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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #427BC1 it is the complementary color #BD843E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #427BC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #427BC1 shade: #477BBC, #588DCF, #699FE2, #7AB1F5 and #8BC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #427BC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #427BC1 shade: #427BC1, #3169AE, #20579B, #0F4588 and #003375

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #427BC1 shade: #427BC1, #4259C1, #4D42C1, #7042C1 and #9242C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #427BC1 shade: #427BC1, #4259C1 and #4242C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #427BC1 shade matches the following richer shades: #427BC1, #2E79D5, #1977EA and #0575FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #427BC1 shade: #427BC1, #567DAD, #6A7F99, #7E8185 and #938370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #427BC1 shade: #42BFC1, #429DC1, #427BC1, #4259C1 and #4C42C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #427BC1 shade: #2B5486, #3567A5, #427BC1, #6191CB and #80A6D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #427BC1 shade: #427BC1, #A142C1 and #AEC142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #427BC1 shade: #427BC1, #C1427B and #7BC142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #427BC1 shade: #427BC1, #A142C1, #C18842 and #62C142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #427BC1 shade: #427BC1, #C142BB, #C18842 and #42C148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

Complementary color

CMYK 0 / 30 / 67 / 26

HEX #BD843E

RGB 189 132 62

HSL 33.07, 0.51%, 0.49%

LAB 59.59, 15.02, 45.49

 

CMYK 62 / 35 / 0 / 26

HEX #477BBC

RGB 71 123 188

HSL 213.33, 0.47%, 0.51%

LAB 50.85, 2.98, -39.34

 

CMYK 57 / 32 / 0 / 19

HEX #588DCF

RGB 88 141 207

HSL 213.28, 0.55%, 0.58%

LAB 57.68, 1.95, -39.33

 

CMYK 54 / 30 / 0 / 11

HEX #699FE2

RGB 105 159 226

HSL 213.22, 0.68%, 0.65%

LAB 64.4, 1.13, -39.34

 

CMYK 50 / 28 / 0 / 4

HEX #7AB1F5

RGB 122 177 245

HSL 213.17, 0.86%, 0.72%

LAB 70.99, 0.45, -39.37

 

CMYK 45 / 24 / 0 / 0

HEX #8BC3FF

RGB 139 195 255

HSL 211.03, 1%, 0.77%

LAB 77.12, -2.64, -35.17

 

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

CMYK 72 / 40 / 0 / 32

HEX #3169AE

RGB 49 105 174

HSL 213.12, 0.56%, 0.44%

LAB 43.96, 5.34, -42.18

 

CMYK 79 / 44 / 0 / 39

HEX #20579B

RGB 32 87 155

HSL 213.17, 0.66%, 0.37%

LAB 36.91, 7.35, -42.19

 

CMYK 89 / 49 / 0 / 47

HEX #0F4588

RGB 15 69 136

HSL 213.22, 0.8%, 0.3%

LAB 29.75, 10.05, -42.13

 

CMYK 100 / 56 / 0 / 54

HEX #003375

RGB 0 51 117

HSL 213.85, 1%, 0.23%

LAB 22.49, 13.57, -41.98

 

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

CMYK 66 / 54 / 0 / 24

HEX #4259C1

RGB 66 89 193

HSL 229.13, 0.51%, 0.51%

LAB 41.46, 25.18, -57.25

 

CMYK 60 / 66 / 0 / 24

HEX #4D42C1

RGB 77 66 193

HSL 245.2, 0.51%, 0.51%

LAB 36.6, 41.26, -65.12

 

CMYK 42 / 66 / 0 / 24

HEX #7042C1

RGB 112 66 193

HSL 261.73, 0.51%, 0.51%

LAB 39.9, 47.53, -59.6

 

CMYK 24 / 66 / 0 / 24

HEX #9242C1

RGB 146 66 193

HSL 277.8, 0.51%, 0.51%

LAB 44.03, 54.76, -52.73

 

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

CMYK 66 / 54 / 0 / 24

HEX #4259C1

RGB 66 89 193

HSL 229.13, 0.51%, 0.51%

LAB 41.46, 25.18, -57.25

 

CMYK 66 / 66 / 0 / 24

HEX #4242C1

RGB 66 66 193

HSL 240, 0.51%, 0.51%

LAB 35.8, 39.65, -66.46

 

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

CMYK 78 / 43 / 0 / 16

HEX #2E79D5

RGB 46 121 213

HSL 213.05, 0.67%, 0.51%

LAB 50.76, 9.52, -53.8

 

CMYK 89 / 49 / 0 / 8

HEX #1977EA

RGB 25 119 234

HSL 213.01, 0.83%, 0.51%

LAB 51.08, 17.14, -65.13

 

