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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #434C19 it is the complementary color #BCB3E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #434C19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #434C19 shade: #484C14, #595E27, #6A703A, #7B824D and #8C9460

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #434C19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #434C19 shade: #434C19, #323A06, #212800, #101600 and #000400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #434C19 shade: #434C19, #4C4719, #4C3919, #4C2C19 and #4C1E19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #434C19 shade: #434C19, #354C19, #274C19, #1A4C19 and #194C26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #434C19 shade matches the following richer shades: #434C19, #485411, #4E5D08 and #536500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #434C19 shade: #434C19, #3E4421, #383B2A, #333332 and #2E2B3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #434C19 shade: #4C3919, #4C4719, #444C19, #364C19 and #284C19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #434C19 shade: #0C0E04, #282D0F, #434C19, #5E6B23 and #7A8A2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #434C19 shade: #434C19, #194C2C and #40194C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #434C19 shade: #434C19, #19444C and #4C1943

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #434C19 shade: #434C19, #194C2C, #22194C and #4C1939

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #434C19 shade: #434C19, #194C3B, #22194C and #4C192A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 67 / 70

HEX #434C19

RGB 67 76 25

HSL 70.59, 0.5%, 0.2%

LAB 30.48, -12.06, 28.32

 

Complementary color

CMYK 18 / 22 / 0 / 10

HEX #BCB3E6

RGB 188 179 230

HSL 250.59, 0.5%, 0.8%

LAB 75.23, 13.45, -24.34

 

CMYK 5 / 0 / 74 / 70

HEX #484C14

RGB 72 76 20

HSL 64.29, 0.58%, 0.19%

LAB 30.87, -10.02, 31.31

 

CMYK 5 / 0 / 59 / 63

HEX #595E27

RGB 89 94 39

HSL 65.45, 0.41%, 0.26%

LAB 38.33, -10.7, 30.36

 

CMYK 5 / 0 / 48 / 56

HEX #6A703A

RGB 106 112 58

HSL 66.67, 0.32%, 0.33%

LAB 45.58, -11.14, 29.09

 

CMYK 5 / 0 / 41 / 49

HEX #7B824D

RGB 123 130 77

HSL 67.92, 0.26%, 0.41%

LAB 52.63, -11.43, 27.81

 

CMYK 5 / 0 / 35 / 42

HEX #8C9460

RGB 140 148 96

HSL 69.23, 0.21%, 0.48%

LAB 59.53, -11.65, 26.57

 

CMYK 12 / 0 / 67 / 70

HEX #434C19

RGB 67 76 25

HSL 70.59, 0.5%, 0.2%

LAB 30.48, -12.06, 28.32

 

CMYK 14 / 0 / 90 / 77

HEX #323A06

RGB 50 58 6

HSL 69.23, 0.81%, 0.13%

LAB 22.71, -11.33, 28.59

 

CMYK 18 / 0 / 100 / 84

HEX #212800

RGB 33 40 0

HSL 70.5, 1%, 0.08%

LAB 14.63, -9.87, 21.19

 

CMYK 27 / 0 / 100 / 91

HEX #101600

RGB 16 22 0

HSL 76.36, 1%, 0.04%

LAB 6.18, -6.12, 9.14

 

CMYK 100 / 0 / 100 / 98

HEX #000400

RGB 0 4 0

HSL 120, 1%, 0.01%

LAB 0.78, -1.6, 1.15

 

CMYK 12 / 0 / 67 / 70

HEX #434C19

RGB 67 76 25

HSL 70.59, 0.5%, 0.2%

LAB 30.48, -12.06, 28.32

 

CMYK 0 / 7 / 67 / 70

HEX #4C4719

RGB 76 71 25

HSL 54.12, 0.5%, 0.2%

LAB 29.7, -4.64, 27.7

 

CMYK 0 / 25 / 67 / 70

HEX #4C3919

RGB 76 57 25

HSL 37.65, 0.5%, 0.2%

LAB 25.36, 4.19, 22.83

 

