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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42829B it is the complementary color #BD7D64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42829B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42829B shade: #478296, #5894A9, #69A6BC, #7AB8CF and #8BCAE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42829B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42829B shade: #42829B, #317088, #205E75, #0F4C62 and #003A4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42829B shade: #418099, #416999, #415199, #494199 and #614199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42829B shade: #418099, #416999, #415199 and #414199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42829B shade matches the following richer shades: #418099, #3088AB, #1E90BC and #0C98CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42829B shade: #418099, #537987, #657176, #776964 and #886152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42829B shade: #419982, #419999, #418299, #416A99 and #415399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42829B shade: #29505F, #35687C, #418099, #5098B4 and #6DA9C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42829B shade: #42829B, #6A4199 and #998D41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42829B shade: #42829B, #994182 and #829941

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42829B shade: #42829B, #6A4199, #995941 and #709941

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42829B shade: #42829B, #854199, #995941 and #569941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 16 / 0 / 39

HEX #42829B

RGB 66 130 155

HSL 196.85, 0.4%, 0.43%

LAB 51.26, -12.98, -19.62

 

Complementary color

CMYK 0 / 34 / 47 / 26

HEX #BD7D64

RGB 189 125 100

HSL 16.85, 0.4%, 0.57%

LAB 58.42, 21.98, 23.79

 

CMYK 53 / 13 / 0 / 41

HEX #478296

RGB 71 130 150

HSL 195.19, 0.36%, 0.43%

LAB 51.28, -13.41, -16.66

 

CMYK 48 / 12 / 0 / 34

HEX #5894A9

RGB 88 148 169

HSL 195.56, 0.32%, 0.5%

LAB 58.15, -13.66, -17.08

 

CMYK 44 / 12 / 0 / 26

HEX #69A6BC

RGB 105 166 188

HSL 195.9, 0.38%, 0.57%

LAB 64.89, -13.84, -17.48

 

CMYK 41 / 11 / 0 / 19

HEX #7AB8CF

RGB 122 184 207

HSL 196.24, 0.47%, 0.65%

LAB 71.5, -13.97, -17.88

 

CMYK 38 / 11 / 0 / 11

HEX #8BCAE2

RGB 139 202 226

HSL 196.55, 0.6%, 0.72%

LAB 78.01, -14.07, -18.26

 

CMYK 57 / 16 / 0 / 39

HEX #42829B

RGB 66 130 155

HSL 196.85, 0.4%, 0.43%

LAB 51.26, -12.98, -19.62

 

CMYK 64 / 18 / 0 / 47

HEX #317088

RGB 49 112 136

HSL 196.55, 0.47%, 0.36%

LAB 44.26, -12.41, -19.21

 

CMYK 73 / 20 / 0 / 54

HEX #205E75

RGB 32 94 117

HSL 196.24, 0.57%, 0.29%

LAB 37.11, -11.55, -18.75

 

CMYK 85 / 22 / 0 / 62

HEX #0F4C62

RGB 15 76 98

HSL 195.9, 0.73%, 0.22%

LAB 29.79, -10.21, -18.2

 

CMYK 100 / 27 / 0 / 69

HEX #003A4F

RGB 0 58 79

HSL 195.95, 1%, 0.15%

LAB 22.27, -8.28, -17.56

 

CMYK 58 / 16 / 0 / 40

HEX #418099

RGB 65 128 153

HSL 197.05, 0.4%, 0.43%

LAB 50.53, -12.7, -19.58

 

CMYK 58 / 31 / 0 / 40

HEX #416999

RGB 65 105 153

HSL 212.73, 0.4%, 0.43%

LAB 43.55, 0.83, -30.39

 

CMYK 58 / 47 / 0 / 40

HEX #415199

RGB 65 81 153

HSL 229.09, 0.4%, 0.43%

LAB 36.57, 16.11, -41.44

 