CMYK 98 / 54 / 0 / 0

HEX #0575FE

RGB 5 117 254

HSL 213.01, 0.99%, 0.51%

LAB 51.74, 25.43, -75.21

 

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

CMYK 50 / 28 / 0 / 32

HEX #567DAD

RGB 86 125 173

HSL 213.1, 0.35%, 0.51%

LAB 51.45, 0.13, -29.69

 

CMYK 31 / 17 / 0 / 40

HEX #6A7F99

RGB 106 127 153

HSL 213.19, 0.19%, 0.51%

LAB 52.45, -1.23, -16.45

 

CMYK 5 / 3 / 0 / 48

HEX #7E8185

RGB 126 129 133

HSL 214.29, 0.03%, 0.51%

LAB 53.85, -0.29, -2.55

 

CMYK 0 / 11 / 24 / 42

HEX #938370

RGB 147 131 112

HSL 32.57, 0.14%, 0.51%

LAB 55.69, 2.9, 12.49

 

CMYK 66 / 1 / 0 / 24

HEX #42BFC1

RGB 66 191 193

HSL 180.94, 0.51%, 0.51%

LAB 71.06, -32.92, -11.09

 

CMYK 66 / 19 / 0 / 24

HEX #429DC1

RGB 66 157 193

HSL 197.01, 0.51%, 0.51%

LAB 60.89, -15.7, -26.53

 

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

CMYK 66 / 54 / 0 / 24

HEX #4259C1

RGB 66 89 193

HSL 229.13, 0.51%, 0.51%

LAB 41.46, 25.18, -57.25

 

CMYK 61 / 66 / 0 / 24

HEX #4C42C1

RGB 76 66 193

HSL 244.72, 0.51%, 0.51%

LAB 36.52, 41.1, -65.25

 

CMYK 68 / 37 / 0 / 47

HEX #2B5486

RGB 43 84 134

HSL 212.97, 0.51%, 0.35%

LAB 35.15, 2.84, -32.22

 

CMYK 68 / 38 / 0 / 35

HEX #3567A5

RGB 53 103 165

HSL 213.21, 0.51%, 0.43%

LAB 43.02, 3.92, -38.36

 

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

CMYK 52 / 29 / 0 / 20

HEX #6191CB

RGB 97 145 203

HSL 212.83, 0.5%, 0.59%

LAB 59.07, 0.31, -34.87

 

CMYK 40 / 22 / 0 / 16

HEX #80A6D5

RGB 128 166 213

HSL 213.18, 0.5%, 0.67%

LAB 67.03, -1.03, -27.98

 

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

CMYK 17 / 66 / 0 / 24

HEX #A142C1

RGB 161 66 193

HSL 284.88, 0.51%, 0.51%

LAB 46.07, 58.14, -49.33

 

CMYK 10 / 0 / 66 / 24

HEX #AEC142

RGB 174 193 66

HSL 68.98, 0.51%, 0.51%

LAB 74.53, -23.46, 59.27

 

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

CMYK 0 / 66 / 36 / 24

HEX #C1427B

RGB 193 66 123

HSL 333.07, 0.51%, 0.51%

LAB 47.83, 55.62, -4.58

 

CMYK 36 / 0 / 66 / 24

HEX #7BC142

RGB 123 193 66

HSL 93.07, 0.51%, 0.51%

LAB 71.38, -43.07, 54.99

 

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

CMYK 17 / 66 / 0 / 24

HEX #A142C1

RGB 161 66 193

HSL 284.88, 0.51%, 0.51%

LAB 46.07, 58.14, -49.33

 

CMYK 0 / 30 / 66 / 24

HEX #C18842

RGB 193 136 66

HSL 33.07, 0.51%, 0.51%

LAB 61.08, 14.8, 45.32

 

CMYK 49 / 0 / 66 / 24

HEX #62C142

RGB 98 193 66

HSL 104.88, 0.51%, 0.51%

LAB 70.27, -51.1, 53.46

 

CMYK 66 / 36 / 0 / 24

HEX #427BC1

RGB 66 123 193

HSL 213.07, 0.51%, 0.51%

LAB 50.89, 3.8, -42.15

 

CMYK 0 / 66 / 3 / 24

HEX #C142BB

RGB 193 66 187

HSL 302.83, 0.51%, 0.51%

LAB 50.48, 64.56, -38.56

 

CMYK 0 / 30 / 66 / 24

HEX #C18842

RGB 193 136 66

HSL 33.07, 0.51%, 0.51%

LAB 61.08, 14.8, 45.32

 

CMYK 66 / 0 / 63 / 24

HEX #42C148

RGB 66 193 72

HSL 122.83, 0.51%, 0.51%

LAB 69.3, -58.44, 49.56

 

Description

Color code: HEX #427BC1 | qconv.com Color code: HEX #427BC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 123 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 123 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 36 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 36% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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