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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #427D37 it is the complementary color #BD82C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #427D37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #427D37 shade: #477D32, #588F45, #69A158, #7AB36B and #8BC57E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #427D37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #427D37 shade: #427D37, #316B24, #205911, #0F4700 and #003500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #427D37 shade: #417C36, #547C36, #667C36, #797C36 and #7C6B36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #427D37 shade: #417C36, #367C3E, #367C51, #367C63 and #367C76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #427D37 shade matches the following richer shades: #417C36, #378A28, #2D9819 and #23A70B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #427D37 shade: #417C36, #4B6D44, #555F53, #5F5061 and #684270

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #427D37 shade: #677C36, #547C36, #427C36, #367C3D and #367C4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #427D37 shade: #23421D, #325F29, #417C36, #509843 and #61B351

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #427D37 shade: #427D37, #36797C and #7C365D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #427D37 shade: #427D37, #36427C and #7C3642

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #427D37 shade: #427D37, #36797C, #70367C and #7C3836

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #427D37 shade: #427D37, #36647C, #70367C and #7C4D36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 56 / 51

HEX #427D37

RGB 66 125 55

HSL 110.57, 0.39%, 0.35%

LAB 47.11, -33.87, 31.94

 

Complementary color

CMYK 5 / 35 / 0 / 22

HEX #BD82C8

RGB 189 130 200

HSL 290.57, 0.39%, 0.65%

LAB 62.47, 34.56, -27.34

 

CMYK 43 / 0 / 60 / 51

HEX #477D32

RGB 71 125 50

HSL 103.2, 0.43%, 0.34%

LAB 47.28, -32.8, 34.74

 

CMYK 38 / 0 / 52 / 44

HEX #588F45

RGB 88 143 69

HSL 104.59, 0.35%, 0.42%

LAB 54.19, -32.79, 33.51

 

CMYK 35 / 0 / 45 / 37

HEX #69A158

RGB 105 161 88

HSL 106.03, 0.29%, 0.49%

LAB 60.96, -32.67, 32.23

 

CMYK 32 / 0 / 40 / 30

HEX #7AB36B

RGB 122 179 107

HSL 107.5, 0.32%, 0.56%

LAB 67.61, -32.5, 30.98

 

CMYK 29 / 0 / 36 / 23

HEX #8BC57E

RGB 139 197 126

HSL 109.01, 0.38%, 0.63%

LAB 74.14, -32.3, 29.79

 

CMYK 47 / 0 / 56 / 51

HEX #427D37

RGB 66 125 55

HSL 110.57, 0.39%, 0.35%

LAB 47.11, -33.87, 31.94

 

CMYK 54 / 0 / 66 / 58

HEX #316B24

RGB 49 107 36

HSL 109.01, 0.5%, 0.28%

LAB 40.07, -33.7, 33.16

 

CMYK 64 / 0 / 81 / 65

HEX #205911

RGB 32 89 17

HSL 107.5, 0.68%, 0.21%

LAB 32.9, -33.05, 33.83

 

CMYK 79 / 0 / 100 / 72

HEX #0F4700

RGB 15 71 0

HSL 107.32, 1%, 0.14%

LAB 25.59, -31.55, 33.24

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 48 / 0 / 56 / 51

HEX #417C36

RGB 65 124 54

HSL 110.57, 0.39%, 0.35%

LAB 46.72, -33.87, 31.98

 

CMYK 32 / 0 / 56 / 51

HEX #547C36

RGB 84 124 54

HSL 94.29, 0.39%, 0.35%

LAB 47.71, -27.1, 33.4

 

CMYK 18 / 0 / 56 / 51

HEX #667C36

RGB 102 124 54

HSL 78.86, 0.39%, 0.35%

LAB 48.89, -19.78, 35.08

 

CMYK 2 / 0 / 56 / 51

HEX #797C36

RGB 121 124 54

HSL 62.57, 0.39%, 0.35%

LAB 50.39, -11.48, 37.2

 

