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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #425129 it is the complementary color #BDAED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #425129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #425129 shade: #475124, #586337, #69754A, #7A875D and #8B9970

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #425129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #425129 shade: #425129, #313F16, #202D03, #0F1B00 and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #425129 shade: #425129, #4D5129, #514A29, #513F29 and #513429

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #425129 shade: #425129, #375129, #2C5129, #295130 and #29513B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #425129 shade matches the following richer shades: #425129, #445B1F, #476515, #496F0B and #4C7901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #425129 shade: #425129, #3F4732, #3D3D3C, #3A3346 and #382950

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #425129 shade: #514A29, #4D5129, #425129, #375129 and #2D5129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #425129 shade: #151A0D, #2B351B, #425129, #586C36 and #6E8844

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #425129 shade: #425129, #29513F and #502951

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #425129 shade: #425129, #294251 and #512942

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #425129 shade: #425129, #29513F, #372951 and #51293A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #425129 shade: #425129, #29514C, #372951 and #51292E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

Complementary color

CMYK 12 / 19 / 0 / 16

HEX #BDAED6

RGB 189 174 214

HSL 262.5, 0.33%, 0.76%

LAB 73.51, 13.07, -18.24

 

CMYK 12 / 0 / 56 / 68

HEX #475124

RGB 71 81 36

HSL 73.33, 0.38%, 0.23%

LAB 32.59, -11.94, 24.9

 

CMYK 11 / 0 / 44 / 61

HEX #586337

RGB 88 99 55

HSL 75, 0.29%, 0.3%

LAB 40.04, -12.17, 23.56

 

CMYK 10 / 0 / 37 / 54

HEX #69754A

RGB 105 117 74

HSL 76.74, 0.23%, 0.37%

LAB 47.26, -12.3, 22.27

 

CMYK 10 / 0 / 31 / 47

HEX #7A875D

RGB 122 135 93

HSL 78.57, 0.18%, 0.45%

LAB 54.3, -12.38, 21.06

 

CMYK 9 / 0 / 27 / 40

HEX #8B9970

RGB 139 153 112

HSL 80.49, 0.17%, 0.52%

LAB 61.17, -12.42, 19.94

 

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

CMYK 22 / 0 / 65 / 75

HEX #313F16

RGB 49 63 22

HSL 80.49, 0.48%, 0.17%

LAB 24.53, -13.44, 22.87

 

CMYK 29 / 0 / 93 / 82

HEX #202D03

RGB 32 45 3

HSL 78.57, 0.88%, 0.09%

LAB 16.46, -13.09, 22.26

 

CMYK 44 / 0 / 100 / 89

HEX #0F1B00

RGB 15 27 0

HSL 86.67, 1%, 0.05%

LAB 8, -10.35, 11.79

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

CMYK 5 / 0 / 49 / 68

HEX #4D5129

RGB 77 81 41

HSL 66, 0.33%, 0.24%

LAB 33.18, -8.55, 22.88

 

CMYK 0 / 9 / 49 / 68

HEX #514A29

RGB 81 74 41

HSL 49.5, 0.33%, 0.24%

LAB 31.36, -2.42, 20.7

 

CMYK 0 / 22 / 49 / 68

HEX #513F29

RGB 81 63 41

HSL 33, 0.33%, 0.24%

LAB 28.02, 4.49, 16.45

 

CMYK 0 / 36 / 49 / 68

HEX #513429

RGB 81 52 41

HSL 16.5, 0.33%, 0.24%

LAB 24.84, 11.56, 12.27

 

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

CMYK 32 / 0 / 49 / 68

HEX #375129

RGB 55 81 41

HSL 99, 0.33%, 0.24%

LAB 31.48, -18.33, 20.39

 

CMYK 46 / 0 / 49 / 68

HEX #2C5129

RGB 44 81 41

HSL 115.5, 0.33%, 0.24%

LAB 30.83, -22.58, 19.43

 

CMYK 49 / 0 / 41 / 68

HEX #295130

RGB 41 81 48

HSL 130.5, 0.33%, 0.24%

LAB 30.81, -22.35, 15.15

 

CMYK 49 / 0 / 27 / 68

HEX #29513B

RGB 41 81 59

HSL 147, 0.33%, 0.24%

LAB 31.05, -19.97, 8.65

 

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

CMYK 25 / 0 / 66 / 64

HEX #445B1F

RGB 68 91 31

HSL 83, 0.49%, 0.24%

LAB 35.62, -19.36, 30.95

 

CMYK 30 / 0 / 79 / 60

HEX #476515

RGB 71 101 21

HSL 82.5, 0.66%, 0.24%

LAB 39.07, -24, 38.99

 

CMYK 34 / 0 / 90 / 56

HEX #496F0B

RGB 73 111 11

HSL 82.8, 0.82%, 0.24%

LAB 42.47, -28.52, 45.2

 

