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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #425DF5 it is the complementary color #BDA20A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #425DF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #425DF5 shade: #475DF0, #586FFF, #6981FF, #7A93FF and #8BA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #425DF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #425DF5 shade: #425DF5, #314BE2, #2039CF, #0F27BC and #0015A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #425DF5 shade: #425DF5, #5742F5, #8742F5, #B742F5 and #E842F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #425DF5 shade: #425DF5 and #4242F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #425DF5 shade matches the following richer shades: #425DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #425DF5 shade: #425DF5, #5268E4, #6273D4, #727EC4 and #8289B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #425DF5 shade: #42BFF5, #428FF5, #425FF5, #5342F5 and #8342F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #425DF5 shade: #0B2AD9, #1A3BF2, #425DF5, #697EF7 and #90A0F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #425DF5 shade: #425DF5, #F542EF and #A7F542

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #425DF5 shade: #425DF5, #F5425F and #5FF542

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #425DF5 shade: #425DF5, #F542EF, #F5D742 and #42F548

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #425DF5 shade: #425DF5, #F542B9, #F5D742 and #42F57D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 62 / 0 / 4

HEX #425DF5

RGB 66 93 245

HSL 230.95, 0.9%, 0.61%

LAB 46.42, 40.91, -78.82

 

Complementary color

CMYK 0 / 14 / 95 / 26

HEX #BDA20A

RGB 189 162 10

HSL 50.95, 0.9%, 0.39%

LAB 67.04, -3.12, 68.89

 

CMYK 70 / 61 / 0 / 6

HEX #475DF0

RGB 71 93 240

HSL 232.19, 0.85%, 0.61%

LAB 46.26, 39.76, -76.27

 

CMYK 65 / 56 / 0 / 0

HEX #586FFF

RGB 88 111 255

HSL 231.74, 1%, 0.67%

LAB 52.58, 36.13, -74.29

 

CMYK 59 / 49 / 0 / 0

HEX #6981FF

RGB 105 129 255

HSL 230.4, 1%, 0.71%

LAB 57.96, 28.03, -65.54

 

CMYK 52 / 42 / 0 / 0

HEX #7A93FF

RGB 122 147 255

HSL 228.72, 1%, 0.74%

LAB 63.53, 20.67, -56.58

 

CMYK 45 / 35 / 0 / 0

HEX #8BA5FF

RGB 139 165 255

HSL 226.55, 1%, 0.77%

LAB 69.2, 14.07, -47.54

 

CMYK 73 / 62 / 0 / 4

HEX #425DF5

RGB 66 93 245

HSL 230.95, 0.9%, 0.61%

LAB 46.42, 40.91, -78.82

 

CMYK 78 / 67 / 0 / 11

HEX #314BE2

RGB 49 75 226

HSL 231.19, 0.75%, 0.54%

LAB 39.88, 43.66, -78.86

 

CMYK 85 / 72 / 0 / 19

HEX #2039CF

RGB 32 57 207

HSL 231.43, 0.73%, 0.47%

LAB 33.43, 46.65, -78.58

 

CMYK 92 / 79 / 0 / 26

HEX #0F27BC

RGB 15 39 188

HSL 231.68, 0.85%, 0.4%

LAB 27.25, 49.61, -77.7

 

CMYK 100 / 88 / 0 / 34

HEX #0015A9

RGB 0 21 169

HSL 232.54, 1%, 0.33%

LAB 21.58, 51.79, -75.77

 

CMYK 73 / 62 / 0 / 4

HEX #425DF5

RGB 66 93 245

HSL 230.95, 0.9%, 0.61%

LAB 46.42, 40.91, -78.82

 

CMYK 64 / 73 / 0 / 4

HEX #5742F5

RGB 87 66 245

HSL 247.04, 0.9%, 0.61%

LAB 42.02, 58.56, -85.99

 

CMYK 45 / 73 / 0 / 4

HEX #8742F5

RGB 135 66 245

HSL 263.13, 0.9%, 0.61%

LAB 46.5, 64.96, -78.47

 

CMYK 25 / 73 / 0 / 4

HEX #B742F5

RGB 183 66 245

HSL 279.22, 0.9%, 0.61%

LAB 52.46, 73.12, -68.51

 

CMYK 5 / 73 / 0 / 4

HEX #E842F5

RGB 232 66 245

HSL 295.64, 0.9%, 0.61%

LAB 59.57, 82.46, -56.71

 

CMYK 73 / 62 / 0 / 4

HEX #425DF5

RGB 66 93 245

HSL 230.95, 0.9%, 0.61%

LAB 46.42, 40.91, -78.82

 

CMYK 73 / 73 / 0 / 4

HEX #4242F5

RGB 66 66 245

HSL 240, 0.9%, 0.61%

LAB 40.65, 56.53, -88.3

 

CMYK 73 / 62 / 0 / 4

HEX #425DF5

RGB 66 93 245

HSL 230.95, 0.9%, 0.61%

LAB 46.42, 40.91, -78.82

 

CMYK 73 / 62 / 0 / 4

HEX #425DF5

RGB 66 93 245

HSL 230.95, 0.9%, 0.61%

LAB 46.42, 40.91, -78.82

 

CMYK 64 / 54 / 0 / 11

HEX #5268E4

RGB 82 104 228

HSL 230.96, 0.73%, 0.61%

LAB 48.63, 30.42, -65.63

 

