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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42513D it is the complementary color #BDAEC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42513D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42513D shade: #475138, #58634B, #69755E, #7A8771 and #8B9984

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42513D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42513D shade: #42513D, #313F2A, #202D17, #0F1B04 and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42513D shade: #42513D, #47513D, #4D513D, #51503D and #514A3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42513D shade: #42513D, #3D513D, #3D5143, #3D5148 and #3D514D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42513D shade matches the following richer shades: #42513D, #3C5C31, #366826, #31741A and #2B7F0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42513D shade: #42513D, #484548, #4D3A54, #532E60 and #59236B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42513D shade: #4D513D, #47513D, #42513D, #3D513D and #3D5143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42513D shade: #1C2219, #2F392B, #42513D, #55684F and #688060

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42513D shade: #42513D, #3D5150 and #513D4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42513D shade: #42513D, #3D4251 and #513D42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42513D shade: #42513D, #3D5150, #4C3D51 and #513D3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42513D shade: #42513D, #3D4C51, #4C3D51 and #51423D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

Complementary color

CMYK 3 / 10 / 0 / 24

HEX #BDAEC2

RGB 189 174 194

HSL 285, 0.14%, 0.72%

LAB 72.88, 9.05, -8.23

 

CMYK 12 / 0 / 31 / 68

HEX #475138

RGB 71 81 56

HSL 84, 0.18%, 0.27%

LAB 32.94, -9.09, 13.43

 

CMYK 11 / 0 / 24 / 61

HEX #58634B

RGB 88 99 75

HSL 87.5, 0.14%, 0.34%

LAB 40.42, -9.08, 12.26

 

CMYK 10 / 0 / 20 / 54

HEX #69755E

RGB 105 117 94

HSL 91.3, 0.11%, 0.41%

LAB 47.67, -9.07, 11.21

 

CMYK 10 / 0 / 16 / 47

HEX #7A8771

RGB 122 135 113

HSL 95.45, 0.09%, 0.49%

LAB 54.72, -9.07, 10.25

 

CMYK 9 / 0 / 14 / 40

HEX #8B9984

RGB 139 153 132

HSL 100, 0.09%, 0.56%

LAB 61.6, -9.06, 9.35

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 22 / 0 / 33 / 75

HEX #313F2A

RGB 49 63 42

HSL 100, 0.2%, 0.21%

LAB 24.87, -10.44, 11.07

 

CMYK 29 / 0 / 49 / 82

HEX #202D17

RGB 32 45 23

HSL 95.45, 0.32%, 0.13%

LAB 16.73, -10.6, 12.48

 

CMYK 44 / 0 / 85 / 89

HEX #0F1B04

RGB 15 27 4

HSL 91.3, 0.74%, 0.06%

LAB 8.08, -9.79, 10.27

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 12 / 0 / 25 / 68

HEX #47513D

RGB 71 81 61

HSL 90, 0.14%, 0.28%

LAB 33.05, -8.19, 10.47

 

CMYK 5 / 0 / 25 / 68

HEX #4D513D

RGB 77 81 61

HSL 72, 0.14%, 0.28%

LAB 33.56, -5.6, 11.25

 

CMYK 0 / 1 / 25 / 68

HEX #51503D

RGB 81 80 61

HSL 57, 0.14%, 0.28%

LAB 33.61, -3.23, 11.38

 

CMYK 0 / 9 / 25 / 68

HEX #514A3D

RGB 81 74 61

HSL 39, 0.14%, 0.28%

LAB 31.77, 0.48, 8.83

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 25 / 0 / 25 / 68

HEX #3D513D

RGB 61 81 61

HSL 120, 0.14%, 0.28%

LAB 32.29, -12.33, 9.3

 

CMYK 25 / 0 / 17 / 68

HEX #3D5143

RGB 61 81 67

HSL 138, 0.14%, 0.28%

LAB 32.44, -11.05, 5.73

 

CMYK 25 / 0 / 11 / 68

HEX #3D5148

RGB 61 81 72

HSL 153, 0.14%, 0.28%

LAB 32.58, -9.9, 2.77

 

CMYK 25 / 0 / 5 / 68

HEX #3D514D

RGB 61 81 77

HSL 168, 0.14%, 0.28%

LAB 32.73, -8.69, -0.19

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 35 / 0 / 47 / 64

HEX #3C5C31

RGB 60 92 49

HSL 104.65, 0.3%, 0.28%

LAB 35.67, -20.95, 21.07

 

