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Color name
HEX #42F1A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42F1A2 it is the complementary color #BD0E5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42F1A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42F1A2 shade: #47F19D, #58FFB0, #69FFC3, #7AFFD6 and #8BFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42F1A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42F1A2 shade: #42F1A2, #31DF8F, #20CD7C, #0FBB69 and #00A956

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42F1A2 shade: #41F0A1, #41F072, #41F042, #6EF041 and #9EF041

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42F1A2 shade: #41F0A1, #41F0D0, #41E1F0, #41B2F0 and #4182F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42F1A2 shade matches the following richer shades: #41F0A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42F1A2 shade: #41F0A1, #51E09F, #62CF9E, #72BF9C and #83AE9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42F1A2 shade: #41F041, #41F070, #41F09E, #41F0CD and #41E5F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42F1A2 shade: #0FCF79, #1AED8E, #41F0A1, #67F3B4 and #8EF6C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42F1A2 shade: #42F1A2, #4170F0 and #F05841

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42F1A2 shade: #42F1A2, #9E41F0 and #F09E41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42F1A2 shade: #42F1A2, #4170F0, #F04193 and #F0C141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42F1A2 shade: #42F1A2, #4741F0, #F04193 and #EAF041

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 33 / 5

HEX #42F1A2

RGB 66 241 162

HSL 152.91, 0.86%, 0.6%

LAB 85.34, -61.42, 25.82

 

Complementary color

CMYK 0 / 93 / 51 / 26

HEX #BD0E5D

RGB 189 14 93

HSL 332.91, 0.86%, 0.4%

LAB 41.09, 66.02, 4.07

 

CMYK 71 / 0 / 35 / 5

HEX #47F19D

RGB 71 241 157

HSL 150.35, 0.86%, 0.61%

LAB 85.34, -61.7, 28.39

 

CMYK 65 / 0 / 31 / 0

HEX #58FFB0

RGB 88 255 176

HSL 151.62, 1%, 0.67%

LAB 90.2, -60.62, 25.4

 

CMYK 59 / 0 / 24 / 0

HEX #69FFC3

RGB 105 255 195

HSL 156, 1%, 0.71%

LAB 90.99, -53.71, 16.88

 

CMYK 52 / 0 / 16 / 0

HEX #7AFFD6

RGB 122 255 214

HSL 161.5, 1%, 0.74%

LAB 91.91, -46.17, 8.48

 

CMYK 45 / 0 / 9 / 0

HEX #8BFFE9

RGB 139 255 233

HSL 168.62, 1%, 0.77%

LAB 92.97, -38.13, 0.27

 

CMYK 73 / 0 / 33 / 5

HEX #42F1A2

RGB 66 241 162

HSL 152.91, 0.86%, 0.6%

LAB 85.34, -61.42, 25.82

 

CMYK 78 / 0 / 36 / 13

HEX #31DF8F

RGB 49 223 143

HSL 152.41, 0.73%, 0.53%

LAB 79.28, -60.64, 27.32

 

CMYK 84 / 0 / 40 / 20

HEX #20CD7C

RGB 32 205 124

HSL 151.91, 0.73%, 0.46%

LAB 73.17, -59.51, 28.93

 

CMYK 92 / 0 / 44 / 27

HEX #0FBB69

RGB 15 187 105

HSL 151.4, 0.85%, 0.4%

LAB 67.02, -57.92, 30.68

 

CMYK 100 / 0 / 49 / 34

HEX #00A956

RGB 0 169 86

HSL 150.53, 1%, 0.33%

LAB 60.82, -55.82, 32.54

 

CMYK 73 / 0 / 33 / 6

HEX #41F0A1

RGB 65 240 161

HSL 152.91, 0.85%, 0.6%

LAB 85.01, -61.38, 25.88

 

CMYK 73 / 0 / 53 / 6

HEX #41F072

RGB 65 240 114

HSL 136.8, 0.85%, 0.6%

LAB 84.31, -69.34, 48.1

 

