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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42E3AA it is the complementary color #BD1C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42E3AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42E3AA shade: #47E3A5, #58F5B8, #69FFCB, #7AFFDE and #8BFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42E3AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42E3AA shade: #42E3AA, #31D197, #20BF84, #0FAD71 and #009B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42E3AA shade: #40E2A9, #40E27D, #40E251, #5AE240 and #86E240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42E3AA shade: #40E2A9, #40E2D4, #40C4E2, #4098E2 and #406CE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42E3AA shade matches the following richer shades: #40E2A9 and #2EF4AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42E3AA shade: #40E2A9, #51D0A3, #63BF9E, #75AD99 and #879B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42E3AA shade: #40E250, #40E27B, #40E2A6, #40E2D2 and #40C7E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42E3AA shade: #1BB57E, #20D997, #40E2A9, #64E7B9 and #87EDC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42E3AA shade: #42E3AA, #405BE2 and #E26640

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42E3AA shade: #42E3AA, #A640E2 and #E2A640

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42E3AA shade: #42E3AA, #405BE2, #E2407B and #E2C740

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42E3AA shade: #42E3AA, #5540E2, #E2407B and #CCE240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 25 / 11

HEX #42E3AA

RGB 66 227 170

HSL 158.76, 0.74%, 0.57%

LAB 81.29, -54.37, 16.09

 

Complementary color

CMYK 0 / 85 / 55 / 26

HEX #BD1C55

RGB 189 28 85

HSL 338.76, 0.74%, 0.43%

LAB 41.7, 63.07, 9.99

 

CMYK 69 / 0 / 27 / 11

HEX #47E3A5

RGB 71 227 165

HSL 156.15, 0.74%, 0.58%

LAB 81.29, -54.73, 18.72

 

CMYK 64 / 0 / 25 / 4

HEX #58F5B8

RGB 88 245 184

HSL 156.69, 0.89%, 0.65%

LAB 87.41, -55.08, 17.45

 

CMYK 59 / 0 / 20 / 0

HEX #69FFCB

RGB 105 255 203

HSL 159.2, 1%, 0.71%

LAB 91.16, -52, 13.01

 

CMYK 52 / 0 / 13 / 0

HEX #7AFFDE

RGB 122 255 222

HSL 165.11, 1%, 0.74%

LAB 92.1, -44.38, 4.62

 

CMYK 45 / 0 / 5 / 0

HEX #8BFFF1

RGB 139 255 241

HSL 172.76, 1%, 0.77%

LAB 93.17, -36.27, -3.57

 

CMYK 71 / 0 / 25 / 11

HEX #42E3AA

RGB 66 227 170

HSL 158.76, 0.74%, 0.57%

LAB 81.29, -54.37, 16.09

 

CMYK 77 / 0 / 28 / 18

HEX #31D197

RGB 49 209 151

HSL 158.25, 0.63%, 0.51%

LAB 75.13, -53.69, 17.47

 

CMYK 83 / 0 / 31 / 25

HEX #20BF84

RGB 32 191 132

HSL 157.74, 0.71%, 0.44%

LAB 68.92, -52.7, 18.98

 

CMYK 91 / 0 / 35 / 32

HEX #0FAD71

RGB 15 173 113

HSL 157.22, 0.84%, 0.37%

LAB 62.66, -51.28, 20.65

 

CMYK 100 / 0 / 39 / 39

HEX #009B5E

RGB 0 155 94

HSL 156.39, 1%, 0.3%

LAB 56.34, -49.38, 22.48

 

CMYK 72 / 0 / 25 / 11

HEX #40E2A9

RGB 64 226 169

HSL 158.89, 0.74%, 0.57%

LAB 80.93, -54.47, 16.11

 

CMYK 72 / 0 / 45 / 11

HEX #40E27D

RGB 64 226 125

HSL 142.59, 0.74%, 0.57%

LAB 80.16, -63.01, 37.62

 

