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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #427C8E it is the complementary color #BD8371. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #427C8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #427C8E shade: #477C89, #588E9C, #69A0AF, #7AB2C2 and #8BC4D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #427C8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #427C8E shade: #427C8E, #316A7B, #205868, #0F4655 and #003442

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #427C8E shade: #417C8F, #41688F, #41538F, #45418F and #5A418F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #427C8E shade: #417C8F, #41688F, #41538F and #41418F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #427C8E shade matches the following richer shades: #417C8F, #3085A0, #208EB1 and #0F97C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #427C8E shade: #417C8F, #52747E, #636B6D, #74625C and #85594B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #427C8E shade: #418F78, #418F8C, #417D8F, #41688F and #41538F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #427C8E shade: #274B56, #346472, #417C8F, #4E95AB and #69A7BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #427C8E shade: #427C8E, #63418F and #8F8241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #427C8E shade: #427C8E, #8F417D and #7D8F41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #427C8E shade: #427C8E, #63418F, #8F5341 and #6D8F41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #427C8E shade: #427C8E, #7A418F, #8F5341 and #568F41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 13 / 0 / 44

HEX #427C8E

RGB 66 124 142

HSL 194.21, 0.37%, 0.41%

LAB 48.92, -13.65, -15.59

 

Complementary color

CMYK 0 / 31 / 40 / 26

HEX #BD8371

RGB 189 131 113

HSL 14.21, 0.37%, 0.59%

LAB 60.11, 20.08, 18.71

 

CMYK 48 / 9 / 0 / 46

HEX #477C89

RGB 71 124 137

HSL 191.82, 0.32%, 0.41%

LAB 48.96, -13.93, -12.56

 

CMYK 44 / 9 / 0 / 39

HEX #588E9C

RGB 88 142 156

HSL 192.35, 0.28%, 0.48%

LAB 55.91, -14.06, -13.04

 

CMYK 40 / 9 / 0 / 31

HEX #69A0AF

RGB 105 160 175

HSL 192.86, 0.3%, 0.55%

LAB 62.71, -14.13, -13.5

 

CMYK 37 / 8 / 0 / 24

HEX #7AB2C2

RGB 122 178 194

HSL 193.33, 0.37%, 0.62%

LAB 69.38, -14.18, -13.95

 

CMYK 35 / 8 / 0 / 16

HEX #8BC4D5

RGB 139 196 213

HSL 193.78, 0.47%, 0.69%

LAB 75.93, -14.21, -14.38

 

CMYK 54 / 13 / 0 / 44

HEX #427C8E

RGB 66 124 142

HSL 194.21, 0.37%, 0.41%

LAB 48.92, -13.65, -15.59

 

CMYK 60 / 14 / 0 / 52

HEX #316A7B

RGB 49 106 123

HSL 193.78, 0.43%, 0.34%

LAB 41.83, -13.26, -15.11

 

CMYK 69 / 15 / 0 / 59

HEX #205868

RGB 32 88 104

HSL 193.33, 0.53%, 0.27%

LAB 34.57, -12.63, -14.58

 

CMYK 82 / 18 / 0 / 67

HEX #0F4655

RGB 15 70 85

HSL 192.86, 0.7%, 0.2%

LAB 27.12, -11.57, -13.96

 

CMYK 100 / 21 / 0 / 74

HEX #003442

RGB 0 52 66

HSL 192.73, 1%, 0.13%

LAB 19.43, -9.98, -13.24

 

CMYK 55 / 13 / 0 / 44

HEX #417C8F

RGB 65 124 143

HSL 194.62, 0.38%, 0.41%

LAB 48.91, -13.58, -16.19

 

CMYK 55 / 27 / 0 / 44

HEX #41688F

RGB 65 104 143

HSL 210, 0.38%, 0.41%

LAB 42.77, -1.89, -25.64

 

