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Color name
HEX #42F559

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42F559 it is the complementary color #BD0AA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42F559. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42F559 shade: #47F554, #58FF67, #69FF7A, #7AFF8D and #8BFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42F559. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42F559 shade: #42F559, #31E346, #20D133, #0FBF20 and #00AD0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42F559 shade: #42F559, #5BF542, #8BF542, #BBF542 and #ECF542

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42F559 shade: #42F559, #42F589, #42F5B9, #42F5E9 and #42CFF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42F559 shade matches the following richer shades: #42F559

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42F559 shade: #42F559, #52E465, #62D470, #72C47C and #82B488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42F559 shade: #8CF542, #5CF542, #42F556, #42F586 and #42F5B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42F559 shade: #0BD925, #1AF236, #42F559, #69F77B and #90F99D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42F559 shade: #42F559, #42BCF5 and #F54274

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42F559 shade: #42F559, #5642F5 and #F55642

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42F559 shade: #42F559, #42BCF5, #F542E0 and #F57A42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42F559 shade: #42F559, #4286F5, #F542E0 and #F5B042

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 64 / 4

HEX #42F559

RGB 66 245 89

HSL 127.71, 0.9%, 0.61%

LAB 85.6, -73.82, 60.57

 

Complementary color

CMYK 0 / 95 / 12 / 26

HEX #BD0AA6

RGB 189 10 166

HSL 307.71, 0.9%, 0.39%

LAB 43.93, 74.29, -36.57

 

CMYK 71 / 0 / 66 / 4

HEX #47F554

RGB 71 245 84

HSL 124.48, 0.9%, 0.62%

LAB 85.65, -73.54, 62.65

 

CMYK 65 / 0 / 60 / 0

HEX #58FF67

RGB 88 255 103

HSL 125.39, 1%, 0.67%

LAB 89.19, -71.88, 58.9

 

CMYK 59 / 0 / 52 / 0

HEX #69FF7A

RGB 105 255 122

HSL 126.8, 1%, 0.71%

LAB 89.83, -66.16, 51.33

 

CMYK 52 / 0 / 45 / 0

HEX #7AFF8D

RGB 122 255 141

HSL 128.57, 1%, 0.74%

LAB 90.59, -59.62, 43.44

 

CMYK 45 / 0 / 37 / 0

HEX #8BFFA0

RGB 139 255 160

HSL 130.86, 1%, 0.77%

LAB 91.48, -52.38, 35.43

 

CMYK 73 / 0 / 64 / 4

HEX #42F559

RGB 66 245 89

HSL 127.71, 0.9%, 0.61%

LAB 85.6, -73.82, 60.57

 

CMYK 78 / 0 / 69 / 11

HEX #31E346

RGB 49 227 70

HSL 127.08, 0.76%, 0.54%

LAB 79.63, -72.38, 61.51

 

CMYK 85 / 0 / 76 / 18

HEX #20D133

RGB 32 209 51

HSL 126.44, 0.73%, 0.47%

LAB 73.64, -70.38, 62.05

 

CMYK 92 / 0 / 83 / 25

HEX #0FBF20

RGB 15 191 32

HSL 125.8, 0.85%, 0.4%

LAB 67.63, -67.65, 61.86

 

CMYK 100 / 0 / 92 / 32

HEX #00AD0D

RGB 0 173 13

HSL 124.51, 1%, 0.34%

LAB 61.58, -64.11, 60.45

 

CMYK 73 / 0 / 64 / 4

HEX #42F559

RGB 66 245 89

HSL 127.71, 0.9%, 0.61%

LAB 85.6, -73.82, 60.57

 

CMYK 63 / 0 / 73 / 4

HEX #5BF542

RGB 91 245 66

HSL 111.62, 0.9%, 0.61%

LAB 85.97, -71.33, 69.69

 

CMYK 43 / 0 / 73 / 4

HEX #8BF542

RGB 139 245 66

HSL 95.53, 0.9%, 0.61%

LAB 87.58, -58.83, 71.82

 

CMYK 24 / 0 / 73 / 4

HEX #BBF542

RGB 187 245 66

HSL 79.44, 0.9%, 0.61%

LAB 89.98, -42.37, 74.99

 

CMYK 4 / 0 / 73 / 4

HEX #ECF542

RGB 236 245 66

HSL 63.02, 0.9%, 0.61%

LAB 93.25, -23.2, 79.24

 

CMYK 73 / 0 / 64 / 4

HEX #42F559

RGB 66 245 89

HSL 127.71, 0.9%, 0.61%

LAB 85.6, -73.82, 60.57

 

CMYK 73 / 0 / 44 / 4

HEX #42F589

RGB 66 245 137

HSL 143.8, 0.9%, 0.61%

LAB 86.14, -67.41, 39.41

 

CMYK 73 / 0 / 24 / 4

HEX #42F5B9

RGB 66 245 185

HSL 159.89, 0.9%, 0.61%

LAB 86.98, -58.1, 16.27

 

CMYK 73 / 0 / 5 / 4

HEX #42F5E9

RGB 66 245 233

HSL 175.98, 0.9%, 0.61%

LAB 88.13, -46.29, -7.06

 

CMYK 73 / 16 / 0 / 4

HEX #42CFF5

RGB 66 207 245

HSL 192.74, 0.9%, 0.61%

LAB 77.51, -25.12, -29.45

 

CMYK 73 / 0 / 64 / 4

HEX #42F559

RGB 66 245 89

HSL 127.71, 0.9%, 0.61%

LAB 85.6, -73.82, 60.57

 

CMYK 73 / 0 / 64 / 4

HEX #42F559

RGB 66 245 89

HSL 127.71, 0.9%, 0.61%

LAB 85.6, -73.82, 60.57

 

