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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #428474 it is the complementary color #BD7B8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #428474. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #428474 shade: #47846F, #589682, #69A895, #7ABAA8 and #8BCCBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #428474. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #428474 shade: #428474, #317261, #20604E, #0F4E3B and #003C28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #428474 shade: #428474, #428462, #428450, #468442 and #578442

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #428474 shade: #428474, #428284, #427084, #425F84 and #424D84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #428474 shade matches the following richer shades: #428474, #32947C, #22A484, #12B48D and #02C495

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #428474 shade: #428474, #52746C, #626463, #72535B and #824353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #428474 shade: #428450, #428462, #428473, #428384 and #427184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #428474 shade: #264D44, #34685C, #428474, #509F8C and #66B2A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #428474 shade: #428474, #424584 and #845942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #428474 shade: #428474, #734284 and #847342

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #428474 shade: #428474, #424584, #844253 and #848042

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #428474 shade: #428474, #534284, #844253 and #738442

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 12 / 48

HEX #428474

RGB 66 132 116

HSL 165.45, 0.33%, 0.39%

LAB 50.6, -25.21, 2.17

 

Complementary color

CMYK 0 / 35 / 26 / 26

HEX #BD7B8B

RGB 189 123 139

HSL 345.45, 0.33%, 0.61%

LAB 58.83, 27.9, 2.02

 

CMYK 46 / 0 / 16 / 48

HEX #47846F

RGB 71 132 111

HSL 159.34, 0.3%, 0.4%

LAB 50.68, -25.11, 5.23

 

CMYK 41 / 0 / 13 / 41

HEX #589682

RGB 88 150 130

HSL 160.65, 0.26%, 0.47%

LAB 57.56, -24.91, 4.29

 

CMYK 38 / 0 / 11 / 34

HEX #69A895

RGB 105 168 149

HSL 161.9, 0.27%, 0.54%

LAB 64.31, -24.71, 3.43

 

CMYK 34 / 0 / 10 / 27

HEX #7ABAA8

RGB 122 186 168

HSL 163.13, 0.32%, 0.6%

LAB 70.93, -24.5, 2.63

 

CMYK 32 / 0 / 8 / 20

HEX #8BCCBB

RGB 139 204 187

HSL 164.31, 0.39%, 0.67%

LAB 77.44, -24.31, 1.89

 

CMYK 50 / 0 / 12 / 48

HEX #428474

RGB 66 132 116

HSL 165.45, 0.33%, 0.39%

LAB 50.6, -25.21, 2.17

 

CMYK 57 / 0 / 15 / 55

HEX #317261

RGB 49 114 97

HSL 164.31, 0.4%, 0.32%

LAB 43.58, -25.25, 3.18

 

CMYK 67 / 0 / 19 / 62

HEX #20604E

RGB 32 96 78

HSL 163.13, 0.5%, 0.25%

LAB 36.41, -25.13, 4.34

 

CMYK 81 / 0 / 24 / 69

HEX #0F4E3B

RGB 15 78 59

HSL 161.9, 0.68%, 0.18%

LAB 29.07, -24.66, 5.74

 

CMYK 100 / 0 / 33 / 76

HEX #003C28

RGB 0 60 40

HSL 160, 1%, 0.12%

LAB 21.52, -23.73, 7.43

 

CMYK 50 / 0 / 12 / 48

HEX #428474

RGB 66 132 116

HSL 165.45, 0.33%, 0.39%

LAB 50.6, -25.21, 2.17

 

CMYK 50 / 0 / 26 / 48

HEX #428462

RGB 66 132 98

HSL 149.09, 0.33%, 0.39%

LAB 50.15, -29.48, 12

 

CMYK 50 / 0 / 39 / 48

HEX #428450

RGB 66 132 80

HSL 132.73, 0.33%, 0.39%

LAB 49.79, -33.1, 21.77

 

CMYK 47 / 0 / 50 / 48

HEX #468442

RGB 70 132 66

HSL 116.36, 0.33%, 0.39%

LAB 49.74, -34.19, 29.41

 