CMYK 48 / 0 / 63 / 59

HEX #366826

RGB 54 104 38

HSL 105.45, 0.46%, 0.28%

LAB 39.28, -30.51, 31.34

 

CMYK 58 / 0 / 78 / 55

HEX #31741A

RGB 49 116 26

HSL 104.67, 0.63%, 0.28%

LAB 43.09, -38.37, 40.66

 

CMYK 66 / 0 / 88 / 50

HEX #2B7F0F

RGB 43 127 15

HSL 105, 0.79%, 0.28%

LAB 46.61, -44.8, 47.34

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 0 / 4 / 0 / 72

HEX #484548

RGB 72 69 72

HSL 300, 0.02%, 0.28%

LAB 29.67, 1.91, -1.36

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 14 / 52 / 0 / 62

HEX #532E60

RGB 83 46 96

HSL 284.4, 0.35%, 0.28%

LAB 25.68, 26.45, -22.99

 

CMYK 17 / 67 / 0 / 58

HEX #59236B

RGB 89 35 107

HSL 285, 0.51%, 0.28%

LAB 24.91, 36.91, -31.28

 

CMYK 5 / 0 / 25 / 68

HEX #4D513D

RGB 77 81 61

HSL 72, 0.14%, 0.28%

LAB 33.56, -5.6, 11.25

 

CMYK 12 / 0 / 25 / 68

HEX #47513D

RGB 71 81 61

HSL 90, 0.14%, 0.28%

LAB 33.05, -8.19, 10.47

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 25 / 0 / 25 / 68

HEX #3D513D

RGB 61 81 61

HSL 120, 0.14%, 0.28%

LAB 32.29, -12.33, 9.3

 

CMYK 25 / 0 / 17 / 68

HEX #3D5143

RGB 61 81 67

HSL 138, 0.14%, 0.28%

LAB 32.44, -11.05, 5.73

 

CMYK 18 / 0 / 26 / 87

HEX #1C2219

RGB 28 34 25

HSL 100, 0.15%, 0.12%

LAB 12.36, -4.96, 5.18

 

CMYK 18 / 0 / 25 / 78

HEX #2F392B

RGB 47 57 43

HSL 102.86, 0.14%, 0.2%

LAB 22.67, -7.43, 7.37

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 18 / 0 / 24 / 59

HEX #55684F

RGB 85 104 79

HSL 105.6, 0.14%, 0.36%

LAB 41.84, -12.42, 11.78

 

CMYK 19 / 0 / 25 / 50

HEX #688060

RGB 104 128 96

HSL 105, 0.14%, 0.44%

LAB 50.95, -15.18, 14.59

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 25 / 0 / 1 / 68

HEX #3D5150

RGB 61 81 80

HSL 177, 0.14%, 0.28%

LAB 32.82, -7.94, -1.95

 

CMYK 0 / 25 / 9 / 68

HEX #513D4A

RGB 81 61 74

HSL 321, 0.14%, 0.28%

LAB 28.33, 11.25, -4.53

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 25 / 19 / 0 / 68

HEX #3D4251

RGB 61 66 81

HSL 225, 0.14%, 0.28%

LAB 28.07, 1.77, -9.7

 

CMYK 0 / 25 / 19 / 68

HEX #513D42

RGB 81 61 66

HSL 345, 0.14%, 0.28%

LAB 28.06, 9.67, 0.31

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 25 / 0 / 1 / 68

HEX #3D5150

RGB 61 81 80

HSL 177, 0.14%, 0.28%

LAB 32.82, -7.94, -1.95

 

CMYK 6 / 25 / 0 / 68

HEX #4C3D51

RGB 76 61 81

HSL 285, 0.14%, 0.28%

LAB 28.03, 10.78, -9.62

 

CMYK 0 / 25 / 23 / 68

HEX #513D3E

RGB 81 61 62

HSL 357, 0.14%, 0.28%

LAB 27.94, 8.94, 2.76

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 25 / 6 / 0 / 68

HEX #3D4C51

RGB 61 76 81

HSL 195, 0.14%, 0.28%

LAB 31.24, -4.61, -4.93

 

CMYK 6 / 25 / 0 / 68

HEX #4C3D51

RGB 76 61 81

HSL 285, 0.14%, 0.28%

LAB 28.03, 10.78, -9.62

 

CMYK 0 / 19 / 25 / 68

HEX #51423D

RGB 81 66 61

HSL 15, 0.14%, 0.28%

LAB 29.37, 5.54, 5.46

 

Description

Color code: HEX #42513D | qconv.com Color code: HEX #42513D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 81 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 81 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 25 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 25% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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