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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #433992 it is the complementary color #BCC66D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #433992. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #433992 shade: #48398D, #594BA0, #6A5DB3, #7B6FC6 and #8C81D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #433992. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #433992 shade: #433992, #32277F, #21156C, #100359 and #000046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #433992 shade: #433992, #5B3992, #733992, #8B3992 and #923981

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #433992 shade: #433992 and #393992

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #433992 shade matches the following richer shades: #433992, #3628A3, #2918B3 and #1C07C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #433992 shade: #433992, #4F4982, #5C5A71, #696A61 and #767B50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #433992 shade: #396092, #394892, #423992, #5A3992 and #713992

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #433992 shade: #282257, #352D75, #433992, #5044B0 and #695EC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #433992 shade: #433992, #923977 and #549239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #433992 shade: #433992, #924239 and #399242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #433992 shade: #433992, #923977, #899239 and #399254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #433992 shade: #433992, #92395D, #899239 and #39926E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 61 / 0 / 43

HEX #433992

RGB 67 57 146

HSL 246.74, 0.44%, 0.4%

LAB 29.9, 29.77, -47.92

 

Complementary color

CMYK 5 / 0 / 45 / 22

HEX #BCC66D

RGB 188 198 109

HSL 66.74, 0.44%, 0.6%

LAB 77.39, -16.66, 43.24

 

CMYK 49 / 60 / 0 / 45

HEX #48398D

RGB 72 57 141

HSL 250.71, 0.42%, 0.39%

LAB 29.98, 29.24, -44.7

 

CMYK 44 / 53 / 0 / 37

HEX #594BA0

RGB 89 75 160

HSL 249.88, 0.36%, 0.46%

LAB 37.29, 27.8, -44.4

 

CMYK 41 / 48 / 0 / 30

HEX #6A5DB3

RGB 106 93 179

HSL 249.07, 0.36%, 0.53%

LAB 44.44, 26.57, -44.13

 

CMYK 38 / 44 / 0 / 22

HEX #7B6FC6

RGB 123 111 198

HSL 248.28, 0.43%, 0.61%

LAB 51.45, 25.51, -43.91

 

CMYK 35 / 41 / 0 / 15

HEX #8C81D9

RGB 140 129 217

HSL 247.5, 0.54%, 0.68%

LAB 58.31, 24.59, -43.73

 

CMYK 54 / 61 / 0 / 43

HEX #433992

RGB 67 57 146

HSL 246.74, 0.44%, 0.4%

LAB 29.9, 29.77, -47.92

 

CMYK 61 / 69 / 0 / 50

HEX #32277F

RGB 50 39 127

HSL 247.5, 0.53%, 0.33%

LAB 22.52, 31.63, -48.17

 

CMYK 69 / 81 / 0 / 58

HEX #21156C

RGB 33 21 108

HSL 248.28, 0.67%, 0.25%

LAB 15.18, 33.54, -48.07

 

CMYK 82 / 97 / 0 / 65

HEX #100359

RGB 16 3 89

HSL 249.07, 0.93%, 0.18%

LAB 8.1, 35.3, -47.21

 

CMYK 100 / 100 / 0 / 73

HEX #000046

RGB 0 0 70

HSL 240, 1%, 0.14%

LAB 3.99, 27.1, -40.87

 

CMYK 54 / 61 / 0 / 43

HEX #433992

RGB 67 57 146

HSL 246.74, 0.44%, 0.4%

LAB 29.9, 29.77, -47.92

 

CMYK 38 / 61 / 0 / 43

HEX #5B3992

RGB 91 57 146

HSL 262.92, 0.44%, 0.4%

LAB 32.32, 35.15, -43.9

 

CMYK 21 / 61 / 0 / 43

HEX #733992

RGB 115 57 146

HSL 279.1, 0.44%, 0.4%

LAB 35.29, 41.2, -38.96

 

CMYK 5 / 61 / 0 / 43

HEX #8B3992

RGB 139 57 146

HSL 295.28, 0.44%, 0.4%

LAB 38.71, 47.54, -33.32

 

CMYK 0 / 61 / 12 / 43

HEX #923981

RGB 146 57 129

HSL 311.46, 0.44%, 0.4%

LAB 38.94, 46.45, -22.48

 

CMYK 54 / 61 / 0 / 43

HEX #433992

RGB 67 57 146

HSL 246.74, 0.44%, 0.4%

LAB 29.9, 29.77, -47.92

 

CMYK 61 / 61 / 0 / 43

HEX #393992

RGB 57 57 146

HSL 240, 0.44%, 0.4%

LAB 29.09, 27.84, -49.28

 

CMYK 54 / 61 / 0 / 43

HEX #433992

RGB 67 57 146

HSL 246.74, 0.44%, 0.4%

LAB 29.9, 29.77, -47.92

 

CMYK 67 / 75 / 0 / 36

HEX #3628A3

RGB 54 40 163

HSL 246.83, 0.61%, 0.4%

LAB 26.58, 43.43, -63.77

 

CMYK 77 / 87 / 0 / 30

HEX #2918B3

RGB 41 24 179

HSL 246.58, 0.76%, 0.4%

LAB 24.89, 54.8, -76.24

 

CMYK 86 / 96 / 0 / 23

HEX #1C07C4

RGB 28 7 196

HSL 246.67, 0.93%, 0.4%

LAB 24.9, 63.75, -86.32

 

CMYK 54 / 61 / 0 / 43

HEX #433992

RGB 67 57 146

HSL 246.74, 0.44%, 0.4%

LAB 29.9, 29.77, -47.92

 