CMYK 0 / 14 / 56 / 51

HEX #7C6B36

RGB 124 107 54

HSL 45.43, 0.39%, 0.35%

LAB 45.73, -0.53, 31.83

 

CMYK 48 / 0 / 56 / 51

HEX #417C36

RGB 65 124 54

HSL 110.57, 0.39%, 0.35%

LAB 46.72, -33.87, 31.98

 

CMYK 56 / 0 / 50 / 51

HEX #367C3E

RGB 54 124 62

HSL 126.86, 0.39%, 0.35%

LAB 46.37, -36.02, 27.22

 

CMYK 56 / 0 / 35 / 51

HEX #367C51

RGB 54 124 81

HSL 143.14, 0.39%, 0.35%

LAB 46.7, -32.55, 16.99

 

CMYK 56 / 0 / 20 / 51

HEX #367C63

RGB 54 124 99

HSL 158.57, 0.39%, 0.35%

LAB 47.11, -28.49, 7.06

 

CMYK 56 / 0 / 5 / 51

HEX #367C76

RGB 54 124 118

HSL 174.86, 0.39%, 0.35%

LAB 47.63, -23.46, -3.39

 

CMYK 48 / 0 / 56 / 51

HEX #417C36

RGB 65 124 54

HSL 110.57, 0.39%, 0.35%

LAB 46.72, -33.87, 31.98

 

CMYK 60 / 0 / 71 / 46

HEX #378A28

RGB 55 138 40

HSL 110.82, 0.55%, 0.35%

LAB 50.85, -44.15, 43.08

 

CMYK 70 / 0 / 84 / 40

HEX #2D9819

RGB 45 152 25

HSL 110.55, 0.72%, 0.35%

LAB 55.16, -52.55, 52.44

 

CMYK 79 / 0 / 93 / 35

HEX #23A70B

RGB 35 167 11

HSL 110.77, 0.88%, 0.35%

LAB 59.91, -59.57, 59.46

 

CMYK 48 / 0 / 56 / 51

HEX #417C36

RGB 65 124 54

HSL 110.57, 0.39%, 0.35%

LAB 46.72, -33.87, 31.98

 

CMYK 31 / 0 / 38 / 57

HEX #4B6D44

RGB 75 109 68

HSL 109.76, 0.23%, 0.35%

LAB 42.54, -20.98, 19.11

 

CMYK 11 / 0 / 13 / 63

HEX #555F53

RGB 85 95 83

HSL 110, 0.07%, 0.35%

LAB 39.14, -6.45, 5.56

 

CMYK 2 / 18 / 0 / 62

HEX #5F5061

RGB 95 80 97

HSL 292.94, 0.1%, 0.35%

LAB 36.05, 9.68, -7.57

 

CMYK 7 / 41 / 0 / 56

HEX #684270

RGB 104 66 112

HSL 289.57, 0.26%, 0.35%

LAB 34, 25.01, -20.02

 

CMYK 17 / 0 / 56 / 51

HEX #677C36

RGB 103 124 54

HSL 78, 0.39%, 0.35%

LAB 48.96, -19.36, 35.19

 

CMYK 32 / 0 / 56 / 51

HEX #547C36

RGB 84 124 54

HSL 94.29, 0.39%, 0.35%

LAB 47.71, -27.1, 33.4

 

CMYK 47 / 0 / 56 / 51

HEX #427C36

RGB 66 124 54

HSL 109.71, 0.39%, 0.35%

LAB 46.76, -33.55, 32.05

 

CMYK 56 / 0 / 51 / 51

HEX #367C3D

RGB 54 124 61

HSL 126, 0.39%, 0.35%

LAB 46.36, -36.17, 27.75

 

CMYK 56 / 0 / 36 / 51

HEX #367C4F

RGB 54 124 79

HSL 141.43, 0.39%, 0.35%

LAB 46.66, -32.96, 18.09

 

