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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42AE55 it is the complementary color #BD51AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42AE55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42AE55 shade: #47AE50, #58C063, #69D276, #7AE489 and #8BF69C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42AE55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42AE55 shade: #42AE55, #319C42, #208A2F, #0F781C and #006609

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42AE55 shade: #41AD54, #4CAD41, #69AD41, #86AD41 and #A3AD41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42AE55 shade: #41AD54, #41AD71, #41AD8F, #41ADAC and #4192AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42AE55 shade matches the following richer shades: #41AD54, #2EC148, #1BD43B and #07E72F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42AE55 shade: #41AD54, #559A61, #68866E, #7C737A and #8F6087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42AE55 shade: #69AD41, #4CAD41, #41AD53, #41AD70 and #41AD8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42AE55 shade: #2B7137, #368F46, #41AD54, #58C06B and #76CB85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42AE55 shade: #42AE55, #4186AD and #AD415B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42AE55 shade: #42AE55, #5341AD and #AD5341

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42AE55 shade: #42AE55, #4186AD, #AD419B and #AD6941

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42AE55 shade: #42AE55, #4165AD, #AD419B and #AD8941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 51 / 32

HEX #42AE55

RGB 66 174 85

HSL 130.56, 0.45%, 0.47%

LAB 63.41, -49.83, 36.49

 

Complementary color

CMYK 0 / 57 / 10 / 26

HEX #BD51AA

RGB 189 81 170

HSL 310.56, 0.45%, 0.53%

LAB 51.39, 54.39, -27.26

 

CMYK 59 / 0 / 54 / 32

HEX #47AE50

RGB 71 174 80

HSL 125.24, 0.42%, 0.48%

LAB 63.5, -49.39, 39.12

 

CMYK 54 / 0 / 48 / 25

HEX #58C063

RGB 88 192 99

HSL 126.35, 0.45%, 0.55%

LAB 69.95, -49.57, 37.75

 

CMYK 50 / 0 / 44 / 18

HEX #69D276

RGB 105 210 118

HSL 127.43, 0.54%, 0.62%

LAB 76.32, -49.57, 36.41

 

CMYK 46 / 0 / 40 / 11

HEX #7AE489

RGB 122 228 137

HSL 128.49, 0.66%, 0.69%

LAB 82.61, -49.46, 35.13

 

CMYK 43 / 0 / 37 / 4

HEX #8BF69C

RGB 139 246 156

HSL 129.53, 0.86%, 0.75%

LAB 88.83, -49.29, 33.91

 

CMYK 62 / 0 / 51 / 32

HEX #42AE55

RGB 66 174 85

HSL 130.56, 0.45%, 0.47%

LAB 63.41, -49.83, 36.49

 

CMYK 69 / 0 / 58 / 39

HEX #319C42

RGB 49 156 66

HSL 129.53, 0.52%, 0.4%

LAB 56.9, -49.31, 37.93

 

CMYK 77 / 0 / 66 / 46

HEX #208A2F

RGB 32 138 47

HSL 128.49, 0.62%, 0.33%

LAB 50.32, -48.28, 39.27

 

CMYK 88 / 0 / 77 / 53

HEX #0F781C

RGB 15 120 28

HSL 127.43, 0.78%, 0.26%

LAB 43.68, -46.44, 40.22

 

CMYK 100 / 0 / 91 / 60

HEX #006609

RGB 0 102 9

HSL 125.29, 1%, 0.2%

LAB 36.97, -43.5, 39.97

 

CMYK 62 / 0 / 51 / 32

HEX #41AD54

RGB 65 173 84

HSL 130.56, 0.45%, 0.47%

LAB 63.05, -49.82, 36.55

 

CMYK 56 / 0 / 62 / 32

HEX #4CAD41

RGB 76 173 65

HSL 113.89, 0.45%, 0.47%

LAB 63.18, -49.57, 45.85

 

CMYK 39 / 0 / 62 / 32

HEX #69AD41

RGB 105 173 65

HSL 97.78, 0.45%, 0.47%

LAB 64.38, -40.76, 47.52

 

