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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43839D it is the complementary color #BC7C62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43839D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43839D shade: #488398, #5995AB, #6AA7BE, #7BB9D1 and #8CCBE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43839D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43839D shade: #43839D, #32718A, #215F77, #104D64 and #003B51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43839D shade: #43839D, #436A9D, #43529D, #4C439D and #64439D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43839D shade: #43839D, #436A9D, #43529D and #43439D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43839D shade matches the following richer shades: #43839D, #318AAF, #1F92C1 and #0C9AD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43839D shade: #43839D, #557B8A, #677378, #796C66 and #8B6454

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43839D shade: #439D86, #439B9D, #43839D, #436B9D and #43539D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43839D shade: #2A5263, #366B80, #43839D, #5399B5 and #70AAC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43839D shade: #43839D, #6E439D and #9D9243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43839D shade: #43839D, #9D4383 and #839D43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43839D shade: #43839D, #6E439D, #9D5C43 and #719D43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43839D shade: #43839D, #89439D, #9D5C43 and #569D43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

Complementary color

CMYK 0 / 34 / 48 / 26

HEX #BC7C62

RGB 188 124 98

HSL 17.33, 0.4%, 0.56%

LAB 58.03, 21.93, 24.38

 

CMYK 53 / 14 / 0 / 40

HEX #488398

RGB 72 131 152

HSL 195.75, 0.36%, 0.44%

LAB 51.7, -13.13, -17.18

 

CMYK 48 / 13 / 0 / 33

HEX #5995AB

RGB 89 149 171

HSL 196.1, 0.33%, 0.51%

LAB 58.56, -13.39, -17.59

 

CMYK 44 / 12 / 0 / 25

HEX #6AA7BE

RGB 106 167 190

HSL 196.43, 0.39%, 0.58%

LAB 65.29, -13.58, -17.98

 

CMYK 41 / 11 / 0 / 18

HEX #7BB9D1

RGB 123 185 209

HSL 196.74, 0.48%, 0.65%

LAB 71.9, -13.72, -18.36

 

CMYK 39 / 11 / 0 / 11

HEX #8CCBE4

RGB 140 203 228

HSL 197.05, 0.62%, 0.72%

LAB 78.4, -13.82, -18.74

 

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

CMYK 64 / 18 / 0 / 46

HEX #32718A

RGB 50 113 138

HSL 197.05, 0.47%, 0.37%

LAB 44.69, -12.12, -19.73

 

CMYK 72 / 20 / 0 / 53

HEX #215F77

RGB 33 95 119

HSL 196.74, 0.57%, 0.3%

LAB 37.55, -11.26, -19.29

 

CMYK 84 / 23 / 0 / 61

HEX #104D64

RGB 16 77 100

HSL 196.43, 0.72%, 0.23%

LAB 30.25, -9.93, -18.76

 

CMYK 100 / 27 / 0 / 68

HEX #003B51

RGB 0 59 81

HSL 196.3, 1%, 0.16%

LAB 22.73, -8.07, -18.17

 

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

CMYK 57 / 32 / 0 / 38

HEX #436A9D

RGB 67 106 157

HSL 214, 0.4%, 0.44%

LAB 44.14, 2, -31.83

 

CMYK 57 / 48 / 0 / 38

HEX #43529D

RGB 67 82 157

HSL 230, 0.4%, 0.44%

LAB 37.23, 17.27, -42.79

 

CMYK 52 / 57 / 0 / 38

HEX #4C439D

RGB 76 67 157

HSL 246, 0.4%, 0.44%

LAB 33.95, 28.89, -48.02

 

CMYK 36 / 57 / 0 / 38

HEX #64439D

RGB 100 67 157

HSL 262, 0.4%, 0.44%

LAB 36.29, 34.52, -44.14

 

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

CMYK 57 / 32 / 0 / 38

HEX #436A9D

RGB 67 106 157

HSL 214, 0.4%, 0.44%

LAB 44.14, 2, -31.83

 

CMYK 57 / 48 / 0 / 38

HEX #43529D

RGB 67 82 157

HSL 230, 0.4%, 0.44%

LAB 37.23, 17.27, -42.79

 

CMYK 57 / 57 / 0 / 38

HEX #43439D

RGB 67 67 157

HSL 240, 0.4%, 0.44%

LAB 33.23, 27.03, -49.23

 

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

CMYK 72 / 21 / 0 / 31

HEX #318AAF

RGB 49 138 175

HSL 197.62, 0.56%, 0.44%

LAB 53.95, -13.87, -27.08

 

CMYK 84 / 24 / 0 / 24

HEX #1F92C1

RGB 31 146 193

HSL 197.41, 0.72%, 0.44%

LAB 56.78, -14.01, -32.96

 

