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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #425C24 it is the complementary color #BDA3DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #425C24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #425C24 shade: #475C1F, #586E32, #698045, #7A9258 and #8BA46B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #425C24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #425C24 shade: #425C24, #314A11, #203800, #0F2600 and #001400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #425C24 shade: #415B23, #505B23, #5B5723, #5B4823 and #5B3923

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #425C24 shade: #415B23, #325B23, #235B23, #235B33 and #235B42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #425C24 shade matches the following richer shades: #415B23, #426619, #43700F and #437A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #425C24 shade: #415B23, #41512E, #404738, #3F3C42 and #3E324C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #425C24 shade: #5B5723, #515B23, #425B23, #335B23 and #245B23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #425C24 shade: #17200C, #2C3E18, #415B23, #57792F and #6C973A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #425C24 shade: #425C24, #235B48 and #5B2358

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #425C24 shade: #425C24, #23425B and #5B2342

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #425C24 shade: #425C24, #235B48, #3C235B and #5B2337

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #425C24 shade: #425C24, #235B58, #3C235B and #5B2326

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 61 / 64

HEX #425C24

RGB 66 92 36

HSL 87.86, 0.44%, 0.25%

LAB 35.87, -20.24, 28.64

 

Complementary color

CMYK 14 / 26 / 0 / 14

HEX #BDA3DB

RGB 189 163 219

HSL 267.86, 0.44%, 0.75%

LAB 70.96, 20.2, -24.86

 

CMYK 23 / 0 / 66 / 64

HEX #475C1F

RGB 71 92 31

HSL 80.66, 0.5%, 0.24%

LAB 36.16, -18.57, 31.62

 

CMYK 20 / 0 / 55 / 57

HEX #586E32

RGB 88 110 50

HSL 82, 0.38%, 0.31%

LAB 43.44, -18.8, 30.5

 

CMYK 18 / 0 / 46 / 50

HEX #698045

RGB 105 128 69

HSL 83.39, 0.3%, 0.39%

LAB 50.54, -18.9, 29.23

 

CMYK 16 / 0 / 40 / 43

HEX #7A9258

RGB 122 146 88

HSL 84.83, 0.25%, 0.46%

LAB 57.46, -18.93, 27.98

 

CMYK 15 / 0 / 35 / 36

HEX #8BA46B

RGB 139 164 107

HSL 86.32, 0.24%, 0.53%

LAB 64.24, -18.92, 26.79

 

CMYK 28 / 0 / 61 / 64

HEX #425C24

RGB 66 92 36

HSL 87.86, 0.44%, 0.25%

LAB 35.87, -20.24, 28.64

 

CMYK 34 / 0 / 77 / 71

HEX #314A11

RGB 49 74 17

HSL 86.32, 0.63%, 0.18%

LAB 28.36, -19.97, 29.53

 

CMYK 43 / 0 / 100 / 78

HEX #203800

RGB 32 56 0

HSL 85.71, 1%, 0.11%

LAB 20.58, -19.4, 28.34

 

CMYK 61 / 0 / 100 / 85

HEX #0F2600

RGB 15 38 0

HSL 96.32, 1%, 0.07%

LAB 12.53, -17.58, 18.17

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 29 / 0 / 62 / 64

HEX #415B23

RGB 65 91 35

HSL 87.86, 0.44%, 0.25%

LAB 35.45, -20.25, 28.67

 

CMYK 12 / 0 / 62 / 64

HEX #505B23

RGB 80 91 35

HSL 71.79, 0.44%, 0.25%

LAB 36.57, -13.56, 30.24

 

CMYK 0 / 4 / 62 / 64

HEX #5B5723

RGB 91 87 35

HSL 55.71, 0.44%, 0.25%

LAB 36.29, -6.05, 30.19

 

CMYK 0 / 21 / 62 / 64

HEX #5B4823

RGB 91 72 35

HSL 39.64, 0.44%, 0.25%

LAB 31.76, 3.06, 24.96

 

