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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42B313 it is the complementary color #BD4CEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42B313. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42B313 shade: #47B30E, #58C521, #69D734, #7AE947 and #8BFB5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42B313. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42B313 shade: #42B313, #31A100, #208F00, #0F7D00 and #006B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42B313 shade: #42B412, #6DB412, #99B412, #B4A312 and #B47812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42B313 shade: #42B412, #16B412, #12B43A, #12B465 and #12B491

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42B313 shade matches the following richer shades: #42B412 and #3BC402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42B313 shade: #42B412, #48A322, #4F9333, #568343 and #5C7353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42B313 shade: #99B412, #6EB412, #43B412, #18B412 and #12B438

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42B313 shade: #26690B, #348E0E, #42B412, #4FD916 and #66E930

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42B313 shade: #42B313, #12B4A3 and #B41283

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42B313 shade: #42B313, #1243B4 and #B41243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42B313 shade: #42B313, #12B4A3, #8312B4 and #B41223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42B313 shade: #42B313, #1293B4, #8312B4 and #B43312

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 89 / 30

HEX #42B313

RGB 66 179 19

HSL 102.38, 0.81%, 0.39%

LAB 64.52, -57.38, 62.31

 

Complementary color

CMYK 20 / 68 / 0 / 7

HEX #BD4CEC

RGB 189 76 236

HSL 282.38, 0.81%, 0.61%

LAB 54.07, 68.58, -60.83

 

CMYK 60 / 0 / 92 / 30

HEX #47B30E

RGB 71 179 14

HSL 99.27, 0.85%, 0.38%

LAB 64.65, -56.33, 63.32

 

CMYK 55 / 0 / 83 / 23

HEX #58C521

RGB 88 197 33

HSL 99.88, 0.71%, 0.45%

LAB 70.95, -57.6, 65.15

 

CMYK 51 / 0 / 76 / 16

HEX #69D734

RGB 105 215 52

HSL 100.49, 0.67%, 0.52%

LAB 77.19, -58.46, 65.76

 

CMYK 48 / 0 / 70 / 9

HEX #7AE947

RGB 122 233 71

HSL 101.11, 0.79%, 0.6%

LAB 83.37, -59.02, 65.62

 

CMYK 45 / 0 / 64 / 2

HEX #8BFB5A

RGB 139 251 90

HSL 101.74, 0.95%, 0.67%

LAB 89.5, -59.37, 65.04

 

CMYK 63 / 0 / 89 / 30

HEX #42B313

RGB 66 179 19

HSL 102.38, 0.81%, 0.39%

LAB 64.52, -57.38, 62.31

 

CMYK 70 / 0 / 100 / 37

HEX #31A100

RGB 49 161 0

HSL 101.74, 1%, 0.32%

LAB 58.17, -55.58, 59.74

 

CMYK 78 / 0 / 100 / 44

HEX #208F00

RGB 32 143 0

HSL 106.57, 1%, 0.28%

LAB 51.78, -52.88, 54.5

 

CMYK 88 / 0 / 100 / 51

HEX #0F7D00

RGB 15 125 0

HSL 112.8, 1%, 0.25%

LAB 45.32, -49.54, 49.22

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 63 / 0 / 90 / 29

HEX #42B412

RGB 66 180 18

HSL 102.22, 0.82%, 0.39%

LAB 64.84, -57.76, 62.76

 

CMYK 39 / 0 / 90 / 29

HEX #6DB412

RGB 109 180 18

HSL 86.3, 0.82%, 0.39%

LAB 66.47, -45.1, 64.79

 

CMYK 15 / 0 / 90 / 29

HEX #99B412

RGB 153 180 18

HSL 70, 0.82%, 0.39%

LAB 69.08, -27.95, 68.01

 

CMYK 0 / 9 / 90 / 29

HEX #B4A312

RGB 180 163 18

HSL 53.7, 0.82%, 0.39%

LAB 66.48, -7.56, 66.85

 

CMYK 0 / 33 / 90 / 29

HEX #B47812

RGB 180 120 18

HSL 37.78, 0.82%, 0.39%

LAB 55.26, 15.96, 58.11

 

CMYK 63 / 0 / 90 / 29

HEX #42B412

RGB 66 180 18

HSL 102.22, 0.82%, 0.39%

LAB 64.84, -57.76, 62.76

 

CMYK 88 / 0 / 90 / 29

HEX #16B412

RGB 22 180 18

HSL 118.52, 0.82%, 0.39%

LAB 64.04, -64.63, 61.77

 

CMYK 90 / 0 / 68 / 29

HEX #12B43A

RGB 18 180 58

HSL 134.81, 0.82%, 0.39%

LAB 64.22, -62.24, 49.69

 

CMYK 90 / 0 / 44 / 29

HEX #12B465

RGB 18 180 101

HSL 150.74, 0.82%, 0.39%

LAB 64.73, -56.04, 29.79

 

CMYK 90 / 0 / 19 / 29

HEX #12B491

RGB 18 180 145

HSL 167.04, 0.82%, 0.39%

LAB 65.6, -46.24, 7.22

 

CMYK 63 / 0 / 90 / 29

HEX #42B412

RGB 66 180 18

HSL 102.22, 0.82%, 0.39%

LAB 64.84, -57.76, 62.76

 

CMYK 70 / 0 / 99 / 23

HEX #3BC402

RGB 59 196 2

HSL 102.37, 0.98%, 0.39%

LAB 69.76, -64.76, 68.82

 

CMYK 63 / 0 / 90 / 29

HEX #42B412

RGB 66 180 18

HSL 102.22, 0.82%, 0.39%

LAB 64.84, -57.76, 62.76

 

