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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4270A1 it is the complementary color #BD8F5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4270A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4270A1 shade: #47709C, #5882AF, #6994C2, #7AA6D5 and #8BB8E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4270A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4270A1 shade: #4270A1, #315E8E, #204C7B, #0F3A68 and #002855

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4270A1 shade: #4271A2, #4257A2, #4742A2, #6142A2 and #7B42A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4270A1 shade: #4271A2, #4257A2 and #4242A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4270A1 shade matches the following richer shades: #4271A2, #2F70B5, #1D70C8 and #0A6FDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4270A1 shade: #4271A2, #557190, #67727D, #7A726B and #8C7358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4270A1 shade: #42A29F, #428CA2, #4272A2, #4259A2 and #4542A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4270A1 shade: #2A4868, #365C85, #4271A2, #5585B9 and #729AC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4270A1 shade: #4270A1, #8642A2 and #99A242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4270A1 shade: #4270A1, #A24272 and #72A242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4270A1 shade: #4270A1, #8642A2, #A27242 and #5FA242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4270A1 shade: #4270A1, #A242A2, #A27242 and #42A242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 30 / 0 / 37

HEX #4270A1

RGB 66 112 161

HSL 210.95, 0.42%, 0.45%

LAB 46.07, -0.53, -31.17

 

Complementary color

CMYK 0 / 24 / 50 / 26

HEX #BD8F5E

RGB 189 143 94

HSL 30.95, 0.42%, 0.55%

LAB 62.74, 11.43, 32.7

 

CMYK 54 / 28 / 0 / 39

HEX #47709C

RGB 71 112 156

HSL 211.06, 0.37%, 0.45%

LAB 46.08, -1.08, -28.19

 

CMYK 50 / 26 / 0 / 31

HEX #5882AF

RGB 88 130 175

HSL 211.03, 0.35%, 0.52%

LAB 53.1, -1.71, -28.28

 

CMYK 46 / 24 / 0 / 24

HEX #6994C2

RGB 105 148 194

HSL 211.01, 0.42%, 0.59%

LAB 59.96, -2.2, -28.39

 

CMYK 43 / 22 / 0 / 16

HEX #7AA6D5

RGB 122 166 213

HSL 210.99, 0.52%, 0.66%

LAB 66.68, -2.6, -28.54

 

CMYK 40 / 21 / 0 / 9

HEX #8BB8E8

RGB 139 184 232

HSL 210.97, 0.67%, 0.73%

LAB 73.28, -2.94, -28.7

HEX #8BB8E8

CMYK 59 / 30 / 0 / 37

HEX #4270A1

RGB 66 112 161

HSL 210.95, 0.42%, 0.45%

LAB 46.07, -0.53, -31.17

 

CMYK 65 / 34 / 0 / 44

HEX #315E8E

RGB 49 94 142

HSL 210.97, 0.49%, 0.37%

LAB 38.92, 0.52, -31.13

 

CMYK 74 / 38 / 0 / 52

HEX #204C7B

RGB 32 76 123

HSL 210.99, 0.59%, 0.3%

LAB 31.59, 1.97, -31.09

 

CMYK 86 / 44 / 0 / 59

HEX #0F3A68

RGB 15 58 104

HSL 211.01, 0.75%, 0.23%

LAB 24.09, 4.1, -31.03

 

CMYK 100 / 53 / 0 / 67

HEX #002855

RGB 0 40 85

HSL 211.76, 1%, 0.17%

LAB 16.37, 7.12, -30.94

HEX #002855

CMYK 59 / 30 / 0 / 36

HEX #4271A2

RGB 66 113 162

HSL 210.63, 0.42%, 0.45%

LAB 46.41, -0.8, -31.22

 

CMYK 59 / 46 / 0 / 36

HEX #4257A2

RGB 66 87 162

HSL 226.88, 0.42%, 0.45%

LAB 38.87, 15.55, -43.16

 

