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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42C652 it is the complementary color #BD39AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42C652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42C652 shade: #47C64D, #58D860, #69EA73, #7AFC86 and #8BFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42C652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42C652 shade: #42C652, #31B43F, #20A22C, #0F9019 and #007E06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42C652 shade: #42C652, #56C642, #79C642, #9DC642 and #C1C642

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42C652 shade: #42C652, #42C676, #42C699, #42C6BD and #42ACC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42C652 shade matches the following richer shades: #42C652, #2EDA43 and #1AEE34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42C652 shade: #42C652, #56B261, #6A9F70, #7D8B7F and #91778E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42C652 shade: #79C642, #56C642, #42C651, #42C675 and #42C698

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42C652 shade: #2A8C35, #33AC42, #42C652, #62D06F and #82D98C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42C652 shade: #42C652, #429CC6 and #C64267

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42C652 shade: #42C652, #5142C6 and #C65142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42C652 shade: #42C652, #429CC6, #C642B7 and #C66C42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42C652 shade: #42C652, #4275C6, #C642B7 and #C69442

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 59 / 22

HEX #42C652

RGB 66 198 82

HSL 127.27, 0.54%, 0.52%

LAB 70.98, -59.03, 47

 

Complementary color

CMYK 0 / 70 / 8 / 26

HEX #BD39AD

RGB 189 57 173

HSL 307.27, 0.54%, 0.48%

LAB 47.96, 64.72, -34.37

 

CMYK 64 / 0 / 61 / 22

HEX #47C64D

RGB 71 198 77

HSL 122.83, 0.53%, 0.53%

LAB 71.05, -58.62, 49.37

 

CMYK 59 / 0 / 56 / 15

HEX #58D860

RGB 88 216 96

HSL 123.75, 0.62%, 0.6%

LAB 77.3, -59.12, 48.14

 

CMYK 55 / 0 / 51 / 8

HEX #69EA73

RGB 105 234 115

HSL 124.65, 0.75%, 0.66%

LAB 83.49, -59.38, 46.86

 

CMYK 52 / 0 / 47 / 1

HEX #7AFC86

RGB 122 252 134

HSL 125.54, 0.96%, 0.73%

LAB 89.62, -59.47, 45.57

 

CMYK 45 / 0 / 40 / 0

HEX #8BFF99

RGB 139 255 153

HSL 127.24, 1%, 0.77%

LAB 91.37, -53.47, 38.74

 

CMYK 67 / 0 / 59 / 22

HEX #42C652

RGB 66 198 82

HSL 127.27, 0.54%, 0.52%

LAB 70.98, -59.03, 47

 

CMYK 73 / 0 / 65 / 29

HEX #31B43F

RGB 49 180 63

HSL 126.41, 0.57%, 0.45%

LAB 64.69, -58.1, 48.21

 

CMYK 80 / 0 / 73 / 36

HEX #20A22C

RGB 32 162 44

HSL 125.54, 0.67%, 0.38%

LAB 58.35, -56.59, 49.12

 

CMYK 90 / 0 / 83 / 44

HEX #0F9019

RGB 15 144 25

HSL 124.65, 0.81%, 0.31%

LAB 51.97, -54.24, 49.31

 

CMYK 100 / 0 / 95 / 51

HEX #007E06

RGB 0 126 6

HSL 122.86, 1%, 0.25%

LAB 45.54, -50.88, 48.08

 

CMYK 67 / 0 / 59 / 22

HEX #42C652

RGB 66 198 82

HSL 127.27, 0.54%, 0.52%

LAB 70.98, -59.03, 47

 

CMYK 57 / 0 / 67 / 22

HEX #56C642

RGB 86 198 66

HSL 110.91, 0.54%, 0.52%

LAB 71.39, -56.26, 54.55

 

CMYK 39 / 0 / 67 / 22

HEX #79C642

RGB 121 198 66

HSL 95, 0.54%, 0.52%

LAB 72.79, -45.87, 56.46

 

