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Color name
HEX #4267C6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4267C6 it is the complementary color #BD9839. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4267C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4267C6 shade: #4767C1, #5879D4, #698BE7, #7A9DFA and #8BAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4267C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4267C6 shade: #4267C6, #3155B3, #2043A0, #0F318D and #001F7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4267C6 shade: #4267C6, #4243C6, #6442C6, #8842C6 and #AC42C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4267C6 shade: #4267C6, #4243C6 and #4242C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4267C6 shade matches the following richer shades: #4267C6, #2E5EDA and #1A56EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4267C6 shade: #4267C6, #5670B2, #6A789F, #7D818B and #918A77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4267C6 shade: #42AEC6, #428BC6, #4267C6, #4244C6 and #6342C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4267C6 shade: #2A458C, #3355AC, #4267C6, #6281D0 and #829AD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4267C6 shade: #4267C6, #BB42C6 and #9CC642

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4267C6 shade: #4267C6, #C64267 and #67C642

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4267C6 shade: #4267C6, #BB42C6, #C6A142 and #4DC642

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4267C6 shade: #4267C6, #C642AA, #C6A142 and #42C65F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

Complementary color

CMYK 0 / 20 / 70 / 26

HEX #BD9839

RGB 189 152 57

HSL 43.18, 0.54%, 0.48%

LAB 64.62, 3.75, 53.14

 

CMYK 63 / 47 / 0 / 24

HEX #4767C1

RGB 71 103 193

HSL 224.26, 0.5%, 0.52%

LAB 45.48, 17.11, -50.75

 

CMYK 58 / 43 / 0 / 17

HEX #5879D4

RGB 88 121 212

HSL 224.03, 0.59%, 0.59%

LAB 52.4, 15.59, -50.51

 

CMYK 55 / 40 / 0 / 9

HEX #698BE7

RGB 105 139 231

HSL 223.81, 0.72%, 0.66%

LAB 59.19, 14.35, -50.3

 

CMYK 51 / 37 / 0 / 2

HEX #7A9DFA

RGB 122 157 250

HSL 223.59, 0.93%, 0.73%

LAB 65.87, 13.31, -50.13

 

CMYK 45 / 31 / 0 / 0

HEX #8BAFFF

RGB 139 175 255

HSL 221.38, 1%, 0.77%

LAB 71.8, 8.4, -43.44

 

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

CMYK 73 / 53 / 0 / 30

HEX #3155B3

RGB 49 85 179

HSL 223.38, 0.57%, 0.45%

LAB 38.56, 20.13, -53.78

 

CMYK 80 / 58 / 0 / 37

HEX #2043A0

RGB 32 67 160

HSL 223.59, 0.67%, 0.38%

LAB 31.48, 22.78, -53.96

 

CMYK 89 / 65 / 0 / 45

HEX #0F318D

RGB 15 49 141

HSL 223.81, 0.81%, 0.31%

LAB 24.39, 26.12, -53.95

 

CMYK 100 / 75 / 0 / 52

HEX #001F7A

RGB 0 31 122

HSL 224.75, 1%, 0.24%

LAB 17.39, 30.03, -53.52

 

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

CMYK 67 / 66 / 0 / 22

HEX #4243C6

RGB 66 67 198

HSL 239.55, 0.54%, 0.52%

LAB 36.46, 40.71, -68.3

 

CMYK 49 / 67 / 0 / 22

HEX #6442C6

RGB 100 66 198

HSL 255.45, 0.54%, 0.52%

LAB 39.04, 46.64, -63.97

 

CMYK 31 / 67 / 0 / 22

HEX #8842C6

RGB 136 66 198

HSL 271.82, 0.54%, 0.52%

LAB 43.07, 53.73, -57.24

 

CMYK 13 / 67 / 0 / 22

HEX #AC42C6

RGB 172 66 198

HSL 288.18, 0.54%, 0.52%

LAB 47.94, 61.62, -49.16

 

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

CMYK 67 / 66 / 0 / 22

HEX #4243C6

RGB 66 67 198

HSL 239.55, 0.54%, 0.52%

LAB 36.46, 40.71, -68.3

 

CMYK 67 / 67 / 0 / 22

HEX #4242C6

RGB 66 66 198

HSL 240, 0.54%, 0.52%

LAB 36.24, 41.32, -68.67

 

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

CMYK 79 / 57 / 0 / 15

HEX #2E5EDA

RGB 46 94 218

HSL 223.26, 0.7%, 0.52%

LAB 43.72, 28.55, -68

 

CMYK 89 / 64 / 0 / 7

HEX #1A56EE

RGB 26 86 238

HSL 223.02, 0.86%, 0.52%

LAB 42.84, 39.7, -80.81

 