CMYK 52 / 58 / 0 / 40

HEX #494199

RGB 73 65 153

HSL 245.45, 0.4%, 0.43%

LAB 32.91, 28.22, -47.29

 

CMYK 37 / 58 / 0 / 40

HEX #614199

RGB 97 65 153

HSL 261.82, 0.4%, 0.43%

LAB 35.25, 33.85, -43.41

 

CMYK 58 / 16 / 0 / 40

HEX #418099

RGB 65 128 153

HSL 197.05, 0.4%, 0.43%

LAB 50.53, -12.7, -19.58

 

CMYK 58 / 31 / 0 / 40

HEX #416999

RGB 65 105 153

HSL 212.73, 0.4%, 0.43%

LAB 43.55, 0.83, -30.39

 

CMYK 58 / 47 / 0 / 40

HEX #415199

RGB 65 81 153

HSL 229.09, 0.4%, 0.43%

LAB 36.57, 16.11, -41.44

 

CMYK 58 / 58 / 0 / 40

HEX #414199

RGB 65 65 153

HSL 240, 0.4%, 0.43%

LAB 32.27, 26.57, -48.37

 

CMYK 58 / 16 / 0 / 40

HEX #418099

RGB 65 128 153

HSL 197.05, 0.4%, 0.43%

LAB 50.53, -12.7, -19.58

 

CMYK 72 / 20 / 0 / 33

HEX #3088AB

RGB 48 136 171

HSL 197.07, 0.56%, 0.43%

LAB 53.14, -14.27, -26.03

 

CMYK 84 / 23 / 0 / 26

HEX #1E90BC

RGB 30 144 188

HSL 196.71, 0.72%, 0.43%

LAB 55.94, -14.76, -31.44

 

CMYK 94 / 26 / 0 / 19

HEX #0C98CE

RGB 12 152 206

HSL 196.7, 0.89%, 0.43%

LAB 58.97, -13.73, -36.89

 

CMYK 58 / 16 / 0 / 40

HEX #418099

RGB 65 128 153

HSL 197.05, 0.4%, 0.43%

LAB 50.53, -12.7, -19.58

 

CMYK 39 / 10 / 0 / 47

HEX #537987

RGB 83 121 135

HSL 196.15, 0.24%, 0.43%

LAB 48.59, -9.54, -11.88

 

CMYK 14 / 4 / 0 / 54

HEX #657176

RGB 101 113 118

HSL 197.65, 0.08%, 0.43%

LAB 46.82, -3.37, -4.3

 

CMYK 0 / 12 / 16 / 53

HEX #776964

RGB 119 105 100

HSL 15.79, 0.09%, 0.43%

LAB 45.56, 4.62, 4.82

 

CMYK 0 / 29 / 40 / 47

HEX #886152

RGB 136 97 82

HSL 16.67, 0.25%, 0.43%

LAB 44.79, 13.76, 14.82

 

CMYK 58 / 0 / 15 / 40

HEX #419982

RGB 65 153 130

HSL 164.32, 0.4%, 0.43%

LAB 57.58, -32.15, 4.2

 

CMYK 58 / 0 / 0 / 40

HEX #419999

RGB 65 153 153

HSL 180, 0.4%, 0.43%

LAB 58.23, -25.98, -7.93

 

CMYK 58 / 15 / 0 / 40

HEX #418299

RGB 65 130 153

HSL 195.68, 0.4%, 0.43%

LAB 51.14, -13.82, -18.64

 

CMYK 58 / 31 / 0 / 40

HEX #416A99

RGB 65 106 153

HSL 212.05, 0.4%, 0.43%

LAB 43.85, 0.21, -29.92

 

CMYK 58 / 46 / 0 / 40

HEX #415399

RGB 65 83 153

HSL 227.73, 0.4%, 0.43%

LAB 37.13, 14.81, -40.54

 

