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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #436393 it is the complementary color #BC9C6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #436393. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #436393 shade: #48638E, #5975A1, #6A87B4, #7B99C7 and #8CABDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #436393. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #436393 shade: #436393, #325180, #213F6D, #102D5A and #001B47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #436393 shade: #436392, #434D92, #4E4392, #634392 and #794392

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #436393 shade: #436392, #434D92 and #434392

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #436393 shade matches the following richer shades: #436392, #325FA4, #205CB5 and #0F58C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #436393 shade: #436392, #546681, #666A70, #776D5E and #88714D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #436393 shade: #438D92, #437892, #436392, #434E92 and #4E4392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #436393 shade: #293C5A, #365076, #436392, #5076AE and #6C8CBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #436393 shade: #436393, #824392 and #829243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #436393 shade: #436393, #924363 and #639243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #436393 shade: #436393, #824392, #927343 and #539243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #436393 shade: #436393, #92438A, #927343 and #43924B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 33 / 0 / 42

HEX #436393

RGB 67 99 147

HSL 216, 0.37%, 0.42%

LAB 41.57, 2.99, -29.91

 

Complementary color

CMYK 0 / 17 / 43 / 26

HEX #BC9C6C

RGB 188 156 108

HSL 36, 0.37%, 0.58%

LAB 66.18, 5.32, 29.55

 

CMYK 49 / 30 / 0 / 44

HEX #48638E

RGB 72 99 142

HSL 216.86, 0.33%, 0.42%

LAB 41.62, 2.6, -26.81

 

CMYK 45 / 27 / 0 / 37

HEX #5975A1

RGB 89 117 161

HSL 216.67, 0.29%, 0.49%

LAB 48.78, 1.99, -26.84

 

CMYK 41 / 25 / 0 / 29

HEX #6A87B4

RGB 106 135 180

HSL 216.49, 0.33%, 0.56%

LAB 55.77, 1.51, -26.92

 

CMYK 38 / 23 / 0 / 22

HEX #7B99C7

RGB 123 153 199

HSL 216.32, 0.4%, 0.63%

LAB 62.61, 1.11, -27.03

 

CMYK 36 / 22 / 0 / 15

HEX #8CABDA

RGB 140 171 218

HSL 216.15, 0.51%, 0.7%

LAB 69.3, 0.77, -27.17

 

CMYK 54 / 33 / 0 / 42

HEX #436393

RGB 67 99 147

HSL 216, 0.37%, 0.42%

LAB 41.57, 2.99, -29.91

 

CMYK 61 / 37 / 0 / 50

HEX #325180

RGB 50 81 128

HSL 216.15, 0.44%, 0.35%

LAB 34.23, 3.99, -29.96

 

CMYK 70 / 42 / 0 / 57

HEX #213F6D

RGB 33 63 109

HSL 216.32, 0.54%, 0.28%

LAB 26.68, 5.4, -30.06

 

CMYK 82 / 50 / 0 / 65

HEX #102D5A

RGB 16 45 90

HSL 216.49, 0.7%, 0.21%

LAB 18.91, 7.51, -30.17

 

CMYK 100 / 62 / 0 / 72

HEX #001B47

RGB 0 27 71

HSL 217.18, 1%, 0.14%

LAB 10.84, 10.53, -30.33

 

CMYK 54 / 32 / 0 / 43

HEX #436392

RGB 67 99 146

HSL 215.7, 0.37%, 0.42%

LAB 41.52, 2.66, -29.38

 

CMYK 54 / 47 / 0 / 43

HEX #434D92

RGB 67 77 146

HSL 232.41, 0.37%, 0.42%

LAB 35.16, 16.77, -39.46

 

CMYK 47 / 54 / 0 / 43

HEX #4E4392

RGB 78 67 146

HSL 248.35, 0.37%, 0.42%

LAB 33.37, 25.87, -42.27

 

CMYK 32 / 54 / 0 / 43

HEX #634392

RGB 99 67 146

HSL 264.3, 0.37%, 0.42%

LAB 35.48, 31.28, -38.77

 

CMYK 17 / 54 / 0 / 43

HEX #794392

RGB 121 67 146

HSL 281.01, 0.37%, 0.42%

LAB 38.12, 37.42, -34.42

 

CMYK 54 / 32 / 0 / 43

HEX #436392

RGB 67 99 146

HSL 215.7, 0.37%, 0.42%

LAB 41.52, 2.66, -29.38

 

CMYK 54 / 47 / 0 / 43

HEX #434D92

RGB 67 77 146

HSL 232.41, 0.37%, 0.42%

LAB 35.16, 16.77, -39.46

 

CMYK 54 / 54 / 0 / 43

HEX #434392

RGB 67 67 146

HSL 240, 0.37%, 0.42%

LAB 32.44, 23.32, -43.81

 

CMYK 54 / 32 / 0 / 43

HEX #436392

RGB 67 99 146

HSL 215.7, 0.37%, 0.42%

LAB 41.52, 2.66, -29.38

 

CMYK 70 / 42 / 0 / 36

HEX #325FA4

RGB 50 95 164

HSL 216.32, 0.53%, 0.42%

LAB 40.48, 8.14, -41.82

 

CMYK 82 / 49 / 0 / 29

HEX #205CB5

RGB 32 92 181

HSL 215.84, 0.7%, 0.42%

LAB 40.08, 14.33, -52.54

 

CMYK 92 / 56 / 0 / 22

HEX #0F58C6

RGB 15 88 198

HSL 216.07, 0.86%, 0.42%

LAB 39.85, 22.59, -62.85

 

