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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42E0D0 it is the complementary color #BD1F2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42E0D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42E0D0 shade: #47E0CB, #58F2DE, #69FFF1, #7AFFFF and #8BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42E0D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42E0D0 shade: #42E0D0, #31CEBD, #20BCAA, #0FAA97 and #009884

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42E0D0 shade: #42E0D0, #42E0A5, #42E07B, #42E050 and #5EE042

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42E0D0 shade: #42E0D0, #42C5E0, #429BE0, #4270E0 and #4245E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42E0D0 shade matches the following richer shades: #42E0D0 and #30F2DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42E0D0 shade: #42E0D0, #54CEC2, #65BCB4, #77ABA5 and #899997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42E0D0 shade: #42E079, #42E0A3, #42E0CD, #42C8E0 and #429EE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42E0D0 shade: #1DB3A3, #22D6C4, #42E0D0, #65E6D9 and #89EBE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42E0D0 shade: #42E0D0, #4F42E0 and #E08E42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42E0D0 shade: #42E0D0, #CD42E0 and #E0CD42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42E0D0 shade: #42E0D0, #4F42E0, #E04254 and #D3E042

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42E0D0 shade: #42E0D0, #7E42E0, #E04254 and #A3E042

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

Complementary color

CMYK 0 / 84 / 75 / 26

HEX #BD1F2F

RGB 189 31 47

HSL 353.92, 0.72%, 0.43%

LAB 41.22, 60.3, 33.03

 

CMYK 68 / 0 / 9 / 12

HEX #47E0CB

RGB 71 224 203

HSL 171.76, 0.71%, 0.58%

LAB 81.27, -44.47, -1.36

 

CMYK 64 / 0 / 8 / 5

HEX #58F2DE

RGB 88 242 222

HSL 172.21, 0.86%, 0.65%

LAB 87.41, -44.93, -2.32

 

CMYK 59 / 0 / 5 / 0

HEX #69FFF1

RGB 105 255 241

HSL 174.4, 1%, 0.71%

LAB 92.08, -43.06, -5.31

 

CMYK 52 / 0 / 0 / 0

HEX #7AFFFF

RGB 122 255 255

HSL 180, 1%, 0.74%

LAB 92.96, -36.41, -11.19

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

CMYK 76 / 0 / 8 / 19

HEX #31CEBD

RGB 49 206 189

HSL 173.5, 0.62%, 0.5%

LAB 75.12, -43.04, -2.93

 

CMYK 83 / 0 / 10 / 26

HEX #20BCAA

RGB 32 188 170

HSL 173.08, 0.71%, 0.43%

LAB 68.88, -41.97, -1.78

 

CMYK 91 / 0 / 11 / 33

HEX #0FAA97

RGB 15 170 151

HSL 172.65, 0.84%, 0.36%

LAB 62.58, -40.53, -0.49

 

CMYK 100 / 0 / 13 / 40

HEX #009884

RGB 0 152 132

HSL 172.11, 1%, 0.3%

LAB 56.21, -38.71, 0.94

 

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

CMYK 71 / 0 / 26 / 12

HEX #42E0A5

RGB 66 224 165

HSL 157.59, 0.72%, 0.57%

LAB 80.28, -54.28, 17.3

 

CMYK 71 / 0 / 45 / 12

HEX #42E07B

RGB 66 224 123

HSL 141.65, 0.72%, 0.57%

LAB 79.56, -62.32, 37.85

 

CMYK 71 / 0 / 64 / 12

HEX #42E050

RGB 66 224 80

HSL 125.32, 0.72%, 0.57%

LAB 79.07, -68.03, 57.04

 

CMYK 58 / 0 / 71 / 12

HEX #5EE042

RGB 94 224 66

HSL 109.37, 0.72%, 0.57%

LAB 79.66, -63.58, 63.32

 

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

CMYK 71 / 12 / 0 / 12

HEX #42C5E0

RGB 66 197 224

HSL 190.25, 0.72%, 0.57%

LAB 73.85, -26.64, -23.74

 

CMYK 71 / 31 / 0 / 12

HEX #429BE0

RGB 66 155 224

HSL 206.2, 0.72%, 0.57%

LAB 61.64, -4.26, -42.66

 

CMYK 71 / 50 / 0 / 12

HEX #4270E0

RGB 66 112 224

HSL 222.53, 0.72%, 0.57%

LAB 49.65, 21.65, -61.76

 

CMYK 71 / 69 / 0 / 12

HEX #4245E0

RGB 66 69 224

HSL 238.86, 0.72%, 0.57%

LAB 39.24, 48.14, -78.74

 

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

CMYK 80 / 0 / 8 / 5

HEX #30F2DE

RGB 48 242 222

HSL 173.81, 0.88%, 0.57%

LAB 86.7, -49.69, -3.45

 

