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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #431172 it is the complementary color #BCEE8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #431172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #431172 shade: #48116D, #592380, #6A3593, #7B47A6 and #8C59B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #431172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #431172 shade: #431172, #32005F, #21004C, #100039 and #000026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #431172 shade: #431173, #5E1173, #73116D, #731153 and #731139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #431172 shade: #431173, #291173 and #111173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #431172 shade matches the following richer shades: #431173 and #44067E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #431172 shade: #431173, #431B68, #43265D, #423153 and #423C48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #431172 shade: #111473, #281173, #421173, #5C1173 and #731170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #431172 shade: #19062B, #2E0B4F, #431173, #581697 and #6E1BBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #431172 shade: #431172, #73112E and #11731B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #431172 shade: #431172, #734211 and #117342

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #431172 shade: #431172, #73112E, #427311 and #117355

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #431172 shade: #431172, #731111, #427311 and #117373

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 85 / 0 / 55

HEX #431172

RGB 67 17 114

HSL 270.93, 0.74%, 0.26%

LAB 19.26, 42.01, -45.11

 

Complementary color

CMYK 21 / 0 / 41 / 7

HEX #BCEE8D

RGB 188 238 141

HSL 90.93, 0.74%, 0.74%

LAB 88.81, -32.3, 41.8

 

CMYK 34 / 84 / 0 / 57

HEX #48116D

RGB 72 17 109

HSL 275.87, 0.73%, 0.25%

LAB 19.57, 41.63, -41.34

 

CMYK 30 / 73 / 0 / 50

HEX #592380

RGB 89 35 128

HSL 274.84, 0.57%, 0.32%

LAB 26.4, 41.85, -42.28

 

CMYK 28 / 64 / 0 / 42

HEX #6A3593

RGB 106 53 147

HSL 273.83, 0.47%, 0.39%

LAB 33.39, 41.28, -42.69

 

CMYK 26 / 57 / 0 / 35

HEX #7B47A6

RGB 123 71 166

HSL 272.84, 0.4%, 0.46%

LAB 40.36, 40.45, -42.86

 

CMYK 24 / 52 / 0 / 27

HEX #8C59B9

RGB 140 89 185

HSL 271.88, 0.41%, 0.54%

LAB 47.27, 39.53, -42.94

 

CMYK 41 / 85 / 0 / 55

HEX #431172

RGB 67 17 114

HSL 270.93, 0.74%, 0.26%

LAB 19.26, 42.01, -45.11

 

CMYK 47 / 100 / 0 / 63

HEX #32005F

RGB 50 0 95

HSL 271.58, 1%, 0.19%

LAB 12.64, 41.01, -43.6

 

CMYK 57 / 100 / 0 / 70

HEX #21004C

RGB 33 0 76

HSL 266.05, 1%, 0.15%

LAB 7.63, 34.58, -38.98

 

CMYK 72 / 100 / 0 / 78

HEX #100039

RGB 16 0 57

HSL 256.84, 1%, 0.11%

LAB 3.66, 23.03, -32.02

 

CMYK 100 / 100 / 0 / 85

HEX #000026

RGB 0 0 38

HSL 240, 1%, 0.07%

LAB 1.26, 8.88, -21.58

 

CMYK 42 / 85 / 0 / 55

HEX #431173

RGB 67 17 115

HSL 270.61, 0.74%, 0.26%

LAB 19.36, 42.27, -45.6

 

CMYK 18 / 85 / 0 / 55

HEX #5E1173

RGB 94 17 115

HSL 287.14, 0.74%, 0.26%

LAB 23.73, 47.05, -38.29

 

CMYK 0 / 85 / 5 / 55

HEX #73116D

RGB 115 17 109

HSL 303.67, 0.74%, 0.26%

LAB 27.16, 50.26, -28.73

 

CMYK 0 / 85 / 28 / 55

HEX #731153

RGB 115 17 83

HSL 319.59, 0.74%, 0.26%

LAB 25.77, 46.41, -13.85

 

CMYK 0 / 85 / 50 / 55

HEX #731139

RGB 115 17 57

HSL 335.51, 0.74%, 0.26%

LAB 24.77, 43.48, 2.25

 

CMYK 42 / 85 / 0 / 55

HEX #431173

RGB 67 17 115

HSL 270.61, 0.74%, 0.26%

LAB 19.36, 42.27, -45.6

 

CMYK 64 / 85 / 0 / 55

HEX #291173

RGB 41 17 115

HSL 254.69, 0.74%, 0.26%

LAB 16.05, 38.73, -51.16

 

CMYK 85 / 85 / 0 / 55

HEX #111173

RGB 17 17 115

HSL 240, 0.74%, 0.26%

LAB 14.16, 36.75, -54.35

 

CMYK 42 / 85 / 0 / 55

HEX #431173

RGB 67 17 115

HSL 270.61, 0.74%, 0.26%

LAB 19.36, 42.27, -45.6

 

CMYK 46 / 95 / 0 / 51

HEX #44067E

RGB 68 6 126

HSL 271, 0.91%, 0.26%

LAB 19.5, 48.43, -52.42

 

CMYK 42 / 85 / 0 / 55

HEX #431173

RGB 67 17 115

HSL 270.61, 0.74%, 0.26%

LAB 19.36, 42.27, -45.6

 

