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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #426148 it is the complementary color #BD9EB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #426148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #426148 shade: #476143, #587356, #698569, #7A977C and #8BA98F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #426148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #426148 shade: #426148, #314F35, #203D22, #0F2B0F and #001900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #426148 shade: #426148, #446142, #4C6142, #556142 and #5D6142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #426148 shade: #426148, #426150, #426158, #426161 and #425861

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #426148 shade matches the following richer shades: #426148, #346E40, #277B37, #1A882F and #0D9527

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #426148 shade: #426148, #4F5350, #5C4658, #693960 and #762C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #426148 shade: #4C6142, #446142, #426147, #426150 and #426158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #426148 shade: #203023, #314835, #426148, #52795A and #63926C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #426148 shade: #426148, #425561 and #614248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #426148 shade: #426148, #474261 and #614742

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #426148 shade: #426148, #425561, #61425B and #614D42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #426148 shade: #426148, #424B61, #61425B and #615742

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

Complementary color

CMYK 0 / 16 / 3 / 26

HEX #BD9EB7

RGB 189 158 183

HSL 311.61, 0.19%, 0.68%

LAB 68.53, 15.77, -8.63

 

CMYK 27 / 0 / 31 / 62

HEX #476143

RGB 71 97 67

HSL 112, 0.18%, 0.32%

LAB 38.37, -16.25, 14.07

 

CMYK 23 / 0 / 25 / 55

HEX #587356

RGB 88 115 86

HSL 115.86, 0.14%, 0.39%

LAB 45.65, -16.03, 12.92

 

CMYK 21 / 0 / 21 / 48

HEX #698569

RGB 105 133 105

HSL 120, 0.12%, 0.47%

LAB 52.73, -15.84, 11.88

 

CMYK 19 / 0 / 18 / 41

HEX #7A977C

RGB 122 151 124

HSL 124.14, 0.12%, 0.54%

LAB 59.64, -15.68, 10.92

 

CMYK 18 / 0 / 15 / 34

HEX #8BA98F

RGB 139 169 143

HSL 128, 0.15%, 0.6%

LAB 66.4, -15.54, 10.03

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 38 / 0 / 33 / 69

HEX #314F35

RGB 49 79 53

HSL 128, 0.23%, 0.25%

LAB 30.65, -17.47, 11.92

 

CMYK 48 / 0 / 44 / 76

HEX #203D22

RGB 32 61 34

HSL 124.14, 0.31%, 0.18%

LAB 22.86, -17.76, 13.33

 

CMYK 65 / 0 / 65 / 83

HEX #0F2B0F

RGB 15 43 15

HSL 120, 0.48%, 0.11%

LAB 14.76, -17.88, 14.7

 

CMYK 100 / 0 / 100 / 90

HEX #001900

RGB 0 25 0

HSL 120, 1%, 0.05%

LAB 6.28, -12.83, 9.17

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 30 / 0 / 32 / 62

HEX #446142

RGB 68 97 66

HSL 116.13, 0.19%, 0.32%

LAB 38.15, -17.6, 14.34

 

CMYK 22 / 0 / 32 / 62

HEX #4C6142

RGB 76 97 66

HSL 100.65, 0.19%, 0.32%

LAB 38.69, -14.45, 15.17

 

CMYK 12 / 0 / 32 / 62

HEX #556142

RGB 85 97 66

HSL 83.23, 0.19%, 0.32%

LAB 39.37, -10.72, 16.19

 

CMYK 4 / 0 / 32 / 62

HEX #5D6142

RGB 93 97 66

HSL 67.74, 0.19%, 0.32%

LAB 40.03, -7.28, 17.2

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 32 / 0 / 18 / 62

HEX #426150

RGB 66 97 80

HSL 147.1, 0.19%, 0.32%

LAB 38.35, -15.43, 6.09

 

CMYK 32 / 0 / 9 / 62

HEX #426158

RGB 66 97 88

HSL 162.58, 0.19%, 0.32%

LAB 38.57, -13.55, 1.49

 

CMYK 32 / 0 / 0 / 62

HEX #426161

RGB 66 97 97

HSL 180, 0.19%, 0.32%

LAB 38.85, -11.26, -3.64

 

CMYK 32 / 9 / 0 / 62

HEX #425861

RGB 66 88 97

HSL 197.42, 0.19%, 0.32%

LAB 35.99, -5.92, -7.91

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 53 / 0 / 42 / 57

HEX #346E40

RGB 52 110 64

HSL 132.41, 0.36%, 0.32%

LAB 41.61, -29.97, 19.99

 

CMYK 68 / 0 / 55 / 52

HEX #277B37

RGB 39 123 55

HSL 131.43, 0.52%, 0.32%

LAB 45.46, -40.36, 29.73

 