CMYK 23 / 0 / 62 / 32

HEX #86AD41

RGB 134 173 65

HSL 81.67, 0.45%, 0.47%

LAB 66.01, -30.05, 49.78

 

CMYK 6 / 0 / 62 / 32

HEX #A3AD41

RGB 163 173 65

HSL 65.56, 0.45%, 0.47%

LAB 68.06, -18.15, 52.6

 

CMYK 62 / 0 / 51 / 32

HEX #41AD54

RGB 65 173 84

HSL 130.56, 0.45%, 0.47%

LAB 63.05, -49.82, 36.55

 

CMYK 62 / 0 / 35 / 32

HEX #41AD71

RGB 65 173 113

HSL 146.67, 0.45%, 0.47%

LAB 63.51, -44.81, 21.94

 

CMYK 62 / 0 / 17 / 32

HEX #41AD8F

RGB 65 173 143

HSL 163.33, 0.45%, 0.47%

LAB 64.16, -38.13, 6.36

 

CMYK 62 / 0 / 1 / 32

HEX #41ADAC

RGB 65 173 172

HSL 179.44, 0.45%, 0.47%

LAB 64.95, -30.43, -8.62

 

CMYK 62 / 16 / 0 / 32

HEX #4192AD

RGB 65 146 173

HSL 195, 0.45%, 0.47%

LAB 56.78, -16.31, -21.53

 

CMYK 62 / 0 / 51 / 32

HEX #41AD54

RGB 65 173 84

HSL 130.56, 0.45%, 0.47%

LAB 63.05, -49.82, 36.55

 

CMYK 76 / 0 / 63 / 24

HEX #2EC148

RGB 46 193 72

HSL 130.61, 0.62%, 0.47%

LAB 68.89, -61.88, 48.98

 

CMYK 87 / 0 / 72 / 17

HEX #1BD43B

RGB 27 212 59

HSL 130.38, 0.77%, 0.47%

LAB 74.59, -71.06, 60.24

 

CMYK 97 / 0 / 80 / 9

HEX #07E72F

RGB 7 231 47

HSL 130.71, 0.94%, 0.47%

LAB 80.41, -78.25, 69.71

 

CMYK 62 / 0 / 51 / 32

HEX #41AD54

RGB 65 173 84

HSL 130.56, 0.45%, 0.47%

LAB 63.05, -49.82, 36.55

 

CMYK 45 / 0 / 37 / 40

HEX #559A61

RGB 85 154 97

HSL 130.43, 0.29%, 0.47%

LAB 57.95, -34.51, 23.32

 

CMYK 22 / 0 / 18 / 47

HEX #68866E

RGB 104 134 110

HSL 132, 0.13%, 0.47%

LAB 53.08, -15.78, 9.48

 

CMYK 0 / 7 / 2 / 51

HEX #7C737A

RGB 124 115 122

HSL 313.33, 0.04%, 0.47%

LAB 49.44, 4.84, -2.6

 

CMYK 0 / 33 / 6 / 44

HEX #8F6087

RGB 143 96 135

HSL 310.21, 0.2%, 0.47%

LAB 46.91, 25.63, -13.92

 

CMYK 39 / 0 / 62 / 32

HEX #69AD41

RGB 105 173 65

HSL 97.78, 0.45%, 0.47%

LAB 64.38, -40.76, 47.52

 

CMYK 56 / 0 / 62 / 32

HEX #4CAD41

RGB 76 173 65

HSL 113.89, 0.45%, 0.47%

LAB 63.18, -49.57, 45.85

 

CMYK 62 / 0 / 52 / 32

HEX #41AD53

RGB 65 173 83

HSL 130, 0.45%, 0.47%

LAB 63.04, -49.96, 37.03

 

CMYK 62 / 0 / 35 / 32

HEX #41AD70

RGB 65 173 112

HSL 146.11, 0.45%, 0.47%

LAB 63.49, -45, 22.46

 

