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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4290EA it is the complementary color #BD6F15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4290EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4290EA shade: #4790E5, #58A2F8, #69B4FF, #7AC6FF and #8BD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4290EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4290EA shade: #4290EA, #317ED7, #206CC4, #0F5AB1 and #00489E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4290EA shade: #4290EA, #4263EA, #4F42EA, #7C42EA and #A942EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4290EA shade: #4290EA, #4263EA and #4242EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4290EA shade matches the following richer shades: #4290EA and #318FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4290EA shade: #4290EA, #5391D9, #6492C8, #7594B7 and #8695A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4290EA shade: #42EAEA, #42BDEA, #4290EA, #4264EA and #4D42EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4290EA shade: #1566C4, #1D7AE5, #4290EA, #67A6EE and #8DBCF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4290EA shade: #4290EA, #BD42EA and #D3EA42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4290EA shade: #4290EA, #EA4290 and #90EA42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4290EA shade: #4290EA, #BD42EA, #EA9C42 and #6FEA42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4290EA shade: #4290EA, #EA42E4, #EA9C42 and #42EA48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

Complementary color

CMYK 0 / 41 / 89 / 26

HEX #BD6F15

RGB 189 111 21

HSL 32.14, 0.8%, 0.41%

LAB 54.28, 24.95, 57.05

 

CMYK 69 / 37 / 0 / 10

HEX #4790E5

RGB 71 144 229

HSL 212.28, 0.75%, 0.59%

LAB 58.92, 4.58, -49.72

 

CMYK 65 / 35 / 0 / 3

HEX #58A2F8

RGB 88 162 248

HSL 212.25, 0.92%, 0.66%

LAB 65.51, 3.22, -49.71

 

CMYK 59 / 29 / 0 / 0

HEX #69B4FF

RGB 105 180 255

HSL 210, 1%, 0.71%

LAB 71.46, -1.69, -44.1

 

CMYK 52 / 22 / 0 / 0

HEX #7AC6FF

RGB 122 198 255

HSL 205.71, 1%, 0.74%

LAB 77.13, -8.09, -35.23

 

CMYK 45 / 15 / 0 / 0

HEX #8BD8FF

RGB 139 216 255

HSL 200.17, 1%, 0.77%

LAB 82.82, -13.74, -26.42

 

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

CMYK 77 / 41 / 0 / 16

HEX #317ED7

RGB 49 126 215

HSL 212.17, 0.67%, 0.52%

LAB 52.38, 7.51, -52.34

 

CMYK 84 / 45 / 0 / 23

HEX #206CC4

RGB 32 108 196

HSL 212.2, 0.72%, 0.45%

LAB 45.66, 9.86, -52.28

 

CMYK 92 / 49 / 0 / 31

HEX #0F5AB1

RGB 15 90 177

HSL 212.22, 0.84%, 0.38%

LAB 38.88, 12.81, -52.14

 

CMYK 100 / 54 / 0 / 38

HEX #00489E

RGB 0 72 158

HSL 212.66, 1%, 0.31%

LAB 32.04, 16.43, -51.88

 

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

CMYK 72 / 58 / 0 / 8

HEX #4263EA

RGB 66 99 234

HSL 228.21, 0.8%, 0.59%

LAB 47, 33.37, -71.69

 

CMYK 66 / 72 / 0 / 8

HEX #4F42EA

RGB 79 66 234

HSL 244.64, 0.8%, 0.59%

LAB 40.41, 54.37, -82.46

 

CMYK 47 / 72 / 0 / 8

HEX #7C42EA

RGB 124 66 234

HSL 260.71, 0.8%, 0.59%

LAB 44.41, 60.46, -75.75

 

CMYK 28 / 72 / 0 / 8

HEX #A942EA

RGB 169 66 234

HSL 276.79, 0.8%, 0.59%

LAB 49.82, 68.27, -66.69

 

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

CMYK 72 / 58 / 0 / 8

HEX #4263EA

RGB 66 99 234

HSL 228.21, 0.8%, 0.59%

LAB 47, 33.37, -71.69

 

CMYK 72 / 72 / 0 / 8

HEX #4242EA

RGB 66 66 234

HSL 240, 0.8%, 0.59%

LAB 39.57, 53.05, -83.87

 

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

CMYK 80 / 43 / 0 / 2

HEX #318FFB

RGB 49 143 251

HSL 212.08, 0.96%, 0.59%

LAB 59.22, 10.46, -61.44

 

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

CMYK 62 / 33 / 0 / 15

HEX #5391D9

RGB 83 145 217

HSL 212.24, 0.64%, 0.59%

LAB 59.07, 1.91, -42.77

 

