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Color name
HEX #438017

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #438017 it is the complementary color #BC7FE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #438017. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #438017 shade: #488012, #599225, #6AA438, #7BB64B and #8CC85E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #438017. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #438017 shade: #438017, #326E04, #215C00, #104A00 and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #438017 shade: #438216, #608216, #7D8216, #826916 and #824C16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #438017 shade: #438216, #268216, #168223, #168240 and #16825D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #438017 shade matches the following richer shades: #438216 and #418E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #438017 shade: #438216, #457523, #47692F, #495C3C and #4B5048

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #438017 shade: #7E8216, #618216, #458216, #288216 and #168221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #438017 shade: #1F3B0A, #315E10, #438216, #56A51D and #68C823

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #438017 shade: #438017, #168269 and #821670

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #438017 shade: #438017, #164582 and #821645

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #438017 shade: #438017, #168269, #531682 and #82162F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #438017 shade: #438017, #167A82, #531682 and #821E16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 82 / 50

HEX #438017

RGB 67 128 23

HSL 94.86, 0.7%, 0.3%

LAB 47.87, -37.79, 46.56

 

Complementary color

CMYK 19 / 45 / 0 / 9

HEX #BC7FE8

RGB 188 127 232

HSL 274.86, 0.7%, 0.7%

LAB 63.09, 42.61, -44.26

 

CMYK 44 / 0 / 86 / 50

HEX #488012

RGB 72 128 18

HSL 90.55, 0.75%, 0.29%

LAB 48.08, -36.3, 48.3

 

CMYK 39 / 0 / 75 / 43

HEX #599225

RGB 89 146 37

HSL 91.38, 0.6%, 0.36%

LAB 54.88, -36.94, 48.83

 

CMYK 35 / 0 / 66 / 36

HEX #6AA438

RGB 106 164 56

HSL 92.22, 0.49%, 0.43%

LAB 61.57, -37.28, 48.39

 

CMYK 32 / 0 / 59 / 29

HEX #7BB64B

RGB 123 182 75

HSL 93.08, 0.42%, 0.5%

LAB 68.15, -37.45, 47.5

 

CMYK 30 / 0 / 53 / 22

HEX #8CC85E

RGB 140 200 94

HSL 93.96, 0.49%, 0.58%

LAB 74.63, -37.5, 46.43

 

CMYK 48 / 0 / 82 / 50

HEX #438017

RGB 67 128 23

HSL 94.86, 0.7%, 0.3%

LAB 47.87, -37.79, 46.56

 

CMYK 55 / 0 / 96 / 57

HEX #326E04

RGB 50 110 4

HSL 93.96, 0.93%, 0.22%

LAB 40.96, -36.8, 45.12

 

CMYK 64 / 0 / 100 / 64

HEX #215C00

RGB 33 92 0

HSL 98.48, 1%, 0.18%

LAB 33.94, -34.97, 40.33

 

CMYK 78 / 0 / 100 / 71

HEX #104A00

RGB 16 74 0

HSL 107.03, 1%, 0.15%

LAB 26.76, -32.45, 34.31

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 48 / 0 / 83 / 49

HEX #438216

RGB 67 130 22

HSL 95, 0.71%, 0.3%

LAB 48.53, -38.68, 47.48

 

CMYK 26 / 0 / 83 / 49

HEX #608216

RGB 96 130 22

HSL 78.89, 0.71%, 0.3%

LAB 50.11, -27.66, 49.5

 

CMYK 4 / 0 / 83 / 49

HEX #7D8216

RGB 125 130 22

HSL 62.78, 0.71%, 0.3%

LAB 52.27, -14.86, 52.23

 

CMYK 0 / 19 / 83 / 49

HEX #826916

RGB 130 105 22

HSL 46.11, 0.71%, 0.3%

LAB 45.51, 1.45, 46.47

 

CMYK 0 / 42 / 83 / 49

HEX #824C16

RGB 130 76 22

HSL 30, 0.71%, 0.3%

LAB 37.79, 18.51, 39.5

 

CMYK 48 / 0 / 83 / 49

HEX #438216

RGB 67 130 22

HSL 95, 0.71%, 0.3%

LAB 48.53, -38.68, 47.48

 

CMYK 71 / 0 / 83 / 49

HEX #268216

RGB 38 130 22

HSL 111.11, 0.71%, 0.3%

LAB 47.54, -46.6, 46.2

 

CMYK 83 / 0 / 73 / 49

HEX #168223

RGB 22 130 35

HSL 127.22, 0.71%, 0.3%

LAB 47.31, -48.27, 41.19

 

CMYK 83 / 0 / 51 / 49

HEX #168240

RGB 22 130 64

HSL 143.33, 0.71%, 0.3%

LAB 47.63, -44.38, 27.55

 

CMYK 83 / 0 / 28 / 49

HEX #16825D

RGB 22 130 93

HSL 159.44, 0.71%, 0.3%

LAB 48.17, -38.28, 11.95

 

CMYK 48 / 0 / 83 / 49

HEX #438216

RGB 67 130 22

HSL 95, 0.71%, 0.3%

LAB 48.53, -38.68, 47.48

 

CMYK 54 / 0 / 93 / 44

HEX #418E0A

RGB 65 142 10

HSL 95, 0.87%, 0.3%

LAB 52.39, -44.59, 53.63

 

CMYK 48 / 0 / 83 / 49

HEX #438216

RGB 67 130 22

HSL 95, 0.71%, 0.3%

LAB 48.53, -38.68, 47.48

 