CMYK 34 / 0 / 50 / 48

HEX #578442

RGB 87 132 66

HSL 100.91, 0.33%, 0.39%

LAB 50.6, -28.35, 30.66

 

CMYK 50 / 0 / 12 / 48

HEX #428474

RGB 66 132 116

HSL 165.45, 0.33%, 0.39%

LAB 50.6, -25.21, 2.17

 

CMYK 50 / 2 / 0 / 48

HEX #428284

RGB 66 130 132

HSL 181.82, 0.33%, 0.39%

LAB 50.44, -19.87, -7.42

 

CMYK 50 / 15 / 0 / 48

HEX #427084

RGB 66 112 132

HSL 198.18, 0.33%, 0.39%

LAB 44.82, -9.89, -15.9

 

CMYK 50 / 28 / 0 / 48

HEX #425F84

RGB 66 95 132

HSL 213.64, 0.33%, 0.39%

LAB 39.59, 0.31, -23.95

 

CMYK 50 / 42 / 0 / 48

HEX #424D84

RGB 66 77 132

HSL 230, 0.33%, 0.39%

LAB 34.26, 11.83, -32.33

 

CMYK 50 / 0 / 12 / 48

HEX #428474

RGB 66 132 116

HSL 165.45, 0.33%, 0.39%

LAB 50.6, -25.21, 2.17

 

CMYK 66 / 0 / 16 / 42

HEX #32947C

RGB 50 148 124

HSL 165.31, 0.49%, 0.39%

LAB 55.39, -34.3, 4.42

 

CMYK 79 / 0 / 20 / 36

HEX #22A484

RGB 34 164 132

HSL 165.23, 0.66%, 0.39%

LAB 60.39, -41.6, 7.01

 

CMYK 90 / 0 / 22 / 29

HEX #12B48D

RGB 18 180 141

HSL 165.56, 0.82%, 0.39%

LAB 65.51, -47.26, 9.29

 

CMYK 99 / 0 / 24 / 23

HEX #02C495

RGB 2 196 149

HSL 165.46, 0.98%, 0.39%

LAB 70.64, -52.27, 12.18

 

CMYK 50 / 0 / 12 / 48

HEX #428474

RGB 66 132 116

HSL 165.45, 0.33%, 0.39%

LAB 50.6, -25.21, 2.17

 

CMYK 29 / 0 / 7 / 55

HEX #52746C

RGB 82 116 108

HSL 165.88, 0.17%, 0.39%

LAB 46.13, -14.01, 0.5

 

CMYK 2 / 0 / 1 / 61

HEX #626463

RGB 98 100 99

HSL 150, 0.01%, 0.39%

LAB 42.17, -0.99, 0.29

 

CMYK 0 / 27 / 20 / 55

HEX #72535B

RGB 114 83 91

HSL 344.52, 0.16%, 0.39%

LAB 38.76, 14.25, 0.43

 

CMYK 0 / 48 / 36 / 49

HEX #824353

RGB 130 67 83

HSL 344.76, 0.32%, 0.39%

LAB 36.71, 28.9, 2.74

 

CMYK 50 / 0 / 39 / 48

HEX #428450

RGB 66 132 80

HSL 132.73, 0.33%, 0.39%

LAB 49.79, -33.1, 21.77

 

CMYK 50 / 0 / 26 / 48

HEX #428462

RGB 66 132 98

HSL 149.09, 0.33%, 0.39%

LAB 50.15, -29.48, 12

 

CMYK 50 / 0 / 13 / 48

HEX #428473

RGB 66 132 115

HSL 164.55, 0.33%, 0.39%

LAB 50.57, -25.46, 2.72

 

CMYK 50 / 1 / 0 / 48

HEX #428384

RGB 66 131 132

HSL 180.91, 0.33%, 0.39%

LAB 50.75, -20.39, -6.95

 

