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Color name
HEX #42C642

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42C642 it is the complementary color #BD39BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42C642. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42C642 shade: #47C63D, #58D850, #69EA63, #7AFC76 and #8BFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42C642. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42C642 shade: #42C642, #31B42F, #20A21C, #0F9009 and #007E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42C642 shade: #42C642, #66C642, #89C642, #ADC642 and #C6BC42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42C642 shade: #42C642, #42C666, #42C689, #42C6AD and #42BCC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42C642 shade matches the following richer shades: #42C642, #2EDA2E and #1AEE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42C642 shade: #42C642, #56B256, #6A9F6A, #7D8B7D and #917791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42C642 shade: #89C642, #65C642, #42C642, #42C665 and #42C689

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42C642 shade: #2A8C2A, #33AC33, #42C642, #62D062 and #82D982

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42C642 shade: #42C642, #42ACC6 and #C64277

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42C642 shade: #42C642, #4242C6 and #C64242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42C642 shade: #42C642, #42ACC6, #C642C6 and #C65C42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42C642 shade: #42C642, #4284C6, #C642C6 and #C68442

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

Complementary color

CMYK 0 / 70 / 0 / 26

HEX #BD39BD

RGB 189 57 189

HSL 300, 0.54%, 0.48%

LAB 48.78, 67.27, -42.44

 

CMYK 64 / 0 / 69 / 22

HEX #47C63D

RGB 71 198 61

HSL 115.62, 0.55%, 0.51%

LAB 70.92, -60.22, 55.9

 

CMYK 59 / 0 / 63 / 15

HEX #58D850

RGB 88 216 80

HSL 116.47, 0.64%, 0.58%

LAB 77.14, -60.93, 55.05

 

CMYK 55 / 0 / 58 / 8

HEX #69EA63

RGB 105 234 99

HSL 117.33, 0.76%, 0.65%

LAB 83.31, -61.34, 53.97

 

CMYK 52 / 0 / 53 / 1

HEX #7AFC76

RGB 122 252 118

HSL 118.21, 0.96%, 0.73%

LAB 89.42, -61.55, 52.79

 

CMYK 45 / 0 / 46 / 0

HEX #8BFF89

RGB 139 255 137

HSL 118.98, 1%, 0.77%

LAB 91.15, -55.76, 46.2

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 73 / 0 / 74 / 29

HEX #31B42F

RGB 49 180 47

HSL 119.1, 0.59%, 0.45%

LAB 64.56, -59.59, 54.44

 

CMYK 80 / 0 / 83 / 36

HEX #20A21C

RGB 32 162 28

HSL 118.21, 0.71%, 0.37%

LAB 58.26, -57.75, 54.37

 

CMYK 90 / 0 / 94 / 44

HEX #0F9009

RGB 15 144 9

HSL 117.33, 0.88%, 0.3%

LAB 51.91, -54.97, 52.94

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 48 / 0 / 67 / 22

HEX #66C642

RGB 102 198 66

HSL 103.64, 0.54%, 0.52%

LAB 71.96, -51.87, 55.33

 

CMYK 31 / 0 / 67 / 22

HEX #89C642

RGB 137 198 66

HSL 87.73, 0.54%, 0.52%

LAB 73.61, -40.26, 57.58

 

CMYK 13 / 0 / 67 / 22

HEX #ADC642

RGB 173 198 66

HSL 71.36, 0.54%, 0.52%

LAB 75.86, -26.3, 60.63

 

CMYK 0 / 5 / 67 / 22

HEX #C6BC42

RGB 198 188 66

HSL 55.45, 0.54%, 0.52%

LAB 75.05, -10.87, 60.41

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 67 / 0 / 48 / 22

HEX #42C666

RGB 66 198 102

HSL 136.36, 0.54%, 0.52%

LAB 71.22, -56.27, 37.71

 

CMYK 67 / 0 / 31 / 22

HEX #42C689

RGB 66 198 137

HSL 152.27, 0.54%, 0.52%

LAB 71.79, -49.91, 20.34

 

CMYK 67 / 0 / 13 / 22

HEX #42C6AD

RGB 66 198 173

HSL 168.64, 0.54%, 0.52%

LAB 72.6, -41.54, 2.09

 

CMYK 67 / 5 / 0 / 22

HEX #42BCC6

RGB 66 188 198

HSL 184.55, 0.54%, 0.52%

LAB 70.32, -30.03, -14.94

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 79 / 0 / 79 / 15

HEX #2EDA2E

RGB 46 218 46

HSL 120, 0.7%, 0.52%

LAB 76.63, -71.85, 66.54

 

