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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #424E17 it is the complementary color #BDB1E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #424E17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #424E17 shade: #474E12, #586025, #697238, #7A844B and #8B965E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #424E17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #424E17 shade: #424E17, #313C04, #202A00, #0F1800 and #000600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #424E17 shade: #424E17, #4E4B17, #4E3C17, #4E2D17 and #4E1F17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #424E17 shade: #424E17, #334E17, #244E17, #174E18 and #174E27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #424E17 shade matches the following richer shades: #424E17, #47560F and #4B5F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #424E17 shade: #424E17, #3D461F, #393E27, #343530 and #2F2D38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #424E17 shade: #4E3D17, #4E4B17, #424E17, #334E17 and #254E17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #424E17 shade: #0C0F04, #272E0D, #424E17, #5D6E20 and #788E2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #424E17 shade: #424E17, #174E2E and #44174E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #424E17 shade: #424E17, #17424E and #4E1742

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #424E17 shade: #424E17, #174E2E, #23174E and #4E1737

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #424E17 shade: #424E17, #174E3E, #23174E and #4E1727

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

Complementary color

CMYK 19 / 24 / 0 / 9

HEX #BDB1E8

RGB 189 177 232

HSL 253.09, 0.54%, 0.8%

LAB 74.88, 15.3, -25.95

 

CMYK 9 / 0 / 77 / 69

HEX #474E12

RGB 71 78 18

HSL 67, 0.63%, 0.19%

LAB 31.42, -11.81, 32.73

 

CMYK 8 / 0 / 61 / 62

HEX #586025

RGB 88 96 37

HSL 68.14, 0.44%, 0.26%

LAB 38.85, -12.48, 31.96

 

CMYK 8 / 0 / 51 / 55

HEX #697238

RGB 105 114 56

HSL 69.31, 0.34%, 0.33%

LAB 46.07, -12.91, 30.76

 

CMYK 8 / 0 / 43 / 48

HEX #7A844B

RGB 122 132 75

HSL 70.53, 0.28%, 0.41%

LAB 53.11, -13.19, 29.49

 

CMYK 7 / 0 / 37 / 41

HEX #8B965E

RGB 139 150 94

HSL 71.79, 0.23%, 0.48%

LAB 59.99, -13.38, 28.24

 

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

CMYK 18 / 0 / 93 / 76

HEX #313C04

RGB 49 60 4

HSL 71.79, 0.88%, 0.13%

LAB 23.32, -13.15, 30

 

CMYK 24 / 0 / 100 / 84

HEX #202A00

RGB 32 42 0

HSL 74.29, 1%, 0.08%

LAB 15.29, -11.63, 22.02

 

CMYK 38 / 0 / 100 / 91

HEX #0F1800

RGB 15 24 0

HSL 82.5, 1%, 0.05%

LAB 6.82, -7.94, 10.07

 

CMYK 100 / 0 / 100 / 98

HEX #000600

RGB 0 6 0

HSL 120, 1%, 0.01%

LAB 1.18, -2.4, 1.72

 

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

CMYK 0 / 4 / 71 / 69

HEX #4E4B17

RGB 78 75 23

HSL 56.73, 0.54%, 0.2%

LAB 31.15, -6.22, 30.34

 

CMYK 0 / 23 / 71 / 69

HEX #4E3C17

RGB 78 60 23

HSL 40.36, 0.54%, 0.2%

LAB 26.49, 3.12, 25.31

 

CMYK 0 / 42 / 71 / 69

HEX #4E2D17

RGB 78 45 23

HSL 24, 0.54%, 0.2%

LAB 22.15, 12.8, 20.38

 

CMYK 0 / 60 / 71 / 69

HEX #4E1F17

RGB 78 31 23

HSL 8.73, 0.54%, 0.2%

LAB 18.63, 21.48, 16.16

 

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

CMYK 35 / 0 / 71 / 69

HEX #334E17

RGB 51 78 23

HSL 89.45, 0.54%, 0.2%

LAB 29.95, -20.66, 28.4

 

CMYK 54 / 0 / 71 / 69

HEX #244E17

RGB 36 78 23

HSL 105.82, 0.54%, 0.2%

LAB 29.12, -26.47, 27.26

 

CMYK 71 / 0 / 69 / 69

HEX #174E18

RGB 23 78 24

HSL 121.09, 0.54%, 0.2%

LAB 28.63, -30.23, 26.07

 

CMYK 71 / 0 / 50 / 69

HEX #174E27

RGB 23 78 39

HSL 137.45, 0.54%, 0.2%

LAB 28.84, -27.84, 17.91

 

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

CMYK 17 / 0 / 83 / 66

HEX #47560F

RGB 71 86 15

HSL 72.68, 0.7%, 0.2%

LAB 34.04, -16.48, 36.44

 

