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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4270AD it is the complementary color #BD8F52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4270AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4270AD shade: #4770A8, #5882BB, #6994CE, #7AA6E1 and #8BB8F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4270AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4270AD shade: #4270AD, #315E9A, #204C87, #0F3A74 and #002861

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4270AD shade: #4170AD, #4153AD, #4D41AD, #6A41AD and #8741AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4270AD shade: #4170AD, #4153AD and #4141AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4270AD shade matches the following richer shades: #4170AD, #2E6DC1, #1B6AD4 and #0768E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4270AD shade: #4170AD, #55739A, #687586, #7C7873 and #8F7B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4270AD shade: #41AAAD, #418DAD, #4170AD, #4153AD and #4C41AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4270AD shade: #2B4971, #365C8F, #4170AD, #5885C0 and #769BCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4270AD shade: #4270AD, #9441AD and #9BAD41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4270AD shade: #4270AD, #AD4170 and #70AD41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4270AD shade: #4270AD, #9441AD, #AD7F41 and #5BAD41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4270AD shade: #4270AD, #AD41A6, #AD7F41 and #41AD49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 35 / 0 / 32

HEX #4270AD

RGB 66 112 173

HSL 214.21, 0.45%, 0.47%

LAB 46.66, 3.56, -37.27

 

Complementary color

CMYK 0 / 24 / 57 / 26

HEX #BD8F52

RGB 189 143 82

HSL 34.21, 0.45%, 0.53%

LAB 62.57, 10.37, 38.84

 

CMYK 58 / 33 / 0 / 34

HEX #4770A8

RGB 71 112 168

HSL 214.64, 0.41%, 0.47%

LAB 46.65, 2.89, -34.35

 

CMYK 53 / 30 / 0 / 27

HEX #5882BB

RGB 88 130 187

HSL 214.55, 0.42%, 0.54%

LAB 53.63, 2.03, -34.33

 

CMYK 49 / 28 / 0 / 19

HEX #6994CE

RGB 105 148 206

HSL 214.46, 0.51%, 0.61%

LAB 60.46, 1.35, -34.36

 

CMYK 46 / 26 / 0 / 12

HEX #7AA6E1

RGB 122 166 225

HSL 214.37, 0.63%, 0.68%

LAB 67.16, 0.79, -34.41

 

CMYK 43 / 25 / 0 / 4

HEX #8BB8F4

RGB 139 184 244

HSL 214.29, 0.83%, 0.75%

LAB 73.74, 0.32, -34.49

 

CMYK 62 / 35 / 0 / 32

HEX #4270AD

RGB 66 112 173

HSL 214.21, 0.45%, 0.47%

LAB 46.66, 3.56, -37.27

 

CMYK 68 / 39 / 0 / 40

HEX #315E9A

RGB 49 94 154

HSL 214.29, 0.52%, 0.4%

LAB 39.57, 4.9, -37.32

 

CMYK 76 / 44 / 0 / 47

HEX #204C87

RGB 32 76 135

HSL 214.37, 0.62%, 0.33%

LAB 32.31, 6.71, -37.38

 

CMYK 87 / 50 / 0 / 55

HEX #0F3A74

RGB 15 58 116

HSL 214.46, 0.77%, 0.26%

LAB 24.92, 9.25, -37.39

 

CMYK 100 / 59 / 0 / 62

HEX #002861

RGB 0 40 97

HSL 215.26, 1%, 0.19%

LAB 17.37, 12.7, -37.32

 

CMYK 62 / 35 / 0 / 32

HEX #4170AD

RGB 65 112 173

HSL 213.89, 0.45%, 0.47%

LAB 46.62, 3.37, -37.34

 

CMYK 62 / 52 / 0 / 32

HEX #4153AD

RGB 65 83 173

HSL 230, 0.45%, 0.47%

LAB 38.42, 21.81, -50.42

 