CMYK 50 / 27 / 0 / 22

HEX #6492C8

RGB 100 146 200

HSL 212.4, 0.48%, 0.59%

LAB 59.38, -0.49, -32.7

 

CMYK 36 / 19 / 0 / 28

HEX #7594B7

RGB 117 148 183

HSL 211.82, 0.31%, 0.59%

LAB 60.23, -2.05, -21.71

 

CMYK 19 / 10 / 0 / 35

HEX #8695A6

RGB 134 149 166

HSL 211.88, 0.15%, 0.59%

LAB 61.06, -1.61, -10.72

 

CMYK 72 / 0 / 0 / 8

HEX #42EAEA

RGB 66 234 234

HSL 180, 0.8%, 0.59%

LAB 84.97, -41.17, -12.3

 

CMYK 72 / 19 / 0 / 8

HEX #42BDEA

RGB 66 189 234

HSL 196.07, 0.8%, 0.59%

LAB 71.89, -19.44, -32.17

 

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

CMYK 72 / 57 / 0 / 8

HEX #4264EA

RGB 66 100 234

HSL 227.86, 0.8%, 0.59%

LAB 47.25, 32.74, -71.29

 

CMYK 67 / 72 / 0 / 8

HEX #4D42EA

RGB 77 66 234

HSL 243.93, 0.8%, 0.59%

LAB 40.27, 54.16, -82.7

 

CMYK 89 / 48 / 0 / 23

HEX #1566C4

RGB 21 102 196

HSL 212.23, 0.81%, 0.43%

LAB 43.72, 12.92, -55.4

 

CMYK 87 / 47 / 0 / 10

HEX #1D7AE5

RGB 29 122 229

HSL 212.1, 0.79%, 0.51%

LAB 51.65, 13.56, -61.4

 

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

CMYK 57 / 30 / 0 / 7

HEX #67A6EE

RGB 103 166 238

HSL 212, 0.8%, 0.67%

LAB 66.77, 0.46, -42.22

 

CMYK 42 / 22 / 0 / 5

HEX #8DBCF2

RGB 141 188 242

HSL 212.08, 0.8%, 0.75%

LAB 74.85, -1.91, -31.69

 

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

CMYK 19 / 72 / 0 / 8

HEX #BD42EA

RGB 189 66 234

HSL 283.93, 0.8%, 0.59%

LAB 52.57, 72.09, -62.12

 

CMYK 10 / 0 / 72 / 8

HEX #D3EA42

RGB 211 234 66

HSL 68.21, 0.8%, 0.59%

LAB 88.49, -28.07, 74.08

 

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

CMYK 0 / 72 / 38 / 8

HEX #EA4290

RGB 234 66 144

HSL 332.14, 0.8%, 0.59%

LAB 55.48, 69.4, -5.05

 

CMYK 38 / 0 / 72 / 8

HEX #90EA42

RGB 144 234 66

HSL 92.14, 0.8%, 0.59%

LAB 84.57, -52.93, 68.91

 

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

CMYK 19 / 72 / 0 / 8

HEX #BD42EA

RGB 189 66 234

HSL 283.93, 0.8%, 0.59%

LAB 52.57, 72.09, -62.12

 

CMYK 0 / 33 / 72 / 8

HEX #EA9C42

RGB 234 156 66

HSL 32.14, 0.8%, 0.59%

LAB 70.64, 21.4, 57

 

CMYK 53 / 0 / 72 / 8

HEX #6FEA42

RGB 111 234 66

HSL 103.93, 0.8%, 0.59%

LAB 83.24, -62.81, 67.14

 

CMYK 72 / 38 / 0 / 8

HEX #4290EA

RGB 66 144 234

HSL 212.14, 0.8%, 0.59%

LAB 59.02, 5.63, -52.35

 

CMYK 0 / 72 / 3 / 8

HEX #EA42E4

RGB 234 66 228

HSL 302.14, 0.8%, 0.59%

LAB 58.97, 80.19, -48.14

 

CMYK 0 / 33 / 72 / 8

HEX #EA9C42

RGB 234 156 66

HSL 32.14, 0.8%, 0.59%

LAB 70.64, 21.4, 57

 

CMYK 72 / 0 / 69 / 8

HEX #42EA48

RGB 66 234 72

HSL 122.14, 0.8%, 0.59%

LAB 82.09, -71.97, 63.43

 

Description

Color code: HEX #4290EA | qconv.com Color code: HEX #4290EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 144 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 144 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 38 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 38% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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