CMYK 0 / 37 / 62 / 64

HEX #5B3923

RGB 91 57 35

HSL 23.57, 0.44%, 0.25%

LAB 27.5, 12.5, 19.81

 

CMYK 29 / 0 / 62 / 64

HEX #415B23

RGB 65 91 35

HSL 87.86, 0.44%, 0.25%

LAB 35.45, -20.25, 28.67

 

CMYK 45 / 0 / 62 / 64

HEX #325B23

RGB 50 91 35

HSL 103.93, 0.44%, 0.25%

LAB 34.56, -26.2, 27.41

 

CMYK 62 / 0 / 62 / 64

HEX #235B23

RGB 35 91 35

HSL 120, 0.44%, 0.25%

LAB 33.9, -31.08, 26.47

 

CMYK 62 / 0 / 44 / 64

HEX #235B33

RGB 35 91 51

HSL 137.14, 0.44%, 0.25%

LAB 34.15, -28.4, 17.69

 

CMYK 62 / 0 / 27 / 64

HEX #235B42

RGB 35 91 66

HSL 153.21, 0.44%, 0.25%

LAB 34.46, -25.09, 9.01

 

CMYK 29 / 0 / 62 / 64

HEX #415B23

RGB 65 91 35

HSL 87.86, 0.44%, 0.25%

LAB 35.45, -20.25, 28.67

 

CMYK 35 / 0 / 75 / 60

HEX #426619

RGB 66 102 25

HSL 88.05, 0.61%, 0.25%

LAB 39.12, -26.3, 37.35

 

CMYK 40 / 0 / 87 / 56

HEX #43700F

RGB 67 112 15

HSL 87.84, 0.76%, 0.25%

LAB 42.48, -31.2, 44.04

 

CMYK 45 / 0 / 97 / 52

HEX #437A04

RGB 67 122 4

HSL 87.97, 0.94%, 0.25%

LAB 45.8, -36.01, 49.38

 

CMYK 29 / 0 / 62 / 64

HEX #415B23

RGB 65 91 35

HSL 87.86, 0.44%, 0.25%

LAB 35.45, -20.25, 28.67

 

CMYK 20 / 0 / 43 / 68

HEX #41512E

RGB 65 81 46

HSL 87.43, 0.28%, 0.25%

LAB 32.27, -13.33, 18.56

 

CMYK 10 / 0 / 21 / 72

HEX #404738

RGB 64 71 56

HSL 88, 0.12%, 0.25%

LAB 29.11, -6.09, 8.08

 

CMYK 5 / 9 / 0 / 74

HEX #3F3C42

RGB 63 60 66

HSL 270, 0.05%, 0.25%

LAB 25.81, 2.65, -3.22

 

CMYK 18 / 34 / 0 / 70

HEX #3E324C

RGB 62 50 76

HSL 267.69, 0.21%, 0.25%

LAB 23.09, 11.46, -14.01

 

CMYK 0 / 4 / 62 / 64

HEX #5B5723

RGB 91 87 35

HSL 55.71, 0.44%, 0.25%

LAB 36.29, -6.05, 30.19

 

CMYK 11 / 0 / 62 / 64

HEX #515B23

RGB 81 91 35

HSL 70.71, 0.44%, 0.25%

LAB 36.65, -13.1, 30.36

 

CMYK 27 / 0 / 62 / 64

HEX #425B23

RGB 66 91 35

HSL 86.79, 0.44%, 0.25%

LAB 35.52, -19.82, 28.76

 

CMYK 44 / 0 / 62 / 64

HEX #335B23

RGB 51 91 35

HSL 102.86, 0.44%, 0.25%

LAB 34.61, -25.84, 27.48

 

CMYK 60 / 0 / 62 / 64

HEX #245B23

RGB 36 91 35

HSL 118.93, 0.44%, 0.25%

LAB 33.94, -30.8, 26.52

 