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

CMYK 52 / 37 / 0 / 30

HEX #5670B2

RGB 86 112 178

HSL 223.04, 0.37%, 0.52%

LAB 47.98, 9.57, -38.03

 

CMYK 33 / 25 / 0 / 38

HEX #6A789F

RGB 106 120 159

HSL 224.15, 0.22%, 0.52%

LAB 50.69, 4.49, -22.64

 

CMYK 10 / 7 / 0 / 45

HEX #7D818B

RGB 125 129 139

HSL 222.86, 0.06%, 0.52%

LAB 53.95, 0.62, -5.9

 

CMYK 0 / 5 / 18 / 43

HEX #918A77

RGB 145 138 119

HSL 43.85, 0.11%, 0.52%

LAB 57.59, -0.74, 11.12

 

CMYK 67 / 12 / 0 / 22

HEX #42AEC6

RGB 66 174 198

HSL 190.91, 0.54%, 0.52%

LAB 66.14, -23.06, -21.27

 

CMYK 67 / 30 / 0 / 22

HEX #428BC6

RGB 66 139 198

HSL 206.82, 0.54%, 0.52%

LAB 55.79, -3.96, -37.28

 

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

CMYK 67 / 66 / 0 / 22

HEX #4244C6

RGB 66 68 198

HSL 239.09, 0.54%, 0.52%

LAB 36.69, 40.11, -67.93

 

CMYK 50 / 67 / 0 / 22

HEX #6342C6

RGB 99 66 198

HSL 255, 0.54%, 0.52%

LAB 38.94, 46.46, -64.13

 

CMYK 70 / 51 / 0 / 45

HEX #2A458C

RGB 42 69 140

HSL 223.47, 0.54%, 0.36%

LAB 30.98, 14.95, -42.57

 

CMYK 70 / 51 / 0 / 33

HEX #3355AC

RGB 51 85 172

HSL 223.14, 0.54%, 0.44%

LAB 38.16, 17.79, -50.28

 

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

CMYK 53 / 38 / 0 / 18

HEX #6281D0

RGB 98 129 208

HSL 223.09, 0.54%, 0.6%

LAB 54.92, 11.54, -44.21

 

CMYK 40 / 29 / 0 / 15

HEX #829AD9

RGB 130 154 217

HSL 223.45, 0.53%, 0.68%

LAB 64.05, 7.38, -34.78

 

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

CMYK 6 / 67 / 0 / 22

HEX #BB42C6

RGB 187 66 198

HSL 295, 0.54%, 0.52%

LAB 50.14, 65.02, -45.52

 

CMYK 21 / 0 / 67 / 22

HEX #9CC642

RGB 156 198 66

HSL 79.09, 0.54%, 0.52%

LAB 74.73, -33.08, 59.09

 

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

CMYK 0 / 67 / 48 / 22

HEX #C64267

RGB 198 66 103

HSL 343.18, 0.54%, 0.52%

LAB 48.11, 55.1, 8.09

 

CMYK 48 / 0 / 67 / 22

HEX #67C642

RGB 103 198 66

HSL 103.18, 0.54%, 0.52%

LAB 72, -51.58, 55.39

 

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

CMYK 6 / 67 / 0 / 22

HEX #BB42C6

RGB 187 66 198

HSL 295, 0.54%, 0.52%

LAB 50.14, 65.02, -45.52

 

CMYK 0 / 19 / 67 / 22

HEX #C6A142

RGB 198 161 66

HSL 43.18, 0.54%, 0.52%

LAB 67.94, 3.33, 52.96

 

CMYK 61 / 0 / 67 / 22

HEX #4DC642

RGB 77 198 66

HSL 115, 0.54%, 0.52%

LAB 71.12, -58.44, 54.17

 

CMYK 67 / 48 / 0 / 22

HEX #4267C6

RGB 66 103 198

HSL 223.18, 0.54%, 0.52%

LAB 45.55, 18.02, -53.55

 

CMYK 0 / 67 / 14 / 22

HEX #C642AA

RGB 198 66 170

HSL 312.73, 0.54%, 0.52%

LAB 50.46, 63.16, -28.59

 

CMYK 0 / 19 / 67 / 22

HEX #C6A142

RGB 198 161 66

HSL 43.18, 0.54%, 0.52%

LAB 67.94, 3.33, 52.96

 

CMYK 67 / 0 / 52 / 22

HEX #42C65F

RGB 66 198 95

HSL 133.18, 0.54%, 0.52%

LAB 71.13, -57.31, 41.04

 

Description

Color code: HEX #4267C6 | qconv.com Color code: HEX #4267C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 103 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 103 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 48 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 48% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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