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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42C672 it is the complementary color #BD398D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42C672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42C672 shade: #47C66D, #58D880, #69EA93, #7AFCA6 and #8BFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42C672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42C672 shade: #42C672, #31B45F, #20A24C, #0F9039 and #007E26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42C672 shade: #42C672, #42C64E, #59C642, #7DC642 and #A1C642

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42C672 shade: #42C672, #42C696, #42C6B9, #42AFC6 and #428CC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42C672 shade matches the following richer shades: #42C672, #2EDA6D and #1AEE67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42C672 shade: #42C672, #56B277, #6A9F7D, #7D8B82 and #917788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42C672 shade: #5AC642, #42C64D, #42C670, #42C694 and #42C6B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42C672 shade: #2A8C4D, #33AC5F, #42C672, #62D08A and #82D9A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42C672 shade: #42C672, #427DC6 and #C64249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42C672 shade: #42C672, #7042C6 and #C67042

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42C672 shade: #42C672, #427DC6, #C64298 and #C68B42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42C672 shade: #42C672, #4256C6, #C64298 and #C6B242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 42 / 22

HEX #42C672

RGB 66 198 114

HSL 141.82, 0.54%, 0.52%

LAB 71.39, -54.3, 31.86

 

Complementary color

CMYK 0 / 70 / 25 / 26

HEX #BD398D

RGB 189 57 141

HSL 321.82, 0.54%, 0.48%

LAB 46.54, 60.17, -17.5

 

CMYK 64 / 0 / 45 / 22

HEX #47C66D

RGB 71 198 109

HSL 137.95, 0.53%, 0.53%

LAB 71.44, -54.2, 34.5

 

CMYK 59 / 0 / 41 / 15

HEX #58D880

RGB 88 216 128

HSL 138.75, 0.62%, 0.6%

LAB 77.72, -54.43, 33.08

 

CMYK 55 / 0 / 37 / 8

HEX #69EA93

RGB 105 234 147

HSL 139.53, 0.75%, 0.66%

LAB 83.94, -54.49, 31.73

 

CMYK 52 / 0 / 34 / 1

HEX #7AFCA6

RGB 122 252 166

HSL 140.31, 0.96%, 0.73%

LAB 90.1, -54.44, 30.47

 

CMYK 45 / 0 / 27 / 0

HEX #8BFFB9

RGB 139 255 185

HSL 143.79, 1%, 0.77%

LAB 91.91, -48.08, 23.44

 

CMYK 67 / 0 / 42 / 22

HEX #42C672

RGB 66 198 114

HSL 141.82, 0.54%, 0.52%

LAB 71.39, -54.3, 31.86

 

CMYK 73 / 0 / 47 / 29

HEX #31B45F

RGB 49 180 95

HSL 141.07, 0.57%, 0.45%

LAB 65.06, -53.73, 33.4

 

CMYK 80 / 0 / 53 / 36

HEX #20A24C

RGB 32 162 76

HSL 140.31, 0.67%, 0.38%

LAB 58.67, -52.72, 35.02

 

CMYK 90 / 0 / 60 / 44

HEX #0F9039

RGB 15 144 57

HSL 139.53, 0.81%, 0.31%

LAB 52.22, -51.08, 36.67

 

CMYK 100 / 0 / 70 / 51

HEX #007E26

RGB 0 126 38

HSL 138.1, 1%, 0.25%

LAB 45.72, -48.65, 38.15

 

CMYK 67 / 0 / 42 / 22

HEX #42C672

RGB 66 198 114

HSL 141.82, 0.54%, 0.52%

LAB 71.39, -54.3, 31.86

 

CMYK 67 / 0 / 61 / 22

HEX #42C64E

RGB 66 198 78

HSL 125.45, 0.54%, 0.52%

LAB 70.94, -59.51, 48.76

 

CMYK 55 / 0 / 67 / 22

HEX #59C642

RGB 89 198 66

HSL 109.55, 0.54%, 0.52%

LAB 71.49, -55.49, 54.68

 