CMYK 41 / 0 / 70 / 54

HEX #457523

RGB 69 117 35

HSL 95.12, 0.54%, 0.3%

LAB 44.39, -31.4, 38.57

 

CMYK 32 / 0 / 55 / 59

HEX #47692F

RGB 71 105 47

HSL 95.17, 0.38%, 0.3%

LAB 40.65, -23.58, 28.49

 

CMYK 21 / 0 / 35 / 64

HEX #495C3C

RGB 73 92 60

HSL 95.63, 0.21%, 0.3%

LAB 36.74, -13.91, 16.11

 

CMYK 6 / 0 / 10 / 69

HEX #4B5048

RGB 75 80 72

HSL 97.5, 0.05%, 0.3%

LAB 33.35, -3.74, 4.02

 

CMYK 3 / 0 / 83 / 49

HEX #7E8216

RGB 126 130 22

HSL 62.22, 0.71%, 0.3%

LAB 52.35, -14.4, 52.34

 

CMYK 25 / 0 / 83 / 49

HEX #618216

RGB 97 130 22

HSL 78.33, 0.71%, 0.3%

LAB 50.17, -27.24, 49.58

 

CMYK 47 / 0 / 83 / 49

HEX #458216

RGB 69 130 22

HSL 93.89, 0.71%, 0.3%

LAB 48.62, -38.01, 47.59

 

CMYK 69 / 0 / 83 / 49

HEX #288216

RGB 40 130 22

HSL 110, 0.71%, 0.3%

LAB 47.59, -46.18, 46.26

 

CMYK 83 / 0 / 75 / 49

HEX #168221

RGB 22 130 33

HSL 126.11, 0.71%, 0.3%

LAB 47.3, -48.46, 41.97

 

CMYK 47 / 0 / 83 / 77

HEX #1F3B0A

RGB 31 59 10

HSL 94.29, 0.71%, 0.14%

LAB 21.73, -20.49, 25.5

 

CMYK 48 / 0 / 83 / 63

HEX #315E10

RGB 49 94 16

HSL 94.62, 0.71%, 0.22%

LAB 35.39, -29.74, 36.86

 

CMYK 48 / 0 / 83 / 49

HEX #438216

RGB 67 130 22

HSL 95, 0.71%, 0.3%

LAB 48.53, -38.68, 47.48

 

CMYK 48 / 0 / 82 / 35

HEX #56A51D

RGB 86 165 29

HSL 94.85, 0.7%, 0.38%

LAB 60.76, -46.34, 56.96

 

CMYK 48 / 0 / 83 / 22

HEX #68C823

RGB 104 200 35

HSL 94.91, 0.7%, 0.46%

LAB 72.48, -54.04, 66.24

 

CMYK 48 / 0 / 82 / 50

HEX #438017

RGB 67 128 23

HSL 94.86, 0.7%, 0.3%

LAB 47.87, -37.79, 46.56

 

CMYK 83 / 0 / 19 / 49

HEX #168269

RGB 22 130 105

HSL 166.11, 0.71%, 0.3%

LAB 48.46, -35.18, 5.36

 

CMYK 0 / 83 / 14 / 49

HEX #821670

RGB 130 22 112

HSL 310, 0.71%, 0.3%

LAB 30.62, 52.78, -25.01

 

CMYK 48 / 0 / 82 / 50

HEX #438017

RGB 67 128 23

HSL 94.86, 0.7%, 0.3%

LAB 47.87, -37.79, 46.56

 

CMYK 83 / 47 / 0 / 49

HEX #164582

RGB 22 69 130

HSL 213.89, 0.71%, 0.3%

LAB 29.51, 8.18, -38.79

 

CMYK 0 / 83 / 47 / 49

HEX #821645

RGB 130 22 69

HSL 333.89, 0.71%, 0.3%

LAB 28.77, 47.44, 0.32

 

CMYK 48 / 0 / 82 / 50

HEX #438017

RGB 67 128 23

HSL 94.86, 0.7%, 0.3%

LAB 47.87, -37.79, 46.56

 

CMYK 83 / 0 / 19 / 49

HEX #168269

RGB 22 130 105

HSL 166.11, 0.71%, 0.3%

LAB 48.46, -35.18, 5.36

 

CMYK 36 / 83 / 0 / 49

HEX #531682

RGB 83 22 130

HSL 273.89, 0.71%, 0.3%

LAB 23.75, 46.71, -47.89

 

CMYK 0 / 83 / 64 / 49

HEX #82162F

RGB 130 22 47

HSL 346.11, 0.71%, 0.3%

LAB 28.18, 45.66, 14.27

 

CMYK 48 / 0 / 82 / 50

HEX #438017

RGB 67 128 23

HSL 94.86, 0.7%, 0.3%

LAB 47.87, -37.79, 46.56

 

CMYK 83 / 6 / 0 / 49

HEX #167A82

RGB 22 122 130

HSL 184.44, 0.71%, 0.3%

LAB 46.58, -23.74, -12.16

 

CMYK 36 / 83 / 0 / 49

HEX #531682

RGB 83 22 130

HSL 273.89, 0.71%, 0.3%

LAB 23.75, 46.71, -47.89

 

CMYK 0 / 77 / 83 / 49

HEX #821E16

RGB 130 30 22

HSL 4.44, 0.71%, 0.3%

LAB 28.73, 41.79, 30.85

 

Description

Color code: HEX #438017 | qconv.com Color code: HEX #438017 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 128 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 128 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 82 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 82% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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