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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42A7E0 it is the complementary color #BD581F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42A7E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42A7E0 shade: #47A7DB, #58B9EE, #69CBFF, #7ADDFF and #8BEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42A7E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42A7E0 shade: #42A7E0, #3195CD, #2083BA, #0F71A7 and #005F94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42A7E0 shade: #42A7E0, #427CE0, #4252E0, #5D42E0 and #8742E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42A7E0 shade: #42A7E0, #427CE0, #4252E0 and #4242E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42A7E0 shade matches the following richer shades: #42A7E0 and #30ACF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42A7E0 shade: #42A7E0, #54A2CE, #659DBC, #7798AB and #899399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42A7E0 shade: #42E0C3, #42D3E0, #42A9E0, #427EE0 and #4254E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42A7E0 shade: #1D7CB3, #2295D6, #42A7E0, #65B7E6 and #89C8EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42A7E0 shade: #42A7E0, #9942E0 and #E0D842

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42A7E0 shade: #42A7E0, #E042A9 and #A9E042

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42A7E0 shade: #42A7E0, #9942E0, #E07942 and #89E042

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42A7E0 shade: #42A7E0, #C842E0, #E07942 and #5AE042

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 25 / 0 / 12

HEX #42A7E0

RGB 66 167 224

HSL 201.65, 0.72%, 0.57%

LAB 65.1, -10.98, -37.24

 

Complementary color

CMYK 0 / 53 / 84 / 26

HEX #BD581F

RGB 189 88 31

HSL 21.65, 0.72%, 0.43%

LAB 49.37, 37.4, 49.44

 

CMYK 68 / 24 / 0 / 14

HEX #47A7DB

RGB 71 167 219

HSL 201.08, 0.67%, 0.57%

LAB 65.04, -11.9, -34.57

 

CMYK 63 / 22 / 0 / 7

HEX #58B9EE

RGB 88 185 238

HSL 201.2, 0.82%, 0.64%

LAB 71.52, -12.79, -34.86

 

CMYK 59 / 20 / 0 / 0

HEX #69CBFF

RGB 105 203 255

HSL 200.8, 1%, 0.71%

LAB 77.84, -14.1, -34.19

 

CMYK 52 / 13 / 0 / 0

HEX #7ADDFF

RGB 122 221 255

HSL 195.34, 1%, 0.74%

LAB 83.48, -20.03, -25.48

 

CMYK 45 / 6 / 0 / 0

HEX #8BEFFF

RGB 139 239 255

HSL 188.28, 1%, 0.77%

LAB 89.13, -25.27, -16.86

 

CMYK 71 / 25 / 0 / 12

HEX #42A7E0

RGB 66 167 224

HSL 201.65, 0.72%, 0.57%

LAB 65.1, -10.98, -37.24

 

CMYK 76 / 27 / 0 / 20

HEX #3195CD

RGB 49 149 205

HSL 201.54, 0.61%, 0.5%

LAB 58.56, -9.65, -36.92

 

CMYK 83 / 30 / 0 / 27

HEX #2083BA

RGB 32 131 186

HSL 201.43, 0.71%, 0.43%

LAB 51.93, -7.96, -36.56

 

CMYK 91 / 32 / 0 / 35

HEX #0F71A7

RGB 15 113 167

HSL 201.32, 0.84%, 0.36%

LAB 45.22, -5.77, -36.12

 

CMYK 100 / 36 / 0 / 42

HEX #005F94

RGB 0 95 148

HSL 201.49, 1%, 0.29%

LAB 38.42, -3.02, -35.61

 

CMYK 71 / 25 / 0 / 12

HEX #42A7E0

RGB 66 167 224

HSL 201.65, 0.72%, 0.57%

LAB 65.1, -10.98, -37.24

 

CMYK 71 / 45 / 0 / 12

HEX #427CE0

RGB 66 124 224

HSL 217.97, 0.72%, 0.57%

LAB 52.9, 14.18, -56.54

 

CMYK 71 / 63 / 0 / 12

HEX #4252E0

RGB 66 82 224

HSL 233.92, 0.72%, 0.57%

LAB 42.12, 40.41, -74.01

 

CMYK 58 / 71 / 0 / 12

HEX #5D42E0

RGB 93 66 224

HSL 250.25, 0.72%, 0.57%

LAB 40.58, 53.1, -76.45

 

CMYK 40 / 71 / 0 / 12

HEX #8742E0

RGB 135 66 224

HSL 266.2, 0.72%, 0.57%

LAB 44.84, 59.78, -69.32

 

CMYK 71 / 25 / 0 / 12

HEX #42A7E0

RGB 66 167 224

HSL 201.65, 0.72%, 0.57%

LAB 65.1, -10.98, -37.24

 

CMYK 71 / 45 / 0 / 12

HEX #427CE0

RGB 66 124 224

HSL 217.97, 0.72%, 0.57%

LAB 52.9, 14.18, -56.54

 

CMYK 71 / 63 / 0 / 12

HEX #4252E0

RGB 66 82 224

HSL 233.92, 0.72%, 0.57%

LAB 42.12, 40.41, -74.01

 

CMYK 71 / 71 / 0 / 12

HEX #4242E0

RGB 66 66 224

HSL 240, 0.72%, 0.57%

LAB 38.61, 49.85, -79.76

 

CMYK 71 / 25 / 0 / 12

HEX #42A7E0

RGB 66 167 224

HSL 201.65, 0.72%, 0.57%

LAB 65.1, -10.98, -37.24

 

CMYK 80 / 29 / 0 / 5

HEX #30ACF2

RGB 48 172 242

HSL 201.65, 0.88%, 0.57%

LAB 66.93, -9.64, -44.27

 