CMYK 73 / 0 / 73 / 6

HEX #41F042

RGB 65 240 66

HSL 120.34, 0.85%, 0.6%

LAB 83.88, -74.46, 67.41

 

CMYK 54 / 0 / 73 / 6

HEX #6EF041

RGB 110 240 65

HSL 104.57, 0.85%, 0.6%

LAB 85, -65.27, 69.24

 

CMYK 34 / 0 / 73 / 6

HEX #9EF041

RGB 158 240 65

HSL 88.11, 0.85%, 0.6%

LAB 86.98, -50.72, 71.86

 

CMYK 73 / 0 / 33 / 6

HEX #41F0A1

RGB 65 240 161

HSL 152.91, 0.85%, 0.6%

LAB 85.01, -61.38, 25.88

 

CMYK 73 / 0 / 13 / 6

HEX #41F0D0

RGB 65 240 208

HSL 169.03, 0.85%, 0.6%

LAB 86.01, -50.78, 2.89

 

CMYK 73 / 6 / 0 / 6

HEX #41E1F0

RGB 65 225 240

HSL 185.14, 0.85%, 0.6%

LAB 82.52, -35.44, -19.14

 

CMYK 73 / 26 / 0 / 6

HEX #41B2F0

RGB 65 178 240

HSL 201.26, 0.85%, 0.6%

LAB 68.94, -11.77, -40.02

 

CMYK 73 / 46 / 0 / 6

HEX #4182F0

RGB 65 130 240

HSL 217.71, 0.85%, 0.6%

LAB 55.46, 16.09, -61.37

 

CMYK 73 / 0 / 33 / 6

HEX #41F0A1

RGB 65 240 161

HSL 152.91, 0.85%, 0.6%

LAB 85.01, -61.38, 25.88

 

CMYK 73 / 0 / 33 / 6

HEX #41F0A1

RGB 65 240 161

HSL 152.91, 0.85%, 0.6%

LAB 85.01, -61.38, 25.88

 

CMYK 64 / 0 / 29 / 12

HEX #51E09F

RGB 81 224 159

HSL 152.73, 0.7%, 0.6%

LAB 80.5, -53.14, 20.79

 

CMYK 53 / 0 / 24 / 19

HEX #62CF9E

RGB 98 207 158

HSL 153.03, 0.53%, 0.6%

LAB 75.88, -42.77, 14.97

 

CMYK 40 / 0 / 18 / 25

HEX #72BF9C

RGB 114 191 156

HSL 152.73, 0.38%, 0.6%

LAB 71.72, -31.82, 10.26

 

CMYK 25 / 0 / 11 / 32

HEX #83AE9B

RGB 131 174 155

HSL 153.49, 0.21%, 0.6%

LAB 67.62, -18.46, 5.07

 

CMYK 73 / 0 / 73 / 6

HEX #41F041

RGB 65 240 65

HSL 120, 0.85%, 0.6%

LAB 83.87, -74.54, 67.74

 

CMYK 73 / 0 / 53 / 6

HEX #41F070

RGB 65 240 112

HSL 136.11, 0.85%, 0.6%

LAB 84.28, -69.61, 49

 

CMYK 73 / 0 / 34 / 6

HEX #41F09E

RGB 65 240 158

HSL 151.89, 0.85%, 0.6%

LAB 84.95, -61.97, 27.33

 

CMYK 73 / 0 / 15 / 6

HEX #41F0CD

RGB 65 240 205

HSL 168, 0.85%, 0.6%

LAB 85.93, -51.52, 4.36

 

CMYK 73 / 5 / 0 / 6

HEX #41E5F0

RGB 65 229 240

HSL 183.77, 0.85%, 0.6%

LAB 83.68, -37.3, -17.4

 