CMYK 55 / 42 / 0 / 44

HEX #41538F

RGB 65 83 143

HSL 226.15, 0.38%, 0.41%

LAB 36.54, 11.37, -35.43

 

CMYK 52 / 55 / 0 / 44

HEX #45418F

RGB 69 65 143

HSL 243.08, 0.38%, 0.41%

LAB 31.87, 24.07, -42.88

 

CMYK 37 / 55 / 0 / 44

HEX #5A418F

RGB 90 65 143

HSL 259.23, 0.38%, 0.41%

LAB 33.85, 29.26, -39.6

 

CMYK 55 / 13 / 0 / 44

HEX #417C8F

RGB 65 124 143

HSL 194.62, 0.38%, 0.41%

LAB 48.91, -13.58, -16.19

 

CMYK 55 / 27 / 0 / 44

HEX #41688F

RGB 65 104 143

HSL 210, 0.38%, 0.41%

LAB 42.77, -1.89, -25.64

 

CMYK 55 / 42 / 0 / 44

HEX #41538F

RGB 65 83 143

HSL 226.15, 0.38%, 0.41%

LAB 36.54, 11.37, -35.43

 

CMYK 55 / 55 / 0 / 44

HEX #41418F

RGB 65 65 143

HSL 240, 0.38%, 0.41%

LAB 31.55, 23.18, -43.42

 

CMYK 55 / 13 / 0 / 44

HEX #417C8F

RGB 65 124 143

HSL 194.62, 0.38%, 0.41%

LAB 48.91, -13.58, -16.19

 

CMYK 70 / 17 / 0 / 37

HEX #3085A0

RGB 48 133 160

HSL 194.46, 0.54%, 0.41%

LAB 51.77, -16.32, -21.79

 

CMYK 82 / 20 / 0 / 31

HEX #208EB1

RGB 32 142 177

HSL 194.48, 0.69%, 0.41%

LAB 54.89, -17.36, -26.79

 

CMYK 92 / 22 / 0 / 24

HEX #0F97C1

RGB 15 151 193

HSL 194.16, 0.86%, 0.41%

LAB 58.12, -17.73, -30.9

 

CMYK 55 / 13 / 0 / 44

HEX #417C8F

RGB 65 124 143

HSL 194.62, 0.38%, 0.41%

LAB 48.91, -13.58, -16.19

 

CMYK 35 / 8 / 0 / 51

HEX #52747E

RGB 82 116 126

HSL 193.64, 0.21%, 0.41%

LAB 46.7, -9.44, -9.39

 

CMYK 9 / 2 / 0 / 57

HEX #636B6D

RGB 99 107 109

HSL 192, 0.05%, 0.41%

LAB 44.62, -2.6, -2.17

 

CMYK 0 / 16 / 21 / 55

HEX #74625C

RGB 116 98 92

HSL 15, 0.12%, 0.41%

LAB 43.09, 6.17, 6.09

 

CMYK 0 / 33 / 44 / 48

HEX #85594B

RGB 133 89 75

HSL 14.48, 0.28%, 0.41%

LAB 42.21, 16.33, 15.46

 

CMYK 55 / 0 / 16 / 44

HEX #418F78

RGB 65 143 120

HSL 162.31, 0.38%, 0.41%

LAB 54.16, -29.87, 4.99

 

CMYK 55 / 0 / 2 / 44

HEX #418F8C

RGB 65 143 140

HSL 177.69, 0.38%, 0.41%

LAB 54.72, -24.59, -5.7

 

CMYK 55 / 13 / 0 / 44

HEX #417D8F

RGB 65 125 143

HSL 193.85, 0.38%, 0.41%

LAB 49.22, -14.14, -15.72

 

CMYK 55 / 27 / 0 / 44

HEX #41688F

RGB 65 104 143

HSL 210, 0.38%, 0.41%

LAB 42.77, -1.89, -25.64

 

CMYK 55 / 42 / 0 / 44

HEX #41538F

RGB 65 83 143

HSL 226.15, 0.38%, 0.41%

LAB 36.54, 11.37, -35.43

 

