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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43487A it is the complementary color #BCB785. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43487A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43487A shade: #484875, #595A88, #6A6C9B, #7B7EAE and #8C90C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43487A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43487A shade: #43487A, #323667, #212454, #101241 and #00002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43487A shade: #424779, #4C4279, #5B4279, #6A4279 and #794279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43487A shade: #424779 and #424279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43487A shade matches the following richer shades: #424779, #333B88, #242E98, #1522A7 and #0515B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43487A shade: #424779, #52546A, #61605B, #706D4B and #80793C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43487A shade: #426579, #425779, #424879, #4C4279 and #5A4279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43487A shade: #252844, #34385F, #424779, #515794 and #646BAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43487A shade: #43487A, #794274 and #5E7942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43487A shade: #43487A, #794248 and #487942

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43487A shade: #43487A, #794274, #797442 and #427948

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43487A shade: #43487A, #794263, #797442 and #427958

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 41 / 0 / 52

HEX #43487A

RGB 67 72 122

HSL 234.55, 0.29%, 0.37%

LAB 32.33, 12.11, -29.17

 

Complementary color

CMYK 0 / 3 / 29 / 26

HEX #BCB785

RGB 188 183 133

HSL 54.55, 0.29%, 0.63%

LAB 73.71, -6.12, 26.13

 

CMYK 38 / 38 / 0 / 54

HEX #484875

RGB 72 72 117

HSL 240, 0.24%, 0.37%

LAB 32.47, 12, -25.8

 

CMYK 35 / 34 / 0 / 47

HEX #595A88

RGB 89 90 136

HSL 238.72, 0.21%, 0.44%

LAB 39.94, 11.24, -25.72

 

CMYK 32 / 30 / 0 / 39

HEX #6A6C9B

RGB 106 108 155

HSL 237.55, 0.2%, 0.51%

LAB 47.18, 10.62, -25.71

 

CMYK 29 / 28 / 0 / 32

HEX #7B7EAE

RGB 123 126 174

HSL 236.47, 0.24%, 0.58%

LAB 54.23, 10.09, -25.77

 

CMYK 27 / 25 / 0 / 24

HEX #8C90C1

RGB 140 144 193

HSL 235.47, 0.3%, 0.65%

LAB 61.11, 9.63, -25.87

 

CMYK 45 / 41 / 0 / 52

HEX #43487A

RGB 67 72 122

HSL 234.55, 0.29%, 0.37%

LAB 32.33, 12.11, -29.17

 

CMYK 51 / 48 / 0 / 60

HEX #323667

RGB 50 54 103

HSL 235.47, 0.35%, 0.3%

LAB 24.63, 13.26, -29.42

 

CMYK 61 / 57 / 0 / 67

HEX #212454

RGB 33 36 84

HSL 236.47, 0.44%, 0.23%

LAB 16.63, 14.85, -29.78

 

CMYK 75 / 72 / 0 / 75

HEX #101241

RGB 16 18 65

HSL 237.55, 0.6%, 0.16%

LAB 8.35, 17.16, -30.15

 

CMYK 100 / 100 / 0 / 82

HEX #00002E

RGB 0 0 46

HSL 240, 1%, 0.09%

LAB 1.78, 12.52, -26.91

 

CMYK 45 / 41 / 0 / 53

HEX #424779

RGB 66 71 121

HSL 234.55, 0.29%, 0.37%

LAB 31.91, 12.17, -29.22

 

CMYK 37 / 45 / 0 / 53

HEX #4C4279

RGB 76 66 121

HSL 250.91, 0.29%, 0.37%

LAB 31.38, 18.32, -30

 

CMYK 25 / 45 / 0 / 53

HEX #5B4279

RGB 91 66 121

HSL 267.27, 0.29%, 0.37%

LAB 32.92, 22.9, -27.46

 

CMYK 12 / 45 / 0 / 53

HEX #6A4279

RGB 106 66 121

HSL 283.64, 0.29%, 0.37%

LAB 34.68, 27.71, -24.58

 

CMYK 0 / 45 / 0 / 53

HEX #794279

RGB 121 66 121

HSL 300, 0.29%, 0.37%

LAB 36.63, 32.61, -21.39

 

CMYK 45 / 41 / 0 / 53

HEX #424779

RGB 66 71 121

HSL 234.55, 0.29%, 0.37%

LAB 31.91, 12.17, -29.22

 

CMYK 45 / 45 / 0 / 53

HEX #424279

RGB 66 66 121

HSL 240, 0.29%, 0.37%

LAB 30.48, 15.48, -31.48

 

CMYK 45 / 41 / 0 / 53

HEX #424779

RGB 66 71 121

HSL 234.55, 0.29%, 0.37%

LAB 31.91, 12.17, -29.22

 

CMYK 63 / 57 / 0 / 47

HEX #333B88

RGB 51 59 136

HSL 234.35, 0.45%, 0.37%

LAB 28.4, 21.84, -44.23

 

CMYK 76 / 70 / 0 / 40

HEX #242E98

RGB 36 46 152

HSL 234.83, 0.62%, 0.37%

LAB 25.55, 34.13, -58.8

 

CMYK 87 / 80 / 0 / 35

HEX #1522A7

RGB 21 34 167

HSL 234.66, 0.78%, 0.37%

LAB 23.98, 45.48, -70.56

 

CMYK 97 / 88 / 0 / 29

HEX #0515B6

RGB 5 21 182

HSL 234.58, 0.95%, 0.37%

LAB 23.49, 55.75, -80.39

 

