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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #431349 it is the complementary color #BCECB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #431349. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #431349 shade: #481344, #592557, #6A376A, #7B497D and #8C5B90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #431349. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #431349 shade: #431349, #320136, #210023 and #100010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #431349 shade: #421248, #481240, #481231, #481223 and #481214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #431349 shade: #421248, #341248, #251248, #171248 and #121248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #431349 shade matches the following richer shades: #421248, #480B50 and #4E0357

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #431349 shade: #421248, #3D1A41, #37213A, #312932 and #2B302B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #431349 shade: #251248, #341248, #421248, #481240 and #481232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #431349 shade: #060107, #240A28, #421248, #611B69 and #7F238A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #431349 shade: #431349, #481712 and #12482C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #431349 shade: #431349, #484212 and #124842

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #431349 shade: #431349, #481712, #194812 and #124448

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #431349 shade: #431349, #482712, #194812 and #123448

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 74 / 0 / 71

HEX #431349

RGB 67 19 73

HSL 293.33, 0.59%, 0.18%

LAB 16.21, 31.4, -22.71

 

Complementary color

CMYK 20 / 0 / 23 / 7

HEX #BCECB6

RGB 188 236 182

HSL 113.33, 0.59%, 0.82%

LAB 88.95, -25.42, 21.25

 

CMYK 0 / 74 / 6 / 72

HEX #481344

RGB 72 19 68

HSL 304.53, 0.58%, 0.18%

LAB 16.8, 31.79, -18.25

 

CMYK 0 / 58 / 2 / 65

HEX #592557

RGB 89 37 87

HSL 302.31, 0.41%, 0.25%

LAB 24.11, 31.59, -19.46

 

CMYK 0 / 48 / 0 / 58

HEX #6A376A

RGB 106 55 106

HSL 300, 0.32%, 0.32%

LAB 31.43, 30.89, -20.19

 

CMYK 2 / 42 / 0 / 51

HEX #7B497D

RGB 123 73 125

HSL 297.69, 0.26%, 0.39%

LAB 38.65, 30.08, -20.72

 

CMYK 3 / 37 / 0 / 44

HEX #8C5B90

RGB 140 91 144

HSL 295.47, 0.23%, 0.46%

LAB 45.73, 29.27, -21.14

 

CMYK 8 / 74 / 0 / 71

HEX #431349

RGB 67 19 73

HSL 293.33, 0.59%, 0.18%

LAB 16.21, 31.4, -22.71

 

CMYK 7 / 98 / 0 / 79

HEX #320136

RGB 50 1 54

HSL 295.47, 0.96%, 0.11%

LAB 8.71, 31.36, -21.42

 

CMYK 6 / 100 / 0 / 86

HEX #210023

RGB 33 0 35

HSL 296.57, 1%, 0.07%

LAB 4.02, 20.69, -14.75

 

CMYK 0 / 100 / 0 / 94

HEX #100010

RGB 16 0 16

HSL 300, 1%, 0.03%

LAB 1.33, 6.84, -4.89

 

CMYK 8 / 75 / 0 / 72

HEX #421248

RGB 66 18 72

HSL 293.33, 0.6%, 0.18%

LAB 15.79, 31.39, -22.69

 

CMYK 0 / 75 / 11 / 72

HEX #481240

RGB 72 18 64

HSL 308.89, 0.6%, 0.18%

LAB 16.41, 31.5, -16.08

 

CMYK 0 / 75 / 32 / 72

HEX #481231

RGB 72 18 49

HSL 325.56, 0.6%, 0.18%

LAB 15.65, 29, -6.6

 

CMYK 0 / 75 / 51 / 72

HEX #481223

RGB 72 18 35

HSL 341.11, 0.6%, 0.18%

LAB 15.12, 27.16, 2.76

 

CMYK 0 / 75 / 72 / 72

HEX #481214

RGB 72 18 20

HSL 357.78, 0.6%, 0.18%

LAB 14.74, 25.78, 13.08

 

CMYK 8 / 75 / 0 / 72

HEX #421248

RGB 66 18 72

HSL 293.33, 0.6%, 0.18%

LAB 15.79, 31.39, -22.69

 

CMYK 28 / 75 / 0 / 72

HEX #341248

RGB 52 18 72

HSL 277.78, 0.6%, 0.18%

LAB 13.42, 27.67, -26.63

 

CMYK 49 / 75 / 0 / 72

HEX #251248

RGB 37 18 72

HSL 261.11, 0.6%, 0.18%

LAB 11.23, 24, -30.27

 

CMYK 68 / 75 / 0 / 72

HEX #171248

RGB 23 18 72

HSL 245.56, 0.6%, 0.18%

LAB 9.66, 21.15, -32.9

 

CMYK 75 / 75 / 0 / 72

HEX #121248

RGB 18 18 72

HSL 240, 0.6%, 0.18%

LAB 9.23, 20.33, -33.62

 

CMYK 8 / 75 / 0 / 72

HEX #421248

RGB 66 18 72

HSL 293.33, 0.6%, 0.18%

LAB 15.79, 31.39, -22.69

 

CMYK 10 / 86 / 0 / 69

HEX #480B50

RGB 72 11 80

HSL 293.04, 0.76%, 0.18%

LAB 16.49, 37.31, -27.02

 

CMYK 10 / 97 / 0 / 66

HEX #4E0357

RGB 78 3 87

HSL 293.57, 0.93%, 0.18%

LAB 17.33, 42.34, -30.34

 