CMYK 72 / 0 / 64 / 11

HEX #40E251

RGB 64 226 81

HSL 126.3, 0.74%, 0.57%

LAB 79.66, -68.9, 57.26

 

CMYK 60 / 0 / 72 / 11

HEX #5AE240

RGB 90 226 64

HSL 110.37, 0.74%, 0.57%

LAB 80.14, -65.36, 64.49

 

CMYK 41 / 0 / 72 / 11

HEX #86E240

RGB 134 226 64

HSL 94.07, 0.74%, 0.57%

LAB 81.75, -53.13, 66.63

 

CMYK 72 / 0 / 25 / 11

HEX #40E2A9

RGB 64 226 169

HSL 158.89, 0.74%, 0.57%

LAB 80.93, -54.47, 16.11

 

CMYK 72 / 0 / 6 / 11

HEX #40E2D4

RGB 64 226 212

HSL 174.81, 0.74%, 0.57%

LAB 81.97, -43.88, -5.13

 

CMYK 72 / 13 / 0 / 11

HEX #40C4E2

RGB 64 196 226

HSL 191.11, 0.74%, 0.57%

LAB 73.58, -25.79, -25.23

 

CMYK 72 / 33 / 0 / 11

HEX #4098E2

RGB 64 152 226

HSL 207.41, 0.74%, 0.57%

LAB 60.81, -2.13, -45.07

 

CMYK 72 / 52 / 0 / 11

HEX #406CE2

RGB 64 108 226

HSL 223.7, 0.74%, 0.57%

LAB 48.64, 24.61, -64.52

 

CMYK 72 / 0 / 25 / 11

HEX #40E2A9

RGB 64 226 169

HSL 158.89, 0.74%, 0.57%

LAB 80.93, -54.47, 16.11

 

CMYK 81 / 0 / 29 / 4

HEX #2EF4AE

RGB 46 244 174

HSL 158.79, 0.9%, 0.57%

LAB 86.18, -62.26, 20.77

 

CMYK 72 / 0 / 25 / 11

HEX #40E2A9

RGB 64 226 169

HSL 158.89, 0.74%, 0.57%

LAB 80.93, -54.47, 16.11

 

CMYK 61 / 0 / 22 / 18

HEX #51D0A3

RGB 81 208 163

HSL 158.74, 0.57%, 0.57%

LAB 75.76, -45.68, 12.06

 

CMYK 48 / 0 / 17 / 25

HEX #63BF9E

RGB 99 191 158

HSL 158.48, 0.42%, 0.57%

LAB 71.13, -35.34, 8.26

 

CMYK 32 / 0 / 12 / 32

HEX #75AD99

RGB 117 173 153

HSL 158.57, 0.25%, 0.57%

LAB 66.5, -22.78, 4.45

 

CMYK 13 / 0 / 5 / 39

HEX #879B94

RGB 135 155 148

HSL 159, 0.09%, 0.57%

LAB 62.28, -8.5, 1.27

 

CMYK 72 / 0 / 65 / 11

HEX #40E250

RGB 64 226 80

HSL 125.93, 0.74%, 0.57%

LAB 79.65, -69, 57.66

 

CMYK 72 / 0 / 46 / 11

HEX #40E27B

RGB 64 226 123

HSL 141.85, 0.74%, 0.57%

LAB 80.13, -63.34, 38.57

 

CMYK 72 / 0 / 27 / 11

HEX #40E2A6

RGB 64 226 166

HSL 157.78, 0.74%, 0.57%

LAB 80.87, -55.13, 17.59

 

CMYK 72 / 0 / 7 / 11

HEX #40E2D2

RGB 64 226 210

HSL 174.07, 0.74%, 0.57%

LAB 81.91, -44.42, -4.15

 

CMYK 72 / 12 / 0 / 11

HEX #40C7E2

RGB 64 199 226

HSL 190, 0.74%, 0.57%

LAB 74.46, -27.28, -23.89

 