CMYK 21 / 0 / 94 / 63

HEX #4B5F06

RGB 75 95 6

HSL 73.48, 0.88%, 0.2%

LAB 37.29, -19.83, 42.15

 

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

CMYK 13 / 0 / 56 / 73

HEX #3D461F

RGB 61 70 31

HSL 73.85, 0.39%, 0.2%

LAB 28.04, -10.8, 22.1

 

CMYK 8 / 0 / 37 / 76

HEX #393E27

RGB 57 62 39

HSL 73.04, 0.23%, 0.2%

LAB 25.14, -6.73, 13.48

 

CMYK 2 / 0 / 9 / 79

HEX #343530

RGB 52 53 48

HSL 72, 0.05%, 0.2%

LAB 21.91, -1.56, 3

 

CMYK 16 / 20 / 0 / 78

HEX #2F2D38

RGB 47 45 56

HSL 250.91, 0.11%, 0.2%

LAB 19.08, 3.65, -6.69

 

CMYK 0 / 22 / 71 / 69

HEX #4E3D17

RGB 78 61 23

HSL 41.45, 0.54%, 0.2%

LAB 26.79, 2.48, 25.64

 

CMYK 0 / 4 / 71 / 69

HEX #4E4B17

RGB 78 75 23

HSL 56.73, 0.54%, 0.2%

LAB 31.15, -6.22, 30.34

 

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

CMYK 35 / 0 / 71 / 69

HEX #334E17

RGB 51 78 23

HSL 89.45, 0.54%, 0.2%

LAB 29.95, -20.66, 28.4

 

CMYK 53 / 0 / 71 / 69

HEX #254E17

RGB 37 78 23

HSL 104.73, 0.54%, 0.2%

LAB 29.17, -26.13, 27.33

 

CMYK 20 / 0 / 73 / 94

HEX #0C0F04

RGB 12 15 4

HSL 76.36, 0.58%, 0.04%

LAB 3.87, -2.58, 4.11

 

CMYK 15 / 0 / 72 / 82

HEX #272E0D

RGB 39 46 13

HSL 72.73, 0.56%, 0.12%

LAB 17.53, -9.14, 19.53

 

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

CMYK 15 / 0 / 71 / 57

HEX #5D6E20

RGB 93 110 32

HSL 73.08, 0.55%, 0.28%

LAB 43.63, -18.25, 39.57

 

CMYK 15 / 0 / 70 / 44

HEX #788E2A

RGB 120 142 42

HSL 73.2, 0.54%, 0.36%

LAB 55.59, -22.32, 48.23

 

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

CMYK 71 / 0 / 41 / 69

HEX #174E2E

RGB 23 78 46

HSL 145.09, 0.54%, 0.2%

LAB 28.97, -26.4, 13.82

 

CMYK 13 / 71 / 0 / 69

HEX #44174E

RGB 68 23 78

HSL 289.09, 0.54%, 0.2%

LAB 17.42, 30.8, -24.2

 

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

CMYK 71 / 15 / 0 / 69

HEX #17424E

RGB 23 66 78

HSL 193.09, 0.54%, 0.2%

LAB 25.65, -10.42, -11.63

 

CMYK 0 / 71 / 15 / 69

HEX #4E1742

RGB 78 23 66

HSL 313.09, 0.54%, 0.2%

LAB 18.48, 31.35, -14.16

 

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

CMYK 71 / 0 / 41 / 69

HEX #174E2E

RGB 23 78 46

HSL 145.09, 0.54%, 0.2%

LAB 28.97, -26.4, 13.82

 

CMYK 55 / 71 / 0 / 69

HEX #23174E

RGB 35 23 78

HSL 253.09, 0.54%, 0.2%

LAB 12.74, 22.31, -31.99

 

CMYK 0 / 71 / 29 / 69

HEX #4E1737

RGB 78 23 55

HSL 325.09, 0.54%, 0.2%

LAB 17.96, 29.53, -7.27

 

CMYK 15 / 0 / 71 / 69

HEX #424E17

RGB 66 78 23

HSL 73.09, 0.54%, 0.2%

LAB 31.04, -13.86, 29.9

 

CMYK 71 / 0 / 21 / 69

HEX #174E3E

RGB 23 78 62

HSL 162.55, 0.54%, 0.2%

LAB 29.36, -22.36, 4.26

 

CMYK 55 / 71 / 0 / 69

HEX #23174E

RGB 35 23 78

HSL 253.09, 0.54%, 0.2%

LAB 12.74, 22.31, -31.99

 

CMYK 0 / 71 / 50 / 69

HEX #4E1727

RGB 78 23 39

HSL 342.55, 0.54%, 0.2%

LAB 17.36, 27.38, 3.23

 

Description

Color code: HEX #424E17 | qconv.com Color code: HEX #424E17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 78 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 78 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 71 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 71% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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