CMYK 8 / 75 / 0 / 72

HEX #421248

RGB 66 18 72

HSL 293.33, 0.6%, 0.18%

LAB 15.79, 31.39, -22.69

 

CMYK 6 / 60 / 0 / 75

HEX #3D1A41

RGB 61 26 65

HSL 293.85, 0.43%, 0.18%

LAB 16.07, 24.03, -17.45

 

CMYK 5 / 43 / 0 / 77

HEX #37213A

RGB 55 33 58

HSL 292.8, 0.27%, 0.18%

LAB 16.53, 15.72, -11.9

 

CMYK 2 / 18 / 0 / 80

HEX #312932

RGB 49 41 50

HSL 293.33, 0.1%, 0.18%

LAB 17.78, 5.74, -4.46

 

CMYK 10 / 0 / 10 / 81

HEX #2B302B

RGB 43 48 43

HSL 120, 0.05%, 0.18%

LAB 19.23, -3.38, 2.46

 

CMYK 49 / 75 / 0 / 72

HEX #251248

RGB 37 18 72

HSL 261.11, 0.6%, 0.18%

LAB 11.23, 24, -30.27

 

CMYK 28 / 75 / 0 / 72

HEX #341248

RGB 52 18 72

HSL 277.78, 0.6%, 0.18%

LAB 13.42, 27.67, -26.63

 

CMYK 8 / 75 / 0 / 72

HEX #421248

RGB 66 18 72

HSL 293.33, 0.6%, 0.18%

LAB 15.79, 31.39, -22.69

 

CMYK 0 / 75 / 11 / 72

HEX #481240

RGB 72 18 64

HSL 308.89, 0.6%, 0.18%

LAB 16.41, 31.5, -16.08

 

CMYK 0 / 75 / 31 / 72

HEX #481232

RGB 72 18 50

HSL 324.44, 0.6%, 0.18%

LAB 15.7, 29.15, -7.25

 

CMYK 14 / 86 / 0 / 97

HEX #060107

RGB 6 1 7

HSL 290, 0.75%, 0.02%

LAB 0.68, 2.14, -1.81

 

CMYK 10 / 75 / 0 / 84

HEX #240A28

RGB 36 10 40

HSL 292, 0.6%, 0.1%

LAB 6.73, 19.05, -14.33

 

CMYK 8 / 75 / 0 / 72

HEX #421248

RGB 66 18 72

HSL 293.33, 0.6%, 0.18%

LAB 15.79, 31.39, -22.69

 

CMYK 8 / 74 / 0 / 59

HEX #611B69

RGB 97 27 105

HSL 293.85, 0.59%, 0.26%

LAB 24.78, 42.16, -30.12

 

CMYK 8 / 75 / 0 / 46

HEX #7F238A

RGB 127 35 138

HSL 293.59, 0.6%, 0.34%

LAB 33.03, 52.37, -37.56

 

CMYK 8 / 74 / 0 / 71

HEX #431349

RGB 67 19 73

HSL 293.33, 0.59%, 0.18%

LAB 16.21, 31.4, -22.71

 

CMYK 0 / 68 / 75 / 72

HEX #481712

RGB 72 23 18

HSL 5.56, 0.6%, 0.18%

LAB 15.67, 23.06, 15.54

 

CMYK 75 / 0 / 39 / 72

HEX #12482C

RGB 18 72 44

HSL 148.89, 0.6%, 0.18%

LAB 26.58, -25.14, 11.83

 

CMYK 8 / 74 / 0 / 71

HEX #431349

RGB 67 19 73

HSL 293.33, 0.59%, 0.18%

LAB 16.21, 31.4, -22.71

 

CMYK 0 / 8 / 75 / 72

HEX #484212

RGB 72 66 18

HSL 53.33, 0.6%, 0.18%

LAB 27.62, -4.11, 28.93

 

CMYK 75 / 0 / 8 / 72

HEX #124842

RGB 18 72 66

HSL 173.33, 0.6%, 0.18%

LAB 27.18, -18.97, -1.51

 

CMYK 8 / 74 / 0 / 71

HEX #431349

RGB 67 19 73

HSL 293.33, 0.59%, 0.18%

LAB 16.21, 31.4, -22.71

 

CMYK 0 / 68 / 75 / 72

HEX #481712

RGB 72 23 18

HSL 5.56, 0.6%, 0.18%

LAB 15.67, 23.06, 15.54

 

CMYK 65 / 0 / 75 / 72

HEX #194812

RGB 25 72 18

HSL 112.22, 0.6%, 0.18%

LAB 26.4, -27.85, 26.64

 

CMYK 75 / 6 / 0 / 72

HEX #124448

RGB 18 68 72

HSL 184.44, 0.6%, 0.18%

LAB 25.95, -14.71, -7.25

 

CMYK 8 / 74 / 0 / 71

HEX #431349

RGB 67 19 73

HSL 293.33, 0.59%, 0.18%

LAB 16.21, 31.4, -22.71

 

CMYK 0 / 46 / 75 / 72

HEX #482712

RGB 72 39 18

HSL 23.33, 0.6%, 0.18%

LAB 19.53, 13.33, 20.19

 

CMYK 65 / 0 / 75 / 72

HEX #194812

RGB 25 72 18

HSL 112.22, 0.6%, 0.18%

LAB 26.4, -27.85, 26.64

 

CMYK 75 / 28 / 0 / 72

HEX #123448

RGB 18 52 72

HSL 202.22, 0.6%, 0.18%

LAB 20.25, -4.7, -15.98

 

Description

Color code: HEX #431349 | qconv.com Color code: HEX #431349 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 19 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 19 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 74 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 74% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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