CMYK 56 / 59 / 0 / 36

HEX #4742A2

RGB 71 66 162

HSL 243.13, 0.42%, 0.45%

LAB 33.66, 30.13, -51.54

 

CMYK 40 / 59 / 0 / 36

HEX #6142A2

RGB 97 66 162

HSL 259.38, 0.42%, 0.45%

LAB 36.07, 35.77, -47.51

 

CMYK 24 / 59 / 0 / 36

HEX #7B42A2

RGB 123 66 162

HSL 275.63, 0.42%, 0.45%

LAB 39.1, 42.21, -42.49

 

CMYK 59 / 30 / 0 / 36

HEX #4271A2

RGB 66 113 162

HSL 210.63, 0.42%, 0.45%

LAB 46.41, -0.8, -31.22

 

CMYK 59 / 46 / 0 / 36

HEX #4257A2

RGB 66 87 162

HSL 226.88, 0.42%, 0.45%

LAB 38.87, 15.55, -43.16

 

CMYK 59 / 59 / 0 / 36

HEX #4242A2

RGB 66 66 162

HSL 240, 0.42%, 0.45%

LAB 33.27, 29.17, -52.18

 

CMYK 59 / 30 / 0 / 36

HEX #4271A2

RGB 66 113 162

HSL 210.63, 0.42%, 0.45%

LAB 46.41, -0.8, -31.22

 

CMYK 74 / 38 / 0 / 29

HEX #2F70B5

RGB 47 112 181

HSL 210.9, 0.59%, 0.45%

LAB 46.35, 3.28, -42.47

 

CMYK 86 / 44 / 0 / 22

HEX #1D70C8

RGB 29 112 200

HSL 210.88, 0.75%, 0.45%

LAB 47, 8.64, -52.43

 

CMYK 95 / 49 / 0 / 15

HEX #0A6FDA

RGB 10 111 218

HSL 210.87, 0.91%, 0.45%

LAB 47.62, 15.37, -61.72

 

CMYK 59 / 30 / 0 / 36

HEX #4271A2

RGB 66 113 162

HSL 210.63, 0.42%, 0.45%

LAB 46.41, -0.8, -31.22

 

CMYK 41 / 22 / 0 / 44

HEX #557190

RGB 85 113 144

HSL 211.53, 0.26%, 0.45%

LAB 46.65, -1.75, -20.14

 

CMYK 18 / 9 / 0 / 51

HEX #67727D

RGB 103 114 125

HSL 210, 0.1%, 0.45%

LAB 47.49, -1.61, -7.46

 

CMYK 0 / 7 / 12 / 52

HEX #7A726B

RGB 122 114 107

HSL 28, 0.07%, 0.45%

LAB 48.55, 1.78, 4.98

 

CMYK 0 / 18 / 37 / 45

HEX #8C7358

RGB 140 115 88

HSL 31.15, 0.23%, 0.45%

LAB 50.15, 5.73, 18.62

 

CMYK 59 / 0 / 2 / 36

HEX #42A29F

RGB 66 162 159

HSL 178.13, 0.42%, 0.45%

LAB 61.22, -28.56, -6.88

 

CMYK 59 / 14 / 0 / 36

HEX #428CA2

RGB 66 140 162

HSL 193.75, 0.42%, 0.45%

LAB 54.58, -16.31, -18.6

 

CMYK 59 / 30 / 0 / 36

HEX #4272A2

RGB 66 114 162

HSL 210, 0.42%, 0.45%

LAB 46.71, -1.41, -30.75

 

CMYK 59 / 45 / 0 / 36

HEX #4259A2

RGB 66 89 162

HSL 225.63, 0.42%, 0.45%

LAB 39.43, 14.26, -42.26

 

CMYK 57 / 59 / 0 / 36

HEX #4542A2

RGB 69 66 162

HSL 241.88, 0.42%, 0.45%

LAB 33.5, 29.74, -51.8

 

