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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42FF93 it is the complementary color #BD006C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42FF93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42FF93 shade: #47FF8E, #58FFA1, #69FFB4, #7AFFC7 and #8BFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42FF93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42FF93 shade: #42FF93, #31ED80, #20DB6D, #0FC95A and #00B747

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42FF93 shade: #42FF93, #42FF60, #57FF42, #8AFF42 and #BCFF42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42FF93 shade: #42FF93, #42FFC6, #42FFF8, #42D2FF and #429FFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42FF93 shade matches the following richer shades: #42FF93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42FF93 shade: #42FF93, #51EF95, #60E097, #70D199 and #7FC19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42FF93 shade: #58FF42, #42FF5E, #42FF90, #42FFC3 and #42FFF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42FF93 shade: #00EE66, #19FF7B, #42FF93, #6BFFAA and #94FFC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42FF93 shade: #42FF93, #428AFF and #FF4542

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42FF93 shade: #42FF93, #9042FF and #FF9042

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42FF93 shade: #42FF93, #428AFF, #FF42B0 and #FFB642

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42FF93 shade: #42FF93, #4252FF, #FF42B0 and #FFEF42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 42 / 0

HEX #42FF93

RGB 66 255 147

HSL 145.71, 1%, 0.63%

LAB 89.29, -69.2, 38.59

 

Complementary color

CMYK 0 / 100 / 43 / 26

HEX #BD006C

RGB 189 0 108

HSL 325.71, 1%, 0.37%

LAB 41.06, 68.73, -5.45

 

CMYK 72 / 0 / 44 / 0

HEX #47FF8E

RGB 71 255 142

HSL 143.15, 1%, 0.64%

LAB 89.31, -69.35, 41.06

 

CMYK 65 / 0 / 37 / 0

HEX #58FFA1

RGB 88 255 161

HSL 146.23, 1%, 0.67%

LAB 89.94, -63.44, 32.6

 

CMYK 59 / 0 / 29 / 0

HEX #69FFB4

RGB 105 255 180

HSL 150, 1%, 0.71%

LAB 90.7, -56.75, 24.13

 

CMYK 52 / 0 / 22 / 0

HEX #7AFFC7

RGB 122 255 199

HSL 154.74, 1%, 0.74%

LAB 91.59, -49.38, 15.74

 

CMYK 45 / 0 / 15 / 0

HEX #8BFFDA

RGB 139 255 218

HSL 160.86, 1%, 0.77%

LAB 92.61, -41.46, 7.49

 

CMYK 74 / 0 / 42 / 0

HEX #42FF93

RGB 66 255 147

HSL 145.71, 1%, 0.63%

LAB 89.29, -69.2, 38.59

 

CMYK 79 / 0 / 46 / 7

HEX #31ED80

RGB 49 237 128

HSL 145.21, 0.84%, 0.56%

LAB 83.33, -68.23, 40.15

 

CMYK 85 / 0 / 50 / 14

HEX #20DB6D

RGB 32 219 109

HSL 144.71, 0.75%, 0.49%

LAB 77.33, -66.87, 41.78

 

CMYK 93 / 0 / 55 / 21

HEX #0FC95A

RGB 15 201 90

HSL 144.19, 0.86%, 0.42%

LAB 71.29, -65, 43.47

 

CMYK 100 / 0 / 61 / 28

HEX #00B747

RGB 0 183 71

HSL 143.28, 1%, 0.36%

LAB 65.22, -62.57, 45.13

 

CMYK 74 / 0 / 42 / 0

HEX #42FF93

RGB 66 255 147

HSL 145.71, 1%, 0.63%

LAB 89.29, -69.2, 38.59

 

CMYK 74 / 0 / 62 / 0

HEX #42FF60

RGB 66 255 96

HSL 129.52, 1%, 0.63%

LAB 88.7, -76.22, 61.15

 

CMYK 66 / 0 / 74 / 0

HEX #57FF42

RGB 87 255 66

HSL 113.33, 1%, 0.63%

LAB 88.89, -75.34, 72.56

 

CMYK 46 / 0 / 74 / 0

HEX #8AFF42

RGB 138 255 66

HSL 97.14, 1%, 0.63%

LAB 90.47, -62.89, 74.64

 

CMYK 26 / 0 / 74 / 0

HEX #BCFF42

RGB 188 255 66

HSL 81.27, 1%, 0.63%

LAB 92.84, -46.31, 77.75

 

CMYK 74 / 0 / 42 / 0

HEX #42FF93

RGB 66 255 147

HSL 145.71, 1%, 0.63%

LAB 89.29, -69.2, 38.59

 

CMYK 74 / 0 / 22 / 0

HEX #42FFC6

RGB 66 255 198

HSL 161.9, 1%, 0.63%

LAB 90.21, -59.07, 14.11

 

CMYK 74 / 0 / 3 / 0

HEX #42FFF8

RGB 66 255 248

HSL 177.78, 1%, 0.63%

LAB 91.44, -46.57, -9.97

 

CMYK 74 / 18 / 0 / 0

HEX #42D2FF

RGB 66 210 255

HSL 194.29, 1%, 0.63%

LAB 78.74, -23.49, -32.89

 

CMYK 74 / 38 / 0 / 0

HEX #429FFF

RGB 66 159 255

HSL 210.48, 1%, 0.63%

LAB 64.3, 4.21, -55.49

 

CMYK 74 / 0 / 42 / 0

HEX #42FF93

RGB 66 255 147

HSL 145.71, 1%, 0.63%

LAB 89.29, -69.2, 38.59

 

