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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42DBB4 it is the complementary color #BD244B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42DBB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42DBB4 shade: #47DBAF, #58EDC2, #69FFD5, #7AFFE8 and #8BFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42DBB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42DBB4 shade: #42DBB4, #31C9A1, #20B78E, #0FA57B and #009368

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42DBB4 shade: #42DBB4, #42DB8B, #42DB61, #4CDB42 and #75DB42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42DBB4 shade: #42DBB4, #42D8DB, #42AFDB, #4286DB and #425DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42DBB4 shade matches the following richer shades: #42DBB4 and #30EDBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42DBB4 shade: #42DBB4, #54C8AB, #66B6A2, #78A499 and #8B9290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42DBB4 shade: #42DB61, #42DB89, #42DBB2, #42DBDB and #42B2DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42DBB4 shade: #20AA87, #27CDA2, #42DBB4, #65E1C1 and #87E8CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42DBB4 shade: #42DBB4, #424CDB and #DB7542

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42DBB4 shade: #42DBB4, #B242DB and #DBB242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42DBB4 shade: #42DBB4, #424CDB, #DB426B and #DBD042

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42DBB4 shade: #42DBB4, #6642DB, #DB426B and #B7DB42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 18 / 14

HEX #42DBB4

RGB 66 219 180

HSL 164.71, 0.68%, 0.56%

LAB 79.11, -48.8, 7.72

 

Complementary color

CMYK 0 / 81 / 60 / 26

HEX #BD244B

RGB 189 36 75

HSL 344.71, 0.68%, 0.44%

LAB 42.14, 60.48, 16.89

 

CMYK 68 / 0 / 20 / 14

HEX #47DBAF

RGB 71 219 175

HSL 162.16, 0.67%, 0.57%

LAB 79.1, -49.26, 10.37

 

CMYK 63 / 0 / 18 / 7

HEX #58EDC2

RGB 88 237 194

HSL 162.68, 0.81%, 0.64%

LAB 85.27, -49.58, 9.23

 

CMYK 59 / 0 / 16 / 0

HEX #69FFD5

RGB 105 255 213

HSL 163.2, 1%, 0.71%

LAB 91.38, -49.77, 8.17

 

CMYK 52 / 0 / 9 / 0

HEX #7AFFE8

RGB 122 255 232

HSL 169.62, 1%, 0.74%

LAB 92.35, -42.06, -0.19

 

CMYK 45 / 0 / 2 / 0

HEX #8BFFFB

RGB 139 255 251

HSL 177.93, 1%, 0.77%

LAB 93.44, -33.89, -8.35

 

CMYK 70 / 0 / 18 / 14

HEX #42DBB4

RGB 66 219 180

HSL 164.71, 0.68%, 0.56%

LAB 79.11, -48.8, 7.72

 

CMYK 76 / 0 / 20 / 21

HEX #31C9A1

RGB 49 201 161

HSL 164.21, 0.61%, 0.49%

LAB 72.89, -48.15, 8.96

 

CMYK 83 / 0 / 22 / 28

HEX #20B78E

RGB 32 183 142

HSL 163.71, 0.7%, 0.42%

LAB 66.62, -47.21, 10.33

 

CMYK 91 / 0 / 25 / 35

HEX #0FA57B

RGB 15 165 123

HSL 163.2, 0.83%, 0.35%

LAB 60.29, -45.86, 11.87

 

CMYK 100 / 0 / 29 / 42

HEX #009368

RGB 0 147 104

HSL 162.45, 1%, 0.29%

LAB 53.89, -44.06, 13.57

 

CMYK 70 / 0 / 18 / 14

HEX #42DBB4

RGB 66 219 180

HSL 164.71, 0.68%, 0.56%

LAB 79.11, -48.8, 7.72

 

CMYK 70 / 0 / 37 / 14

HEX #42DB8B

RGB 66 219 139

HSL 148.63, 0.68%, 0.56%

LAB 78.28, -57.67, 28.08

 