CMYK 37 / 0 / 99 / 53

HEX #4C7901

RGB 76 121 1

HSL 82.5, 0.98%, 0.24%

LAB 45.93, -32.27, 50.32

 

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

CMYK 11 / 0 / 30 / 72

HEX #3F4732

RGB 63 71 50

HSL 82.86, 0.17%, 0.24%

LAB 28.89, -7.65, 11.58

 

CMYK 0 / 0 / 2 / 76

HEX #3D3D3C

RGB 61 61 60

HSL 60, 0.01%, 0.24%

LAB 25.73, -0.22, 0.61

 

CMYK 17 / 27 / 0 / 73

HEX #3A3346

RGB 58 51 70

HSL 262.11, 0.16%, 0.24%

LAB 22.69, 7.66, -10.65

 

CMYK 30 / 49 / 0 / 69

HEX #382950

RGB 56 41 80

HSL 263.08, 0.32%, 0.24%

LAB 20.07, 16.58, -21.46

 

CMYK 0 / 9 / 49 / 68

HEX #514A29

RGB 81 74 41

HSL 49.5, 0.33%, 0.24%

LAB 31.36, -2.42, 20.7

 

CMYK 5 / 0 / 49 / 68

HEX #4D5129

RGB 77 81 41

HSL 66, 0.33%, 0.24%

LAB 33.18, -8.55, 22.88

 

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

CMYK 32 / 0 / 49 / 68

HEX #375129

RGB 55 81 41

HSL 99, 0.33%, 0.24%

LAB 31.48, -18.33, 20.39

 

CMYK 44 / 0 / 49 / 68

HEX #2D5129

RGB 45 81 41

HSL 114, 0.33%, 0.24%

LAB 30.89, -22.22, 19.51

 

CMYK 19 / 0 / 50 / 90

HEX #151A0D

RGB 21 26 13

HSL 83.08, 0.33%, 0.08%

LAB 8.37, -5.3, 6.99

 

CMYK 19 / 0 / 49 / 79

HEX #2B351B

RGB 43 53 27

HSL 83.08, 0.33%, 0.16%

LAB 20.59, -9.68, 15.01

 

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

CMYK 19 / 0 / 50 / 58

HEX #586C36

RGB 88 108 54

HSL 82.22, 0.33%, 0.32%

LAB 42.86, -17.26, 27.64

 

CMYK 19 / 0 / 50 / 47

HEX #6E8844

RGB 110 136 68

HSL 82.94, 0.33%, 0.4%

LAB 53.32, -21.13, 33.28

 

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

CMYK 49 / 0 / 22 / 68

HEX #29513F

RGB 41 81 63

HSL 153, 0.33%, 0.24%

LAB 31.15, -19.01, 6.26

 

CMYK 1 / 49 / 0 / 68

HEX #502951

RGB 80 41 81

HSL 298.5, 0.33%, 0.24%

LAB 23.29, 25.05, -16.86

 

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

CMYK 49 / 19 / 0 / 68

HEX #294251

RGB 41 66 81

HSL 202.5, 0.33%, 0.24%

LAB 26.63, -4.91, -12.03

 

CMYK 0 / 49 / 19 / 68

HEX #512942

RGB 81 41 66

HSL 322.5, 0.33%, 0.24%

LAB 22.75, 22.4, -7.57

 

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

CMYK 49 / 0 / 22 / 68

HEX #29513F

RGB 41 81 63

HSL 153, 0.33%, 0.24%

LAB 31.15, -19.01, 6.26

 

CMYK 32 / 49 / 0 / 68

HEX #372951

RGB 55 41 81

HSL 261, 0.33%, 0.24%

LAB 20.01, 16.54, -22.23

 

CMYK 0 / 49 / 28 / 68

HEX #51293A

RGB 81 41 58

HSL 334.5, 0.33%, 0.24%

LAB 22.45, 21, -2.58

 

CMYK 19 / 0 / 49 / 68

HEX #425129

RGB 66 81 41

HSL 82.5, 0.33%, 0.24%

LAB 32.27, -13.6, 21.54

 

CMYK 49 / 0 / 6 / 68

HEX #29514C

RGB 41 81 76

HSL 172.5, 0.33%, 0.24%

LAB 31.53, -15.52, -1.45

 

CMYK 32 / 49 / 0 / 68

HEX #372951

RGB 55 41 81

HSL 261, 0.33%, 0.24%

LAB 20.01, 16.54, -22.23

 

CMYK 0 / 49 / 43 / 68

HEX #51292E

RGB 81 41 46

HSL 352.5, 0.33%, 0.24%

LAB 22.06, 19.2, 5.08

 

Description

Color code: HEX #425129 | qconv.com Color code: HEX #425129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 81 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 81 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 49 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 49% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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