CMYK 81 / 0 / 65 / 47

HEX #1A882F

RGB 26 136 47

HSL 131.45, 0.68%, 0.32%

LAB 49.54, -48.48, 38.37

 

CMYK 91 / 0 / 74 / 42

HEX #0D9527

RGB 13 149 39

HSL 131.47, 0.84%, 0.32%

LAB 53.74, -54.88, 46.22

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 5 / 0 / 4 / 67

HEX #4F5350

RGB 79 83 80

HSL 135, 0.02%, 0.32%

LAB 34.86, -2.26, 1.19

 

CMYK 0 / 24 / 4 / 64

HEX #5C4658

RGB 92 70 88

HSL 310.91, 0.14%, 0.32%

LAB 32.61, 12.87, -7.05

 

CMYK 0 / 46 / 9 / 59

HEX #693960

RGB 105 57 96

HSL 311.25, 0.3%, 0.32%

LAB 31.29, 27.4, -14.04

 

CMYK 0 / 63 / 12 / 54

HEX #762C68

RGB 118 44 104

HSL 311.35, 0.46%, 0.32%

LAB 31, 40.11, -19.44

 

CMYK 22 / 0 / 32 / 62

HEX #4C6142

RGB 76 97 66

HSL 100.65, 0.19%, 0.32%

LAB 38.69, -14.45, 15.17

 

CMYK 30 / 0 / 32 / 62

HEX #446142

RGB 68 97 66

HSL 116.13, 0.19%, 0.32%

LAB 38.15, -17.6, 14.34

 

CMYK 32 / 0 / 27 / 62

HEX #426147

RGB 66 97 71

HSL 129.68, 0.19%, 0.32%

LAB 38.13, -17.37, 11.28

 

CMYK 32 / 0 / 18 / 62

HEX #426150

RGB 66 97 80

HSL 147.1, 0.19%, 0.32%

LAB 38.35, -15.43, 6.09

 

CMYK 32 / 0 / 9 / 62

HEX #426158

RGB 66 97 88

HSL 162.58, 0.19%, 0.32%

LAB 38.57, -13.55, 1.49

 

CMYK 33 / 0 / 27 / 81

HEX #203023

RGB 32 48 35

HSL 131.25, 0.2%, 0.16%

LAB 18.11, -10, 6.24

 

CMYK 32 / 0 / 26 / 72

HEX #314835

RGB 49 72 53

HSL 130.43, 0.19%, 0.24%

LAB 28.23, -13.52, 8.6

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 32 / 0 / 26 / 53

HEX #52795A

RGB 82 121 90

HSL 132.31, 0.19%, 0.4%

LAB 47.24, -20.65, 12.73

 

CMYK 32 / 0 / 26 / 43

HEX #63926C

RGB 99 146 108

HSL 131.49, 0.19%, 0.48%

LAB 56.38, -24.16, 15.19

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 32 / 12 / 0 / 62

HEX #425561

RGB 66 85 97

HSL 203.23, 0.19%, 0.32%

LAB 35.04, -4.09, -9.33

 

CMYK 0 / 32 / 26 / 62

HEX #614248

RGB 97 66 72

HSL 348.39, 0.19%, 0.32%

LAB 31.59, 14.42, 1.78

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 27 / 32 / 0 / 62

HEX #474261

RGB 71 66 97

HSL 249.68, 0.19%, 0.32%

LAB 29.66, 9.78, -17.52

 

CMYK 0 / 27 / 32 / 62

HEX #614742

RGB 97 71 66

HSL 9.68, 0.19%, 0.32%

LAB 32.79, 10.33, 7.34

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 32 / 12 / 0 / 62

HEX #425561

RGB 66 85 97

HSL 203.23, 0.19%, 0.32%

LAB 35.04, -4.09, -9.33

 

CMYK 0 / 32 / 6 / 62

HEX #61425B

RGB 97 66 91

HSL 311.61, 0.19%, 0.32%

LAB 32.24, 17.96, -9.47

 

CMYK 0 / 21 / 32 / 62

HEX #614D42

RGB 97 77 66

HSL 21.29, 0.19%, 0.32%

LAB 34.48, 6.58, 9.71

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 32 / 23 / 0 / 62

HEX #424B61

RGB 66 75 97

HSL 222.58, 0.19%, 0.32%

LAB 31.93, 2.2, -14.06

 

CMYK 0 / 32 / 6 / 62

HEX #61425B

RGB 97 66 91

HSL 311.61, 0.19%, 0.32%

LAB 32.24, 17.96, -9.47

 

CMYK 0 / 10 / 32 / 62

HEX #615742

RGB 97 87 66

HSL 40.65, 0.19%, 0.32%

LAB 37.39, 0.44, 13.71

 

Description

Color code: HEX #426148 | qconv.com Color code: HEX #426148 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 97 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 97 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 26 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 26% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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