CMYK 64 / 0 / 56 / 11

HEX #52E465

RGB 82 228 101

HSL 127.81, 0.73%, 0.61%

LAB 80.86, -64.06, 50.03

 

CMYK 54 / 0 / 47 / 17

HEX #62D470

RGB 98 212 112

HSL 127.37, 0.57%, 0.61%

LAB 76.59, -53.06, 39.7

 

CMYK 42 / 0 / 37 / 23

HEX #72C47C

RGB 114 196 124

HSL 127.32, 0.41%, 0.61%

LAB 72.57, -40.14, 28.53

 

CMYK 28 / 0 / 24 / 29

HEX #82B488

RGB 130 180 136

HSL 127.2, 0.25%, 0.61%

LAB 68.87, -25.5, 17.25

 

CMYK 43 / 0 / 73 / 4

HEX #8CF542

RGB 140 245 66

HSL 95.2, 0.9%, 0.61%

LAB 87.62, -58.52, 71.88

 

CMYK 62 / 0 / 73 / 4

HEX #5CF542

RGB 92 245 66

HSL 111.28, 0.9%, 0.61%

LAB 85.99, -71.12, 69.72

 

CMYK 73 / 0 / 65 / 4

HEX #42F556

RGB 66 245 86

HSL 126.7, 0.9%, 0.61%

LAB 85.57, -74.12, 61.75

 

CMYK 73 / 0 / 45 / 4

HEX #42F586

RGB 66 245 134

HSL 142.79, 0.9%, 0.61%

LAB 86.1, -67.89, 40.81

 

CMYK 73 / 0 / 26 / 4

HEX #42F5B6

RGB 66 245 182

HSL 158.88, 0.9%, 0.61%

LAB 86.92, -58.76, 17.73

 

CMYK 95 / 0 / 83 / 15

HEX #0BD925

RGB 11 217 37

HSL 127.57, 0.9%, 0.45%

LAB 75.97, -74.83, 68.22

 

CMYK 89 / 0 / 78 / 5

HEX #1AF236

RGB 26 242 54

HSL 127.78, 0.89%, 0.53%

LAB 83.96, -80, 71.14

 

CMYK 73 / 0 / 64 / 4

HEX #42F559

RGB 66 245 89

HSL 127.71, 0.9%, 0.61%

LAB 85.6, -73.82, 60.57

 

CMYK 57 / 0 / 50 / 3

HEX #69F77B

RGB 105 247 123

HSL 127.61, 0.9%, 0.69%

LAB 87.46, -63.13, 47.97

 

CMYK 42 / 0 / 37 / 2

HEX #90F99D

RGB 144 249 157

HSL 127.43, 0.9%, 0.77%

LAB 89.91, -48.99, 34.88

 

CMYK 73 / 0 / 64 / 4

HEX #42F559

RGB 66 245 89

HSL 127.71, 0.9%, 0.61%

LAB 85.6, -73.82, 60.57

 

CMYK 73 / 23 / 0 / 4

HEX #42BCF5

RGB 66 188 245

HSL 199.11, 0.9%, 0.61%

LAB 72.04, -15.35, -37.89

 

CMYK 0 / 73 / 53 / 4

HEX #F54274

RGB 245 66 116

HSL 343.24, 0.9%, 0.61%

LAB 56.65, 69.95, 13.48

 

CMYK 73 / 0 / 64 / 4

HEX #42F559

RGB 66 245 89

HSL 127.71, 0.9%, 0.61%

LAB 85.6, -73.82, 60.57

 

CMYK 65 / 73 / 0 / 4

HEX #5642F5

RGB 86 66 245

HSL 246.7, 0.9%, 0.61%

LAB 41.95, 58.45, -86.11

 

CMYK 0 / 65 / 73 / 4

HEX #F55642

RGB 245 86 66

HSL 6.7, 0.9%, 0.61%

LAB 58.47, 59.74, 44.46

 

CMYK 73 / 0 / 64 / 4

HEX #42F559

RGB 66 245 89

HSL 127.71, 0.9%, 0.61%

LAB 85.6, -73.82, 60.57

 

CMYK 73 / 23 / 0 / 4

HEX #42BCF5

RGB 66 188 245

HSL 199.11, 0.9%, 0.61%

LAB 72.04, -15.35, -37.89

 

CMYK 0 / 73 / 9 / 4

HEX #F542E0

RGB 245 66 224

HSL 307.04, 0.9%, 0.61%

LAB 60.51, 81.92, -43.35

 

CMYK 0 / 50 / 73 / 4

HEX #F57A42

RGB 245 122 66

HSL 18.77, 0.9%, 0.61%

LAB 64.74, 43.39, 51.26

 

CMYK 73 / 0 / 64 / 4

HEX #42F559

RGB 66 245 89

HSL 127.71, 0.9%, 0.61%

LAB 85.6, -73.82, 60.57

 

CMYK 73 / 45 / 0 / 4

HEX #4286F5

RGB 66 134 245

HSL 217.21, 0.9%, 0.61%

LAB 56.88, 15.57, -61.86

 

CMYK 0 / 73 / 9 / 4

HEX #F542E0

RGB 245 66 224

HSL 307.04, 0.9%, 0.61%

LAB 60.51, 81.92, -43.35

 

CMYK 0 / 28 / 73 / 4

HEX #F5B042

RGB 245 176 66

HSL 36.87, 0.9%, 0.61%

LAB 76.59, 15.43, 63.44

 

Description

Color code: HEX #42F559 | qconv.com Color code: HEX #42F559 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 245 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 245 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 64 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 64% 4% C M Y K

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