CMYK 54 / 32 / 0 / 43

HEX #436392

RGB 67 99 146

HSL 215.7, 0.37%, 0.42%

LAB 41.52, 2.66, -29.38

 

CMYK 35 / 21 / 0 / 49

HEX #546681

RGB 84 102 129

HSL 216, 0.21%, 0.42%

LAB 42.72, 0.27, -17.21

 

CMYK 9 / 5 / 0 / 56

HEX #666A70

RGB 102 106 112

HSL 216, 0.05%, 0.42%

LAB 44.66, -0.23, -3.89

 

CMYK 0 / 8 / 21 / 53

HEX #776D5E

RGB 119 109 94

HSL 36, 0.12%, 0.42%

LAB 46.54, 1.23, 9.8

 

CMYK 0 / 17 / 43 / 47

HEX #88714D

RGB 136 113 77

HSL 36.61, 0.28%, 0.42%

LAB 48.98, 3.8, 23.34

 

CMYK 54 / 3 / 0 / 43

HEX #438D92

RGB 67 141 146

HSL 183.8, 0.37%, 0.42%

LAB 54.36, -21.42, -9.69

 

CMYK 54 / 18 / 0 / 43

HEX #437892

RGB 67 120 146

HSL 199.75, 0.37%, 0.42%

LAB 47.88, -9.92, -19.52

 

CMYK 54 / 32 / 0 / 43

HEX #436392

RGB 67 99 146

HSL 215.7, 0.37%, 0.42%

LAB 41.52, 2.66, -29.38

 

CMYK 54 / 47 / 0 / 43

HEX #434E92

RGB 67 78 146

HSL 231.65, 0.37%, 0.42%

LAB 35.43, 16.12, -39.01

 

CMYK 47 / 54 / 0 / 43

HEX #4E4392

RGB 78 67 146

HSL 248.35, 0.37%, 0.42%

LAB 33.37, 25.87, -42.27

 

CMYK 54 / 33 / 0 / 65

HEX #293C5A

RGB 41 60 90

HSL 216.73, 0.37%, 0.26%

LAB 25.08, 2.13, -20.3

 

CMYK 54 / 32 / 0 / 54

HEX #365076

RGB 54 80 118

HSL 215.63, 0.37%, 0.34%

LAB 33.63, 2.07, -24.7

 

CMYK 54 / 32 / 0 / 43

HEX #436392

RGB 67 99 146

HSL 215.7, 0.37%, 0.42%

LAB 41.52, 2.66, -29.38

 

CMYK 54 / 32 / 0 / 32

HEX #5076AE

RGB 80 118 174

HSL 215.74, 0.37%, 0.5%

LAB 49.15, 3.22, -33.88

 

CMYK 42 / 25 / 0 / 27

HEX #6C8CBB

RGB 108 140 187

HSL 215.7, 0.37%, 0.58%

LAB 57.59, 1.15, -28.09

 

CMYK 54 / 33 / 0 / 42

HEX #436393

RGB 67 99 147

HSL 216, 0.37%, 0.42%

LAB 41.57, 2.99, -29.91

 

CMYK 11 / 54 / 0 / 43

HEX #824392

RGB 130 67 146

HSL 287.85, 0.37%, 0.42%

LAB 39.3, 40, -32.47

 

CMYK 11 / 0 / 54 / 43

HEX #829243

RGB 130 146 67

HSL 72.15, 0.37%, 0.42%

LAB 57.76, -18.09, 39.43

 

CMYK 54 / 33 / 0 / 42

HEX #436393

RGB 67 99 147

HSL 216, 0.37%, 0.42%

LAB 41.57, 2.99, -29.91

 

CMYK 0 / 54 / 32 / 43

HEX #924363

RGB 146 67 99

HSL 335.7, 0.37%, 0.42%

LAB 39.62, 36.97, -2.79

 

CMYK 32 / 0 / 54 / 43

HEX #639243

RGB 99 146 67

HSL 95.7, 0.37%, 0.42%

LAB 55.7, -30.48, 36.49

 

CMYK 54 / 33 / 0 / 42

HEX #436393

RGB 67 99 147

HSL 216, 0.37%, 0.42%

LAB 41.57, 2.99, -29.91

 

CMYK 11 / 54 / 0 / 43

HEX #824392

RGB 130 67 146

HSL 287.85, 0.37%, 0.42%

LAB 39.3, 40, -32.47

 

CMYK 0 / 21 / 54 / 43

HEX #927343

RGB 146 115 67

HSL 36.46, 0.37%, 0.42%

LAB 50.43, 6.02, 30.99

 

CMYK 43 / 0 / 54 / 43

HEX #539243

RGB 83 146 67

HSL 107.85, 0.37%, 0.42%

LAB 54.87, -36.11, 35.3

 

CMYK 54 / 33 / 0 / 42

HEX #436393

RGB 67 99 147

HSL 216, 0.37%, 0.42%

LAB 41.57, 2.99, -29.91

 

CMYK 0 / 54 / 5 / 43

HEX #92438A

RGB 146 67 138

HSL 306.08, 0.37%, 0.42%

LAB 41.15, 43.15, -24.55

 

CMYK 0 / 21 / 54 / 43

HEX #927343

RGB 146 115 67

HSL 36.46, 0.37%, 0.42%

LAB 50.43, 6.02, 30.99

 

CMYK 54 / 0 / 49 / 43

HEX #43924B

RGB 67 146 75

HSL 126.08, 0.37%, 0.42%

LAB 54.3, -39.82, 30.31

 

Description

Color code: HEX #436393 | qconv.com Color code: HEX #436393 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 99 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 99 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 33 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 33% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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