CMYK 70 / 0 / 56 / 14

HEX #42DB61

RGB 66 219 97

HSL 132.16, 0.68%, 0.56%

LAB 77.69, -64.4, 48.01

 

CMYK 65 / 0 / 70 / 14

HEX #4CDB42

RGB 76 219 66

HSL 116.08, 0.68%, 0.56%

LAB 77.63, -65.85, 61.07

 

CMYK 47 / 0 / 70 / 14

HEX #75DB42

RGB 117 219 66

HSL 100, 0.68%, 0.56%

LAB 78.95, -55.54, 62.84

 

CMYK 70 / 0 / 18 / 14

HEX #42DBB4

RGB 66 219 180

HSL 164.71, 0.68%, 0.56%

LAB 79.11, -48.8, 7.72

 

CMYK 70 / 1 / 0 / 14

HEX #42D8DB

RGB 66 216 219

HSL 181.18, 0.68%, 0.56%

LAB 79.26, -37.21, -12.87

 

CMYK 70 / 20 / 0 / 14

HEX #42AFDB

RGB 66 175 219

HSL 197.25, 0.68%, 0.56%

LAB 67.23, -16.94, -31.19

 

CMYK 70 / 39 / 0 / 14

HEX #4286DB

RGB 66 134 219

HSL 213.33, 0.68%, 0.56%

LAB 55.4, 6.3, -49.73

 

CMYK 70 / 58 / 0 / 14

HEX #425DDB

RGB 66 93 219

HSL 229.41, 0.68%, 0.56%

LAB 44.38, 31.83, -67.47

 

CMYK 70 / 0 / 18 / 14

HEX #42DBB4

RGB 66 219 180

HSL 164.71, 0.68%, 0.56%

LAB 79.11, -48.8, 7.72

 

CMYK 80 / 0 / 20 / 7

HEX #30EDBD

RGB 48 237 189

HSL 164.76, 0.84%, 0.56%

LAB 84.42, -56, 10.52

 

CMYK 70 / 0 / 18 / 14

HEX #42DBB4

RGB 66 219 180

HSL 164.71, 0.68%, 0.56%

LAB 79.11, -48.8, 7.72

 

CMYK 58 / 0 / 15 / 22

HEX #54C8AB

RGB 84 200 171

HSL 165, 0.51%, 0.56%

LAB 73.63, -39.74, 4.72

 

CMYK 44 / 0 / 11 / 29

HEX #66B6A2

RGB 102 182 162

HSL 165, 0.35%, 0.56%

LAB 68.67, -29.41, 2.54

 

CMYK 27 / 0 / 7 / 36

HEX #78A499

RGB 120 164 153

HSL 165, 0.19%, 0.56%

LAB 64.03, -17.22, 0.9

 

CMYK 5 / 0 / 1 / 43

HEX #8B9290

RGB 139 146 144

HSL 162.86, 0.03%, 0.56%

LAB 59.94, -2.93, 0.17

 

CMYK 70 / 0 / 56 / 14

HEX #42DB61

RGB 66 219 97

HSL 132.16, 0.68%, 0.56%

LAB 77.69, -64.4, 48.01

 

CMYK 70 / 0 / 37 / 14

HEX #42DB89

RGB 66 219 137

HSL 147.84, 0.68%, 0.56%

LAB 78.24, -58.05, 29.07

 

CMYK 70 / 0 / 19 / 14

HEX #42DBB2

RGB 66 219 178

HSL 163.92, 0.68%, 0.56%

LAB 79.06, -49.28, 8.71

 

CMYK 70 / 0 / 0 / 14

HEX #42DBDB

RGB 66 219 219

HSL 180, 0.68%, 0.56%

LAB 80.14, -38.58, -11.55

 

CMYK 70 / 19 / 0 / 14

HEX #42B2DB

RGB 66 178 219

HSL 196.08, 0.68%, 0.56%

LAB 68.1, -18.52, -29.83

 