CMYK 45 / 41 / 0 / 53

HEX #424779

RGB 66 71 121

HSL 234.55, 0.29%, 0.37%

LAB 31.91, 12.17, -29.22

 

CMYK 23 / 21 / 0 / 58

HEX #52546A

RGB 82 84 106

HSL 235, 0.13%, 0.37%

LAB 36.32, 4.49, -12.9

 

CMYK 0 / 1 / 6 / 62

HEX #61605B

RGB 97 96 91

HSL 50, 0.03%, 0.37%

LAB 40.67, -0.62, 2.99

 

CMYK 0 / 3 / 33 / 56

HEX #706D4B

RGB 112 109 75

HSL 55.14, 0.2%, 0.37%

LAB 45.48, -4.65, 19.46

 

CMYK 0 / 5 / 53 / 50

HEX #80793C

RGB 128 121 60

HSL 53.82, 0.36%, 0.37%

LAB 50.2, -6.13, 34.06

 

CMYK 45 / 17 / 0 / 53

HEX #426579

RGB 66 101 121

HSL 201.82, 0.29%, 0.37%

LAB 40.97, -6.78, -15.14

 

CMYK 45 / 28 / 0 / 53

HEX #425779

RGB 66 87 121

HSL 217.09, 0.29%, 0.37%

LAB 36.66, 1.81, -21.78

 

CMYK 45 / 40 / 0 / 53

HEX #424879

RGB 66 72 121

HSL 233.45, 0.29%, 0.37%

LAB 32.2, 11.51, -28.76

 

CMYK 37 / 45 / 0 / 53

HEX #4C4279

RGB 76 66 121

HSL 250.91, 0.29%, 0.37%

LAB 31.38, 18.32, -30

 

CMYK 26 / 45 / 0 / 53

HEX #5A4279

RGB 90 66 121

HSL 266.18, 0.29%, 0.37%

LAB 32.81, 22.59, -27.64

 

CMYK 46 / 41 / 0 / 73

HEX #252844

RGB 37 40 68

HSL 234.19, 0.3%, 0.21%

LAB 17.12, 7.2, -18.07

 

CMYK 45 / 41 / 0 / 63

HEX #34385F

RGB 52 56 95

HSL 234.42, 0.29%, 0.29%

LAB 24.9, 9.73, -23.78

 

CMYK 45 / 41 / 0 / 53

HEX #424779

RGB 66 71 121

HSL 234.55, 0.29%, 0.37%

LAB 31.91, 12.17, -29.22

 

CMYK 45 / 41 / 0 / 42

HEX #515794

RGB 81 87 148

HSL 234.63, 0.29%, 0.45%

LAB 39.08, 14.45, -34.37

 

CMYK 41 / 37 / 0 / 33

HEX #646BAA

RGB 100 107 170

HSL 234, 0.29%, 0.53%

LAB 47.14, 13.74, -34.62

 

CMYK 45 / 41 / 0 / 52

HEX #43487A

RGB 67 72 122

HSL 234.55, 0.29%, 0.37%

LAB 32.33, 12.11, -29.17

 

CMYK 0 / 45 / 4 / 53

HEX #794274

RGB 121 66 116

HSL 305.45, 0.29%, 0.37%

LAB 36.41, 31.62, -18.63

 

CMYK 22 / 0 / 45 / 53

HEX #5E7942

RGB 94 121 66

HSL 89.45, 0.29%, 0.37%

LAB 47.56, -20.11, 26.97

 

CMYK 45 / 41 / 0 / 52

HEX #43487A

RGB 67 72 122

HSL 234.55, 0.29%, 0.37%

LAB 32.33, 12.11, -29.17

 

CMYK 0 / 45 / 40 / 53

HEX #794248

RGB 121 66 72

HSL 353.45, 0.29%, 0.37%

LAB 34.86, 24.45, 6.9

 

CMYK 40 / 0 / 45 / 53

HEX #487942

RGB 72 121 66

HSL 113.45, 0.29%, 0.37%

LAB 46.24, -28.41, 25.02

 

CMYK 45 / 41 / 0 / 52

HEX #43487A

RGB 67 72 122

HSL 234.55, 0.29%, 0.37%

LAB 32.33, 12.11, -29.17

 

CMYK 0 / 45 / 4 / 53

HEX #794274

RGB 121 66 116

HSL 305.45, 0.29%, 0.37%

LAB 36.41, 31.62, -18.63

 

CMYK 0 / 4 / 45 / 53

HEX #797442

RGB 121 116 66

HSL 54.55, 0.29%, 0.37%

LAB 48.2, -5.82, 28.23

 

CMYK 45 / 0 / 40 / 53

HEX #427948

RGB 66 121 72

HSL 126.55, 0.29%, 0.37%

LAB 46.04, -29.41, 21.35

 

CMYK 45 / 41 / 0 / 52

HEX #43487A

RGB 67 72 122

HSL 234.55, 0.29%, 0.37%

LAB 32.33, 12.11, -29.17

 

CMYK 0 / 45 / 18 / 53

HEX #794263

RGB 121 66 99

HSL 324, 0.29%, 0.37%

LAB 35.72, 28.51, -9

 

CMYK 0 / 4 / 45 / 53

HEX #797442

RGB 121 116 66

HSL 54.55, 0.29%, 0.37%

LAB 48.2, -5.82, 28.23

 

CMYK 45 / 0 / 27 / 53

HEX #427958

RGB 66 121 88

HSL 144, 0.29%, 0.37%

LAB 46.36, -26.28, 12.55

 

Description

Color code: HEX #43487A | qconv.com Color code: HEX #43487A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 72 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 72 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 41 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 41% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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