 / 3 / 74

HEX #194240

RGB 25 66 64

HSL 177.07, 0.45%, 0.18%

LAB 25.18, -14.8, -3.12

 

CMYK 3 / 62 / 0 / 74

HEX #401942

RGB 64 25 66

HSL 297.07, 0.45%, 0.18%

LAB 16.4, 25.83, -17.59

 

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

CMYK 62 / 0 / 53 / 74

HEX #19421F

RGB 25 66 31

HSL 128.78, 0.45%, 0.18%

LAB 24.33, -23.24, 17.02

 

CMYK 62 / 59 / 0 / 74

HEX #191B42

RGB 25 27 66

HSL 237.07, 0.45%, 0.18%

LAB 11.85, 12.64, -25.13

 

CMYK 0 / 62 / 9 / 74

HEX #42193C

RGB 66 25 60

HSL 308.78, 0.45%, 0.18%

LAB 16.4, 25.24, -13.36

 

CMYK 0 / 3 / 62 / 74

HEX #424019

RGB 66 64 25

HSL 57.07, 0.45%, 0.18%

LAB 26.43, -5.36, 23.77

 

CMYK 62 / 0 / 35 / 74

HEX #19422B

RGB 25 66 43

HSL 146.34, 0.45%, 0.18%

LAB 24.57, -20.72, 9.78

 

CMYK 62 / 59 / 0 / 74

HEX #191B42

RGB 25 27 66

HSL 237.07, 0.45%, 0.18%

LAB 11.85, 12.64, -25.13

 

CMYK 0 / 62 / 29 / 74

HEX #42192F

RGB 66 25 47

HSL 327.8, 0.45%, 0.18%

LAB 15.79, 22.84, -5.07

 

Description

Color code: HEX #424019 | qconv.com Color code: HEX #424019 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 64 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 64 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 62 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 62% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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