CMYK 81 / 0 / 21 / 33

HEX #20AA87

RGB 32 170 135

HSL 164.78, 0.68%, 0.4%

LAB 62.34, -43.58, 8.12

 

CMYK 81 / 0 / 21 / 20

HEX #27CDA2

RGB 39 205 162

HSL 164.46, 0.68%, 0.48%

LAB 74, -50.59, 9.98

 

CMYK 70 / 0 / 18 / 14

HEX #42DBB4

RGB 66 219 180

HSL 164.71, 0.68%, 0.56%

LAB 79.11, -48.8, 7.72

 

CMYK 55 / 0 / 14 / 12

HEX #65E1C1

RGB 101 225 193

HSL 164.52, 0.67%, 0.64%

LAB 82.09, -42.22, 5.23

 

CMYK 42 / 0 / 11 / 9

HEX #87E8CF

RGB 135 232 207

HSL 164.54, 0.68%, 0.72%

LAB 85.69, -34.39, 3.21

 

CMYK 70 / 0 / 18 / 14

HEX #42DBB4

RGB 66 219 180

HSL 164.71, 0.68%, 0.56%

LAB 79.11, -48.8, 7.72

 

CMYK 70 / 65 / 0 / 14

HEX #424CDB

RGB 66 76 219

HSL 236.08, 0.68%, 0.56%

LAB 40.31, 42.35, -74.11

 

CMYK 0 / 47 / 70 / 14

HEX #DB7542

RGB 219 117 66

HSL 20, 0.68%, 0.56%

LAB 60.05, 35.83, 45.09

 

CMYK 70 / 0 / 18 / 14

HEX #42DBB4

RGB 66 219 180

HSL 164.71, 0.68%, 0.56%

LAB 79.11, -48.8, 7.72

 

CMYK 19 / 70 / 0 / 14

HEX #B242DB

RGB 178 66 219

HSL 283.92, 0.68%, 0.56%

LAB 50.07, 66.98, -57.74

 

CMYK 0 / 19 / 70 / 14

HEX #DBB242

RGB 219 178 66

HSL 43.92, 0.68%, 0.56%

LAB 74.38, 3.34, 60.33

 

CMYK 70 / 0 / 18 / 14

HEX #42DBB4

RGB 66 219 180

HSL 164.71, 0.68%, 0.56%

LAB 79.11, -48.8, 7.72

 

CMYK 70 / 65 / 0 / 14

HEX #424CDB

RGB 66 76 219

HSL 236.08, 0.68%, 0.56%

LAB 40.31, 42.35, -74.11

 

CMYK 0 / 70 / 51 / 14

HEX #DB426B

RGB 219 66 107

HSL 343.92, 0.68%, 0.56%

LAB 51.86, 61.8, 11.47

 

CMYK 0 / 5 / 70 / 14

HEX #DBD042

RGB 219 208 66

HSL 55.69, 0.68%, 0.56%

LAB 82.14, -12.13, 68.12

 

CMYK 70 / 0 / 18 / 14

HEX #42DBB4

RGB 66 219 180

HSL 164.71, 0.68%, 0.56%

LAB 79.11, -48.8, 7.72

 

CMYK 53 / 70 / 0 / 14

HEX #6642DB

RGB 102 66 219

HSL 254.12, 0.68%, 0.56%

LAB 40.95, 52.96, -72.96

 

CMYK 0 / 70 / 51 / 14

HEX #DB426B

RGB 219 66 107

HSL 343.92, 0.68%, 0.56%

LAB 51.86, 61.8, 11.47

 

CMYK 16 / 0 / 70 / 14

HEX #B7DB42

RGB 183 219 66

HSL 74.12, 0.68%, 0.56%

LAB 82.45, -32.22, 67.52

 

Description

Color code: HEX #42DBB4 | qconv.com Color code: HEX #42DBB4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 219 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 219 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 18 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 18% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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