CMYK 62 / 0 / 18 / 32

HEX #41AD8D

RGB 65 173 141

HSL 162.22, 0.45%, 0.47%

LAB 64.11, -38.62, 7.4

 

CMYK 62 / 0 / 51 / 56

HEX #2B7137

RGB 43 113 55

HSL 130.29, 0.45%, 0.31%

LAB 42.15, -35.34, 25.68

 

CMYK 62 / 0 / 51 / 44

HEX #368F46

RGB 54 143 70

HSL 130.79, 0.45%, 0.39%

LAB 52.81, -42.66, 30.98

 

CMYK 62 / 0 / 51 / 32

HEX #41AD54

RGB 65 173 84

HSL 130.56, 0.45%, 0.47%

LAB 63.05, -49.82, 36.55

 

CMYK 54 / 0 / 44 / 25

HEX #58C06B

RGB 88 192 107

HSL 130.96, 0.45%, 0.55%

LAB 70.06, -48.35, 33.85

 

CMYK 42 / 0 / 34 / 20

HEX #76CB85

RGB 118 203 133

HSL 130.59, 0.45%, 0.63%

LAB 74.99, -40.55, 27.08

 

CMYK 62 / 0 / 51 / 32

HEX #42AE55

RGB 66 174 85

HSL 130.56, 0.45%, 0.47%

LAB 63.41, -49.83, 36.49

 

CMYK 62 / 23 / 0 / 32

HEX #4186AD

RGB 65 134 173

HSL 201.67, 0.45%, 0.47%

LAB 53.16, -9.65, -27.11

 

CMYK 0 / 62 / 47 / 32

HEX #AD415B

RGB 173 65 91

HSL 345.56, 0.45%, 0.47%

LAB 43.39, 46.34, 8.19

 

CMYK 62 / 0 / 51 / 32

HEX #42AE55

RGB 66 174 85

HSL 130.56, 0.45%, 0.47%

LAB 63.41, -49.83, 36.49

 

CMYK 52 / 62 / 0 / 32

HEX #5341AD

RGB 83 65 173

HSL 250, 0.45%, 0.47%

LAB 35.28, 36.6, -55.45

 

CMYK 0 / 52 / 62 / 32

HEX #AD5341

RGB 173 83 65

HSL 10, 0.45%, 0.47%

LAB 46.25, 35.3, 27.73

 

CMYK 62 / 0 / 51 / 32

HEX #42AE55

RGB 66 174 85

HSL 130.56, 0.45%, 0.47%

LAB 63.41, -49.83, 36.49

 

CMYK 62 / 23 / 0 / 32

HEX #4186AD

RGB 65 134 173

HSL 201.67, 0.45%, 0.47%

LAB 53.16, -9.65, -27.11

 

CMYK 0 / 62 / 10 / 32

HEX #AD419B

RGB 173 65 155

HSL 310, 0.45%, 0.47%

LAB 45.68, 54.68, -27.45

 

CMYK 0 / 39 / 62 / 32

HEX #AD6941

RGB 173 105 65

HSL 22.22, 0.45%, 0.47%

LAB 51.12, 23.36, 33.68

 

CMYK 62 / 0 / 51 / 32

HEX #42AE55

RGB 66 174 85

HSL 130.56, 0.45%, 0.47%

LAB 63.41, -49.83, 36.49

 

CMYK 62 / 42 / 0 / 32

HEX #4165AD

RGB 65 101 173

HSL 220, 0.45%, 0.47%

LAB 43.43, 10.24, -42.39

 

CMYK 0 / 62 / 10 / 32

HEX #AD419B

RGB 173 65 155

HSL 310, 0.45%, 0.47%

LAB 45.68, 54.68, -27.45

 

CMYK 0 / 21 / 62 / 32

HEX #AD8941

RGB 173 137 65

HSL 40, 0.45%, 0.47%

LAB 59.12, 5.43, 43

 

Description

Color code: HEX #42AE55 | qconv.com Color code: HEX #42AE55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 174 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 174 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 51 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 51% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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