CMYK 21 / 0 / 67 / 22

HEX #9DC642

RGB 157 198 66

HSL 78.64, 0.54%, 0.52%

LAB 74.79, -32.69, 59.18

 

CMYK 3 / 0 / 67 / 22

HEX #C1C642

RGB 193 198 66

HSL 62.27, 0.54%, 0.52%

LAB 77.35, -18.04, 62.62

 

CMYK 67 / 0 / 59 / 22

HEX #42C652

RGB 66 198 82

HSL 127.27, 0.54%, 0.52%

LAB 70.98, -59.03, 47

 

CMYK 67 / 0 / 40 / 22

HEX #42C676

RGB 66 198 118

HSL 143.64, 0.54%, 0.52%

LAB 71.46, -53.6, 29.88

 

CMYK 67 / 0 / 23 / 22

HEX #42C699

RGB 66 198 153

HSL 159.55, 0.54%, 0.52%

LAB 72.13, -46.41, 12.23

 

CMYK 67 / 0 / 5 / 22

HEX #42C6BD

RGB 66 198 189

HSL 175.91, 0.54%, 0.52%

LAB 73.04, -37.3, -5.97

 

CMYK 67 / 13 / 0 / 22

HEX #42ACC6

RGB 66 172 198

HSL 191.82, 0.54%, 0.52%

LAB 65.55, -22.03, -22.18

 

CMYK 67 / 0 / 59 / 22

HEX #42C652

RGB 66 198 82

HSL 127.27, 0.54%, 0.52%

LAB 70.98, -59.03, 47

 

CMYK 79 / 0 / 69 / 15

HEX #2EDA43

RGB 46 218 67

HSL 127.33, 0.7%, 0.52%

LAB 76.76, -70.28, 59.6

 

CMYK 89 / 0 / 78 / 7

HEX #1AEE34

RGB 26 238 52

HSL 127.36, 0.86%, 0.52%

LAB 82.71, -79.02, 70.52

 

CMYK 67 / 0 / 59 / 22

HEX #42C652

RGB 66 198 82

HSL 127.27, 0.54%, 0.52%

LAB 70.98, -59.03, 47

 

CMYK 52 / 0 / 46 / 30

HEX #56B261

RGB 86 178 97

HSL 127.17, 0.37%, 0.52%

LAB 65.5, -44.69, 33.14

 

CMYK 33 / 0 / 30 / 38

HEX #6A9F70

RGB 106 159 112

HSL 126.79, 0.22%, 0.52%

LAB 60.81, -27.53, 19.1

 

CMYK 10 / 0 / 9 / 45

HEX #7D8B7F

RGB 125 139 127

HSL 128.57, 0.06%, 0.52%

LAB 56.44, -7.51, 4.69

 

CMYK 0 / 18 / 2 / 43

HEX #91778E

RGB 145 119 142

HSL 306.92, 0.11%, 0.52%

LAB 53.13, 14.3, -8.68

 

CMYK 39 / 0 / 67 / 22

HEX #79C642

RGB 121 198 66

HSL 95, 0.54%, 0.52%

LAB 72.79, -45.87, 56.46

 

CMYK 57 / 0 / 67 / 22

HEX #56C642

RGB 86 198 66

HSL 110.91, 0.54%, 0.52%

LAB 71.39, -56.26, 54.55

 

CMYK 67 / 0 / 59 / 22

HEX #42C651

RGB 66 198 81

HSL 126.82, 0.54%, 0.52%

LAB 70.97, -59.16, 47.44

 

CMYK 67 / 0 / 41 / 22

HEX #42C675

RGB 66 198 117

HSL 143.18, 0.54%, 0.52%

LAB 71.44, -53.78, 30.38

 

CMYK 67 / 0 / 23 / 22

HEX #42C698

RGB 66 198 152

HSL 159.09, 0.54%, 0.52%

LAB 72.1, -46.64, 12.74

 