CMYK 56 / 0 / 79 / 36

HEX #48A322

RGB 72 163 34

HSL 102.33, 0.65%, 0.39%

LAB 59.61, -49.47, 54.2

 

CMYK 46 / 0 / 65 / 42

HEX #4F9333

RGB 79 147 51

HSL 102.5, 0.48%, 0.39%

LAB 54.83, -39.66, 42.87

 

CMYK 34 / 0 / 49 / 49

HEX #568343

RGB 86 131 67

HSL 102.19, 0.32%, 0.39%

LAB 50.24, -28.1, 29.67

 

CMYK 20 / 0 / 28 / 55

HEX #5C7353

RGB 92 115 83

HSL 103.13, 0.16%, 0.39%

LAB 45.85, -15.05, 15.01

 

CMYK 15 / 0 / 90 / 29

HEX #99B412

RGB 153 180 18

HSL 70, 0.82%, 0.39%

LAB 69.08, -27.95, 68.01

 

CMYK 39 / 0 / 90 / 29

HEX #6EB412

RGB 110 180 18

HSL 85.93, 0.82%, 0.39%

LAB 66.52, -44.75, 64.86

 

CMYK 63 / 0 / 90 / 29

HEX #43B412

RGB 67 180 18

HSL 101.85, 0.82%, 0.39%

LAB 64.87, -57.52, 62.8

 

CMYK 87 / 0 / 90 / 29

HEX #18B412

RGB 24 180 18

HSL 117.78, 0.82%, 0.39%

LAB 64.06, -64.46, 61.79

 

CMYK 90 / 0 / 69 / 29

HEX #12B438

RGB 18 180 56

HSL 134.07, 0.82%, 0.39%

LAB 64.21, -62.44, 50.49

 

CMYK 64 / 0 / 90 / 59

HEX #26690B

RGB 38 105 11

HSL 102.77, 0.81%, 0.23%

LAB 38.79, -38.08, 41.36

 

CMYK 63 / 0 / 90 / 44

HEX #348E0E

RGB 52 142 14

HSL 102.19, 0.82%, 0.31%

LAB 51.96, -48.03, 52.34

 

CMYK 63 / 0 / 90 / 29

HEX #42B412

RGB 66 180 18

HSL 102.22, 0.82%, 0.39%

LAB 64.84, -57.76, 62.76

 

CMYK 64 / 0 / 90 / 15

HEX #4FD916

RGB 79 217 22

HSL 102.46, 0.82%, 0.47%

LAB 76.89, -66.97, 72.44

 

CMYK 56 / 0 / 79 / 9

HEX #66E930

RGB 102 233 48

HSL 102.49, 0.81%, 0.55%

LAB 82.55, -65.88, 71.99

 

CMYK 63 / 0 / 89 / 30

HEX #42B313

RGB 66 179 19

HSL 102.38, 0.81%, 0.39%

LAB 64.52, -57.38, 62.31

 

CMYK 90 / 0 / 9 / 29

HEX #12B4A3

RGB 18 180 163

HSL 173.7, 0.82%, 0.39%

LAB 66.07, -41.36, -2.05

 

CMYK 0 / 90 / 27 / 29

HEX #B41283

RGB 180 18 131

HSL 318.15, 0.82%, 0.39%

LAB 40.86, 67.12, -20.26

 

CMYK 63 / 0 / 89 / 30

HEX #42B313

RGB 66 179 19

HSL 102.38, 0.81%, 0.39%

LAB 64.52, -57.38, 62.31

 

CMYK 90 / 63 / 0 / 29

HEX #1243B4

RGB 18 67 180

HSL 221.85, 0.82%, 0.39%

LAB 32.78, 29.6, -63.82

 

CMYK 0 / 90 / 63 / 29

HEX #B41243

RGB 180 18 67

HSL 341.85, 0.82%, 0.39%

LAB 38.8, 61.46, 17.17

 

CMYK 63 / 0 / 89 / 30

HEX #42B313

RGB 66 179 19

HSL 102.38, 0.81%, 0.39%

LAB 64.52, -57.38, 62.31

 

CMYK 90 / 0 / 9 / 29

HEX #12B4A3

RGB 18 180 163

HSL 173.7, 0.82%, 0.39%

LAB 66.07, -41.36, -2.05

 

CMYK 27 / 90 / 0 / 29

HEX #8312B4

RGB 131 18 180

HSL 281.85, 0.82%, 0.39%

LAB 35.11, 65.84, -59.62

 

CMYK 0 / 90 / 81 / 29

HEX #B41223

RGB 180 18 35

HSL 353.7, 0.82%, 0.39%

LAB 38.3, 60.04, 36.4

 

CMYK 63 / 0 / 89 / 30

HEX #42B313

RGB 66 179 19

HSL 102.38, 0.81%, 0.39%

LAB 64.52, -57.38, 62.31

 

CMYK 90 / 18 / 0 / 29

HEX #1293B4

RGB 18 147 180

HSL 192.22, 0.82%, 0.39%

LAB 56.38, -20.03, -26.22

 

CMYK 27 / 90 / 0 / 29

HEX #8312B4

RGB 131 18 180

HSL 281.85, 0.82%, 0.39%

LAB 35.11, 65.84, -59.62

 

CMYK 0 / 72 / 90 / 29

HEX #B43312

RGB 180 51 18

HSL 12.22, 0.82%, 0.39%

LAB 41.4, 50.56, 47.54

 

Description

Color code: HEX #42B313 | qconv.com Color code: HEX #42B313 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 179 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 179 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 89 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 89% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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