CMYK 55 / 62 / 0 / 32

HEX #4D41AD

RGB 77 65 173

HSL 246.67, 0.45%, 0.47%

LAB 34.75, 35.46, -56.32

 

CMYK 39 / 62 / 0 / 32

HEX #6A41AD

RGB 106 65 173

HSL 262.78, 0.45%, 0.47%

LAB 37.59, 41.44, -51.58

 

CMYK 22 / 62 / 0 / 32

HEX #8741AD

RGB 135 65 173

HSL 278.89, 0.45%, 0.47%

LAB 41.13, 48.25, -45.7

 

CMYK 62 / 35 / 0 / 32

HEX #4170AD

RGB 65 112 173

HSL 213.89, 0.45%, 0.47%

LAB 46.62, 3.37, -37.34

 

CMYK 62 / 52 / 0 / 32

HEX #4153AD

RGB 65 83 173

HSL 230, 0.45%, 0.47%

LAB 38.42, 21.81, -50.42

 

CMYK 62 / 62 / 0 / 32

HEX #4141AD

RGB 65 65 173

HSL 240, 0.45%, 0.47%

LAB 33.82, 33.37, -57.88

 

CMYK 62 / 35 / 0 / 32

HEX #4170AD

RGB 65 112 173

HSL 213.89, 0.45%, 0.47%

LAB 46.62, 3.37, -37.34

 

CMYK 76 / 44 / 0 / 24

HEX #2E6DC1

RGB 46 109 193

HSL 214.29, 0.62%, 0.47%

LAB 46.13, 9.52, -49.76

 

CMYK 87 / 50 / 0 / 17

HEX #1B6AD4

RGB 27 106 212

HSL 214.38, 0.77%, 0.47%

LAB 46.04, 17, -60.85

 

CMYK 97 / 55 / 0 / 9

HEX #0768E7

RGB 7 104 231

HSL 214.02, 0.94%, 0.47%

LAB 46.6, 24.88, -70.73

 

CMYK 62 / 35 / 0 / 32

HEX #4170AD

RGB 65 112 173

HSL 213.89, 0.45%, 0.47%

LAB 46.62, 3.37, -37.34

 

CMYK 45 / 25 / 0 / 40

HEX #55739A

RGB 85 115 154

HSL 213.91, 0.29%, 0.47%

LAB 47.66, 0.01, -24.5

 

CMYK 22 / 13 / 0 / 47

HEX #687586

RGB 104 117 134

HSL 214, 0.13%, 0.47%

LAB 48.74, -0.86, -10.92

 

CMYK 0 / 3 / 7 / 51

HEX #7C7873

RGB 124 120 115

HSL 33.33, 0.04%, 0.47%

LAB 50.64, 0.56, 3.28

 

CMYK 0 / 14 / 33 / 44

HEX #8F7B60

RGB 143 123 96

HSL 34.47, 0.2%, 0.47%

LAB 52.79, 3.47, 17.63

 

CMYK 62 / 2 / 0 / 32

HEX #41AAAD

RGB 65 170 173

HSL 181.67, 0.45%, 0.47%

LAB 64.07, -28.68, -10.49

 

CMYK 62 / 18 / 0 / 32

HEX #418DAD

RGB 65 141 173

HSL 197.78, 0.45%, 0.47%

LAB 55.27, -13.57, -23.85

 

CMYK 62 / 35 / 0 / 32

HEX #4170AD

RGB 65 112 173

HSL 213.89, 0.45%, 0.47%

LAB 46.62, 3.37, -37.34

 

CMYK 62 / 52 / 0 / 32

HEX #4153AD

RGB 65 83 173

HSL 230, 0.45%, 0.47%

LAB 38.42, 21.81, -50.42

 

CMYK 56 / 62 / 0 / 32

HEX #4C41AD

RGB 76 65 173

HSL 246.11, 0.45%, 0.47%

LAB 34.67, 35.28, -56.46

 