CMYK 36 / 74 / 0 / 59

HEX #431B68

RGB 67 27 104

HSL 271.17, 0.59%, 0.26%

LAB 19.95, 34.92, -37.49

 

CMYK 28 / 59 / 0 / 64

HEX #43265D

RGB 67 38 93

HSL 271.64, 0.42%, 0.26%

LAB 21.47, 25.64, -27.82

 

CMYK 20 / 41 / 0 / 67

HEX #423153

RGB 66 49 83

HSL 270, 0.26%, 0.26%

LAB 23.6, 15.47, -17.84

 

CMYK 8 / 17 / 0 / 72

HEX #423C48

RGB 66 60 72

HSL 270, 0.09%, 0.26%

LAB 26.33, 5.31, -6.39

 

CMYK 85 / 83 / 0 / 55

HEX #111473

RGB 17 20 115

HSL 238.16, 0.74%, 0.26%

LAB 14.72, 35.13, -53.42

 

CMYK 65 / 85 / 0 / 55

HEX #281173

RGB 40 17 115

HSL 254.08, 0.74%, 0.26%

LAB 15.95, 38.63, -51.33

 

CMYK 43 / 85 / 0 / 55

HEX #421173

RGB 66 17 115

HSL 270, 0.74%, 0.26%

LAB 19.21, 42.11, -45.85

 

CMYK 20 / 85 / 0 / 55

HEX #5C1173

RGB 92 17 115

HSL 285.92, 0.74%, 0.26%

LAB 23.39, 46.67, -38.87

 

CMYK 0 / 85 / 3 / 55

HEX #731170

RGB 115 17 112

HSL 301.84, 0.74%, 0.26%

LAB 27.34, 50.76, -30.37

 

CMYK 42 / 86 / 0 / 83

HEX #19062B

RGB 25 6 43

HSL 270.81, 0.76%, 0.1%

LAB 4.62, 16.99, -20.03

 

CMYK 42 / 86 / 0 / 69

HEX #2E0B4F

RGB 46 11 79

HSL 270.88, 0.76%, 0.18%

LAB 11.86, 31.69, -34.05

 

CMYK 42 / 85 / 0 / 55

HEX #431173

RGB 67 17 115

HSL 270.61, 0.74%, 0.26%

LAB 19.36, 42.27, -45.6

 

CMYK 42 / 85 / 0 / 41

HEX #581697

RGB 88 22 151

HSL 270.7, 0.75%, 0.34%

LAB 26.4, 52.48, -56.6

 

CMYK 41 / 86 / 0 / 27

HEX #6E1BBB

RGB 110 27 187

HSL 271.13, 0.75%, 0.42%

LAB 33.32, 62.28, -66.82

 

CMYK 41 / 85 / 0 / 55

HEX #431172

RGB 67 17 114

HSL 270.93, 0.74%, 0.26%

LAB 19.26, 42.01, -45.11

 

CMYK 0 / 85 / 60 / 55

HEX #73112E

RGB 115 17 46

HSL 342.24, 0.74%, 0.26%

LAB 24.46, 42.55, 9.39

 

CMYK 85 / 0 / 77 / 55

HEX #11731B

RGB 17 115 27

HSL 126.12, 0.74%, 0.26%

LAB 41.94, -44.64, 38.85

 

CMYK 41 / 85 / 0 / 55

HEX #431172

RGB 67 17 114

HSL 270.93, 0.74%, 0.26%

LAB 19.26, 42.01, -45.11

 

CMYK 0 / 43 / 85 / 55

HEX #734211

RGB 115 66 17

HSL 30, 0.74%, 0.26%

LAB 33.1, 17.28, 36.56

 

CMYK 85 / 0 / 43 / 55

HEX #117342

RGB 17 115 66

HSL 150, 0.74%, 0.26%

LAB 42.42, -38.84, 19.73

 

CMYK 41 / 85 / 0 / 55

HEX #431172

RGB 67 17 114

HSL 270.93, 0.74%, 0.26%

LAB 19.26, 42.01, -45.11

 

CMYK 0 / 85 / 60 / 55

HEX #73112E

RGB 115 17 46

HSL 342.24, 0.74%, 0.26%

LAB 24.46, 42.55, 9.39

 

CMYK 43 / 0 / 85 / 55

HEX #427311

RGB 66 115 17

HSL 90, 0.74%, 0.26%

LAB 43.45, -32.84, 44.31

 

CMYK 85 / 0 / 26 / 55

HEX #117355

RGB 17 115 85

HSL 161.63, 0.74%, 0.26%

LAB 42.82, -34.39, 9.15

 

CMYK 41 / 85 / 0 / 55

HEX #431172

RGB 67 17 114

HSL 270.93, 0.74%, 0.26%

LAB 19.26, 42.01, -45.11

 

CMYK 0 / 85 / 85 / 55

HEX #731111

RGB 115 17 17

HSL 0, 0.74%, 0.26%

LAB 23.95, 41.01, 27.99

 

CMYK 43 / 0 / 85 / 55

HEX #427311

RGB 66 115 17

HSL 90, 0.74%, 0.26%

LAB 43.45, -32.84, 44.31

 

CMYK 85 / 0 / 0 / 55

HEX #117373

RGB 17 115 115

HSL 180, 0.74%, 0.26%

LAB 43.68, -25.56, -7.57

 

Description

Color code: HEX #431172 | qconv.com Color code: HEX #431172 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 17 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 17 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 85 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 85% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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