CMYK 89 / 0 / 89 / 7

HEX #1AEE1A

RGB 26 238 26

HSL 120, 0.86%, 0.52%

LAB 82.62, -80.21, 76.34

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 52 / 0 / 52 / 30

HEX #56B256

RGB 86 178 86

HSL 120, 0.37%, 0.52%

LAB 65.35, -46.29, 38.52

 

CMYK 33 / 0 / 33 / 38

HEX #6A9F6A

RGB 106 159 106

HSL 120, 0.22%, 0.52%

LAB 60.69, -28.58, 22.24

 

CMYK 10 / 0 / 10 / 45

HEX #7D8B7D

RGB 125 139 125

HSL 120, 0.06%, 0.52%

LAB 56.39, -7.9, 5.76

 

CMYK 0 / 18 / 0 / 43

HEX #917791

RGB 145 119 145

HSL 300, 0.11%, 0.52%

LAB 53.23, 14.9, -10.28

 

CMYK 31 / 0 / 67 / 22

HEX #89C642

RGB 137 198 66

HSL 87.73, 0.54%, 0.52%

LAB 73.61, -40.26, 57.58

 

CMYK 49 / 0 / 67 / 22

HEX #65C642

RGB 101 198 66

HSL 104.09, 0.54%, 0.52%

LAB 71.93, -52.16, 55.28

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 67 / 0 / 49 / 22

HEX #42C665

RGB 66 198 101

HSL 135.91, 0.54%, 0.52%

LAB 71.2, -56.42, 38.19

 

CMYK 67 / 0 / 31 / 22

HEX #42C689

RGB 66 198 137

HSL 152.27, 0.54%, 0.52%

LAB 71.79, -49.91, 20.34

 

CMYK 70 / 0 / 70 / 45

HEX #2A8C2A

RGB 42 140 42

HSL 120, 0.54%, 0.36%

LAB 51.17, -47.72, 42.46

 

CMYK 70 / 0 / 70 / 33

HEX #33AC33

RGB 51 172 51

HSL 120, 0.54%, 0.44%

LAB 62.04, -56.24, 50.34

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 53 / 0 / 53 / 18

HEX #62D062

RGB 98 208 98

HSL 120, 0.54%, 0.6%

LAB 75.2, -53.42, 44.76

 

CMYK 40 / 0 / 40 / 15

HEX #82D982

RGB 130 217 130

HSL 120, 0.53%, 0.68%

LAB 79.6, -43.59, 34.81

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 67 / 13 / 0 / 22

HEX #42ACC6

RGB 66 172 198

HSL 191.82, 0.54%, 0.52%

LAB 65.55, -22.03, -22.18

 

CMYK 0 / 67 / 40 / 22

HEX #C64277

RGB 198 66 119

HSL 335.91, 0.54%, 0.52%

LAB 48.55, 56.67, -1

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 67 / 67 / 0 / 22

HEX #4242C6

RGB 66 66 198

HSL 240, 0.54%, 0.52%

LAB 36.24, 41.32, -68.67

 

CMYK 0 / 67 / 67 / 22

HEX #C64242

RGB 198 66 66

HSL 0, 0.54%, 0.52%

LAB 47.36, 52.39, 29.44

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 67 / 13 / 0 / 22

HEX #42ACC6

RGB 66 172 198

HSL 191.82, 0.54%, 0.52%

LAB 65.55, -22.03, -22.18

 

CMYK 0 / 67 / 0 / 22

HEX #C642C6

RGB 198 66 198

HSL 300, 0.54%, 0.52%

LAB 51.81, 67.54, -42.76

 

CMYK 0 / 54 / 67 / 22

HEX #C65C42

RGB 198 92 66

HSL 11.82, 0.54%, 0.52%

LAB 51.9, 40.42, 34.92

 

CMYK 67 / 0 / 67 / 22

HEX #42C642

RGB 66 198 66

HSL 120, 0.54%, 0.52%

LAB 70.83, -60.78, 53.78

 

CMYK 67 / 33 / 0 / 22

HEX #4284C6

RGB 66 132 198

HSL 210, 0.54%, 0.52%

LAB 53.75, 0.14, -40.49

 

CMYK 0 / 67 / 0 / 22

HEX #C642C6

RGB 198 66 198

HSL 300, 0.54%, 0.52%

LAB 51.81, 67.54, -42.76

 

CMYK 0 / 33 / 67 / 22

HEX #C68442

RGB 198 132 66

HSL 30, 0.54%, 0.52%

LAB 60.69, 19.14, 45.05

 

Description

Color code: HEX #42C642 | qconv.com Color code: HEX #42C642 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 198 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 198 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 67% 22% C M Y K

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