CMYK 94 / 27 / 0 / 17

HEX #0C9AD3

RGB 12 154 211

HSL 197.19, 0.89%, 0.44%

LAB 59.79, -13.02, -38.39

 

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

CMYK 38 / 11 / 0 / 46

HEX #557B8A

RGB 85 123 138

HSL 196.98, 0.24%, 0.44%

LAB 49.41, -9.28, -12.39

 

CMYK 14 / 4 / 0 / 53

HEX #677378

RGB 103 115 120

HSL 197.65, 0.08%, 0.44%

LAB 47.63, -3.36, -4.29

 

CMYK 0 / 11 / 16 / 53

HEX #796C66

RGB 121 108 102

HSL 18.95, 0.09%, 0.44%

LAB 46.64, 4.01, 5.21

 

CMYK 0 / 28 / 40 / 45

HEX #8B6454

RGB 139 100 84

HSL 17.45, 0.25%, 0.44%

LAB 45.97, 13.54, 15.29

 

CMYK 57 / 0 / 15 / 38

HEX #439D86

RGB 67 157 134

HSL 164.67, 0.4%, 0.44%

LAB 59, -32.6, 3.99

 

CMYK 57 / 1 / 0 / 38

HEX #439B9D

RGB 67 155 157

HSL 181.33, 0.4%, 0.44%

LAB 59.04, -25.45, -9

 

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

CMYK 57 / 32 / 0 / 38

HEX #436B9D

RGB 67 107 157

HSL 213.33, 0.4%, 0.44%

LAB 44.44, 1.39, -31.36

 

CMYK 57 / 47 / 0 / 38

HEX #43539D

RGB 67 83 157

HSL 229.33, 0.4%, 0.44%

LAB 37.51, 16.62, -42.34

 

CMYK 58 / 17 / 0 / 61

HEX #2A5263

RGB 42 82 99

HSL 197.89, 0.4%, 0.28%

LAB 32.76, -8.64, -14.18

 

CMYK 58 / 16 / 0 / 50

HEX #366B80

RGB 54 107 128

HSL 197.03, 0.41%, 0.36%

LAB 42.55, -11.12, -17.02

 

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

CMYK 54 / 15 / 0 / 29

HEX #5399B5

RGB 83 153 181

HSL 197.14, 0.4%, 0.52%

LAB 59.85, -14.02, -21.32

 

CMYK 42 / 12 / 0 / 24

HEX #70AAC2

RGB 112 170 194

HSL 197.56, 0.4%, 0.6%

LAB 66.59, -12.57, -18.21

 

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

CMYK 30 / 57 / 0 / 38

HEX #6E439D

RGB 110 67 157

HSL 268.67, 0.4%, 0.44%

LAB 37.41, 37.07, -42.27

 

CMYK 0 / 7 / 57 / 38

HEX #9D9243

RGB 157 146 67

HSL 52.67, 0.4%, 0.44%

LAB 60.01, -6.42, 42.62

 

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

CMYK 0 / 57 / 17 / 38

HEX #9D4383

RGB 157 67 131

HSL 317.33, 0.4%, 0.44%

LAB 42.49, 45.31, -18.08

 

CMYK 17 / 0 / 57 / 38

HEX #839D43

RGB 131 157 67

HSL 77.33, 0.4%, 0.44%

LAB 61.08, -23.28, 43.3

 

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

CMYK 30 / 57 / 0 / 38

HEX #6E439D

RGB 110 67 157

HSL 268.67, 0.4%, 0.44%

LAB 37.41, 37.07, -42.27

 

CMYK 0 / 41 / 57 / 38

HEX #9D5C43

RGB 157 92 67

HSL 16.67, 0.4%, 0.44%

LAB 45.94, 24.04, 25.7

 

CMYK 28 / 0 / 57 / 38

HEX #719D43

RGB 113 157 67

HSL 89.33, 0.4%, 0.44%

LAB 59.92, -30.42, 41.65

 

CMYK 57 / 17 / 0 / 38

HEX #43839D

RGB 67 131 157

HSL 197.33, 0.4%, 0.44%

LAB 51.68, -12.7, -20.13

 

CMYK 13 / 57 / 0 / 38

HEX #89439D

RGB 137 67 157

HSL 286.67, 0.4%, 0.44%

LAB 40.84, 44.28, -36.61

 

CMYK 0 / 41 / 57 / 38

HEX #9D5C43

RGB 157 92 67

HSL 16.67, 0.4%, 0.44%

LAB 45.94, 24.04, 25.7

 

CMYK 45 / 0 / 57 / 38

HEX #569D43

RGB 86 157 67

HSL 107.33, 0.4%, 0.44%

LAB 58.51, -39.95, 39.65

 

Description

Color code: HEX #43839D | qconv.com Color code: HEX #43839D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 131 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 131 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 17 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 17% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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