CMYK 71 / 25 / 0 / 12

HEX #42A7E0

RGB 66 167 224

HSL 201.65, 0.72%, 0.57%

LAB 65.1, -10.98, -37.24

 

CMYK 59 / 21 / 0 / 19

HEX #54A2CE

RGB 84 162 206

HSL 201.64, 0.55%, 0.57%

LAB 63.49, -11.07, -29.73

 

CMYK 46 / 16 / 0 / 26

HEX #659DBC

RGB 101 157 188

HSL 201.38, 0.39%, 0.57%

LAB 62.09, -9.96, -21.76

 

CMYK 30 / 11 / 0 / 33

HEX #7798AB

RGB 119 152 171

HSL 201.92, 0.24%, 0.57%

LAB 61.06, -6.81, -13.65

 

CMYK 10 / 4 / 0 / 40

HEX #899399

RGB 137 147 153

HSL 202.5, 0.07%, 0.57%

LAB 60.33, -2.34, -4.41

 

CMYK 71 / 0 / 13 / 12

HEX #42E0C3

RGB 66 224 195

HSL 168.99, 0.72%, 0.57%

LAB 80.97, -47.2, 2.43

 

CMYK 71 / 6 / 0 / 12

HEX #42D3E0

RGB 66 211 224

HSL 184.94, 0.72%, 0.57%

LAB 77.95, -33.43, -17.52

 

CMYK 71 / 25 / 0 / 12

HEX #42A9E0

RGB 66 169 224

HSL 200.89, 0.72%, 0.57%

LAB 65.68, -12.07, -36.33

 

CMYK 71 / 44 / 0 / 12

HEX #427EE0

RGB 66 126 224

HSL 217.22, 0.72%, 0.57%

LAB 53.45, 12.95, -55.66

 

CMYK 71 / 63 / 0 / 12

HEX #4254E0

RGB 66 84 224

HSL 233.16, 0.72%, 0.57%

LAB 42.58, 39.18, -73.25

 

CMYK 84 / 31 / 0 / 30

HEX #1D7CB3

RGB 29 124 179

HSL 202, 0.72%, 0.41%

LAB 49.41, -6.73, -36.5

 

CMYK 84 / 30 / 0 / 16

HEX #2295D6

RGB 34 149 214

HSL 201.67, 0.73%, 0.49%

LAB 58.69, -7.91, -41.79

 

CMYK 71 / 25 / 0 / 12

HEX #42A7E0

RGB 66 167 224

HSL 201.65, 0.72%, 0.57%

LAB 65.1, -10.98, -37.24

 

CMYK 56 / 20 / 0 / 10

HEX #65B7E6

RGB 101 183 230

HSL 201.86, 0.72%, 0.65%

LAB 71.11, -11.76, -31.11

 

CMYK 42 / 15 / 0 / 8

HEX #89C8EB

RGB 137 200 235

HSL 201.43, 0.71%, 0.73%

LAB 77.65, -11.21, -23.64

 

CMYK 71 / 25 / 0 / 12

HEX #42A7E0

RGB 66 167 224

HSL 201.65, 0.72%, 0.57%

LAB 65.1, -10.98, -37.24

 

CMYK 32 / 71 / 0 / 12

HEX #9942E0

RGB 153 66 224

HSL 273.04, 0.72%, 0.57%

LAB 47.04, 63.09, -65.64

 

CMYK 0 / 4 / 71 / 12

HEX #E0D842

RGB 224 216 66

HSL 56.96, 0.72%, 0.57%

LAB 84.66, -14.04, 70.72

 

CMYK 71 / 25 / 0 / 12

HEX #42A7E0

RGB 66 167 224

HSL 201.65, 0.72%, 0.57%

LAB 65.1, -10.98, -37.24

 

CMYK 0 / 71 / 25 / 12

HEX #E042A9

RGB 224 66 169

HSL 320.89, 0.72%, 0.57%

LAB 54.67, 69.63, -21.16

 

CMYK 25 / 0 / 71 / 12

HEX #A9E042

RGB 169 224 66

HSL 80.89, 0.72%, 0.57%

LAB 82.99, -39.88, 67.77

 

CMYK 71 / 25 / 0 / 12

HEX #42A7E0

RGB 66 167 224

HSL 201.65, 0.72%, 0.57%

LAB 65.1, -10.98, -37.24

 

CMYK 32 / 71 / 0 / 12

HEX #9942E0

RGB 153 66 224

HSL 273.04, 0.72%, 0.57%

LAB 47.04, 63.09, -65.64

 

CMYK 0 / 46 / 71 / 12

HEX #E07942

RGB 224 121 66

HSL 20.89, 0.72%, 0.57%

LAB 61.58, 35.75, 46.98

 

CMYK 39 / 0 / 71 / 12

HEX #89E042

RGB 137 224 66

HSL 93.04, 0.72%, 0.57%

LAB 81.3, -51.22, 65.52

 

CMYK 71 / 25 / 0 / 12

HEX #42A7E0

RGB 66 167 224

HSL 201.65, 0.72%, 0.57%

LAB 65.1, -10.98, -37.24

 

CMYK 11 / 71 / 0 / 12

HEX #C842E0

RGB 200 66 224

HSL 290.89, 0.72%, 0.57%

LAB 53.55, 72.45, -54.82

 

CMYK 0 / 46 / 71 / 12

HEX #E07942

RGB 224 121 66

HSL 20.89, 0.72%, 0.57%

LAB 61.58, 35.75, 46.98

 

CMYK 60 / 0 / 71 / 12

HEX #5AE042

RGB 90 224 66

HSL 110.89, 0.72%, 0.57%

LAB 79.54, -64.52, 63.16

 

Description

Color code: HEX #42A7E0 | qconv.com Color code: HEX #42A7E0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 167 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 167 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 25 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 25% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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