CMYK 54 / 46 / 0 / 17

HEX #6273D4

RGB 98 115 212

HSL 231.05, 0.57%, 0.61%

LAB 51.4, 21.31, -52.08

 

CMYK 42 / 36 / 0 / 23

HEX #727EC4

RGB 114 126 196

HSL 231.22, 0.41%, 0.61%

LAB 54.54, 13.58, -37.93

 

CMYK 28 / 24 / 0 / 29

HEX #8289B4

RGB 130 137 180

HSL 231.6, 0.25%, 0.61%

LAB 57.97, 7.34, -23.39

 

CMYK 73 / 22 / 0 / 4

HEX #42BFF5

RGB 66 191 245

HSL 198.1, 0.9%, 0.61%

LAB 72.9, -16.93, -36.56

 

CMYK 73 / 42 / 0 / 4

HEX #428FF5

RGB 66 143 245

HSL 214.19, 0.9%, 0.61%

LAB 59.34, 10.12, -57.92

 

CMYK 73 / 61 / 0 / 4

HEX #425FF5

RGB 66 95 245

HSL 230.28, 0.9%, 0.61%

LAB 46.89, 39.69, -78.05

 

CMYK 66 / 73 / 0 / 4

HEX #5342F5

RGB 83 66 245

HSL 245.7, 0.9%, 0.61%

LAB 41.73, 58.13, -86.48

 

CMYK 47 / 73 / 0 / 4

HEX #8342F5

RGB 131 66 245

HSL 261.79, 0.9%, 0.61%

LAB 46.06, 64.35, -79.21

 

CMYK 95 / 81 / 0 / 15

HEX #0B2AD9

RGB 11 42 217

HSL 230.97, 0.9%, 0.45%

LAB 31.2, 57.37, -88.08

 

CMYK 89 / 76 / 0 / 5

HEX #1A3BF2

RGB 26 59 242

HSL 230.83, 0.89%, 0.53%

LAB 37.41, 57.03, -92.03

 

CMYK 73 / 62 / 0 / 4

HEX #425DF5

RGB 66 93 245

HSL 230.95, 0.9%, 0.61%

LAB 46.42, 40.91, -78.82

 

CMYK 57 / 49 / 0 / 3

HEX #697EF7

RGB 105 126 247

HSL 231.13, 0.9%, 0.69%

LAB 56.72, 27.25, -63.12

 

CMYK 42 / 36 / 0 / 2

HEX #90A0F9

RGB 144 160 249

HSL 230.86, 0.9%, 0.77%

LAB 67.95, 16.44, -46.21

 

CMYK 73 / 62 / 0 / 4

HEX #425DF5

RGB 66 93 245

HSL 230.95, 0.9%, 0.61%

LAB 46.42, 40.91, -78.82

 

CMYK 0 / 73 / 2 / 4

HEX #F542EF

RGB 245 66 239

HSL 302.01, 0.9%, 0.61%

LAB 61.26, 84.12, -50.56

 

CMYK 32 / 0 / 73 / 4

HEX #A7F542

RGB 167 245 66

HSL 86.15, 0.9%, 0.61%

LAB 88.88, -49.6, 73.54

 

CMYK 73 / 62 / 0 / 4

HEX #425DF5

RGB 66 93 245

HSL 230.95, 0.9%, 0.61%

LAB 46.42, 40.91, -78.82

 

CMYK 0 / 73 / 61 / 4

HEX #F5425F

RGB 245 66 95

HSL 350.28, 0.9%, 0.61%

LAB 56.22, 68.53, 25.32

 

CMYK 61 / 0 / 73 / 4

HEX #5FF542

RGB 95 245 66

HSL 110.28, 0.9%, 0.61%

LAB 86.07, -70.48, 69.83

 

CMYK 73 / 62 / 0 / 4

HEX #425DF5

RGB 66 93 245

HSL 230.95, 0.9%, 0.61%

LAB 46.42, 40.91, -78.82

 

CMYK 0 / 73 / 2 / 4

HEX #F542EF

RGB 245 66 239

HSL 302.01, 0.9%, 0.61%

LAB 61.26, 84.12, -50.56

 

CMYK 0 / 12 / 73 / 4

HEX #F5D742

RGB 245 215 66

HSL 49.94, 0.9%, 0.61%

LAB 86.21, -4.75, 72.84

 

CMYK 73 / 0 / 71 / 4

HEX #42F548

RGB 66 245 72

HSL 122.01, 0.9%, 0.61%

LAB 85.47, -75.37, 66.94

 

CMYK 73 / 62 / 0 / 4

HEX #425DF5

RGB 66 93 245

HSL 230.95, 0.9%, 0.61%

LAB 46.42, 40.91, -78.82

 

CMYK 0 / 73 / 24 / 4

HEX #F542B9

RGB 245 66 185

HSL 320.11, 0.9%, 0.61%

LAB 58.8, 76.76, -23.8

 

CMYK 0 / 12 / 73 / 4

HEX #F5D742

RGB 245 215 66

HSL 49.94, 0.9%, 0.61%

LAB 86.21, -4.75, 72.84

 

CMYK 73 / 0 / 49 / 4

HEX #42F57D

RGB 66 245 125

HSL 139.78, 0.9%, 0.61%

LAB 85.98, -69.29, 44.99

 

Description

Color code: HEX #425DF5 | qconv.com Color code: HEX #425DF5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 93 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 93 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 62 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 62% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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