CMYK 28 / 0 / 63 / 87

HEX #17200C

RGB 23 32 12

HSL 87, 0.45%, 0.09%

LAB 10.86, -8.6, 11.03

 

CMYK 29 / 0 / 61 / 76

HEX #2C3E18

RGB 44 62 24

HSL 88.42, 0.44%, 0.17%

LAB 23.83, -14.95, 20.82

 

CMYK 29 / 0 / 62 / 64

HEX #415B23

RGB 65 91 35

HSL 87.86, 0.44%, 0.25%

LAB 35.45, -20.25, 28.67

 

CMYK 28 / 0 / 61 / 53

HEX #57792F

RGB 87 121 47

HSL 87.57, 0.44%, 0.33%

LAB 46.85, -25.19, 35.97

 

CMYK 28 / 0 / 62 / 41

HEX #6C973A

RGB 108 151 58

HSL 87.74, 0.44%, 0.41%

LAB 57.68, -30.38, 43.27

 

CMYK 28 / 0 / 61 / 64

HEX #425C24

RGB 66 92 36

HSL 87.86, 0.44%, 0.25%

LAB 35.87, -20.24, 28.64

 

CMYK 62 / 0 / 21 / 64

HEX #235B48

RGB 35 91 72

HSL 159.64, 0.44%, 0.25%

LAB 34.62, -23.56, 5.51

 

CMYK 0 / 62 / 3 / 64

HEX #5B2358

RGB 91 35 88

HSL 303.21, 0.44%, 0.25%

LAB 24.1, 33.47, -20.12

 

CMYK 28 / 0 / 61 / 64

HEX #425C24

RGB 66 92 36

HSL 87.86, 0.44%, 0.25%

LAB 35.87, -20.24, 28.64

 

CMYK 62 / 27 / 0 / 64

HEX #23425B

RGB 35 66 91

HSL 206.79, 0.44%, 0.25%

LAB 26.76, -3.03, -18.35

 

CMYK 0 / 62 / 27 / 64

HEX #5B2342

RGB 91 35 66

HSL 326.79, 0.44%, 0.25%

LAB 23.07, 29.57, -6.94

 

CMYK 28 / 0 / 61 / 64

HEX #425C24

RGB 66 92 36

HSL 87.86, 0.44%, 0.25%

LAB 35.87, -20.24, 28.64

 

CMYK 62 / 0 / 21 / 64

HEX #235B48

RGB 35 91 72

HSL 159.64, 0.44%, 0.25%

LAB 34.62, -23.56, 5.51

 

CMYK 34 / 62 / 0 / 64

HEX #3C235B

RGB 60 35 91

HSL 266.79, 0.44%, 0.25%

LAB 19.71, 24.95, -29.35

 

CMYK 0 / 62 / 40 / 64

HEX #5B2337

RGB 91 35 55

HSL 338.57, 0.44%, 0.25%

LAB 22.66, 27.98, -0.01

 

CMYK 28 / 0 / 61 / 64

HEX #425C24

RGB 66 92 36

HSL 87.86, 0.44%, 0.25%

LAB 35.87, -20.24, 28.64

 

CMYK 62 / 0 / 3 / 64

HEX #235B58

RGB 35 91 88

HSL 176.79, 0.44%, 0.25%

LAB 35.09, -18.99, -3.79

 

CMYK 34 / 62 / 0 / 64

HEX #3C235B

RGB 60 35 91

HSL 266.79, 0.44%, 0.25%

LAB 19.71, 24.95, -29.35

 

CMYK 0 / 62 / 58 / 64

HEX #5B2326

RGB 91 35 38

HSL 356.79, 0.44%, 0.25%

LAB 22.18, 26.03, 10.99

 

Description

Color code: HEX #425C24 | qconv.com Color code: HEX #425C24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 92 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 92 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 61 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 61% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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