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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #437E65 it is the complementary color #BC819A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #437E65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #437E65 shade: #487E60, #599073, #6AA286, #7BB499 and #8CC6AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #437E65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #437E65 shade: #437E65, #326C52, #215A3F, #10482C and #003619

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #437E65 shade: #427E65, #427E55, #427E45, #507E42 and #617E42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #437E65 shade: #427E65, #427E75, #42777E, #42677E and #42577E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #437E65 shade matches the following richer shades: #427E65, #338E67, #239E6A, #13AD6C and #04BD6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #437E65 shade: #427E65, #526F63, #625F60, #714F5E and #81405B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #437E65 shade: #427E44, #427E54, #427E64, #427E74 and #42787E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #437E65 shade: #26483A, #34634F, #427E65, #51997B and #65AE8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #437E65 shade: #437E65, #42507E and #7E4C42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #437E65 shade: #437E65, #64427E and #7E6442

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #437E65 shade: #437E65, #42507E, #7E425C and #7E7042

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #437E65 shade: #437E65, #46427E, #7E425C and #7A7E42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 20 / 51

HEX #437E65

RGB 67 126 101

HSL 154.58, 0.31%, 0.38%

LAB 48.33, -25.58, 7.7

 

Complementary color

CMYK 0 / 31 / 18 / 26

HEX #BC819A

RGB 188 129 154

HSL 334.58, 0.31%, 0.62%

LAB 60.54, 26.49, -4.12

 

CMYK 43 / 0 / 24 / 51

HEX #487E60

RGB 72 126 96

HSL 146.67, 0.27%, 0.39%

LAB 48.44, -25.24, 10.81

 

CMYK 38 / 0 / 20 / 44

HEX #599073

RGB 89 144 115

HSL 148.36, 0.24%, 0.46%

LAB 55.39, -24.96, 9.75

 

CMYK 35 / 0 / 17 / 36

HEX #6AA286

RGB 106 162 134

HSL 150, 0.23%, 0.53%

LAB 62.19, -24.7, 8.78

 

CMYK 32 / 0 / 15 / 29

HEX #7BB499

RGB 123 180 153

HSL 151.58, 0.28%, 0.59%

LAB 68.86, -24.45, 7.89

 

CMYK 29 / 0 / 13 / 22

HEX #8CC6AC

RGB 140 198 172

HSL 153.1, 0.34%, 0.66%

LAB 75.42, -24.22, 7.05

 

CMYK 47 / 0 / 20 / 51

HEX #437E65

RGB 67 126 101

HSL 154.58, 0.31%, 0.38%

LAB 48.33, -25.58, 7.7

 

CMYK 54 / 0 / 24 / 58

HEX #326C52

RGB 50 108 82

HSL 153.1, 0.37%, 0.31%

LAB 41.24, -25.76, 8.84

 

CMYK 63 / 0 / 30 / 65

HEX #215A3F

RGB 33 90 63

HSL 151.58, 0.46%, 0.24%

LAB 33.97, -25.82, 10.17

 

CMYK 78 / 0 / 39 / 72

HEX #10482C

RGB 16 72 44

HSL 150, 0.64%, 0.17%

LAB 26.53, -25.53, 11.75

 

CMYK 100 / 0 / 54 / 79

HEX #003619

RGB 0 54 25

HSL 147.78, 1%, 0.11%

LAB 18.84, -24.89, 13.62

 

CMYK 48 / 0 / 20 / 51

HEX #427E65

RGB 66 126 101

HSL 155, 0.31%, 0.38%

LAB 48.28, -25.86, 7.63

 

CMYK 48 / 0 / 33 / 51

HEX #427E55

RGB 66 126 85

HSL 139, 0.31%, 0.38%

LAB 47.93, -29.34, 16.43

 

CMYK 48 / 0 / 45 / 51

HEX #427E45

RGB 66 126 69

HSL 123, 0.31%, 0.38%

LAB 47.64, -32.25, 25.09

 