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

CMYK 59 / 0 / 6 / 19

HEX #54CEC2

RGB 84 206 194

HSL 174.1, 0.55%, 0.57%

LAB 76.02, -36.68, -4.22

 

CMYK 46 / 0 / 4 / 26

HEX #65BCB4

RGB 101 188 180

HSL 174.48, 0.39%, 0.57%

LAB 70.89, -28.19, -4.1

 

CMYK 30 / 0 / 4 / 33

HEX #77ABA5

RGB 119 171 165

HSL 173.08, 0.24%, 0.57%

LAB 66.34, -18.45, -2.43

 

CMYK 10 / 0 / 1 / 40

HEX #899997

RGB 137 153 151

HSL 172.5, 0.07%, 0.57%

LAB 61.94, -6.09, -0.9

 

CMYK 71 / 0 / 46 / 12

HEX #42E079

RGB 66 224 121

HSL 140.89, 0.72%, 0.57%

LAB 79.53, -62.65, 38.8

 

CMYK 71 / 0 / 27 / 12

HEX #42E0A3

RGB 66 224 163

HSL 156.84, 0.72%, 0.57%

LAB 80.24, -54.72, 18.3

 

CMYK 71 / 0 / 8 / 12

HEX #42E0CD

RGB 66 224 205

HSL 172.78, 0.72%, 0.57%

LAB 81.22, -44.62, -2.5

 

CMYK 71 / 11 / 0 / 12

HEX #42C8E0

RGB 66 200 224

HSL 189.11, 0.72%, 0.57%

LAB 74.73, -28.12, -22.4

 

CMYK 71 / 29 / 0 / 12

HEX #429EE0

RGB 66 158 224

HSL 205.06, 0.72%, 0.57%

LAB 62.5, -5.96, -41.31

 

CMYK 84 / 0 / 9 / 30

HEX #1DB3A3

RGB 29 179 163

HSL 173.6, 0.72%, 0.41%

LAB 65.86, -40.21, -2.35

 

CMYK 84 / 0 / 8 / 16

HEX #22D6C4

RGB 34 214 196

HSL 174, 0.73%, 0.49%

LAB 77.53, -45.9, -3.18

 

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

CMYK 56 / 0 / 6 / 10

HEX #65E6D9

RGB 101 230 217

HSL 173.95, 0.72%, 0.65%

LAB 84.16, -38.62, -4.44

 

CMYK 42 / 0 / 4 / 8

HEX #89EBE1

RGB 137 235 225

HSL 173.88, 0.71%, 0.73%

LAB 87.08, -31.18, -4.2

 

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

CMYK 65 / 71 / 0 / 12

HEX #4F42E0

RGB 79 66 224

HSL 244.94, 0.72%, 0.57%

LAB 39.48, 51.29, -78.31

 

CMYK 0 / 37 / 71 / 12

HEX #E08E42

RGB 224 142 66

HSL 28.86, 0.72%, 0.57%

LAB 66.2, 24.68, 51.97

 

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

CMYK 8 / 71 / 0 / 12

HEX #CD42E0

RGB 205 66 224

HSL 292.78, 0.72%, 0.57%

LAB 54.3, 73.48, -53.58

 

CMYK 0 / 8 / 71 / 12

HEX #E0CD42

RGB 224 205 66

HSL 52.78, 0.72%, 0.57%

LAB 81.79, -8.51, 67.91

 

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

CMYK 65 / 71 / 0 / 12

HEX #4F42E0

RGB 79 66 224

HSL 244.94, 0.72%, 0.57%

LAB 39.48, 51.29, -78.31

 

CMYK 0 / 71 / 63 / 12

HEX #E04254

RGB 224 66 84

HSL 353.16, 0.72%, 0.57%

LAB 52.27, 61.68, 25.95

 

CMYK 6 / 0 / 71 / 12

HEX #D3E042

RGB 211 224 66

HSL 64.94, 0.72%, 0.57%

LAB 85.78, -23.32, 71.46

 

CMYK 71 / 0 / 7 / 12

HEX #42E0D0

RGB 66 224 208

HSL 173.92, 0.72%, 0.57%

LAB 81.3, -43.83, -3.97

 

CMYK 44 / 71 / 0 / 12

HEX #7E42E0

RGB 126 66 224

HSL 262.78, 0.72%, 0.57%

LAB 43.82, 58.22, -71.03

 

CMYK 0 / 71 / 63 / 12

HEX #E04254

RGB 224 66 84

HSL 353.16, 0.72%, 0.57%

LAB 52.27, 61.68, 25.95

 

CMYK 27 / 0 / 71 / 12

HEX #A3E042

RGB 163 224 66

HSL 83.16, 0.72%, 0.57%

LAB 82.64, -42.11, 67.31

 

Description

Color code: HEX #42E0D0 | qconv.com Color code: HEX #42E0D0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 224 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 224 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 7 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 7% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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