CMYK 37 / 0 / 67 / 22

HEX #7DC642

RGB 125 198 66

HSL 93.18, 0.54%, 0.52%

LAB 72.98, -44.51, 56.73

 

CMYK 19 / 0 / 67 / 22

HEX #A1C642

RGB 161 198 66

HSL 76.82, 0.54%, 0.52%

LAB 75.05, -31.11, 59.53

 

CMYK 67 / 0 / 42 / 22

HEX #42C672

RGB 66 198 114

HSL 141.82, 0.54%, 0.52%

LAB 71.39, -54.3, 31.86

 

CMYK 67 / 0 / 24 / 22

HEX #42C696

RGB 66 198 150

HSL 158.18, 0.54%, 0.52%

LAB 72.06, -47.09, 13.75

 

CMYK 67 / 0 / 7 / 22

HEX #42C6B9

RGB 66 198 185

HSL 174.09, 0.54%, 0.52%

LAB 72.92, -38.39, -3.96

 

CMYK 67 / 12 / 0 / 22

HEX #42AFC6

RGB 66 175 198

HSL 190.45, 0.54%, 0.52%

LAB 66.44, -23.57, -20.81

 

CMYK 67 / 29 / 0 / 22

HEX #428CC6

RGB 66 140 198

HSL 206.36, 0.54%, 0.52%

LAB 56.08, -4.54, -36.83

 

CMYK 67 / 0 / 42 / 22

HEX #42C672

RGB 66 198 114

HSL 141.82, 0.54%, 0.52%

LAB 71.39, -54.3, 31.86

 

CMYK 79 / 0 / 50 / 15

HEX #2EDA6D

RGB 46 218 109

HSL 141.98, 0.7%, 0.52%

LAB 77.18, -65.18, 41.63

 

CMYK 89 / 0 / 57 / 7

HEX #1AEE67

RGB 26 238 103

HSL 141.79, 0.86%, 0.52%

LAB 83.1, -74.14, 51.57

 

CMYK 67 / 0 / 42 / 22

HEX #42C672

RGB 66 198 114

HSL 141.82, 0.54%, 0.52%

LAB 71.39, -54.3, 31.86

 

CMYK 52 / 0 / 33 / 30

HEX #56B277

RGB 86 178 119

HSL 141.52, 0.37%, 0.52%

LAB 65.87, -40.9, 22

 

CMYK 33 / 0 / 21 / 38

HEX #6A9F7D

RGB 106 159 125

HSL 141.51, 0.22%, 0.52%

LAB 61.08, -25.05, 12.25

 

CMYK 10 / 0 / 6 / 45

HEX #7D8B82

RGB 125 139 130

HSL 141.43, 0.06%, 0.52%

LAB 56.52, -6.91, 3.08

 

CMYK 0 / 18 / 6 / 43

HEX #917788

RGB 145 119 136

HSL 320.77, 0.11%, 0.52%

LAB 52.94, 13.14, -5.45

 

CMYK 55 / 0 / 67 / 22

HEX #5AC642

RGB 90 198 66

HSL 109.09, 0.54%, 0.52%

LAB 71.52, -55.23, 54.73

 

CMYK 67 / 0 / 61 / 22

HEX #42C64D

RGB 66 198 77

HSL 125, 0.54%, 0.52%

LAB 70.93, -59.63, 49.19

 

CMYK 67 / 0 / 43 / 22

HEX #42C670

RGB 66 198 112

HSL 140.91, 0.54%, 0.52%

LAB 71.36, -54.65, 32.84

 

CMYK 67 / 0 / 25 / 22

HEX #42C694

RGB 66 198 148

HSL 157.27, 0.54%, 0.52%

LAB 72.02, -47.54, 14.77

 

CMYK 67 / 0 / 8 / 22

HEX #42C6B7

RGB 66 198 183

HSL 173.18, 0.54%, 0.52%

LAB 72.87, -38.93, -2.95

 