CMYK 0 / 42 / 67 / 70

HEX #4C2C19

RGB 76 44 25

HSL 22.35, 0.5%, 0.2%

LAB 21.61, 12.63, 18.4

 

CMYK 0 / 61 / 67 / 70

HEX #4C1E19

RGB 76 30 25

HSL 5.88, 0.5%, 0.2%

LAB 18.08, 21.35, 14.02

 

CMYK 12 / 0 / 67 / 70

HEX #434C19

RGB 67 76 25

HSL 70.59, 0.5%, 0.2%

LAB 30.48, -12.06, 28.32

 

CMYK 30 / 0 / 67 / 70

HEX #354C19

RGB 53 76 25

HSL 87.06, 0.5%, 0.2%

LAB 29.4, -18.54, 26.82

 

CMYK 49 / 0 / 67 / 70

HEX #274C19

RGB 39 76 25

HSL 103.53, 0.5%, 0.2%

LAB 28.57, -24.23, 25.66

 

CMYK 66 / 0 / 67 / 70

HEX #1A4C19

RGB 26 76 25

HSL 118.82, 0.5%, 0.2%

LAB 28, -28.46, 24.87

 

CMYK 67 / 0 / 50 / 70

HEX #194C26

RGB 25 76 38

HSL 135.29, 0.5%, 0.2%

LAB 28.16, -26.63, 17.65

 

CMYK 12 / 0 / 67 / 70

HEX #434C19

RGB 67 76 25

HSL 70.59, 0.5%, 0.2%

LAB 30.48, -12.06, 28.32

 

CMYK 14 / 0 / 80 / 67

HEX #485411

RGB 72 84 17

HSL 70.75, 0.66%, 0.2%

LAB 33.48, -14.79, 35.17

 

CMYK 16 / 0 / 91 / 64

HEX #4E5D08

RGB 78 93 8

HSL 70.59, 0.84%, 0.2%

LAB 36.87, -17.29, 41.33

 

CMYK 18 / 0 / 100 / 60

HEX #536500

RGB 83 101 0

HSL 70.69, 1%, 0.2%

LAB 39.83, -19.51, 46.09

 

CMYK 12 / 0 / 67 / 70

HEX #434C19

RGB 67 76 25

HSL 70.59, 0.5%, 0.2%

LAB 30.48, -12.06, 28.32

 

CMYK 9 / 0 / 51 / 73

HEX #3E4421

RGB 62 68 33

HSL 70.29, 0.35%, 0.2%

LAB 27.49, -8.89, 20.28

 

CMYK 5 / 0 / 29 / 77

HEX #383B2A

RGB 56 59 42

HSL 70.59, 0.17%, 0.2%

LAB 24.12, -4.8, 10.14

 

CMYK 0 / 0 / 2 / 80

HEX #333332

RGB 51 51 50

HSL 60, 0.01%, 0.2%

LAB 21.21, -0.23, 0.63

 

CMYK 21 / 26 / 0 / 77

HEX #2E2B3A

RGB 46 43 58

HSL 252, 0.15%, 0.2%

LAB 18.43, 5.19, -9.08

 

CMYK 0 / 25 / 67 / 70

HEX #4C3919

RGB 76 57 25

HSL 37.65, 0.5%, 0.2%

LAB 25.36, 4.19, 22.83

 

CMYK 0 / 7 / 67 / 70

HEX #4C4719

RGB 76 71 25

HSL 54.12, 0.5%, 0.2%

LAB 29.7, -4.64, 27.7

 

CMYK 11 / 0 / 67 / 70

HEX #444C19

RGB 68 76 25

HSL 69.41, 0.5%, 0.2%

LAB 30.56, -11.58, 28.43

 

CMYK 29 / 0 / 67 / 70

HEX #364C19

RGB 54 76 25

HSL 85.88, 0.5%, 0.2%

LAB 29.47, -18.1, 26.92

 