CMYK 70 / 0 / 62 / 45

HEX #2A8C35

RGB 42 140 53

HSL 126.73, 0.54%, 0.36%

LAB 51.27, -46.49, 37.6

 

CMYK 70 / 0 / 62 / 33

HEX #33AC42

RGB 51 172 66

HSL 127.44, 0.54%, 0.44%

LAB 62.17, -54.67, 44.06

 

CMYK 67 / 0 / 59 / 22

HEX #42C652

RGB 66 198 82

HSL 127.27, 0.54%, 0.52%

LAB 70.98, -59.03, 47

 

CMYK 53 / 0 / 47 / 18

HEX #62D06F

RGB 98 208 111

HSL 127.09, 0.54%, 0.6%

LAB 75.36, -51.63, 38.64

 

CMYK 40 / 0 / 35 / 15

HEX #82D98C

RGB 130 217 140

HSL 126.9, 0.53%, 0.68%

LAB 79.76, -42.02, 29.92

 

CMYK 67 / 0 / 59 / 22

HEX #42C652

RGB 66 198 82

HSL 127.27, 0.54%, 0.52%

LAB 70.98, -59.03, 47

 

CMYK 67 / 21 / 0 / 22

HEX #429CC6

RGB 66 156 198

HSL 199.09, 0.54%, 0.52%

LAB 60.79, -13.54, -29.49

 

CMYK 0 / 67 / 48 / 22

HEX #C64267

RGB 198 66 103

HSL 343.18, 0.54%, 0.52%

LAB 48.11, 55.1, 8.09

 

CMYK 67 / 0 / 59 / 22

HEX #42C652

RGB 66 198 82

HSL 127.27, 0.54%, 0.52%

LAB 70.98, -59.03, 47

 

CMYK 59 / 67 / 0 / 22

HEX #5142C6

RGB 81 66 198

HSL 246.82, 0.54%, 0.52%

LAB 37.34, 43.46, -66.81

 

CMYK 0 / 59 / 67 / 22

HEX #C65142

RGB 198 81 66

HSL 6.82, 0.54%, 0.52%

LAB 49.84, 45.76, 32.46

 

CMYK 67 / 0 / 59 / 22

HEX #42C652

RGB 66 198 82

HSL 127.27, 0.54%, 0.52%

LAB 70.98, -59.03, 47

 

CMYK 67 / 21 / 0 / 22

HEX #429CC6

RGB 66 156 198

HSL 199.09, 0.54%, 0.52%

LAB 60.79, -13.54, -29.49

 

CMYK 0 / 67 / 8 / 22

HEX #C642B7

RGB 198 66 183

HSL 306.82, 0.54%, 0.52%

LAB 51.06, 65.13, -35.26

 

CMYK 0 / 45 / 67 / 22

HEX #C66C42

RGB 198 108 66

HSL 19.09, 0.54%, 0.52%

LAB 55.2, 32.15, 38.8

 

CMYK 67 / 0 / 59 / 22

HEX #42C652

RGB 66 198 82

HSL 127.27, 0.54%, 0.52%

LAB 70.98, -59.03, 47

 

CMYK 67 / 41 / 0 / 22

HEX #4275C6

RGB 66 117 198

HSL 216.82, 0.54%, 0.52%

LAB 49.45, 9.24, -47.31

 

CMYK 0 / 67 / 8 / 22

HEX #C642B7

RGB 198 66 183

HSL 306.82, 0.54%, 0.52%

LAB 51.06, 65.13, -35.26

 

CMYK 0 / 25 / 67 / 22

HEX #C69442

RGB 198 148 66

HSL 37.27, 0.54%, 0.52%

LAB 64.63, 10.38, 49.39

 

Description

Color code: HEX #42C652 | qconv.com Color code: HEX #42C652 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 198 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 198 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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