CMYK 37 / 0 / 48 / 51

HEX #507E42

RGB 80 126 66

HSL 106, 0.31%, 0.38%

LAB 48.29, -28, 27.7

 

CMYK 23 / 0 / 48 / 51

HEX #617E42

RGB 97 126 66

HSL 89, 0.31%, 0.38%

LAB 49.32, -21.5, 29.22

 

CMYK 48 / 0 / 20 / 51

HEX #427E65

RGB 66 126 101

HSL 155, 0.31%, 0.38%

LAB 48.28, -25.86, 7.63

 

CMYK 48 / 0 / 7 / 51

HEX #427E75

RGB 66 126 117

HSL 171, 0.31%, 0.38%

LAB 48.72, -21.87, -1.16

 

CMYK 48 / 6 / 0 / 51

HEX #42777E

RGB 66 119 126

HSL 187, 0.31%, 0.38%

LAB 46.79, -15.63, -9.34

 

CMYK 48 / 18 / 0 / 51

HEX #42677E

RGB 66 103 126

HSL 203, 0.31%, 0.38%

LAB 41.79, -6.45, -16.92

 

CMYK 48 / 31 / 0 / 51

HEX #42577E

RGB 66 87 126

HSL 219, 0.31%, 0.38%

LAB 36.89, 3.4, -24.49

 

CMYK 48 / 0 / 20 / 51

HEX #427E65

RGB 66 126 101

HSL 155, 0.31%, 0.38%

LAB 48.28, -25.86, 7.63

 

CMYK 64 / 0 / 27 / 44

HEX #338E67

RGB 51 142 103

HSL 154.29, 0.47%, 0.38%

LAB 52.98, -36.54, 13

 

CMYK 78 / 0 / 33 / 38

HEX #239E6A

RGB 35 158 106

HSL 154.63, 0.64%, 0.38%

LAB 57.9, -45.22, 18.03

 

CMYK 89 / 0 / 38 / 32

HEX #13AD6C

RGB 19 173 108

HSL 154.68, 0.8%, 0.38%

LAB 62.6, -52.09, 23.27

 

CMYK 98 / 0 / 41 / 26

HEX #04BD6F

RGB 4 189 111

HSL 154.7, 0.96%, 0.38%

LAB 67.7, -57.95, 28.43

 

CMYK 48 / 0 / 20 / 51

HEX #427E65

RGB 66 126 101

HSL 155, 0.31%, 0.38%

LAB 48.28, -25.86, 7.63

 

CMYK 26 / 0 / 11 / 56

HEX #526F63

RGB 82 111 99

HSL 155.17, 0.15%, 0.38%

LAB 44.32, -13.32, 3.26

 

CMYK 0 / 3 / 2 / 62

HEX #625F60

RGB 98 95 96

HSL 340, 0.02%, 0.38%

LAB 40.61, 1.4, -0.15

 

CMYK 0 / 30 / 17 / 56

HEX #714F5E

RGB 113 79 94

HSL 333.53, 0.18%, 0.38%

LAB 37.68, 16.81, -3.04

 

CMYK 0 / 50 / 29 / 49

HEX #81405B

RGB 129 64 91

HSL 335.08, 0.34%, 0.38%

LAB 36.16, 31.31, -3.16

 

CMYK 48 / 0 / 46 / 51

HEX #427E44

RGB 66 126 68

HSL 122, 0.31%, 0.38%

LAB 47.62, -32.42, 25.62

 

CMYK 48 / 0 / 33 / 51

HEX #427E54

RGB 66 126 84

HSL 138, 0.31%, 0.38%

LAB 47.91, -29.54, 16.98

 

CMYK 48 / 0 / 21 / 51

HEX #427E64

RGB 66 126 100

HSL 154, 0.31%, 0.38%

LAB 48.26, -26.1, 8.18

 

CMYK 48 / 0 / 8 / 51

HEX #427E74

RGB 66 126 116

HSL 170, 0.31%, 0.38%

LAB 48.69, -22.13, -0.61

 