CMYK 39 / 44 / 0 / 49

HEX #4F4982

RGB 79 73 130

HSL 246.32, 0.28%, 0.4%

LAB 34.06, 17.35, -31.33

 

CMYK 19 / 20 / 0 / 56

HEX #5C5A71

RGB 92 90 113

HSL 245.22, 0.11%, 0.4%

LAB 39.21, 6.07, -12.76

 

CMYK 1 / 0 / 8 / 58

HEX #696A61

RGB 105 106 97

HSL 66.67, 0.04%, 0.4%

LAB 44.48, -2.18, 4.91

 

CMYK 4 / 0 / 35 / 52

HEX #767B50

RGB 118 123 80

HSL 66.98, 0.21%, 0.4%

LAB 50.21, -9.31, 22.93

 

CMYK 61 / 34 / 0 / 43

HEX #396092

RGB 57 96 146

HSL 213.71, 0.44%, 0.4%

LAB 40.1, 2.29, -31.65

 

CMYK 61 / 51 / 0 / 43

HEX #394892

RGB 57 72 146

HSL 229.89, 0.44%, 0.4%

LAB 33.09, 17.91, -42.8

 

CMYK 55 / 61 / 0 / 43

HEX #423992

RGB 66 57 146

HSL 246.07, 0.44%, 0.4%

LAB 29.81, 29.57, -48.07

 

CMYK 38 / 61 / 0 / 43

HEX #5A3992

RGB 90 57 146

HSL 262.25, 0.44%, 0.4%

LAB 32.2, 34.91, -44.08

 

CMYK 23 / 61 / 0 / 43

HEX #713992

RGB 113 57 146

HSL 277.75, 0.44%, 0.4%

LAB 35.03, 40.68, -39.4

 

CMYK 54 / 61 / 0 / 66

HEX #282257

RGB 40 34 87

HSL 246.79, 0.44%, 0.24%

LAB 16.91, 19.05, -31.31

 

CMYK 55 / 62 / 0 / 54

HEX #352D75

RGB 53 45 117

HSL 246.67, 0.44%, 0.32%

LAB 23.4, 24.94, -40.37

 

CMYK 54 / 61 / 0 / 43

HEX #433992

RGB 67 57 146

HSL 246.74, 0.44%, 0.4%

LAB 29.9, 29.77, -47.92

 

CMYK 55 / 61 / 0 / 31

HEX #5044B0

RGB 80 68 176

HSL 246.67, 0.44%, 0.48%

LAB 35.93, 35.15, -56.17

 

CMYK 45 / 51 / 0 / 25

HEX #695EC0

RGB 105 94 192

HSL 246.73, 0.44%, 0.56%

LAB 45.38, 29.54, -50.21

 

CMYK 54 / 61 / 0 / 43

HEX #433992

RGB 67 57 146

HSL 246.74, 0.44%, 0.4%

LAB 29.9, 29.77, -47.92

 

CMYK 0 / 61 / 18 / 43

HEX #923977

RGB 146 57 119

HSL 318.2, 0.44%, 0.4%

LAB 38.5, 44.85, -16.97

 

CMYK 42 / 0 / 61 / 43

HEX #549239

RGB 84 146 57

HSL 101.8, 0.44%, 0.4%

LAB 54.8, -36.95, 40.14

 

CMYK 54 / 61 / 0 / 43

HEX #433992

RGB 67 57 146

HSL 246.74, 0.44%, 0.4%

LAB 29.9, 29.77, -47.92

 

CMYK 0 / 55 / 61 / 43

HEX #924239

RGB 146 66 57

HSL 6.07, 0.44%, 0.4%

LAB 38.38, 33.02, 21.7

 

CMYK 61 / 0 / 55 / 43

HEX #399242

RGB 57 146 66

HSL 126.07, 0.44%, 0.4%

LAB 53.84, -43.74, 34.32

 

CMYK 54 / 61 / 0 / 43

HEX #433992

RGB 67 57 146

HSL 246.74, 0.44%, 0.4%

LAB 29.9, 29.77, -47.92

 

CMYK 0 / 61 / 18 / 43

HEX #923977

RGB 146 57 119

HSL 318.2, 0.44%, 0.4%

LAB 38.5, 44.85, -16.97

 

CMYK 6 / 0 / 61 / 43

HEX #899239

RGB 137 146 57

HSL 66.07, 0.44%, 0.4%

LAB 58.2, -15.96, 44.87

 

CMYK 61 / 0 / 42 / 43

HEX #399254

RGB 57 146 84

HSL 138.2, 0.44%, 0.4%

LAB 54.1, -40.85, 25.15

 

CMYK 54 / 61 / 0 / 43

HEX #433992

RGB 67 57 146

HSL 246.74, 0.44%, 0.4%

LAB 29.9, 29.77, -47.92

 

CMYK 0 / 61 / 36 / 43

HEX #92395D

RGB 146 57 93

HSL 335.73, 0.44%, 0.4%

LAB 37.53, 41.21, -2.1

 

CMYK 6 / 0 / 61 / 43

HEX #899239

RGB 137 146 57

HSL 66.07, 0.44%, 0.4%

LAB 58.2, -15.96, 44.87

 

CMYK 61 / 0 / 25 / 43

HEX #39926E

RGB 57 146 110

HSL 155.73, 0.44%, 0.4%

LAB 54.61, -35.47, 11.32

 

Description

Color code: HEX #433992 | qconv.com Color code: HEX #433992 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 57 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 57 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 61 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 61% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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