CMYK 60 / 31 / 0 / 59

HEX #2A4868

RGB 42 72 104

HSL 210.97, 0.42%, 0.29%

LAB 29.73, -0.59, -22.04

 

CMYK 59 / 31 / 0 / 48

HEX #365C85

RGB 54 92 133

HSL 211.14, 0.42%, 0.37%

LAB 38.08, -0.39, -26.97

 

CMYK 59 / 30 / 0 / 36

HEX #4271A2

RGB 66 113 162

HSL 210.63, 0.42%, 0.45%

LAB 46.41, -0.8, -31.22

 

CMYK 54 / 28 / 0 / 27

HEX #5585B9

RGB 85 133 185

HSL 211.2, 0.42%, 0.53%

LAB 54.25, -1.05, -32.24

 

CMYK 42 / 22 / 0 / 23

HEX #729AC5

RGB 114 154 197

HSL 211.08, 0.42%, 0.61%

LAB 62.27, -2.43, -26.47

 

CMYK 59 / 30 / 0 / 37

HEX #4270A1

RGB 66 112 161

HSL 210.95, 0.42%, 0.45%

LAB 46.07, -0.53, -31.17

 

CMYK 17 / 59 / 0 / 36

HEX #8642A2

RGB 134 66 162

HSL 282.5, 0.42%, 0.45%

LAB 40.53, 45.06, -40.13

 

CMYK 6 / 0 / 59 / 36

HEX #99A242

RGB 153 162 66

HSL 65.63, 0.42%, 0.45%

LAB 64.17, -16.69, 47.68

 

CMYK 59 / 30 / 0 / 37

HEX #4270A1

RGB 66 112 161

HSL 210.95, 0.42%, 0.45%

LAB 46.07, -0.53, -31.17

 

CMYK 0 / 59 / 30 / 36

HEX #A24272

RGB 162 66 114

HSL 330, 0.42%, 0.45%

LAB 42.45, 44.89, -7.63

 

CMYK 30 / 0 / 59 / 36

HEX #72A242

RGB 114 162 66

HSL 90, 0.42%, 0.45%

LAB 61.49, -32.5, 43.95

 

CMYK 59 / 30 / 0 / 37

HEX #4270A1

RGB 66 112 161

HSL 210.95, 0.42%, 0.45%

LAB 46.07, -0.53, -31.17

 

CMYK 17 / 59 / 0 / 36

HEX #8642A2

RGB 134 66 162

HSL 282.5, 0.42%, 0.45%

LAB 40.53, 45.06, -40.13

 

CMYK 0 / 30 / 59 / 36

HEX #A27242

RGB 162 114 66

HSL 30, 0.42%, 0.45%

LAB 51.96, 13.6, 33.82

 

CMYK 41 / 0 / 59 / 36

HEX #5FA242

RGB 95 162 66

HSL 101.88, 0.42%, 0.45%

LAB 60.49, -39.28, 42.53

 

CMYK 59 / 30 / 0 / 37

HEX #4270A1

RGB 66 112 161

HSL 210.95, 0.42%, 0.45%

LAB 46.07, -0.53, -31.17

 

CMYK 0 / 59 / 0 / 36

HEX #A242A2

RGB 162 66 162

HSL 300, 0.42%, 0.45%

LAB 44.5, 52.47, -33.59

 

CMYK 0 / 30 / 59 / 36

HEX #A27242

RGB 162 114 66

HSL 30, 0.42%, 0.45%

LAB 51.96, 13.6, 33.82

 

CMYK 59 / 0 / 59 / 36

HEX #42A242

RGB 66 162 66

HSL 120, 0.42%, 0.45%

LAB 59.34, -47.78, 40.9

 

Description

Color code: HEX #4270A1 | qconv.com Color code: HEX #4270A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 112 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 112 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 30 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 30% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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