CMYK 55 / 13 / 0 / 66

HEX #274B56

RGB 39 75 86

HSL 194.04, 0.38%, 0.25%

LAB 29.75, -9.45, -10.51

 

CMYK 54 / 12 / 0 / 55

HEX #346472

RGB 52 100 114

HSL 193.55, 0.37%, 0.33%

LAB 39.68, -12.01, -12.9

 

CMYK 55 / 13 / 0 / 44

HEX #417C8F

RGB 65 124 143

HSL 194.62, 0.38%, 0.41%

LAB 48.91, -13.58, -16.19

 

CMYK 54 / 13 / 0 / 33

HEX #4E95AB

RGB 78 149 171

HSL 194.19, 0.37%, 0.49%

LAB 58.09, -15.93, -18.35

 

CMYK 44 / 10 / 0 / 27

HEX #69A7BA

RGB 105 167 186

HSL 194.07, 0.37%, 0.57%

LAB 65.11, -14.92, -16.03

 

CMYK 54 / 13 / 0 / 44

HEX #427C8E

RGB 66 124 142

HSL 194.21, 0.37%, 0.41%

LAB 48.92, -13.65, -15.59

 

CMYK 31 / 55 / 0 / 44

HEX #63418F

RGB 99 65 143

HSL 266.15, 0.38%, 0.41%

LAB 34.84, 31.67, -37.97

 

CMYK 0 / 9 / 55 / 44

HEX #8F8241

RGB 143 130 65

HSL 50, 0.38%, 0.41%

LAB 54.22, -3.99, 36.56

 

CMYK 54 / 13 / 0 / 44

HEX #427C8E

RGB 66 124 142

HSL 194.21, 0.37%, 0.41%

LAB 48.92, -13.65, -15.59

 

CMYK 0 / 55 / 13 / 44

HEX #8F417D

RGB 143 65 125

HSL 313.85, 0.38%, 0.41%

LAB 39.75, 40.97, -18.79

 

CMYK 13 / 0 / 55 / 44

HEX #7D8F41

RGB 125 143 65

HSL 73.85, 0.38%, 0.41%

LAB 56.47, -18.83, 38.83

 

CMYK 54 / 13 / 0 / 44

HEX #427C8E

RGB 66 124 142

HSL 194.21, 0.37%, 0.41%

LAB 48.92, -13.65, -15.59

 

CMYK 31 / 55 / 0 / 44

HEX #63418F

RGB 99 65 143

HSL 266.15, 0.38%, 0.41%

LAB 34.84, 31.67, -37.97

 

CMYK 0 / 42 / 55 / 44

HEX #8F5341

RGB 143 83 65

HSL 13.85, 0.38%, 0.41%

LAB 41.86, 23.05, 21.25

 

CMYK 24 / 0 / 55 / 44

HEX #6D8F41

RGB 109 143 65

HSL 86.15, 0.38%, 0.41%

LAB 55.36, -25.4, 37.24

 

CMYK 54 / 13 / 0 / 44

HEX #427C8E

RGB 66 124 142

HSL 194.21, 0.37%, 0.41%

LAB 48.92, -13.65, -15.59

 

CMYK 15 / 55 / 0 / 44

HEX #7A418F

RGB 122 65 143

HSL 283.85, 0.38%, 0.41%

LAB 37.66, 38.13, -33.3

 

CMYK 0 / 42 / 55 / 44

HEX #8F5341

RGB 143 83 65

HSL 13.85, 0.38%, 0.41%

LAB 41.86, 23.05, 21.25

 

CMYK 40 / 0 / 55 / 44

HEX #568F41

RGB 86 143 65

HSL 103.85, 0.38%, 0.41%

LAB 54.03, -34, 35.34

 

Description

Color code: HEX #427C8E | qconv.com Color code: HEX #427C8E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 124 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 124 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 13 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 13% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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