CMYK 47 / 0 / 67 / 70

HEX #284C19

RGB 40 76 25

HSL 102.35, 0.5%, 0.2%

LAB 28.62, -23.86, 25.73

 

CMYK 14 / 0 / 71 / 95

HEX #0C0E04

RGB 12 14 4

HSL 72, 0.56%, 0.04%

LAB 3.62, -2.07, 3.74

 

CMYK 11 / 0 / 67 / 82

HEX #282D0F

RGB 40 45 15

HSL 70, 0.5%, 0.12%

LAB 17.28, -7.78, 18.25

 

CMYK 12 / 0 / 67 / 70

HEX #434C19

RGB 67 76 25

HSL 70.59, 0.5%, 0.2%

LAB 30.48, -12.06, 28.32

 

CMYK 12 / 0 / 67 / 58

HEX #5E6B23

RGB 94 107 35

HSL 70.83, 0.51%, 0.28%

LAB 42.79, -15.97, 37.37

 

CMYK 12 / 0 / 67 / 46

HEX #7A8A2E

RGB 122 138 46

HSL 70.43, 0.5%, 0.36%

LAB 54.57, -19.13, 45.55

 

CMYK 12 / 0 / 67 / 70

HEX #434C19

RGB 67 76 25

HSL 70.59, 0.5%, 0.2%

LAB 30.48, -12.06, 28.32

 

CMYK 67 / 0 / 42 / 70

HEX #194C2C

RGB 25 76 44

HSL 142.35, 0.5%, 0.2%

LAB 28.27, -25.42, 14.13

 

CMYK 16 / 67 / 0 / 70

HEX #40194C

RGB 64 25 76

HSL 285.88, 0.5%, 0.2%

LAB 17.02, 28.13, -23.51

 

CMYK 12 / 0 / 67 / 70

HEX #434C19

RGB 67 76 25

HSL 70.59, 0.5%, 0.2%

LAB 30.48, -12.06, 28.32

 

CMYK 67 / 11 / 0 / 70

HEX #19444C

RGB 25 68 76

HSL 189.41, 0.5%, 0.2%

LAB 26.34, -11.94, -9.26

 

CMYK 0 / 67 / 12 / 70

HEX #4C1943

RGB 76 25 67

HSL 310.59, 0.5%, 0.2%

LAB 18.53, 29.9, -14.8

 

CMYK 12 / 0 / 67 / 70

HEX #434C19

RGB 67 76 25

HSL 70.59, 0.5%, 0.2%

LAB 30.48, -12.06, 28.32

 

CMYK 67 / 0 / 42 / 70

HEX #194C2C

RGB 25 76 44

HSL 142.35, 0.5%, 0.2%

LAB 28.27, -25.42, 14.13

 

CMYK 55 / 67 / 0 / 70

HEX #22194C

RGB 34 25 76

HSL 250.59, 0.5%, 0.2%

LAB 12.97, 20.01, -30.24

 

CMYK 0 / 67 / 25 / 70

HEX #4C1939

RGB 76 25 57

HSL 322.35, 0.5%, 0.2%

LAB 18.04, 28.15, -8.58

 

CMYK 12 / 0 / 67 / 70

HEX #434C19

RGB 67 76 25

HSL 70.59, 0.5%, 0.2%

LAB 30.48, -12.06, 28.32

 

CMYK 67 / 0 / 22 / 70

HEX #194C3B

RGB 25 76 59

HSL 160, 0.5%, 0.2%

LAB 28.62, -21.74, 5.13

 

CMYK 55 / 67 / 0 / 70

HEX #22194C

RGB 34 25 76

HSL 250.59, 0.5%, 0.2%

LAB 12.97, 20.01, -30.24

 

CMYK 0 / 67 / 45 / 70

HEX #4C192A

RGB 76 25 42

HSL 340, 0.5%, 0.2%

LAB 17.46, 25.95, 1.17

 

Description

Color code: HEX #434C19 | qconv.com Color code: HEX #434C19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 76 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 76 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 67 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 67% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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