CMYK 62 / 35 / 0 / 56

HEX #2B4971

RGB 43 73 113

HSL 214.29, 0.45%, 0.31%

LAB 30.57, 2.25, -26.41

 

CMYK 62 / 36 / 0 / 44

HEX #365C8F

RGB 54 92 143

HSL 214.38, 0.45%, 0.39%

LAB 38.59, 3.13, -32.23

 

CMYK 62 / 35 / 0 / 32

HEX #4170AD

RGB 65 112 173

HSL 213.89, 0.45%, 0.47%

LAB 46.62, 3.37, -37.34

 

CMYK 54 / 31 / 0 / 25

HEX #5885C0

RGB 88 133 192

HSL 214.04, 0.45%, 0.55%

LAB 54.72, 1.84, -35.49

 

CMYK 42 / 24 / 0 / 20

HEX #769BCB

RGB 118 155 203

HSL 213.88, 0.45%, 0.63%

LAB 63.02, -0.26, -28.66

 

CMYK 62 / 35 / 0 / 32

HEX #4270AD

RGB 66 112 173

HSL 214.21, 0.45%, 0.47%

LAB 46.66, 3.56, -37.27

 

CMYK 14 / 62 / 0 / 32

HEX #9441AD

RGB 148 65 173

HSL 286.11, 0.45%, 0.47%

LAB 42.9, 51.44, -42.77

 

CMYK 10 / 0 / 62 / 32

HEX #9BAD41

RGB 155 173 65

HSL 70, 0.45%, 0.47%

LAB 67.45, -21.51, 51.77

 

CMYK 62 / 35 / 0 / 32

HEX #4270AD

RGB 66 112 173

HSL 214.21, 0.45%, 0.47%

LAB 46.66, 3.56, -37.27

 

CMYK 0 / 62 / 35 / 32

HEX #AD4170

RGB 173 65 112

HSL 333.89, 0.45%, 0.47%

LAB 43.99, 48.62, -3.91

 

CMYK 35 / 0 / 62 / 32

HEX #70AD41

RGB 112 173 65

HSL 93.89, 0.45%, 0.47%

LAB 64.73, -38.33, 48.01

 

CMYK 62 / 35 / 0 / 32

HEX #4270AD

RGB 66 112 173

HSL 214.21, 0.45%, 0.47%

LAB 46.66, 3.56, -37.27

 

CMYK 14 / 62 / 0 / 32

HEX #9441AD

RGB 148 65 173

HSL 286.11, 0.45%, 0.47%

LAB 42.9, 51.44, -42.77

 

CMYK 0 / 27 / 62 / 32

HEX #AD7F41

RGB 173 127 65

HSL 34.44, 0.45%, 0.47%

LAB 56.53, 11.01, 40.04

 

CMYK 47 / 0 / 62 / 32

HEX #5BAD41

RGB 91 173 65

HSL 105.56, 0.45%, 0.47%

LAB 63.75, -45.3, 46.64

 

CMYK 62 / 35 / 0 / 32

HEX #4270AD

RGB 66 112 173

HSL 214.21, 0.45%, 0.47%

LAB 46.66, 3.56, -37.27

 

CMYK 0 / 62 / 4 / 32

HEX #AD41A6

RGB 173 65 166

HSL 303.89, 0.45%, 0.47%

LAB 46.2, 56.49, -33.17

 

CMYK 0 / 27 / 62 / 32

HEX #AD7F41

RGB 173 127 65

HSL 34.44, 0.45%, 0.47%

LAB 56.53, 11.01, 40.04

 

CMYK 62 / 0 / 58 / 32

HEX #41AD49

RGB 65 173 73

HSL 124.44, 0.45%, 0.47%

LAB 62.92, -51.32, 41.76

 

Description

Color code: HEX #4270AD | qconv.com Color code: HEX #4270AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 112 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 112 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 35 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 35% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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