CMYK 48 / 5 / 0 / 51

HEX #42787E

RGB 66 120 126

HSL 186, 0.31%, 0.38%

LAB 47.1, -16.18, -8.87

 

CMYK 47 / 0 / 19 / 72

HEX #26483A

RGB 38 72 58

HSL 155.29, 0.31%, 0.22%

LAB 27.72, -16.26, 4.57

 

CMYK 47 / 0 / 20 / 61

HEX #34634F

RGB 52 99 79

HSL 154.47, 0.31%, 0.3%

LAB 38.23, -21.32, 6.43

 

CMYK 48 / 0 / 20 / 51

HEX #427E65

RGB 66 126 101

HSL 155, 0.31%, 0.38%

LAB 48.28, -25.86, 7.63

 

CMYK 47 / 0 / 20 / 40

HEX #51997B

RGB 81 153 123

HSL 155, 0.31%, 0.46%

LAB 58, -29.94, 8.85

 

CMYK 42 / 0 / 18 / 32

HEX #65AE8F

RGB 101 174 143

HSL 154.52, 0.31%, 0.54%

LAB 65.77, -30.12, 8.83

 

CMYK 47 / 0 / 20 / 51

HEX #437E65

RGB 67 126 101

HSL 154.58, 0.31%, 0.38%

LAB 48.33, -25.58, 7.7

 

CMYK 48 / 37 / 0 / 51

HEX #42507E

RGB 66 80 126

HSL 226, 0.31%, 0.38%

LAB 34.81, 7.9, -27.76

 

CMYK 0 / 40 / 48 / 51

HEX #7E4C42

RGB 126 76 66

HSL 10, 0.31%, 0.38%

LAB 37.84, 19.96, 14.89

 

CMYK 47 / 0 / 20 / 51

HEX #437E65

RGB 67 126 101

HSL 154.58, 0.31%, 0.38%

LAB 48.33, -25.58, 7.7

 

CMYK 21 / 48 / 0 / 51

HEX #64427E

RGB 100 66 126

HSL 274, 0.31%, 0.38%

LAB 34.22, 26.99, -28.47

 

CMYK 0 / 21 / 48 / 51

HEX #7E6442

RGB 126 100 66

HSL 34, 0.31%, 0.38%

LAB 44.15, 5.69, 23.21

 

CMYK 47 / 0 / 20 / 51

HEX #437E65

RGB 67 126 101

HSL 154.58, 0.31%, 0.38%

LAB 48.33, -25.58, 7.7

 

CMYK 48 / 37 / 0 / 51

HEX #42507E

RGB 66 80 126

HSL 226, 0.31%, 0.38%

LAB 34.81, 7.9, -27.76

 

CMYK 0 / 48 / 27 / 51

HEX #7E425C

RGB 126 66 92

HSL 334, 0.31%, 0.38%

LAB 36.19, 29.23, -3.8

 

CMYK 0 / 11 / 48 / 51

HEX #7E7042

RGB 126 112 66

HSL 46, 0.31%, 0.38%

LAB 47.52, -1.31, 27.48

 

CMYK 47 / 0 / 20 / 51

HEX #437E65

RGB 67 126 101

HSL 154.58, 0.31%, 0.38%

LAB 48.33, -25.58, 7.7

 

CMYK 44 / 48 / 0 / 51

HEX #46427E

RGB 70 66 126

HSL 244, 0.31%, 0.38%

LAB 31.13, 18.16, -33.56

 

CMYK 0 / 48 / 27 / 51

HEX #7E425C

RGB 126 66 92

HSL 334, 0.31%, 0.38%

LAB 36.19, 29.23, -3.8

 

CMYK 3 / 0 / 48 / 51

HEX #7A7E42

RGB 122 126 66

HSL 64, 0.31%, 0.38%

LAB 51.21, -10.95, 31.97

 

Description

Color code: HEX #437E65 | qconv.com Color code: HEX #437E65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 126 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 126 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 20 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 20% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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