CMYK 47 / 0 / 56 / 74

HEX #23421D

RGB 35 66 29

HSL 110.27, 0.39%, 0.19%

LAB 24.77, -20.17, 18.88

 

CMYK 47 / 0 / 57 / 63

HEX #325F29

RGB 50 95 41

HSL 110, 0.4%, 0.27%

LAB 36.03, -27.32, 25.91

 

CMYK 48 / 0 / 56 / 51

HEX #417C36

RGB 65 124 54

HSL 110.57, 0.39%, 0.35%

LAB 46.72, -33.87, 31.98

 

CMYK 47 / 0 / 56 / 40

HEX #509843

RGB 80 152 67

HSL 110.82, 0.39%, 0.43%

LAB 56.65, -39.69, 37.4

 

CMYK 46 / 0 / 55 / 30

HEX #61B351

RGB 97 179 81

HSL 110.2, 0.39%, 0.51%

LAB 66.04, -44.16, 41.9

 

CMYK 47 / 0 / 56 / 51

HEX #427D37

RGB 66 125 55

HSL 110.57, 0.39%, 0.35%

LAB 47.11, -33.87, 31.94

 

CMYK 56 / 2 / 0 / 51

HEX #36797C

RGB 54 121 124

HSL 182.57, 0.39%, 0.35%

LAB 46.86, -20.15, -8.1

 

CMYK 0 / 56 / 25 / 51

HEX #7C365D

RGB 124 54 93

HSL 326.57, 0.39%, 0.35%

LAB 33.38, 35.22, -8.66

 

CMYK 47 / 0 / 56 / 51

HEX #427D37

RGB 66 125 55

HSL 110.57, 0.39%, 0.35%

LAB 47.11, -33.87, 31.94

 

CMYK 56 / 47 / 0 / 51

HEX #36427C

RGB 54 66 124

HSL 229.71, 0.39%, 0.35%

LAB 29.75, 13.44, -34.57

 

CMYK 0 / 56 / 47 / 51

HEX #7C3642

RGB 124 54 66

HSL 349.71, 0.39%, 0.35%

LAB 32.52, 31.66, 7.51

 

CMYK 47 / 0 / 56 / 51

HEX #427D37

RGB 66 125 55

HSL 110.57, 0.39%, 0.35%

LAB 47.11, -33.87, 31.94

 

CMYK 56 / 2 / 0 / 51

HEX #36797C

RGB 54 121 124

HSL 182.57, 0.39%, 0.35%

LAB 46.86, -20.15, -8.1

 

CMYK 10 / 56 / 0 / 51

HEX #70367C

RGB 112 54 124

HSL 289.71, 0.39%, 0.35%

LAB 33, 37.08, -29.03

 

CMYK 0 / 55 / 56 / 51

HEX #7C3836

RGB 124 56 54

HSL 1.71, 0.39%, 0.35%

LAB 32.66, 29.36, 15.43

 

CMYK 47 / 0 / 56 / 51

HEX #427D37

RGB 66 125 55

HSL 110.57, 0.39%, 0.35%

LAB 47.11, -33.87, 31.94

 

CMYK 56 / 19 / 0 / 51

HEX #36647C

RGB 54 100 124

HSL 200.57, 0.39%, 0.35%

LAB 40.17, -8.32, -18.24

 

CMYK 10 / 56 / 0 / 51

HEX #70367C

RGB 112 54 124

HSL 289.71, 0.39%, 0.35%

LAB 33, 37.08, -29.03

 

CMYK 0 / 38 / 56 / 51

HEX #7C4D36

RGB 124 77 54

HSL 19.71, 0.39%, 0.35%

LAB 37.59, 17.26, 21.84

 

Description

Color code: HEX #427D37 | qconv.com Color code: HEX #427D37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 125 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 125 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 56 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 56% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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