CMYK 85 / 0 / 30 / 29

HEX #1BB57E

RGB 27 181 126

HSL 158.57, 0.74%, 0.41%

LAB 65.58, -50.62, 17.61

 

CMYK 85 / 0 / 30 / 15

HEX #20D997

RGB 32 217 151

HSL 158.59, 0.74%, 0.49%

LAB 77.38, -58.35, 20.54

 

CMYK 72 / 0 / 25 / 11

HEX #40E2A9

RGB 64 226 169

HSL 158.89, 0.74%, 0.57%

LAB 80.93, -54.47, 16.11

 

CMYK 57 / 0 / 20 / 9

HEX #64E7B9

RGB 100 231 185

HSL 158.93, 0.73%, 0.65%

LAB 83.63, -46.85, 11.65

 

CMYK 43 / 0 / 15 / 7

HEX #87EDC9

RGB 135 237 201

HSL 158.82, 0.74%, 0.73%

LAB 86.97, -38, 8.2

 

CMYK 71 / 0 / 25 / 11

HEX #42E3AA

RGB 66 227 170

HSL 158.76, 0.74%, 0.57%

LAB 81.29, -54.37, 16.09

 

CMYK 72 / 60 / 0 / 11

HEX #405BE2

RGB 64 91 226

HSL 230, 0.74%, 0.57%

LAB 44.32, 35.3, -71.54

 

CMYK 0 / 55 / 72 / 11

HEX #E26640

RGB 226 102 64

HSL 14.07, 0.74%, 0.57%

LAB 58.08, 45.92, 44.21

 

CMYK 71 / 0 / 25 / 11

HEX #42E3AA

RGB 66 227 170

HSL 158.76, 0.74%, 0.57%

LAB 81.29, -54.37, 16.09

 

CMYK 27 / 72 / 0 / 11

HEX #A640E2

RGB 166 64 226

HSL 277.78, 0.74%, 0.57%

LAB 48.59, 66.82, -64.19

 

CMYK 0 / 27 / 72 / 11

HEX #E2A640

RGB 226 166 64

HSL 37.78, 0.74%, 0.57%

LAB 72.1, 12.6, 59.07

 

CMYK 71 / 0 / 25 / 11

HEX #42E3AA

RGB 66 227 170

HSL 158.76, 0.74%, 0.57%

LAB 81.29, -54.37, 16.09

 

CMYK 72 / 60 / 0 / 11

HEX #405BE2

RGB 64 91 226

HSL 230, 0.74%, 0.57%

LAB 44.32, 35.3, -71.54

 

CMYK 0 / 72 / 46 / 11

HEX #E2407B

RGB 226 64 123

HSL 338.15, 0.74%, 0.57%

LAB 53.24, 65.89, 4

 

CMYK 0 / 12 / 72 / 11

HEX #E2C740

RGB 226 199 64

HSL 50, 0.74%, 0.57%

LAB 80.4, -4.7, 67.34

 

CMYK 71 / 0 / 25 / 11

HEX #42E3AA

RGB 66 227 170

HSL 158.76, 0.74%, 0.57%

LAB 81.29, -54.37, 16.09

 

CMYK 62 / 72 / 0 / 11

HEX #5540E2

RGB 85 64 226

HSL 247.78, 0.74%, 0.57%

LAB 39.73, 53.7, -79.02

 

CMYK 0 / 72 / 46 / 11

HEX #E2407B

RGB 226 64 123

HSL 338.15, 0.74%, 0.57%

LAB 53.24, 65.89, 4

 

CMYK 10 / 0 / 72 / 11

HEX #CCE240

RGB 204 226 64

HSL 68.15, 0.74%, 0.57%

LAB 85.81, -27.22, 72

 

Description

Color code: HEX #42E3AA | qconv.com Color code: HEX #42E3AA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 227 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 227 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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