CMYK 57 / 16 / 0 / 63

HEX #29505F

RGB 41 80 95

HSL 196.67, 0.4%, 0.27%

LAB 31.89, -9.01, -13

 

CMYK 57 / 16 / 0 / 51

HEX #35687C

RGB 53 104 124

HSL 196.9, 0.4%, 0.35%

LAB 41.39, -10.9, -16.37

 

CMYK 58 / 16 / 0 / 40

HEX #418099

RGB 65 128 153

HSL 197.05, 0.4%, 0.43%

LAB 50.53, -12.7, -19.58

 

CMYK 56 / 16 / 0 / 29

HEX #5098B4

RGB 80 152 180

HSL 196.8, 0.4%, 0.51%

LAB 59.4, -14.42, -21.46

 

CMYK 43 / 12 / 0 / 25

HEX #6DA9C0

RGB 109 169 192

HSL 196.63, 0.4%, 0.59%

LAB 66.08, -13.35, -17.88

 

CMYK 57 / 16 / 0 / 39

HEX #42829B

RGB 66 130 155

HSL 196.85, 0.4%, 0.43%

LAB 51.26, -12.98, -19.62

 

CMYK 31 / 58 / 0 / 40

HEX #6A4199

RGB 106 65 153

HSL 267.95, 0.4%, 0.43%

LAB 36.26, 36.15, -41.73

 

CMYK 0 / 8 / 58 / 40

HEX #998D41

RGB 153 141 65

HSL 51.82, 0.4%, 0.43%

LAB 58.23, -5.62, 41.47

 

CMYK 57 / 16 / 0 / 39

HEX #42829B

RGB 66 130 155

HSL 196.85, 0.4%, 0.43%

LAB 51.26, -12.98, -19.62

 

CMYK 0 / 58 / 15 / 40

HEX #994182

RGB 153 65 130

HSL 315.68, 0.4%, 0.43%

LAB 41.48, 44.9, -19.08

 

CMYK 15 / 0 / 58 / 40

HEX #829941

RGB 130 153 65

HSL 75.68, 0.4%, 0.43%

LAB 59.81, -21.86, 42.77

 

CMYK 57 / 16 / 0 / 39

HEX #42829B

RGB 66 130 155

HSL 196.85, 0.4%, 0.43%

LAB 51.26, -12.98, -19.62

 

CMYK 31 / 58 / 0 / 40

HEX #6A4199

RGB 106 65 153

HSL 267.95, 0.4%, 0.43%

LAB 36.26, 36.15, -41.73

 

CMYK 0 / 42 / 58 / 40

HEX #995941

RGB 153 89 65

HSL 16.36, 0.4%, 0.43%

LAB 44.66, 23.87, 25.12

 

CMYK 27 / 0 / 58 / 40

HEX #709941

RGB 112 153 65

HSL 87.95, 0.4%, 0.43%

LAB 58.61, -29.1, 41.09

 

CMYK 57 / 16 / 0 / 39

HEX #42829B

RGB 66 130 155

HSL 196.85, 0.4%, 0.43%

LAB 51.26, -12.98, -19.62

 

CMYK 13 / 58 / 0 / 40

HEX #854199

RGB 133 65 153

HSL 286.36, 0.4%, 0.43%

LAB 39.69, 43.37, -36.06

 

CMYK 0 / 42 / 58 / 40

HEX #995941

RGB 153 89 65

HSL 16.36, 0.4%, 0.43%

LAB 44.66, 23.87, 25.12

 

CMYK 44 / 0 / 58 / 40

HEX #569941

RGB 86 153 65

HSL 105.68, 0.4%, 0.43%

LAB 57.21, -38.45, 39.11

 

Description

Color code: HEX #42829B | qconv.com Color code: HEX #42829B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 130 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 130 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 16 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 16% 0% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Maid Cleaning Servic...
Link: https://www.myclean.com

Verification of their color palette as a manufacturer!

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