CMYK 50 / 14 / 0 / 48

HEX #427184

RGB 66 113 132

HSL 197.27, 0.33%, 0.39%

LAB 45.13, -10.47, -15.43

 

CMYK 51 / 0 / 12 / 70

HEX #264D44

RGB 38 77 68

HSL 166.15, 0.34%, 0.23%

LAB 29.76, -16.39, 1.06

 

CMYK 50 / 0 / 12 / 59

HEX #34685C

RGB 52 104 92

HSL 166.15, 0.33%, 0.31%

LAB 40.25, -20.65, 1.39

 

CMYK 50 / 0 / 12 / 48

HEX #428474

RGB 66 132 116

HSL 165.45, 0.33%, 0.39%

LAB 50.6, -25.21, 2.17

 

CMYK 50 / 0 / 12 / 38

HEX #509F8C

RGB 80 159 140

HSL 165.57, 0.33%, 0.47%

LAB 60.24, -29.08, 2.46

 

CMYK 43 / 0 / 10 / 30

HEX #66B2A0

RGB 102 178 160

HSL 165.79, 0.33%, 0.55%

LAB 67.43, -27.93, 1.84

 

CMYK 50 / 0 / 12 / 48

HEX #428474

RGB 66 132 116

HSL 165.45, 0.33%, 0.39%

LAB 50.6, -25.21, 2.17

 

CMYK 50 / 48 / 0 / 48

HEX #424584

RGB 66 69 132

HSL 237.27, 0.33%, 0.39%

LAB 31.99, 17.09, -35.93

 

CMYK 0 / 33 / 50 / 48

HEX #845942

RGB 132 89 66

HSL 20.91, 0.33%, 0.39%

LAB 41.91, 14.88, 20.44

 

CMYK 50 / 0 / 12 / 48

HEX #428474

RGB 66 132 116

HSL 165.45, 0.33%, 0.39%

LAB 50.6, -25.21, 2.17

 

CMYK 13 / 50 / 0 / 48

HEX #734284

RGB 115 66 132

HSL 284.55, 0.33%, 0.39%

LAB 36.38, 33.04, -28.65

 

CMYK 0 / 13 / 50 / 48

HEX #847342

RGB 132 115 66

HSL 44.55, 0.33%, 0.39%

LAB 48.96, -0.34, 29.41

 

CMYK 50 / 0 / 12 / 48

HEX #428474

RGB 66 132 116

HSL 165.45, 0.33%, 0.39%

LAB 50.6, -25.21, 2.17

 

CMYK 50 / 48 / 0 / 48

HEX #424584

RGB 66 69 132

HSL 237.27, 0.33%, 0.39%

LAB 31.99, 17.09, -35.93

 

CMYK 0 / 50 / 37 / 48

HEX #844253

RGB 132 66 83

HSL 344.55, 0.33%, 0.39%

LAB 36.79, 30.23, 2.89

 

CMYK 0 / 3 / 50 / 48

HEX #848042

RGB 132 128 66

HSL 56.36, 0.33%, 0.39%

LAB 52.66, -7.66, 33.93

 

CMYK 50 / 0 / 12 / 48

HEX #428474

RGB 66 132 116

HSL 165.45, 0.33%, 0.39%

LAB 50.6, -25.21, 2.17

 

CMYK 37 / 50 / 0 / 48

HEX #534284

RGB 83 66 132

HSL 255.45, 0.33%, 0.39%

LAB 32.7, 23.57, -34.7

 

CMYK 0 / 50 / 37 / 48

HEX #844253

RGB 132 66 83

HSL 344.55, 0.33%, 0.39%

LAB 36.79, 30.23, 2.89

 

CMYK 13 / 0 / 50 / 48

HEX #738442

RGB 115 132 66

HSL 75.45, 0.33%, 0.39%

LAB 52.44, -17.19, 33.34

 

Description

Color code: HEX #428474 | qconv.com Color code: HEX #428474 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 132 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 132 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 12 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 12% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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