CMYK 70 / 0 / 45 / 45

HEX #2A8C4D

RGB 42 140 77

HSL 141.43, 0.54%, 0.36%

LAB 51.59, -42.82, 25.63

 

CMYK 70 / 0 / 45 / 33

HEX #33AC5F

RGB 51 172 95

HSL 141.82, 0.54%, 0.44%

LAB 62.54, -50.42, 30.18

 

CMYK 67 / 0 / 42 / 22

HEX #42C672

RGB 66 198 114

HSL 141.82, 0.54%, 0.52%

LAB 71.39, -54.3, 31.86

 

CMYK 53 / 0 / 34 / 18

HEX #62D08A

RGB 98 208 138

HSL 141.82, 0.54%, 0.6%

LAB 75.79, -47.15, 25.41

 

CMYK 40 / 0 / 26 / 15

HEX #82D9A1

RGB 130 217 161

HSL 141.38, 0.53%, 0.68%

LAB 80.15, -38.33, 19.52

 

CMYK 67 / 0 / 42 / 22

HEX #42C672

RGB 66 198 114

HSL 141.82, 0.54%, 0.52%

LAB 71.39, -54.3, 31.86

 

CMYK 67 / 37 / 0 / 22

HEX #427DC6

RGB 66 125 198

HSL 213.18, 0.54%, 0.52%

LAB 51.73, 4.34, -43.68

 

CMYK 0 / 67 / 63 / 22

HEX #C64249

RGB 198 66 73

HSL 356.82, 0.54%, 0.52%

LAB 47.47, 52.8, 25.42

 

CMYK 67 / 0 / 42 / 22

HEX #42C672

RGB 66 198 114

HSL 141.82, 0.54%, 0.52%

LAB 71.39, -54.3, 31.86

 

CMYK 43 / 67 / 0 / 22

HEX #7042C6

RGB 112 66 198

HSL 260.91, 0.54%, 0.52%

LAB 40.28, 48.87, -61.9

 

CMYK 0 / 43 / 67 / 22

HEX #C67042

RGB 198 112 66

HSL 20.91, 0.54%, 0.52%

LAB 56.08, 30.01, 39.81

 

CMYK 67 / 0 / 42 / 22

HEX #42C672

RGB 66 198 114

HSL 141.82, 0.54%, 0.52%

LAB 71.39, -54.3, 31.86

 

CMYK 67 / 37 / 0 / 22

HEX #427DC6

RGB 66 125 198

HSL 213.18, 0.54%, 0.52%

LAB 51.73, 4.34, -43.68

 

CMYK 0 / 67 / 23 / 22

HEX #C64298

RGB 198 66 152

HSL 320.91, 0.54%, 0.52%

LAB 49.7, 60.63, -19.12

 

CMYK 0 / 30 / 67 / 22

HEX #C68B42

RGB 198 139 66

HSL 33.18, 0.54%, 0.52%

LAB 62.39, 15.3, 46.94

 

CMYK 67 / 0 / 42 / 22

HEX #42C672

RGB 66 198 114

HSL 141.82, 0.54%, 0.52%

LAB 71.39, -54.3, 31.86

 

CMYK 67 / 57 / 0 / 22

HEX #4256C6

RGB 66 86 198

HSL 230.91, 0.54%, 0.52%

LAB 41.04, 28.86, -60.83

 

CMYK 0 / 67 / 23 / 22

HEX #C64298

RGB 198 66 152

HSL 320.91, 0.54%, 0.52%

LAB 49.7, 60.63, -19.12

 

CMYK 0 / 10 / 67 / 22

HEX #C6B242

RGB 198 178 66

HSL 50.91, 0.54%, 0.52%

LAB 72.39, -5.69, 57.65

 

Description

Color code: HEX #42C672 | qconv.com Color code: HEX #42C672 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 198 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 198 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 42 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 42% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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