CMYK 74 / 0 / 42 / 0

HEX #42FF93

RGB 66 255 147

HSL 145.71, 1%, 0.63%

LAB 89.29, -69.2, 38.59

 

CMYK 66 / 0 / 38 / 6

HEX #51EF95

RGB 81 239 149

HSL 145.82, 0.83%, 0.63%

LAB 84.82, -60.86, 31.77

 

CMYK 57 / 0 / 33 / 12

HEX #60E097

RGB 96 224 151

HSL 145.78, 0.67%, 0.63%

LAB 80.76, -51.76, 25.36

 

CMYK 46 / 0 / 27 / 18

HEX #70D199

RGB 112 209 153

HSL 145.36, 0.51%, 0.63%

LAB 76.89, -41.21, 19.1

 

CMYK 34 / 0 / 20 / 24

HEX #7FC19B

RGB 127 193 155

HSL 145.45, 0.35%, 0.63%

LAB 72.9, -29.18, 12.57

 

CMYK 65 / 0 / 74 / 0

HEX #58FF42

RGB 88 255 66

HSL 113.02, 1%, 0.63%

LAB 88.92, -75.15, 72.59

 

CMYK 74 / 0 / 63 / 0

HEX #42FF5E

RGB 66 255 94

HSL 128.89, 1%, 0.63%

LAB 88.68, -76.42, 61.95

 

CMYK 74 / 0 / 44 / 0

HEX #42FF90

RGB 66 255 144

HSL 144.76, 1%, 0.63%

LAB 89.25, -69.7, 39.99

 

CMYK 74 / 0 / 24 / 0

HEX #42FFC3

RGB 66 255 195

HSL 160.95, 1%, 0.63%

LAB 90.15, -59.75, 15.57

 

CMYK 74 / 0 / 4 / 0

HEX #42FFF5

RGB 66 255 245

HSL 176.83, 1%, 0.63%

LAB 91.36, -47.38, -8.54

 

CMYK 100 / 0 / 57 / 7

HEX #00EE66

RGB 0 238 102

HSL 145.71, 1%, 0.47%

LAB 82.97, -75.27, 51.84

 

CMYK 90 / 0 / 52 / 0

HEX #19FF7B

RGB 25 255 123

HSL 145.57, 1%, 0.55%

LAB 88.52, -76.66, 48.97

 

CMYK 74 / 0 / 42 / 0

HEX #42FF93

RGB 66 255 147

HSL 145.71, 1%, 0.63%

LAB 89.29, -69.2, 38.59

 

CMYK 58 / 0 / 33 / 0

HEX #6BFFAA

RGB 107 255 170

HSL 145.54, 1%, 0.71%

LAB 90.57, -58.23, 29.02

 

CMYK 42 / 0 / 24 / 0

HEX #94FFC2

RGB 148 255 194

HSL 145.79, 1%, 0.79%

LAB 92.45, -44.05, 19.65

 

CMYK 74 / 0 / 42 / 0

HEX #42FF93

RGB 66 255 147

HSL 145.71, 1%, 0.63%

LAB 89.29, -69.2, 38.59

 

CMYK 74 / 46 / 0 / 0

HEX #428AFF

RGB 66 138 255

HSL 217.14, 1%, 0.63%

LAB 58.56, 16.71, -64.67

 

CMYK 0 / 73 / 74 / 0

HEX #FF4542

RGB 255 69 66

HSL 0.95, 1%, 0.63%

LAB 57.95, 69.06, 44.38

 

CMYK 74 / 0 / 42 / 0

HEX #42FF93

RGB 66 255 147

HSL 145.71, 1%, 0.63%

LAB 89.29, -69.2, 38.59

 

CMYK 44 / 74 / 0 / 0

HEX #9042FF

RGB 144 66 255

HSL 264.76, 1%, 0.63%

LAB 48.32, 68.78, -81.04

 

CMYK 0 / 44 / 74 / 0

HEX #FF9042

RGB 255 144 66

HSL 24.76, 1%, 0.63%

LAB 70.59, 36.2, 57.78

 

CMYK 74 / 0 / 42 / 0

HEX #42FF93

RGB 66 255 147

HSL 145.71, 1%, 0.63%

LAB 89.29, -69.2, 38.59

 

CMYK 74 / 46 / 0 / 0

HEX #428AFF

RGB 66 138 255

HSL 217.14, 1%, 0.63%

LAB 58.56, 16.71, -64.67

 

CMYK 0 / 74 / 31 / 0

HEX #FF42B0

RGB 255 66 176

HSL 325.08, 1%, 0.63%

LAB 60.15, 78.13, -16.4

 

CMYK 0 / 29 / 74 / 0

HEX #FFB642

RGB 255 182 66

HSL 36.83, 1%, 0.63%

LAB 79.1, 16.47, 66.29

 

CMYK 74 / 0 / 42 / 0

HEX #42FF93

RGB 66 255 147

HSL 145.71, 1%, 0.63%

LAB 89.29, -69.2, 38.59

 

CMYK 74 / 68 / 0 / 0

HEX #4252FF

RGB 66 82 255

HSL 234.92, 1%, 0.63%

LAB 44.82, 50.84, -87.02

 

CMYK 0 / 74 / 31 / 0

HEX #FF42B0

RGB 255 66 176

HSL 325.08, 1%, 0.63%

LAB 60.15, 78.13, -16.4

 

CMYK 0 / 6 / 74 / 0

HEX #FFEF42

RGB 255 239 66

HSL 54.92, 1%, 0.63%

LAB 93.18, -12.54, 79.72

 

Description

Color code: HEX #42FF93 | qconv.com Color code: HEX #42FF93 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 255 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 255 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 42 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 42% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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