CMYK 93 / 0 / 42 / 19

HEX #0FCF79

RGB 15 207 121

HSL 153.13, 0.86%, 0.44%

LAB 73.62, -61.86, 31.04

 

CMYK 89 / 0 / 40 / 7

HEX #1AED8E

RGB 26 237 142

HSL 152.99, 0.85%, 0.52%

LAB 83.31, -67.65, 33.14

 

CMYK 73 / 0 / 33 / 6

HEX #41F0A1

RGB 65 240 161

HSL 152.91, 0.85%, 0.6%

LAB 85.01, -61.38, 25.88

 

CMYK 58 / 0 / 26 / 5

HEX #67F3B4

RGB 103 243 180

HSL 153, 0.85%, 0.68%

LAB 87.13, -52.31, 19.19

 

CMYK 42 / 0 / 19 / 4

HEX #8EF6C7

RGB 142 246 199

HSL 152.88, 0.85%, 0.76%

LAB 89.76, -40.67, 13.26

 

CMYK 73 / 0 / 33 / 5

HEX #42F1A2

RGB 66 241 162

HSL 152.91, 0.86%, 0.6%

LAB 85.34, -61.42, 25.82

 

CMYK 73 / 53 / 0 / 6

HEX #4170F0

RGB 65 112 240

HSL 223.89, 0.85%, 0.6%

LAB 50.69, 27.26, -69.07

 

CMYK 0 / 63 / 73 / 6

HEX #F05841

RGB 240 88 65

HSL 7.89, 0.85%, 0.6%

LAB 57.93, 57.21, 44.16

 

CMYK 73 / 0 / 33 / 5

HEX #42F1A2

RGB 66 241 162

HSL 152.91, 0.86%, 0.6%

LAB 85.34, -61.42, 25.82

 

CMYK 34 / 73 / 0 / 6

HEX #9E41F0

RGB 158 65 240

HSL 271.89, 0.85%, 0.6%

LAB 48.69, 67.99, -71.98

 

CMYK 0 / 34 / 73 / 6

HEX #F09E41

RGB 240 158 65

HSL 31.89, 0.85%, 0.6%

LAB 71.8, 22.79, 58.85

 

CMYK 73 / 0 / 33 / 5

HEX #42F1A2

RGB 66 241 162

HSL 152.91, 0.86%, 0.6%

LAB 85.34, -61.42, 25.82

 

CMYK 73 / 53 / 0 / 6

HEX #4170F0

RGB 65 112 240

HSL 223.89, 0.85%, 0.6%

LAB 50.69, 27.26, -69.07

 

CMYK 0 / 73 / 39 / 6

HEX #F04193

RGB 240 65 147

HSL 331.89, 0.85%, 0.6%

LAB 56.5, 71.62, -5.21

 

CMYK 0 / 20 / 73 / 6

HEX #F0C141

RGB 240 193 65

HSL 43.89, 0.85%, 0.6%

LAB 80.21, 4.38, 67.23

 

CMYK 73 / 0 / 33 / 5

HEX #42F1A2

RGB 66 241 162

HSL 152.91, 0.86%, 0.6%

LAB 85.34, -61.42, 25.82

 

CMYK 70 / 73 / 0 / 6

HEX #4741F0

RGB 71 65 240

HSL 242.06, 0.85%, 0.6%

LAB 40.27, 55.95, -86.11

 

CMYK 0 / 73 / 39 / 6

HEX #F04193

RGB 240 65 147

HSL 331.89, 0.85%, 0.6%

LAB 56.5, 71.62, -5.21

 

CMYK 3 / 0 / 73 / 6

HEX #EAF041

RGB 234 240 65

HSL 62.06, 0.85%, 0.6%

LAB 91.77, -21.67, 78.12

 

Description

Color code: HEX #42F1A2 | qconv.com Color code: HEX #42F1A2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 241 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 241 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 33 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 33% 5% C M Y K

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Provide designers and agencies with accurate color values.

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